Posts Tagged ‘Babeheaven’

105649

Julia Jacklin –  Don’t Let The Kids Win

Julia Jacklin highly anticipated debut album, ‘Don’t Let The Kids Win’, is released via Transgressive Records. Hailing from the Australian Blue Mountains, Julia Jacklin is a guitarist and singer like no other. Her music courses with the aching current of alt-country and indie-folk, augmented by her undeniable calling cards: her rich, distinctive voice, and her playful, observational wit. For the past several years Jacklin has lived in a garage in Glebe (a suburb of Sydney), working a day job on a factory production line making essential oils, all the while finding time to hone her craft – to examine her turns of phrase, to observe the stretching of her friendship circles, to wonder who she was and who she might become. And now, as Jacklin quits her factory job to focus solely on a music career, the future she had once imagined is becoming her present day reality. For fans of Margo Price, Mazzy Star and Lana Del Ray.

105823

Hiss Golden Messenger  –  Heart Like A Levee

The writing of the songs that became ‘Heart Like a Levee’ started in a hotel room in Washington DC in January of 2015 during a powerful storm that darkened the East Coast. At that time I was feeling – more acutely than I had ever felt before – wrenched apart by my responsibilities to my family and to my music. Forgetting, momentarily, that for me, each exists only with the other. How could I forget? Though maybe my lapse was reasonable: I had just quit my job, the most recent and last, in a series of dead-end gigs stretching back 20 years, with the vow that my children would understand their father as a man in love with his world and the inventor of his own days. They would be rare in that regard. And then – driven by monthly bills and pure fear – I left for another tour, carrying a load of guilt that I could just barely lift. But in that snowy hotel room I found the refrain that became my compass: I was a dreamer, babe, when I set out on the road; but did I say I could find my way home? M.C. Taylor Available CD – Digipak with poster style insert. 11 Tracks.2CD – Deluxe 2CD is Digipak / Softpak with obi wrap and poster style insert. Includes the 8 Track ‘Vestapol’. 19 Tracks total.LP – 11 Tracks with Download.2LP – Deluxe 2LP in Gatefold Sleeve poster plus obi wrap and Download. Includes the 8 Track ‘Vestapol‘. 19 Tracks total.

Goat girl packshot

Goat Girl  –  Country Sleaze / Scum

Limited to just 500 Copies on Rough Trade Records. The debut single by teenage South London four piece Goat Girl. Goat Girl head up an emerging set of groups from South London who have been inspired by the burgeoning local circuit there. Goat Girl are a special band. Songs that use subtlety as their main ingredient while remaining disarmingly fierce at every turn. Lyrics that mean everything despite being written down in the most simplistic and non-aggressive way possible… they are an anomaly in the UK music scene as 2016 draws to a draggy close: four people playing guitars, bass and drums who have the ability to make you feel //alive// again. Goat Girl release two songs on Rough Trade, each one a caustic commentary on the England they’ve grown up in: Country Sleaze is a brooding two-chord time capsule that sounds like it’s been beamed over from a Seattle divebar in 1989. Both tracks were recorded purposefully quickly in a no-nonsense north London studio a few weeks ago with fast-rising producer Margo Broom

106118

C Duncan – The Midnight Sun

Glasgow’s prodigious talent C Duncan released his critically acclaimed and Mercury Prize nominated debut full-length ‘Architect’ last July, wrapping up an extremely successful first year with a headline tour and stunning sell-out performance at Union Chapel. Follow up ‘The Midnight Sun’ sees the bedroom producer return with a more expansive and experimental second offering, blending electronic elements and sweeping synth sounds with his signature layered vocals and dreamy instrumentation.

106762

Babeheaven  –  Moving On

Babeheaven return with their second single on Handsome Dad and limited to just 250 Copies. It’s a beautifully immersive slice of ethereal trip-hop. Pinned together with lead vocalist Nancy Andersen’s shimmering voice, it’s another smooth triumph for the London based five piece. As time passes, it feels kinda like they’re morphing into this generation’s Portishead.

