Posts Tagged ‘Cabbage’

CABBAGE – ” Torture “

Posted: February 27, 2019 in MUSIC
Tags: ,

2019 has been a quiet start for Cabbage. A time for ourselves to scribe new notches on the metaphorical checkpad and rise up and start kicking the blessed fruit tree. Where we have arrived is a brand spanking new single out on Thursday 28th February and a spring UK tour.

‘Torture’ our new single, produced by James Skelly, is a combination of some hijacked philosophical crossroads and the belief in the human voice box. It’s our attempt at The Beach Boys if we ran out of money before getting the orchestra in. Nonetheless, with just a dose of pop and a terribly dour theme, it has come out just how we desired.

As for the tour we the reborn quins have a lot of new tricks to show, including the foundation of a brand new record. We don’t have to slag anyone off to sell this or piss on anyone’s chips for that matter, I trust in good faith you’ll believe the sincerity when I say these shows are well bloody worth it. Thank you and keep funding the good fight.

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Happy Easter! Welcome to this week’s essential new Easter releases, As befitting a major public holiday weekend, there are lots and lots of great albums released tomorrow. You can choose from Cabbage, The Vaccines, Ben Harper, Haley Heynderickx, Trembling Bells, Frankie Cosmos new favourites Sons Of Kemet and much more besides. Plenty of reissues too out tomorrow , A really nice collection and very limited of The Damned singles box set, this will be gone soon so if you are looking for a copy, grab one now – other re-releases include the albums, Spacemen 3 and some a fab Supremes set on CD only.

Some very nice pre-orders available now including the two biggies which are both are actually reissues, though it’s doubtful that many of you have one of these in your collection. The Pink Floyd ‘Pulse’ 4LP set is getting a re-release on the 18th May and a reissue of The Floyd’s ‘Relics’. Also on the reissues tip is the very wonderful looking  Supremes box set; ‘Supreme Rarities’ is coming out as a 4LP set from of all places Third Man Records. Already selling well is the forthcoming re-release of ‘Version 2.0’ from Garbage, with an orange 2LP version or a deluxe box set.

Have a great Easter weekend (don’t eat too many of those Chocolate Eggs!)

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Cabbage  –  Nihilistic Glamour Shots

Cabbage have finally released their highly anticipated debut album (not counting the Record Store Day release), following on from a trio of EP’s, released under the delightfully tactful ‘‘Young, Dumb & Full Of…

We start off with the thrashing garage rock of ‘Preach To The Converted’ with twanging distorted guitar and the sort of snarling vocals you could imagine being venemously spat from the edge of the stage before launching into the fuzzy off-kilter rock of Arms of Pleonexia, reminiscent of a younger Ty Segall swagging around the stage before a baying croud after one too many bottles of corner-shop white lightning. Things continue at this frenetic pace with ‘Molotov Alcopop’ providing a bit of nuanced rhythm before the gothic rock of ‘Disinfect Us’ suggests a more mature suite of influences, from the militant march and languid blues overtones of early White Stripes.

Further on, we get syncopated guitars over a meandering drum machine on the brilliantly swaying ‘Pendurabo’ and jangling hazy indie, topped with a curiously (but effectively) distorted vocal affectation over the top.

Brilliantly varied, but held together with a persistent narrative thread, ‘Nihilistic Glamour Shots’ lives up to the hype of the earlier 3 EP’s, with a willingness to experiment but a knowing nod to all of their numerous influences.

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Frankie Cosmos  –  Vessel

New York-native songwriter Greta Kline has shared a bounty of her innermost thoughts and experiences via the massive number of songs she has released since 2011. Like many of her peers, Kline’s prolific output was initially born from the ease of bedroom recording and self-releasing offered by digital technology and the internet. But, as she’s grown as a writer and performer, devising more complex albums and playing to larger audiences, Kline has begun to make her mark on modern independent music. Her newest record, Vessel, is the 52nd release from Kline and the third studio album by her indie pop outfit Frankie Cosmos. On it, Kline explores all of the changes that have come in her life as a result of the music she has shared with the world, as well as the parts of her life that have remained irrevocable.

