Posts Tagged ‘Diet Cig’

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New York indie rock pairing Alex Luciano (guitar/vocals) and Noah Bowman (drums) have been playing as awesome band Diet Cig for six years now and despite their hard-earned reputation for their passionate performances they’ve always felt somewhat like they’ve got something to prove. The duo blast away any shadow of doubt just how amazing they are on their second LP ‘Do You Wonder About Me?’

“We spent a lot of time after the first record growing as people, being humans outside of tour for a little bit, and trying to shed the imposter syndrome.” – Alex Luciano

It can get truly exciting when you strip rock right down to the bare basics. Getting rid of all the unnecessary gimmicks and gadgets allows the purity of a song can shine through and it’s the truly special bands that dare to write in this way. Dashing all fears of a difficult second album, they have returned with a rousing record that has all the energy of their debut as heard on stand out song ‘Broken Body’ plus the added dynamism of gorgeous slower tracks like ‘Night Terrors’.

From the album, ‘Do You Wonder About Me?’ out May 1, 2020 on Frenchkiss Records.

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Do You Wonder About Me? Is the follow-up to 2017’s Swear I’m Good At This. The new record marks a more intentional, self-assured Diet Cig; not only in Luciano’s radically intimate, acerbic lyrics, but in the duo’s sound as well. Luciano and Bowman moved to Richmond, VA in the summer of 2017 as a place to “hide out and make music,” and it was there that they wrote Do You Wonder About Me?, Diet Cig’s ode to growing up.

“We spent a lot of time after the first record growing as people, being humans outside of tour for a little bit, and trying to shed the imposter syndrome.” Luciano says. Spending the time to make the kind of music they really wanted to make and making sure they felt good about it was crucial to the success of tracks like Night Terrors. It’s a slower-paced song than Diet Cig’s usual, but just as biting; a song about reckoning with all the past versions of yourself. As Luciano puts it, “Am I still these people, or have I shapeshifted?” It’s essentially the thesis of Do You Wonder About Me?, considering and accepting the embarrassing aspects of your identity, and how they’re just as much a part of you as the good stuff.

Our second album, “Do You Wonder About Me?” is coming out May 1st! Pre-order the record (https://orcd.co/dietcigwonder) and check out our new song, “Thriving.” Thriving was the first song we wrote for this record!!! Inspired by the melodrama of reality TV and musical theater, we wanted the song to bounce back and forth between a lavish personal anthem and the anguish of feeling forever beholden to others opinions.

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Releases May 1st, 2020

All songs written by Alex Luciano and Noah Bowman

Band Members
Alex Luciano-vox/guitar
Noah Bowman-drums
Jamal Ruhe played all the bass
Karli Ashlyn Helm sang harmonies and additional vocals and played additional keys
Christopher Daly shredded the arpeggiator more than once
Travis de Jong played saxophone

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“Do You Wonder About Me?” Is the follow-up to 2017’s Swear I’m Good At This. The new record marks a more intentional, self-assured Diet Cig; not only in Luciano’s radically intimate, acerbic lyrics, but in the duo’s sound as well. Luciano and Bowman moved to Richmond, VA in the summer of 2017 as a place to “hide out and make music,” and it was there that they wrote Do You Wonder About Me?, Diet Cig’s ode to growing up.

“We spent a lot of time after the first record growing as people, being humans outside of tour for a little bit, and trying to shed the imposter syndrome.” Luciano says. Spending the time to make the kind of music they really wanted to make and making sure they felt good about it was crucial to the success of tracks like Night Terrors. It’s a slower-paced song than Diet Cig’s usual, but just as biting; a song about reckoning with all the past versions of yourself. As Luciano puts it, “Am I still these people, or have I shapeshifted?” It’s essentially the thesis of Do You Wonder About Me?, considering and accepting the embarrassing aspects of your identity, and how they’re just as much a part of you as the good stuff.

New York City’s Diet Cig have a new album entitled Do You Wonder About Me? on the way, and you can hear its thundering, lucent “Who Are You?” as of today. The LP is out through French kiss Records on May 1st. You can pre-order glow-in-the-dark-green-vinyl, CD, cobalt-blue-cassette and digital editions of it either from the band’s webstore or from their Bandcamp page now.

Band Members
Alex Luciano-vox/guitar
Noah Bowman-drums

From the album, ‘Do You Wonder About Me?’ out May 1, 2020 on Frenchkiss Records.