105166

White Lies  – Friends

After three consecutive Top 5 albums, White Lies release their fourth album ‘Friends’. With ‘Friends’, White Lies haven’t so much abandoned their trademark synth-rock sound as given it a spring clean by exploring new sounds. For many reasons, it felt like a fresh start. The trio were temporarily without a label after a bout of record company reorganisation. Rather than re-sign straight away, they decided to start ‘Friends’ under their own steam without the pressure of a deadline or a budget, or even the guidance of a producer. Whatever sound each song suggested, White Lies went with it. Hence, when ‘Hold Back Your Love’ and ‘Is My Love Enough’ sparkled with disco grooves, they embraced it. When the beautiful ballad ‘Don’t Fall’ jettisoned their signature sound entirely, leaving only frontman Harry McVeigh’s sumptuous, sonorous vocals to connect it to White Lies of old, they stuck with it. Similarly, when the triumphant ‘Summer Didn’t Change A Thing’ harked back to the arena-ready rock of their debut, they didn’t mind. The changing nature of relationships is a recurring theme throughout the album. ‘Friends’ was recorded in Bryan Ferry’s private studio in London’s Olympia and was self-produced by the band. White Lies enlisted the help of an expert team including Grammy Award-winning engineer James Brown (Foo Fighters, Arctic Monkeys), David Wrench (Caribou, FKA twigs) on mixing duties and long-term collaborator Ed Buller who contributed additional production.

100000x100000 999

Happyness – Tunnel Vision On Your Part

The harmony-packed single Anna, Lisa Calls appears here as the opener to Happyness’ Tunnel Vision On Your Part EP, with the band saying; “This is our first phone call song and our 5th song in E major. We wrote it one day in the studio in June and recorded it straight away – I think we were going for a kind of Traveling Wilburys thing. Also we felt like we hadn’t put a synth in a song for a while, so there’s a synth.” The EP, which also includes single SB’s Truck – a track penned by the band in homage to Samuel Beckett, who famously used to give the beloved, late, 80’s wrestler André The Giant lifts to school in his truck, owing to him being too large for his dad’s car – also provides a rare direct glimpse into the band’s influences as they offer their own interpretation of Club Gaga’s Friend Of The Revolution. Originally featuring on their Suburban Lake album, it’s a record that Happyness hold up as one of their favourites of all time, saying “Most (if not the whole) of the record is findable on YouTube. There were a few different songwriters in the band – but this one’s by the great Peter Fancher.”

D14a10bb 631f 4df3 ac0e d8b0385d32eb

Lush – Lollapalooza Festival, Miami Fl August 22, 1992

Numbered Limited edition of 349 copies on White and Red splatter vinyl. Following the release of 1992’s Spooky, produced by Robin Guthrie of Cocteau Twins fame, Lush brought their first wave shoegaze sound to the US for their second stateside tour, as part of the Lollapalooza tour, which that year included Red Hot Chili Peppers Ministry, Ice Cube, Soundgarden, The Jesus and Mary Chain, and Pearl Jam

Lou reed tthe rca arista album collecion box 1024x995

Lou Reed – The RCA / Arista Albums Collection

A limited edition 12″x12″ deluxe box set library, Lou Reed – The RCA and Arista Album Collection is the ultimate tribute to an essential epoch in Lou Reed’s career as a transformative figure in American music. This definitive anthology contains 16 full-length albums on 17 compact discs in addition to an 80-page hard-bound book featuring memorabilia from Lou Reed’s personal archives, rarely seen photos and artwork, interviews with Lou conducted during his years as a recording artist for RCA and Arista and evocative in- depth liner notes – written by Lou’s longtime friend and the collection’s co- producer Hal Willner – chronicling Lou Reed’s involvement with the making of Lou Reed – The RCA and Arista Album Collection. The collectible deluxe box set also contains – suitable for framing – five 8″x10″ prints and a facsimile reproduction of a rare RCA promotional poster (598mm x 572mm, folds to 299mm x 286mm). The set includes

1. Lou Reed (April 1972)
2. Transformer (November 1972)
3. Berlin (July 1973)
4. Rock n Roll Animal (live – February 1974)
5. Sally Can’t Dance (August 1974)
6. Metal Machine Music (July 1975)
7. Coney Island Baby (December 1975)
8. Rock and Roll Heart (October 1976)
9. Street Hassle (February 1978)
10. Lou Reed Live Take No Prisoners (2 CDs – November 1978) 11. The Bells (April 1979)
12. Growing Up in Public (April 1980)
13. The Blue Mask (February 1982)
14. Legendary Hearts (March 1983)
15. New Sensations (April 1984)
16. Mistrial (June 1986