Frankie Cosmos has taken several different shapes since their first full-band album, 2014’s Zentropy, erupted in New York’s DIY music scene. For Vessel the band’s lineup comprises multi-instrumentalists David Maine, Lauren Martin, Luke Pyenson, and Kline. The album’s 18 tracks employ a range of instrumentations and recording methods not found on the band’s prior albums, while maintaining the succinctly sincere nature of Kline’s songwriting. The album’s opening track, “Caramelize,” serves as the thematic overture for Vessel, alluding to topics like dependency, growth, and love, which reemerge throughout the record. Although many of the scenarios and personalities written about on Vessel are familiar territory for Frankie Cosmos, Kline brings a freshly nuanced point of view, and a desire to constantly question the latent meaning of her experiences. Kline’s dissonant lyrics pair with the band’s driving, jangly grooves to create striking moments of musical chemistry.
Vessel’s 34-minute run time is exactly double the length of Frankie Cosmos’ breakout record, Zentropy, and it is an enormous leap forward. Typically, albums by artists at a similar stage in their careers are written with the weight of knowing that someone is on the other end listening. Yet, despite being fully aware of their ever-growing audience, Kline and band have written Vessel with a clarity not muddled by the fear of anyone’s expectations. Vessel’s unique sensibility, esoteric narratives, and reveling energy lace it comfortably in Kline’s ongoing musical auto-biography.

Vessel was recorded in Binghamton, New York with Hunter Davidsohn, the producer and engineer who helped craft Zentropy and Next Thing, and at Gravesend Recordings in Brooklyn with Carlos Hernandez and Julian Fader. It features contributions from Alex Bailey (formerly of Warehouse, and now part of the live configuration of Frankie Cosmos), Vishal Narang (of Airhead DC), and singer/songwriter Anna McClellan, all of whom have played on bills with Frankie Cosmos and collaborated on-stage with the band.

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Haley Heynderickx –  I Need to Start a Garden

Haley Heynderickx’s highly anticipated debut album. Haley has a wonderful voice and the lyrics are poetic and heartfelt. Musically it’s sometimes reminiscent of early Velvet Underground in that many of the songs quickly build into frenetic and emotive climaxes. The difference here is that these crescendos dissolve into tender moments of unabashed vulnerability, rather than fragmenting into splinters of drug-fueled confusion. It’s beautiful and heartfelt. For fans of Velvet Underground, Angel Olsen and Cat Power.

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Amen Dunes  –  Freedom

Over the course of 10 years, Damon McMahon aka Amen Dunes has transformed continuously, and Freedom is the project’s boldest leap yet. The themes are darker than on previous Amen Dunes albums, but it’s a darkness sublimated through grooves. The music, as a response or even a solution to the darkness, is tough and joyous, rhythmic and danceable. It’s a sound never heard before on an Amen Dunes record, but one that was always asking to emerge. Eleven songs span a range of emotions, from contraction to release and back again. Blue Rose and Calling Paul the Suffering are pure, ecstatic dance songs. Skipping School and Miki Dora are incantations of a mythical heroic maleness and its illusions. Freedom and Believe offer a street tough’s future-gospel exhalation, and the funk-grime grit of L.A. closes the album, projecting a musical hint of things to come.

In creating Freedom, McMahon brought in a powerful set of collaborators and old friends. Along with core band members, including Parker Kindred (Antony & The Johnsons, Jeff Buckley) on drums, came Chris Coady (Beach House) as producer, and Delicate Steve on guitars. This is the first Amen Dunes record that looks back to the electronic influences of McMahon’s youth with the aid of revered underground musician Panoram from Rome, who finds his place as a significant, if subtle, contributor to the record. The bulk of the songs were recorded at Electric Lady in New York, and finished at Sunset Sound in Los Angeles, where McMahon, Nick Zinner, and session bass player Gus Seyffert (Beck, Bedouine) fleshed out the recordings.

Yet, if anything, these eleven songs are a relinquishing of all of them through exposition; a gradual reorientation of being away from the acquired definitions of self we all cling to and towards something closer to what’s stated in the Agnes Martin quote that opens the record, “I don’t have any ideas myself; I have a vacant mind” and in the swirling, pitched down utterances of “That’s all not me” that close it.

“Miki Dora was arguably the most gifted and innovative surfer of his generation and the foremost opponent of surfing’s commercialization. He was also a lifelong criminal and retrograde: a true embodiment of the distorted male psyche. He was a living contradiction; both a symbol of free-living and inspiration, and of the false heroics American culture has always celebrated. With lyrics of regret and redemption at the end of one’s youth, the song is about Dora, and McMahon, but ultimately it is a reflection on all manifestations of mythical heroic maleness and its illusions.”

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Camp Cope  –  How To Socialise and Make Friends

Camp Cope’s new album How To Socialise and Make Friends is the current Australian buzz band. The follow up to their 2016 self-titled debut kicks off with the instantly remarkable bass line of The Opener, an explosive diatribe against the sexist double standards of the music industry at large. What follows the lead single are a collection of songs that anchor on the cycles of life, loss and growth through resilience and those moments of finding and being yourself. Throughout the nine songs on How To Socialise and Make Friends it becomes clear that if their debut was the flame, this is Camp Cope rising from the ashes, stronger and more focused than ever. For fans of Courtney Barnett, Bettie Serveert and Liz Phair.

