Posts Tagged ‘Cover’

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The Twilight Sad have been trying their best to work with Robert Smith for over three years. It began when fellow Scottish prog-rocker Mogwai’s Stuart Braithwaite sent the band an email from The Cure frontman professing his fandom. They initially tried to have him remix a track for their remix release of No One Can Ever Know, but Robert Smith was occupied with the Cure on the road. Then, after releasing their 2014 album Nobody Wants to be Here and Nobody Wants to Leave, they took another shot and emailed Smith to see if he’d want to cover a song for a double A-side for the final single, “It Never Was the Same”.

“I couldn’t believe it when he replied, saying he’d like to cover ‘There’s a Girl in the Corner’,recalled Twilight Sad guitarist Andy MacFarlane. “He sent it over when we were playing San Francisco in March, and we listened to it over and over in the van, driving out after the gig. Hearing someone that we’ve all looked up to for so long sing and play one of our songs is definitely one of the most surreal moments we’ve ever had.” Take a listen here now .

 

 

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One of the Great X-Pectations for 2015, 20-year-old Rebecca Clements is from Bristol and will be familiar to some through her singles “Wildlife” and “Lovechild” from last year – both released on her own Coma Girl Records. Rebecca plays Communion’s Bushstock festival in Shepherd’s Bush on 13th June.

A rare cover of Buffalo Springfield song recorded circa 1969. issued on “Into The Afterlife” CD, Colin Blunstone’s short-lived alter ego turns in a suitably tasteful reading of this Buffalo Springfield “Again” track, only for it to languish in the vaults for over 40 years.

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Circa Survive’s cover of ‘Drain You’, off Robotic Empire’s second Nirvana tribute release. “Whatever Nevermind” sees a diverse range of bands covering the seminal “Nevermind” album in full.

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Philadelphian band Nothing have shared a cover of Nirvana’s muted and melancholic “Something In The Way,” the last track on the band’s seminal 1991 album Nevermind (second-last if you count the secret song “Endless, Nameless”). The cover will be included on Robotic Empire’s second Nirvana tribute album, “Whatever Nevermind”, which is due out on Record Store Day and features contributions from La Dispute, Touche Amore, and Torche among others. Last year, the label put out In Utero: A Tribute. “Something In The Way” is already one of the gloomier tracks on Nevermind, and Nothing aren’t trying to redress it in any particular way. Their cover features a lone piano delicately treading over ambient room-tone sounds — there might even be a violin thrown in there too, in case you weren’t already weeping.

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Nothing’s cover of ‘Something In The Way’, off Robotic Empire’s second Nirvana tribute release. “Whatever Nevermind” sees a diverse range of bands covering the “Nevermind” album in full.

Instead of their trademark whitewash of guitar layers, NOTHING opts for a starker approach to the somber classic, with piano and vibrant vocals up front in Will Yip’s beautiful mix.

On April 18th, Robotic Empire will release their second Nirvana tribute, “Whatever Nevermind”, which features a number of bands covering the 1991’s iconic album “Nevermind” in full (for those of you somehow wondering, yes, this is the record with the naked baby on the cover). Here we premiere a cut, which sees Philadelphian band Nothing taking on “Something in the Way,” one of the album’s more somber tracks.

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Nirvana nostalgia may feel like it’s a bit played out these days—we’re at the point where we’re getting critical essays about the critical essays about the critical essays about what the Seattle band means—but that doesn’t take away from Cobain and company’s incredible influence. The fact that in the year 2015, nearly two decades after Kurt Cobain killed himself, crews of young musicians are still regularly coming together to pay tribute to his work is nothing short of moving. In Nothing’s cover, the band proves themselves worthy. Vocalist Brandon Setta delivers, his trembling tenor voice—above a slow building burn of guitars by Dominic “Nicky” Palermo and piano by Mikele Edwards—somehow carrying the weight of the deeply emotional song, driven by nonsensical lyrics weirdly full of a titanic amount of self-analysis. Cobain was the expert of looking inward and trying to figure out just what the fuck was going on in his head. He made music because he needed to—not necessarily because he wanted to.

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PINS have unveiled the B-side to their new 7” single release ‘Too Little Too Late’. ‘Hybrid Moments’ is a Misfits cover, which the band describes as “a simple and perfect pop song! We started to play it live to make everyone dance, we recorded it with Part Time Punks and gave it a PINS stamp with lots of choir girl harmonies.”

The track was mixed by Josiah Mazzaschi and is available for you  PINS’ new album Wild Nights is due out on June 9th via Bella Union Records.

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‘Listen To Her Heart’ – Kid Wave and Ben Romans- Hopcraft (Childhood) – Tom Petty cover by Kid Wave featuring their Childhood friend. THIS RELEASE IS AN EXCLUSIVE RECORD STORE DAY 2015 TITLE AND WILL BE AVAILABLE IN THE SHOP AT 9AM ON SATURDAY 18TH APRIL. IF WE HAVE STOCK LEFT IT WILL BE MADE AVAILABLE ONLINE AT JUST JUST BEFORE MIDNIGHT ON FRIDAY 23RD APRIL.

Caitlin Rose / Kid Wave featuring Ben Romans Hopcraft - Been Thinking About You All The Time / Listen To Her Heart

 

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Juliana Hatfield’s cover of Elliot Smith’s “Needle In The Hay” from American Laundromat Records‘ “I Saved Latin! A Tribute to Wes Anderson” has been named to Paste Magazine’s list of the 20 best cover songs of 2014.Perhaps best of all is Hatfield’s cover of Elliott Smith’s heartbreaking ‘Needle In The Hay’ – previously played out over Luke Wilson’s suicide attempt in …Tenenbaums. It’s a track so integral to the hugely affecting scene that Hatfield’s plaintive version brings all the emotions flooding straight back.

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The Wes Anderson tribute album “I Saved Latin!” from Laundromat Records is out today. You can hear Juliana’s cover of Elliott Smith’s “Needle In The Hay” here.

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Jillian Rose Banks , known simply as Banks (often stylized as BANKS), is an American singer-songwriter from Los Angeles, California. She releases music under Harvest Records, Good Years Recordings and IAMSOUND Records imprints of the major label Universal Music Group. Banks’ sound has been described as dark R&B and compared to The Weeknd and Aaliyah, although she cites Lauryn Hill and Fiona Apple as her biggest influences. She says that music helps her release her emotions and for that reason kept her music private while she earned her bachelor’s degree in psychology. Her vocals have frequently been described as “Aaliyah-like”, in addition to Billboard noting that “her rhapsodic voice possesses a frail vulnerability and recalls singers like Feist and Erykah Badu.

She has toured internationally with The Weeknd and was nominated for the Sound of 2014 award by the BBC and an MTV Brand New Nominee in 2014. On May 3, 2014, Banks was dubbed as an “Artist to Watch”