Posts Tagged ‘Dublin’

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Originally from rural Galway, Maija Sofia is a now Dublin-based songwriter who’s quietly been making waves with her brand of DIY-folk. After the success of her break-out single Flowers, Maija began work on her ambitious debut album, Bath Time. Lifting its name from where most of the album’s lyrics were written, Bath Time is a re-imagining of traditional folk ballads, taking women’s voices, often left unrepresented in historical retellings, and giving them a chance to speak back. Throughout Bath Time, Maija strives to retell the stories of misunderstood muses, displaced authors and murdered wives, and shine a light that previously only passed them by.

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As well as a lyrical reinterpretation of the classic folk blue-print, Bath Time is also something of a musical makeover. Throughout, Maija and her electric guitar take the front of stage, and then sounds are built around them, whether that’s wistful Lap Steel or the orchestral flourish of harp. Never lost into the mix though are Maija’s words, often tumbling out, desperate to be spoken, whether telling the tale of Bridget Cleary, killed by a husband who thought she’d been abducted by fairies and replaced by a changeling, looking at the doomed love affair between Elizabeth Siddal and Rossetti or interrogating the Catholic Church. A fascinating collection of tracks that has something to say and demands that its listeners take the time to listen, Bath Time is a perfect tribute and timely reminder that the battle to be heard still rumbles on.

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Following the success of lo-fi dream-pop single ‘Flowers’, Maija Sofia releases her debut album ‘Bath Time’ via Trapped Animal Records & Cargo Records and is out on 15th November 2019.

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Dublin’s Silverbacks have dropped their new single, ‘Sirens’, out via Nice Swan Records, with the limited edition AA 7″ dropping on January 31st 2020.

Produced by Girl Band basssist Daniel Fox, the lushly recorded propulsive rhythm section prompts a visceral response from the three guitarists who weave fuzz-laden riffs, and spindly post-punk riffs into the mix, while vocally switching from semi-spoken nonchalance to unabashedly catchy glam punk melodies.

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In ‘Sirens’, the narrator misses riots and important protests taking place in his city because he’s too preoccupied with writing the perfect soundtrack for what is happening,” says singer Daniel O’Kelly. “He’s equally distracted by his relationship issues, tennis, and his obsession with his favourite band.”

Fresh off the back of a Europe wide tour in support of Soak, Dublin indie-punks Pillow Queens are on a lap of the Irish festival circuit. Blending punk leaning instrumentation and raw vocals with melodic pop chops, Pillow Queens’ catchy anthems are the perfect mosh-along festival fare and their always charismatic and engaging stage presence is a live treat.

With Irish bands having a serious moment, with acts like Soak and Fontaines DC making their mark on the global stage. Pillow Queens are a four piece band – made up of vocalist, guitarist and bassist Sarah Corcoran, from Dublin, fellow vocalist , guitarist and bassist Pamela Connolly, guitarist Cathy McGuinness and drummer Rachel Lyons have been together for two years, but in that short time, have rocketed to become one of the most exciting bands not only on the Irish scene, but the indie scene at large. Taking inspo from US DIY indie and punk, Pillow Queens have a lot of ways of describing themselves. Sarah told us ‘We’re a four-piece from Ireland, half of us from Dublin, half from the outside of Dublin. We make music that’s been described, rather delicately by Blindboy, as a mix between Sonic Youth and Dolores O’Riordan’, with Pamela adding in: ‘We’re serious musicians.’ ‘I was trying to fill out a grant proposal earlier on and I was trying to describe our music, and I wrote, people describe us as lo-fi.’

Gay Girls. Their breakthrough hit, an infectious indie track with a killer chorus, was accompanied by a video showing Irish schoolgirls running riot in their Communion dresses which brought the song to a whole new audience and gained critical acclaim.

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Called out by the Irish Times as “Ireland’s best new rock band” and named as an one of nme’s “100 essential new artists for 2019,” when i have fears is the debut album from Dublin, Ireland’s the Murder Capital.

Produced by Flood (pj harvey, new order, foals) the album features both singles from the band so far, “Feeling Fades” and “Green & Blue”, as well as the first studio recording of breakthrough track “More is Less”. an exercise in both darkness and light, “When I Have Fears” only serves to highlight the early ambition in the band’s sound. from the post-rock build and breakdowns of the two-part “Slowdance”, to the tender, bruised confessional of “On Twisted Ground” and industrial pulse of closer “Love, Love, Love”, there’s a consistent intensity throughout that marks out the Murder Capital as a band arriving fully formed on their debut album. “surging like waves and creating the same nervous, edge-of-your-seat atmosphere that their live shows have been so well spoken of for…

beautiful chaos.” – neu pick of the day, diy “a brooding beat and a menacing bassline, the Murder Capital have delivered the goods.” – gigwise “not just a band primed to rip your head off, but to make you throw shapes.” – dork hype 2019 “furious, bellowing Irish punks who would beat you in a staring contest.”

Our debut album ‘When I Have Fears’ is out August 16th.

From the beginning of making this record together, the poem ‘When I Have Fears’ served not only as a structural pillar, but quickly became a set of ideals for us to live by.

Pre-order the album on Limited Edition Marbled Rust 12” Vinyl

 

The Dublin band Inhaler has been getting a lot of buzz lately. Fronted by Bono’s son Eli Hewson, the band has just released a slobberknocker of a new single called “My Honest Face”. Noel Gallagher has described the band as a mix between Echo And The Bunnymen with old U2, which seems appropriate given their lineage.