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Dead Meadow  –  The Nothing They Need

Since their widely-acclaimed self-titled debut album released in 1999 Dead Meadow have released seven studio albums – three via Matador records (Shivering King and Others (2003), Feathers (2005), and Old Growth (2008)) and two live albums which includes Three Kings, a feature length live film and soundtrack. Their unique marriage of Sabbath riffs, dreamy layers of guitar-fuzz bliss with singer Jason Simon’s melodic croon has won over psychedelic pop/rock and stoner rock fans alike and with their new album The Nothing They Need (Xemu Records) the band show that in 2018, they continue to fuse their love of early-’70s hard rock and ’60s psychedelia into their own distinct sound.

The album was recorded in Dead Meadows’ studio/rehearsal space, The Wiggle Room and it celebrates twenty years of the band with eight songs that feature everyone that has been musically involved with the band over the years. Jason and Steve Kille are joined by original drummer Mark Laughlin, Stephen McCarty ( the drummer throughout the Matador years), and current drummer Juan Londono. Cory Shane joins them on guitar for some Feathers era dual guitar interplay.

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No Joy / Sonic Boom  –

No Joy / Sonic Boom is Jasamine White-Gluz and Pete Kember. You know Jasamine from her eight-years (and counting) stint as a founding member and principal songwriter of Canadian shoegaze / noise-pop band No Joy. And Pete Kember is Sonic Boom, of Spacemen 3, Spectrum, and E.A.R. While neither can accurately recollect how they met, the pair first touched on the idea of working together in an exchange of emails during the fall of 2015. No Joy had just finished touring on the back of LP More Faithful (their third full-length on the Mexican Summer imprint, and their heaviest to date), and Jasamine was eager to walk a new path. “No Joy functioned as a four-piece ‘rock band’ for so long,” she says. “I wanted to pursue something solo where I collaborated with someone else who could help me approach my songs from a completely different angle. Pete is a legend and someone I’ve admired for a long time. Being able to work with him on this was incredible.”

What started as a sonic exploration between two friends—passing songs back and forth intercontinentally, with Jasamine writing and producing songs in Montreal and Pete writing, arranging, and producing in Portugal—soon grew into a project of substance, the result being four glistening tracks that dance along the lines of electronica, trip-hop and experimental noise. “I wrote some songs that were intended for a full band and handed them off to Pete, who helped transform them. I barely knew how to use MIDI so I was just throwing him these experiments I was working on and he fine-tuned my ideas. There are barely any guitars on this album, because I was focused on trying to find new ways to create sounds.” The No Joy / Sonic Boom EP begins with the 11+ minute epic “Obsession,” a disco-y dream trance jam that ebbs and flows, before “Slorb” slinks in, casting its seductive spell. “Triangle Probably” rings triumphant, an industrial beat thumping below, the track interwoven with Jasamine’s silvery vocals. “Teenage Panic” begins in celebration, brimming with hope and excitement, and then—a full stop—before striking back in the form of a droning loop that gathers more and more layers as it spins out into the infinite void.

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Holy Wave  –   Adult Fear

El Paso’s Holy Wave will release their new album, Adult Fear via The Reverberation Appreciation Society. The band have always differentiated themselves from the psych pack with their keyboard-forward sound that rarely falls into standard trippy tropes, and the album’s title track is a good example of that, with a grooving bassline and nice harmonies in the chorus.

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The Damned  –  Stiff Singles 1976 – 1977

BMG proudly present this limited edition set comprising of 5 x 7″ vinyl singles including the famed first ever punk single New Rose and all the other early hits from the impressively chaotic punk quartet. All singles have been recreated with their original artwork, including the ultra-rare, previously fan club only Stretcher Case Baby. These are all packed in a superb box, collaged with original press cuttings from back in the day. Also included is a Damned embroidered patch, exclusive to this boxset. It was the summer of 1976 when Dave Vanian, Rat Scabies and Captain Sensible recruited guitarist and songwriter Brian James, they played their first gig supporting the Sex Pistols at the 100 Club and quickly signed to Stiff Records and began writing the very first chapter of the punk rock history books. Their debut 7” – New Rose – was written by Brian James and backed by a proto-thrash version of The Beatles’ Help. It was recorded by Stiff’s in-house producer, Nick Lowe and set the punk dream alight at exactly 9.00am when record shops opened for business on 22 October 1976, stealing a march on the Pistols by becoming what is widely acknowledged as the very first punk record ever released.The band really came into their own with their second single – Neat Neat Neat – which had two cuts on the B-side, Stab Yor Back and Singalongascabies. Produced, like New Rose, by Nick Lowe, the vinyl had a message from one band member scratched in the run-out groove: “this is your captain speaking…” So what were Captain Sensible’s favourite acts on Stiff, one journalist asked him in 2007? “I wasn’t interested!” he insists. “It was mainly pub rock in the early days, which we despised and sneered at in our young and snotty way…” After a special 7” – Stretcher Case Baby – cut to give away at gigs celebrating the band’s first anniversary, they went back into the studio, this time with Pink Floyd’s Nick Mason at the controls. Third single Problem Child was written by Brian James with Rat Scabies and featured new recruit Lu Edmonds on guitar. An incendiary two minutes of the band in their prime, it failed to crack the UK top 40 but did make number 27 in NME’s alternative singles chart. By the end of 1977, the Damned were ready to part with Stiff, just as Brian James and Lu Edmonds were ready to part with The Damned. Their last single was Don’t Cry Wolf, backed with another Nick Mason-produced track, One Way Love.