Advertisements

BABEHEAVEN – ” Heaven “

Posted: April 10, 2016 in MUSIC
Tags:

Heaven video directed by Tegen Williams & Raf Felner, UK quintet Babeheaven’s eclectic sound was born out of their appreciation of several different sonics like trip-hop, soul and ethereal electro. You can hear subtle tinges of each on their debut single “Heaven,” blended smoothly and cohesively in a way that eludes other bands who try to meld multiple sensibilities. The song opens with a slow, sparse synth progression, before an electric guitar and knocking rhythmic drums fill in around lead singer Nancy’s beautiful, floating vocals. There is even a bit of a Caribbean feel to the track as its elements wind and turn together seamlessly. The lyrics are powerful, developed initially from Nancy’s feelings about her mother passing away when she was young. Those original sentiments evolved into something broader but just as poignant, as the band says it is “about the front you put up and break down in front of people, and how things might’ve been different with someone else around.” This song is delightfully smooth, an excellent foray into more things to come.

Heaven is out on 7″ Vinyl on the 8th April

SPECTRES – DEAD
Spectres release their new album, ‘Dead’, on Sonic Cathedral, and it sees the songs from the Bristol band’s hugely acclaimed debut ‘Dying’ nailed to the cross by Mogwai, Factory Floor, Hookworms, Richard Fearless (Death In Vegas), Andy Bell (Ride), Robert Hampson (Loop) and many more. The only instruction was “kill our songs”, and so here are the remains, served up on two mortuary slabs of vinyl (and CD and download) as a stunning, 13-track album that builds on the original’s feeling of claustrophobia and dread, but recasts it across everything from brutal techno (Blood Music’s ‘This Purgatory’) to New Order-meets-Animal Collective euphoria (Andy Bell’s ‘Sea Of Trees’). It’s an occasionally punishing, but always rewarding listen that begins somewhere in the depths of a K-hole, courtesy of Vision Fortune’s ‘Drag’, and ends somewhere rather beautiful, with the celestial synths of Mogwai’s ‘This Purgatory’. (It’s worth noting that Mogwai’s classic ‘Kicking A Dead Pig’ was a big inspiration here.) “We see Spectres as something that can work in a variety of contexts,” says frontman Joe Hatt, as he explains the motivation behind ‘Dead’. “Our musical interests spread out in different angles and we are always thinking of ways for what we do to evolve and mutate. We put together a list of artists who we admired, and thought would deliver a varied and eclectic mix. Some were close friends who are conveniently making some of the best music around, and others were pipe dreams that we thought would never happen. It was both nerve-wracking and fun waiting for each of the artists’ versions to arrive in our inbox, and some definitely surprised us; but none disappointed.” ‘Dead’ serves as an important reminder of what a special band Spectres are, something that can be easy to forget with their anti-industry stance and extra-curricular activities often grabbing the headlines more than their music (“We’ve always been like this, and we won’t cease,” threatens Hatt).

BOB MOULD  – PATCH THE SKY
Bob Mould returns with his next solo album titled ‘Patch the Sky’ via Merge Records. It is both his darkest and catchiest work. While written in solitude, Mould is backed on the record by longtime drummer Jon Wurster (Superchunk, Mountain Goats) and bassist Jason Narducy (Split Single). The first side of the LP is simple and catchy whilst he back-half of the record heavier in spirit and tone.
CD – Digipak (blue foil) plus poster insert.
LP – Standard black vinyl LP in Blue foil sleeve with full album download coupon.
LP+ – Lmited Clear coloured vinyl LP in Blue foil sleeve with full album download coupon.

WHITE DENIM – STIFF
A return to the fiery cauldron of ‘Fits’ for the new look White Denim, stuffed with sprung-steel riffs, quicksilver solos and scudding swamp boogie. Plus a couple of cool R&B interludes from James Petralli’s inner soul man. ‘Stiff’ is White Denim’s sixth record and they teamed up with the legendary Ethan Johns (Paul McCartney, Laura Marling, The Staves) to produce their first truly live record.
LP – 140 Gram Vinyl housed in Gatefold Sleeve with CD Version.
CD – Digipack.