Formed in 2016, Inhaler is a four piece Rock and Roll Band from Dublin, Ryan McMahon, Robert Keating, Josh Jenkinson and Elijah Hewson.

Currently touring through the United Kingdom with Fuzzy Sun and will join ranks with Blossoms and Courteeners for their festival warm-up dates.

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We’ve recently mentioned our love for some of the bands coming out of Ireland at the moment like Fontaines D.C., Murder Capital and also the wonderful Silverbacks.

The latter who have released a new single, the propulsive, chugging Pink Tide, is another crackerjack of a tune brimming over with sardonic humour and sinewy twin guitars. It tells the tale of a slow unravelling of fashionable and futile revolutions in a land drowning in pomp and circumstance.

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According to Silverbacks’ Daniel O’Kell  the origins of the track came from “another demo, poorly named ‘Mark E. Smith Eats His Purple Crayon’. In the end we realised that the riff deserved better, and we started writing what eventually became Pink Tide.”

Band Members
Daniel – Guitar, Vocals
Kilian – Guitar, Vocals
Peadar – Guitar
Emma – Bass, Vocals
Gary – Drums

The Murder Capital are outrageously exciting live. The young Dublin quintet’s brutal art-punk rock is thrilling on the edge of terrifying: new year fireworks in a metal tent.

You won’t hear much on streaming sites yet, and what’s there can’t quite capture the unreasonable thrill of their brooding stage presence. Schoolyard-forged friends looking like a Victorian gentlemen’s boxing gang on parole – even sometimes playing while gently butting heads – they simmer with menace while weaving around each other on the tiny stages their pawing intensity has long outgrown.

The band’s mix of businesslike dress and improvised choreography on stage is echoed in their music. Visually and sonically, it’s a thug’s pantomime, delivered with delicacy. It’s never just pure punk noise. Some songs reach back to Joy Division’s drum tattoos, interlocking with surging, wave-break bass. Pixies’ quiet-loud-quiet trick is in there, as are Shame and Savages, while PJ Harvey and the Bad Seeds infest tracks such as Green and Blue. But these are just reference points on a map of their own making. Mostly they thrust forward into the darkness.

An album and second single, to follow the vein-bulging debut track Feeling Fades, should surface this summer. You need to see them live though. “I like brutalism because it’s not trying to be beautiful,” says singer James McGovern. The Murder Capital make brutal beautiful.

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Grian Chatten can’t help but spill words all over the place. His band, Fontaines D.C., blasts out hard-charging post-punk as he fills every available space with conversational blurts that lie somewhere between literary high-mindedness and the rants of a worked-up barfly. “Big,” from the group’s debut album Dogrel, takes less than two minutes to carve out a mantra (“My childhood was small / But I’m gonna be big!”) with a musical mission statement to match: It’s brash and forceful, but with a twinkle in its eye. Fontaines DC are undoubtedly the favourite discovery of 2018. For 2019 they are set to be the band to see at venues and festivals across the land. Taking the best bits of the bands like The Stooges, The Fall, Girl Band and Idles, we’ve already shared the outstanding Chequeless Reckless, and the other side to that single, Boys In The Better Land is another absolute crackerjack of a tune.

If you’re a rock star, porn star, superstar,
Doesn’t matter what you are
Get yourself a good car,
Get out of here

AA-Side ‘Boys In The Better Land / Chequeless Reckless’ via Rough Trade: released on Feb 23rd on 7″ vinyl and digital platforms. Audio Recorded and Mixed in Darklands Audio, Dublin by Daniel Doherty

The third 7″ Single from Dublin’s Fontaines who have now added DC to the end of their name. Chequeless Reckless is one half of a double A-Side single and is a mesmerising cut that’s built on a krautrock rock esque groove but played by punks. The vocals are spoken in a distinctive Irish drawl and sits in between Mark E Smith and Justin from the Vaccines. The other half of the single is Boys in the Better Land which is another golden nugget that has the sound of The Modern Lovers if they’d grown up in Dublin. this band just keep getting better and better.

Band Members
Grian Chatten,
Conor Deegan III,
Carlos O’Connell,
Conor Curley,
Tom Coll,

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The Murder Capital having recording with Flood (PJ Harvey, Nick Cave & The Bad Seeds, Foals) wasn’t a bad start for this Dublin outfit The Murder Capital to make their debut with ‘Feeling Faces, showing how they have risen to become one of Ireland’s emerging hot properties – with the not-to-forget, gravel-edged vocals of James McGovern leading the way.

Band Members
James McGovern,Damien Tuit, Cathal Roper, Gabriel Paschal Blake, Diarmuid Brennan,
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The fourth single, but first on new home Partisan Records from the much loved at Rough Trade shops Fontaines D.C. They band met as a quintet in Dublin, influenced and driven in equal measure by the rich history of their hometown’s counter-culture, their response has been to make concise and immediately authentic indie-punk that has done anything but fall on deaf ears.

The last six months have seen Fontaines D.C. release three hotly received double A-side singles, both of which were named as singles of the week by Rough Trade, and garnered early support from the likes of Steve Lamacq and others on BBC 6 Music, as well as earning feature space from every major Irish publication.

Too Real is another masterclass in repetition. It employs hypnotic, kraut-rock infused cyclical riffs, whilst channelling Dublin into their concise and often-unassumingly poetic lyrics with a distinctive gritty Irish drawl. The flip The Cuckoo is a Callin’ is a more straight ahead pop nugget but equally as engaging.