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Spacemen 3 –  Playing With Fire

Every once in a while a record comes along that somehow manages to define an era. in the late 80’s there can be no doubt that one such record was released – and that record was Playing With Fire by Spacemen 3. Fuelled by narcotic indulgence and an overwhelming sense of darkness it was rightly hailed as a classic at the time and is still considered to be one of the greatest albums of the time by many today. Its mesmerising beauty and sublime originality are still recognised as a genuine triumph to this day.

2CD – Double CD with live versions of Suicide and Repeater and recordings of Che and May the Circle be Unbroken. Not only that but they’ve also included a second CD full of studio out-takes and demos, including the Spacemen 3 version of Any Way That You Want Me – the song which went on to become Spiritualized’s debut single.

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Jade Bird  –   Something American EP

Jade Bird’s debut EP Something American – originally released in 2017 gets a limited physical release. Across the 5 tracks, her voice has arrived like a total breath of fresh air in the current musical landscape – putting her own positive, refreshing spin on a richly complex personal and musical heritage. Within the EP, Jade manages to twist huge themes including disillusionment, divorce, cheating and sorrow into the realities of an independent-minded modern British teenager. Produced by Simone Felice (The Lumineers, Bat For Lashes etc), the EP was recorded at Clubhouse Studio in Rhinebeck, NY and features Matt Johnson (Jeff Buckley, St Vincent) on drums, Will Rees (Mystery Jets) on guitar and Sara Lee (B-52’s) on bass.

This Week’s Full Releases list

Alfa 9 – ‘My Sweet Movida’ limited clear vinyl LP
Anthroprophh – ‘Omegaville’ swirl vinyl LP

Barbarossa – ‘Lier’ limited turquoise vinyl LP
The Bug Vs Burial – ‘Flame 1’ 12″
Cabbage – ‘Nihilistic Glamour Shots’ LP
The Cars – ‘Heartbeat City’ limited coloured vinyl 2LP reissue
The Cars – ‘Shake It Off’ limited coloured vinyl 2LP

Chris Carter – ‘Chemistry Lessons Volume 1’ coloured vinyl 2LP
The Cavemen – ‘Nuke Earth’ LP
The Cavemen – The Cavemen’ red vinyl LP reissue

Frankie Cosmos – ‘Vessel’ limited blue vinyl LP
Graham Coxon – ‘The End Of The F***ing World: Original Soundtrack’ 2LP

Czarface & MF Doom – ‘Czarface Meets Metal Face’ LP
The Damned – ‘Stiff Singles 1976-1977’ limited 5×7″ singles box set
Dead Meadow – ‘The Nothing They Need’ LP
FACS – ‘Negative Houses’ LP
Fever Ray – ‘Plunge’ deluxe 2LP
Ben Harper & Charlie Musselwhite – ‘No Mercy In This Land’ LP
Micah P. Hinson – ‘At The BBC Broadcasting Corporation’ LP
Hollywood Sinners – ‘Khome Kakka’ LP
Interrobang – ‘Interrobang’ limited orange vinyl LP
Major Murphy – ‘No.1’ LP
OST – ‘Mr Robot: Volume 4’ limited coloured vinyl 2LP
Max Richter – ‘Hostiles: Original Soundtrack’ 2LP
Sonny Rollins – ‘Saxophone Colossus’ LP reissue

Steve Reich – ‘Pulse/Quartet’ LP
Shit & Shine – ‘That’s Enough’ 12″ EP
Sons Of Kemet – ‘Your Queen Is A Reptile’ 2LP
Spacemen 3 – ‘Playing With Fire’ black vinyl LP reissue
The Streets – ‘Original Pirate Material’ 2LP reissue
The Streets – ‘A Grand Don’t Come For Free’ 2LP reissue

The Third Eye Foundation – ‘Wake The Dead’ LP
Trembling Bells – ‘Dungeness’ LP
The Vaccines – ‘Combat Sports’ limited orange vinyl LP

With their debut album ‘Nihilistic Glamour Shots’ fast approaching, Mossley indie rockers Cabbage have released a new track, Preach to the Converted. It follows previous singles ‘Celebration of a disease’, ‘Gibralter Ape’ and the current, 6Music playlisted ‘Arms of Pleonexia’. It’s full of (suprisingly enough) nihilistic post-punk energy, almost horror show theatrical in its accompanyment, while over the top the vocals bark out the message, and the singalong chorus.