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It’s safe to say we are glad to see Diet Cig back in action: the duo were aclaimed as one of 2016’s best new bands on the strength of their 2015 debut EP Over Easy and subsequent singles, and ranked Swear I’m Good At This  among the best albums of 2017. There’s no word yet on whether “Night Terrors” is our first preview of a new album from the duo. Alex Luciano said of the single. “This song centers around my very real and frequent experiences with night terrors and other bizarre sleep activity,” .

Vocals Guitar – Alex Luciano Drums – Noah Bowman Bass – Jamal Ruhe Synth – Karli Ashlyn Helm, Christopher Daly

Diet Cig are definitely the ones to see. Do not miss your chance to see this huge emerging talent when they hit the UK. They have just announced a headline tour, with shows at Rough Trade Bristol, The Hope & Ruin at Brighton, YES at Manchester and The Camden Assembly in London during May 2020. Be there!

“Night Terrors” out now on  Frenchkiss Records..

Alex Luciano and Noah Bowman describe the music in their band Diet Cig as “slop pop.” The self-coined genre nicely sums up the duo’s work, from their short-and-sweet songwriting to the fuzzy guitar jangles. But the best way to get acquainted with the two is through the video for “Dinner Date” in which Luciano plays an arm-wrestling champion. Her opponents are at least a head taller than her, but she knocks them out with ease. Likewise, her tendency to crank the music from a whisper suddenly to a gutsy scream can catch any casual listener who expected a soft, shy type by surprise.

“Dinner Date” is part of the duo’s single release 7”, Sleep Talk/Dinner Date, released in last year. Before the small single, though, Diet Cig first made their name through Over Easy. Luciano wrote the songs in the five-track EP in her bedroom, and the shut-in angst can be felt in the highlight track “Harvard”. “How’s your new Ivy League girlfriend,” she mockingly asks her ex-partner in the scrappy diss track. It ends with her singing “you know I was better” but not before dismissing her enemy’s college sweater.

“Dinner Date” also shares a similar just-over-it attitude. Over a simple, buzzing guitar riff, Luciano rolls her eyes at her mom, dad and a whole gang of friends who she no longer talks to. “And maybe if you took me out to dinner, I would like anything to last longer than a year,” she signs off the single, with an air of exhaustion.

Diet Cig’s total output is a bit slim, with seven songs spread over an EP and a 7” single, both out via Father/Daughter Records. But the duo doesn’t need much more when the songs already have a defined voice in Luciano’s raw songwriting. Their music already won over the fans and critics in the US.

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When we first introduced Diet Cig at the beginning, they had barely played any shows and were just gearing up to release their debut. As 2015 closes, they’re poised on the edge of greatness. That’s due in large part to their boundless live energy, but also the strength of the jump-around-your-room joyous Over Easy, which only seems to get better with age. It’s a collection of fuck-you songs of incomparable measure, ones that never take themselves too seriously but still cut close to the heart. Sharp lyricism and an ambling forward momentum are sure to leave you, well,

On their debut LP Swear I’m Good at This, this New Paltz, N.Y., duo strike a winsome balance between sugary, sometimes plaintive vocals and serrated guitar riffage over galloping drums on catchy songs that sift through the tumult and confusion of young adulthood. Onstage, Alex Luciano and Noah Bowman add explosive energy: Luciano scarcely stands still, bouncing around the stage like she’s spring-loaded and pausing occasionally for leg kicks worthy of the Rockettes. The result is a communal catharsis that is upbeat, life-affirming and a hell of a lot of fun.

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Diet Cig set out to empower women in their new video for “Maid of the Mist,” a track from their April release Swear I’m Good At This. Directed by Emily Dubin, with whom the duo also worked for their most recent video release, Over Easy’s “Harvard,” the video features alternating clips of a seance performed by witches and a game of spin-the-bottle.

The video’s premise aims to shatter stereotypes: Dubin depicts the witches casting a spell to get the spinning bottle to land on the boy they want to kiss, satirizing how men perceive women. At the end, however, it is the girl that bests the boy. Dubin states, “I think our fondness for and practice of emotional intelligence in a general sense is one of the strongest assets that women can have; what better way to embody power, sensitivity, emotion, and connection to the universe than a bad ass group of witches?”