Cabbage performing ‘Preach To The Converted’ from their upcoming debut LP ‘Nihilistic Glamour Shots’ Out 30/3/18

The debut album due out on March 30th, 2018 On Infectious Music containing the singles  ‘CELEBRATION OF A DISEASE’  & ‘GIBRALTAR APE’ plus new single ‘ARMS OF PLEONEXIA’

The new single ‘Arms Of Pleonexia’, was premiered on Radio 1 by Huw Stephens, ‘Nihilistic Glamour Shots’ is the debut album from Manchester band Cabbage,  released 30th March 2018 on Infectious MusicProduced by James Skelly and Rich Turvey (Blossoms, The Coral, She Drew The Gun) at Parr Street Studios in Liverpool,
‘Nihilistic Glamour Shots’ is an album that confirms Cabbage as one of the most nuanced bands in years. Equally drawn to socialist politics and mucking about, they’re devotees of both big choruses and anarchic totems like GG Allin, Genesis P Orridge and Butthole Surfers. It’s a mixture writ large throughout ‘Nihilistic Glamour Shots’, from the frenetic opening salvo of ‘Preach To The Converted’, ‘Arms Of Pleonexia’ and ‘Molotov Alcopop’, via ‘Perdurabo’s swampy blues and wild funk of ‘Exhibit A’ to the devastating seven-minute finale ‘Subhuman 2.0’. It’s hard to think of another band who could write a magnificently infectious two-minute frantic anthem and then call it ‘Obligatory Castration’. Only two album tracks have been heard before, the BBC6 Music playlisted singles ‘Celebration Of A Disease’ and ‘Gibraltar Ape’. Indeed, the savagely brilliant ‘Postmodernist Caligula’ was written and recorded in a matter of days at the end of the album recording sessions.

While it broadens Cabbage’s sound further still from their already eclectic previous five EPs, ‘Nihilistic Glamour Shots’ also does a superb job of capturing the raw energy of their freewheeling live shows. The band have kept the gigs fresh partly by theming each tour, with autumn’s Healing Brexit Towns Experiment living up to its name.

“The video is an opportunist representation of how our simplistic, questionable minds view the odious backdrop of the arms trade and the delicate situation of political control that arises tensions all over the world. Catch 22 in layman’s terms. The tensions not only exist in public safety and international bravado but is increasingly called upon in culture which reflects in our song and video. Lee and Joe, although their hairlines and blemishes are in high definition, are metaphorical states. With such institutions controlled by excessive greed, this inevitably leads to decisions that have huge detrimental effect. There are no winners in the arms trade. There are no winners in the video.”

 Nihilistic Glamour Shots

Preach To The Converted
Arms Of Pleonexia
Molotov Alcopop
Disinfect Us
Postmodernist Caligula
Exhibit A
Celebration Of A Disease
Perdurabo
Gibraltar Ape
Obligatory Castration
Reptiles State Funeral

After 2 years and 4 months we finally reach the time for our debut LP ‘Nihilistic Glamour Shots’ to be released on 30th March 2018

Arms of Pleonexia comes from Cabbage’s debut album proper, Nihilistic Glamour Shots to be released 30th March on Infectious Music. Blending social comment with mordant black humour and a keen eye for detail, the new single is a savagely frenetic addition to their rapidly growing collection of brilliantly observed post-punk anthems, and just whets the appetite for the full album even further.

Live at Leeds Festival have added further artists to our 2018 line-up, huge additions including:

The Vaccines, Idles, CABBAGE, Nadine Shah, Rae Morris, Superorganism and Bad Sounds.

They and around 70 artists will join the already announced Ash, Sunset Sons, Pulled Apart by Horses, Dermot Kennedy, Circa Waves, Peace, British Sea Power, and The Horrors on 5th May in Leeds City Centre. Live at Leeds is the ultimate place to hear the essential new sounds of 2018, join us on Saturday 5th May- we’re sure you will find your new favourite band!

Check out all the artists on our Artists page, where we have social and listening links on every artist on the line-up. Live at Leeds is part of Leeds International Festival.

 

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Already picked out by the annual BBC Sound Of poll for a coveted spot on its longlist  and also picked out for the Band of 2017 by the Sun newspaper this week – Cabbage actually began their big explosion in late 2016, but it certainly looks like 2017 will be the year they cement their national reputation.

Five lads from Mossley, Ashton, they’re a riotous take on garage punk, and for a gratuitous slice of what they’re all about start with the explicit video for “Dinner Lady” which – as well as featuring footage of the town they live in – lays out their brutal, sense of surrealism and lyrical passion for the banal in a song about a vitriolic dinner lady who secretes unspeakable bodily fluids into the lunches of people who irritate her.

The quintet are energising to watch – much the same sensation their music has, its erudite political point of view married to killer tunes.

Uber Capitalist Death Trade EP Out Now on Skeleton Key Records 2016 –

The Deer Shed Festival is a truly fantastic, family-friendly festival that somehow manages to retain a quality of music and band choices, Its true to its roots, where other festivals sometimes feel like a compromise. It fills a great gap between a serious festival for music lovers like myself who like to see the newer bands on the gigging circuit and also find that hidden newcomer, plus where else can the kids have fun rather than having to send them to the usual token and half-hearted kids field/tent like you get at other festivals. Where else do you have a whole football sized area for swingball or make cardboard boxes into something from your imagination.  From the whole heap of things to make in the science marquees to running around the perimeter of the park for you morning run.

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My Pick of Bands to check out over the weekend

Friday

It could be a difficult evening ahead, as there is such a huge array of talented bands on all stages Teenage Fan Club are such an iconic indie band surely not to be missed having released their 10th album this year, but we have some returning bands both with terrific album releases this year to the festival Honeyblood are a duo I’ve seen many times now, they played the festival two years ago, Stina Tweeddale’s is a great guitar player with her distorted ringing guitar and vocal performance to match, the band present rage-filled, but beautifully written, songs along with Cat Myers’s powerful drum beats constantly driving them forward. Stina is a great front person and for just a duo their sound is huge.

Happyness are a 3-piece alternative rock band from London, All 3 members write the songs, they also have played Deer Shed previously and have a real charm, their latest album is just another stunning collection full of wonderful power pop tunes  which finally followed up their great debut album “Weird Little Birthday” that included one of the best songs about Arcade Fire ever “Montreal Rock Band Somewhere” . LP2 is called “Write In”, and it finds the UK indie rockers continuing to explore the lackadaisical, sardonic indie rock pastures .

In The Dock Stage, Manchester band Cabbage a five piece serving up an idiosyncratic, satirical attacks in the form of discordant neo post-punk.Cabbage have been the festival band of the year drawing huge crowds to the stage as the year progressed .

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Lets Eat Grandma Rosa Walton and Jenny Hollingworth are another big addition with a very visual stage presence.

Jesca Hoop has a  captivating voice her set with Sam Beam at the End Of The Road last year was possibly one of the best musical and magical moments of the last year, Hoop has released another stunningly good album earlier this year “Memories Are Now” the resulting combination is powerfully evocative, with overarching themes of biology, nature and humanity.

Over on the Obelisk stage Hopefully avoiding line-up clashes the headliners here are a folk duo not to be missed are the beautiful Folk-Rock vocals of Josienne Clarke and the guitar talents of her bearded band mate Ben Walker. Together, Clarke and Walker , both 34, are one of Britain’s biggest folk acts, with five albums of beautifully textured, twilight songs, plus many years of treading the dusty boards of folk sessions and festivals, and a coveted Radio 2 folk award for best duo between them. Original songs have been part of Clarke and Walker’s arsenal since day one, and their latest album, “Overnight”, includes seven of them: beautifully drawn miniatures full of a melancholy reminiscent of early-70s singer-songwriters. Clarke writes the songs, “the squishy, lyrical stuff”, while Walker’s the arranger and planner.  If you love bands like Pentangle or Fairport Convention and the voice of Sandy Denny Don’t miss this twosome ,

The other artist not to be missed on the friday is Bryde, aka Sarah Howells of the band Paper Aeroplanes  Praise for the Welsh songwriter has been well-bestowed,  Bryde music deals with human psychology and the darker side of broken relationships with an infectiously defiant and life-affirming quality. Described as being about entangling and unravelling, it sways from fierce to fragile.

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I really hope there isn’t any clashes as if you can get to see these above bands already its as good as it gets a superb first day at the Deer Shed.

Saturday 

My picks for Main Stage would have to be King Creosote  also known as independent singer-songwriter Kenny Anderson from Fife with his current album “Astronaut Meets Appleman”. The first track to be shared is the album’s opener ‘You Just Want’. A seven-minute piece of hymnal drone-pop, its touchstones are the art of patience, scenes of mild bondage and Venus (in Furs) . On Astronaut Meets Appleman, King Creosote is still upsetting apple-carts and dealing with the fallout, still appraising love and life, the moon, the stars; tide tables, bagpipe scores, zeros and ones; mathematics, ticking clocks and the beat of our hearts.