Diet Cig are currently touring Europe with The Spook School

Taken from our debut album “Swear I’m Good At This” out now on Frenchkiss Records.

Diet Cig Debut New Song Written for Amazon's American Girl Special

Pop-punk duo Diet Cig have written a song for an Amazon original special  series, American Girl — Summer Camp, Friends for Life. “Together We Can Conquer Whatever” premiered today and is a positive, upbeat track that perfectly encapsulates the feeling of trust and friendship between young girls.

“We were so excited to write this song the moment we read about the episode!” explains Diet Cig singer and guitarist Alex Luciano. “We wanted to create a song that embodied the spirit of togetherness and empowerment that the characters exude. The lyrics were inspired by how the girls work together and use their individual strengths; it’s great to see young girls represented as smart, nuanced, curious characters and our song tries to capture that energy.”

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“Swear I’m Good at This” is almost like 21-year-old Alex Luciano’s coming-of-age story. It’s an engaging one at that, full of awkward moments, breaking hearts, insecurity and a discovery of power. The album begins in her past, but quickly moves to New York City, where we spend most of the rest of the story, listening to Luciano try to find her way around her beautiful, chaotic life to the tune of ravaging punk jams. Another major strength on “Swear” is Luciano’s singing, which has improved markedly since Diet Cig’s debut EP, “Over Easy”. She’s developed far more confidence, bringing her voice to the forefront and showcasing emotions beyond earnest teen angst and youthful rawness.

Diet Cig – Tummy Ache
Recorded Live: 3/16/2017 – Same Sky Productions – Austin, TX

Diet Cig – Barf Day
Recorded Live: 3/16/2017 – Same Sky Productions – Austin, TX

Diet Cig – Bath Bomb
Recorded Live: 3/16/2017 – Same Sky Productions – Austin, TX

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Since 2012, Father John Misty, aka Josh Tillman, has unexpectedly emerged as a singular (if not undeniably, um, idiosyncratic) voice. Whether by virtue of his lyrics, which routinely defy the presumed polarities of wit and empathy; his live performances which may perhaps be described best as “intimately berzerk”, or the infuriating line he seems to occupy between canny and total fraud online or in interviews, Father John Misty has cultivated a rare space for himself in the musical landscape – that of a real enigma. Pure Comedy sees Tillman at the height of these powers: as a lyricist, and equally so a cultural observer – at times bordering on freakishly prescient. Tillman’s bent critiques, bared humanity and gently warped classic songwriting are all here in equal measure and – at 75 minutes – there’s a veritable fuck ton of it. The album navigates themes of progress, technology, fame, the environment, politics, aging, social media, human nature, human connection and his own role in it all with his usual candour, and in terms as timely as they are timeless.

Tillman wrote the majority of Pure Comedy throughout 2015 and recorded all the basic tracking and vocals live to tape (in no more than two takes each) at United Studios (fka the legendary Ocean Way Studios, favored by Frank Sinatra and The Beach Boys) in Los Angeles March 2016.

Pure Comedy was co-produced once again by Josh Tillman and long-time producer Jonathan Wilson; mixed by Tillman, Wilson and Trevor Spencer, and mastered by Bob Ludwig at Gateway Mastering Studios. The album features string, horn and choral arrangements from classical iconoclast Gavin Bryars (Jesus Blood Never Failed Me Yet, Sinking Of The Titanic), with additional contributions from Nico Muhly and Thomas Bartlett.

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Limited copies come with a 12 track bonus CD That’s Your Lot – The Bedroom Tapes. Following a breakthrough 2016 which saw them sell out London’s Scala, fill tents at Glastonbury, Reading and Leeds and Latitude, ink a US deal with Canvasback / Atlantic and release a run of critically acclaimed singles, Blaenavon release their long awaited debut album, That’s Your Lot. Recorded with Grammy-winning producer Jim Abbiss (Arctic Monkeys, Adele, Bjork) the LP marks a certain milestone for the band – a sumptuous, thrilling and brave collection of songs written throughout their teenage years and now fully realised. Intensely personal, yet exploring the universal experiences of friendship, sadness, hope, love held and lost, and all the confusions of youth – a body of work to help define a generation. That’s Your Lot includes I Will Be The World, Let’s Pray and My Bark Is Your Bite – a more than impressive run of singles championed by the likes of Annie Mac, Zane Lowe, Huw Stephens, NME and Fader, whilst collectively racking up over 1,500,000 Spotify streams. The album will also feature explosive new single Orthodox Man, Blaenavon’s most immediate moment to date and already a firm fan favourite following a series of incredible live performances.