Saturday includes one of my favourite bands  The Big Moon are a band I’ve seen this last two years around fifteen times great indie-pop songs full of fun and just glorious girls to boot. Based in London the four-piece girl band formed in 2014 by Juliette Jackson.[ Their debut album, “Love In The 4th Dimension was released early April 2017, containing a number of singles previously released on their EP, The Road.

The band is signed to Fiction Records and have toured internationally. The Big Moon played as backing band for Marika Hackman’s second album, I’m Not Your Man, concluding in live dates across America recently,

Check out the first artist to hit the Main Stage on Saturday Nilufer Yanya her set at Latitude was considered the best of the weekend intricate guitar work weaves around the West Londoner’s soulful vocals and jazz-flecked instrumentation.  She started performing at 18, the same year she released debut single “Waves” which she made for a college project. Rejected twice from a popular music degree, she took an artist development course and steadily graduated from the city’s open-mic scene to cooler stages, eventually supporting artists like Mitski and headlining her own shows.

Listen to the ‘The Florist’, the standout from recent EP ‘Plant Feed’ is a propulsive gem

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In the Dock Stage My other pick of the day is Goat Girl who bought out a cracking single earlier this year Their debut release track ‘Country Sleaze’ which you can hear below, was one half of a double A-Side released on Rough Trade Records last October . ‘Sleaze’ is probably an apt description for the gritty new track which packs a sludgy bass line, jangling guitar and some pure unchecked, uncensored criticism of the world right now: “I’m disgusted, I’m ashamed of this so-called human race”.

On the Lodge Stage make sure you catch the Liverpool band Hooten Tennis Club, The band’s second album ‘Big Box of Chocolates’ was produced by Edwyn Collins If their debut album, Highest Point In Cliff Town, was the band’s statement of intent, Big Box of Chocolates  is a record that retains all the colour and invention of their debut, while being elevated by richer instrumentation and lyrics that hint at slightly heavier themes: love and loss, nihilism and the ‘non-spaces’ of Northern England, all delivered in the band’s typically laconic, bittersweet style. The dozen tracks continue the band’s knack of combining catchy off-kilter riffs with droll storytelling; album narrators – vocalists and guitarists Ryan Murphy and James Madden – seem to straddle optimism and uncertainty with their lyrics, whether singing about their internal worlds or commenting on a motley cast of characters who turn up across the album’s 41 minutes to amuse, tempt or torment them. Whether fictional (the awkward genius Jimmy ‘looking shifty in his new shoes’) or real (Ryan’s ex-housemate immortalised in first single ‘Katy-Anne Bellis’), each character shares an equal platform, all revered in Hooton’s own low-key way.

The giant of a man B.C Camplight the multi-talented multi-instrumentalist Brian Christinzio is the perfect showman with his dynamic and diverse take on BC Camplight’s epic pop pizzazz and simmering balladry combining eloquent songwriting with a self-destructive bent, he’s described himself as, “the guy who blew it.” Christinzio started playing piano aged just four, inspired by his mum’s Jerry Lee Lewis and Nilsson records and his Dad’s classical collection. But this sublime talent with the keening vocal and fearless approach to lyrical introspection has another chance.

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His album ‘How To Die In The North’, recorded in his newly adopted home of Manchester, England, is a fantastically rich, stylistically diverse trip. From dramatic, layered pop to a haunted take on Sixties sunshine-pop Beach Boy’s style, from blue-eyed soul to speedy surf-pop, from sparser piano balladry to psychedelic showstopper and a grand finale that’s part Nilsson and part Broadway showtune.

Sunday

Neil Hannon

The Main Stage headliner the Divine Comedy with the superb songs of Neil Hannon a welcome return from hyper-literate songsmith. With a new album “Foreverland” out now is another iteration collection of The Divine Comedy’s virtues – sumptuous, orchestral pop laced with lyrical acerbity. The new album highlight is the brilliantly song titled and perfectly judged Sinatra pastiche “I joined The Foreign Legion (To Forget)”.without a doubt they are the suitably ideal band to close the festival .

With the shimmering sounds of guitar-synths indie pop band Teleman ‘Brilliant Sanity’ was definitely one of the top albums of the year last year, the bands minimal sound has grown into something solid and substantial with constant touring and last years sold out tour. Teleman are currently working on their third album and therefore just playing just a few select festivals this summer.

Earlier in the day plus singer songwriter Hannah Lou Clark. Its a shame that the Dock Stage has no music whatsoever on the Sunday I would love to see another 4 bands present their talents to make the day and weekend complete . In the Lodge Stage I love the sound of the Sunderland based songwriter  Martin Longstaff  under the name The Lake Poets and then later the rockier psychedelic sound of Flaming Gods, Juanita Stern could be a hidden gem if you recall the band Howling Bells who made a great record on the Bella Union label then seemed to disappear she returns with her debut solo album ‘America’ to be released late july.

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So lots to see and so many things to do especially for the kids, my only criticism is I would like to see even more music each stage could do with one more band, to make this more than the perfect festival especially when there are bands like Lewis Capaldi, George Taylor ,Estrons, Girl Ray, Gurr, Dream Wife, Blaenavon, Pumarosa, The Wharves, Palace ,Our Girl (Sophie From The Big Moon’s other band), Mammut, Japanese House, Shame , Keir, Flyte , Stevie Parker, Lemon Twigs and Lucy Rose all crisscrossing the country this weekend , The Big Moon are playing three festivals just that day as are Cabbage plus I would love to see a few more USA artists passing through.

Spoken Word & Literary line-up

Owen Jones, Tim Dowling, Stuart Heritage, Amy Liptrot, Woody Woodmansey, Ken Scott, Vanessa Kisuule, Rob Cowen, Anthony Clavane, Kate Pankhurst, Dominic Berry, Rowan McCabe, Kate Fox, Paul Cookson, Lorna Mallet, Jenna Drury, Hoglets, Say Owt Slam Poetry, Shed Talks, Pip Theatre, Mud Pie Arts and A Thoughtful Place To Be.

The highlight to look out for here is Woody Woodmansey and Ken Scott From The Beatles to Bowie, Abbey Road to Ziggy Stardust. Ken Scott best known as Beatles engineer and producer of no less than five classic David Bowie albums. Woody Woodmansey, meanwhile, is the Yorkshireman drummer from humble Driffield who boarded Bowie’s spaceship and became A Spider From Mars.

This unique event reunites them both. Ken will be talking about his new book Abbey Road to Ziggy Stardust and Woody will wow Deer Shedders with tales from and not from his recent autobiography, before a joint audience Q&A. If you ever wanted to know what it was like to be in the studio with Beatles or share a bus with Ziggy Stardust, this is a very special chance to find out.

Comedy line-up .

John Shuttleworth, Hal Cruttenden, Justin Moorhouse, Ivo Graham, Josh Howie, Bec Hill, Tom Parry, Sarah Bennetto, Scummy Mummies, Nick Doody, Edd Hedges, Patrick Monahan, Dan Nightingale and Hannah Silvester.

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Cabbage and the video for their current single ‘Gibraltar Ape’, which has been play-listed at BBC 6Music, Radio X and Virgin. Speaking about the video, Cabbage say; “No interminable, egocentric and grandeur oration can define truly of how proud we are of the Gibraltar Ape music video. Filmed and edited by Dominic Foster, starring the keen good folk of Mossley”.

Recorded at Parr Street Studios in Liverpool and produced by James Skelly (of The Coral) and Richard Turvey, ‘Gibraltar Ape’ follows the Manchester band’s three four-track EP’s released in late 2016: ‘Uber Capitalist Death Trade’ (whose title track was playlisted by BBC 6Music), ‘Necroflat In The Palace’ and ‘Terrorist Synthesizer’. A compilation of the three EPs – ‘Young, Dumb and Full of…” is available to stream now on Spotify

With their V05 NME Awards tour supporting Blossom’s sold-out, and their April headline dates also sold-out, Cabbage seem to be heading for the bigger stages very soon.

The single, Gibraltar Ape, released February 10th 2017 on Skeleton Key Records

Cabbage video for Gibraltar Ape Mossley James Skelly Blossoms tour

Cabbage’s latest single ‘Gibraltar Ape’ affirms James Skelly’s signees as one of the key rock acts in the country right now, and they have a grimy visual to accompany the disaffected feel of the single. 
The video follows guitarist/singer Joe around Cabbage’s hometown of Mossley in Lancashire as he and someone in an Ape costume (presumably singer Lee Broadbent) take in the panoramic views surrounding the town and its thriving local pubs. It’s shot with a lo-fi camera, and the relatively out of focus shots reflect the disorientated feel of the tune as a whole.

The song captures the longing for freedom within the trappings of a capitalist society where transcending the presubscribed 9-5 route whilst staying above the breadline is an increasingly difficult thing to do thanks to benefit cuts. There’s no point kidding the optimism of the 90s or late 60s exists in today’s Britain, and through capturing that frustration they speak to the disaffected and ignite a spark in their bonnet.

Gibraltar Ape – Out Now on Skeleton Key Records 2017