2LP – Limited Double Blue Vinyl with Fold Out Poster.

Diet cig swear i'm good at this fkr0882

 

Diet Cig are here to have fun. They’re here to tear you away from the soul-sucking sanctity of your dumpster-fire life and replace it with pop-blessed punk jams about navigating the impending doom of adulthood when all you want is to have ice-cream on your birthday. Alex Luciano (guitar and vocals) and Noah Bowman (drums) have been playing music together ever since Luciano interrupted the set of Bowman’s other band for a lighter. The New Paltz, New York duo have since released the infectious, 2015 ‘Over Easy’ EP that introduced consistent sing-a-long lyrics with thrashing drums and strums that never held back. ‘Swear I’m Good At This’ is the first full-length from the band and accumulates their tenacity for crafting life-affirming, relatable tales with a gutsy heart at their core. Luciano has the ability to write lyrics that are both vulnerable and badass, perfecting a storm of emotive reflection that creates a vision of a sweaty, pumped-up room screaming these lines in unison. Diet Cig make it okay to be the hot mess that you are.

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When Happyness first burst into the public conscience with 2013’s debut single ‘It’s On You’, their spirited take on US college rock was as big a surprise as it was an instant hit. The resulting full length, ‘Weird Little Birthday’, went on to feature in many of 2014’s End Of Year album lists. Worldwide tours, an NME Award, a re-issue on much-loved label Moshi Moshi Recordings (Bar/None in US) and millions of plays later, it is with some anticipation now that the band finally reveal the full details of the follow up.

Titled ‘Write In’, released through Moshi Moshi Recordings and featuring artwork from the band’s own Jon EE Allan, the record was made in the band’s own studio above a now-abandoned bookshop, then finished and mixed with Adam Lasus at his LA home studio.

‘Write In’ sets its stall out as an outward looking, inventive and thoughtful progression from their debut. Drawing on an array of influences including Roxy Music, The Beach Boys, Randy Newman, Sonic Youth, Big Star and Pierre Cavalli, the direction is best summed up by Jon EE Allan; “I’d like to think this record looks outside the little American alt-rock sphere we were looking in on. I think we used to be very afraid of being earnest. And now we’re able to be tender or heartfelt without feeling too guilty about it.”

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One band who have been threatening a big breakthrough is female four-piece The Big Moon, who in 2016 were dubbed the coolest young band in Britain are destined to be huge in 2017 with their Slits and Elastica-inspired punky gems.

“Definitely a band to watch” – London On The Inside
“With each new release, they continue to reach brand new heights” – The Line of Best Fit
“Another sign of the band’s blossoming maturity and growing confidence as songwriters” – Clash
“London’s most exciting new quartet … The Big Moon are readying to shoot for the stars” – NME
“Another introduction to one of the buzziest new bands on the scene, it’s proof that they’re making all the right moves on their road to the top”

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Canyons of My Mind is, as its title suggests, a landscape where the personal and the pastoral converge. Drawing inspiration from the biographies of literary figures like Charles Wright and Jim Harrison, Combs has created an album that explores the notion of sustainability in its many facets – artistic, economic, spiritual, environmental. “When I set out to record All These Dreams, I had a distinct vision of what I wanted the record to sound like. It was a cocktail of the Roy Orbison, Glen Campbell, Nilsson vibes that you can hear right there on the surface,” Combs says. “Canyons is much more personal. It’s a testament to my acceptance of who I am as a man, and who I am becoming.” The quiet struggles and satisfactions of carving out an identity in a world gone wrong are palpable throughout the album. Whether questing through the labyrinth of his own spiritual yearning, (Heart of Wonder), recreating a rail rider’s full-body sensation of freedom beneath an azure Montana sky (Rose Colored Blues), imagining a near-future dystopia where the very idea of green spaces has been annihilated (Dirty Rain), or channeling the desire of a peeping Tom who has fallen in love with his sylvan quarry (Hazel), Combs refines the vulnerable vagabond persona he mastered on All These Dreams while pushing it beyond those boundaries, into a more pastoral realm aligned with artists like Nick Drake and Tim Buckley.