BABEHEAVEN  –  HEAVEN / FRIDAY SKY
Limited 7″ and tipped. West-London five-piece Babeheaven release their beautiful debut single ‘Heaven’ through Handsome Dad / B3SCI. Currently on tour with BBC Sound Poll nominee Loyle Carner, the band have already opened for Liss, supported Formation around the UK and kicked off the year playing DIY’s ‘Hello 2016’ shows at The Old Blue Last. Babeheaven were born out of a long-standing friendship between singer Nancy and guitarist Jamie, who started spending time together in earnest whilst working on the same street in Ladbroke Grove (she in her grandmother’s antique shop, and he in a soul-destroying stint at an organic farm store). Musically, Babeheaven’s tastes were similarly neighbouring: bonding over a love of trip-hop, soul and ethereal electronics (everything from Portishead and James Blake to Stevie Wonder), a typical evening spent hanging out turned into an attempt to write a song together. Their tribute to Domino’s Pizza may never see the light of day, but in finding drummer Harry, keyboard / guitarist Milo and bassist Hugo, the foundations of Babeheaven were formed instead. Debut single ‘Heaven’ is a gentle but insistent introduction, blending hazy guitars, atmospheric synths and flashes of local colour (from the steel pans to nu-soul vocal) into broader emotional resonance. Lyrically, the track was at first inspired by Nancy’s Mum – who passed away when she was young – and the different meanings heaven has for different people: it’s since evolved, say the band, into something “about the front you put up and break down in front of people, and how things might’ve been different with someone else around.”

YUCK – STRANGER THINGS
Since their 2011 self-titled debut LP much has been written about the influence of 1990’s alternative rock on Yuck – the bands Dinosaur Jr. and Sonic Youth have been invoked repeatedly on music sites and in print publications across the world. On their third studio LP, ‘Stranger Things’, the young London based quartet make it clear that they have come into their own. The 11 tracks on ‘Stranger Things’ effortlessly wrap the divergent influences of Fifties Rock n Roll, Sixties Psychedelia, Seventies Supergroup Ballads, and Dark Eighties Pop, in the warm fuzzy blanket of harmonic distortion they are known for – and to masterful effect. ‘Stranger Things’ make the case that Yuck is now operating, not under the influence of, but in the very echelon of these bands of old they have long been noted as being descendants of.
CD – Digipack.
LP – Limited White Vinyl Version with Download.

KIRAN LEONARD – GRAPEFRUIT
20 year old Kiran Leonard releases his debut album, ‘Grapefruit’ on Moshi Moshi “A boy, in his attempt to gain an elusive masculine identification, often comes to define this masculinity largely in negative terms, as that which is not feminine or involved with women. There is an internal and external aspect to this. Internally, the boy tries to reject his mother and deny his attachment to her and the strong dependence upon her that he still feels. He also tries to deny the deep personal identification with her that he has developed during his early years. He does this by repressing whatever he takes to be feminine inside himself, and, importantly, by denigrating and devaluing whatever he considers to be feminine in the outside world.”
2LP – Double LP With Download.

THE COSMIC DEAD – RAINBOWHEAD
The Cosmic Dead return with their first full length album since 2014’s Easterfaust. For the uninitiated The Cosmic Dead are a quartet from Glasgow, Scotland, making some of the best raging freak out psych right now. ‘Rainbowhead’ is a brand new LP, featuring four tracks of spaced out, heavy psych formed from insane chugging bass, trippy synth blasts, krautrock infused metallic guitar riffin’ and furious cascading drum cycles. The band’s constant positive vibes have led to them touring all over the UK and Europe, playing the prestigious Liverpool Psych Fest and the band are due to play Psycho Festival in Las Vegas in August alongside Sleep, Candlemass, Yob, Mudhoney, Death and more. ‘Rainbowhead’ follows records on Cardinal Fuzz, Evil Hoodoo, Who Do You Trust?, Sound of Cobra and some of the best underground labels around.

THE JOY FORMIDABLE – HITCH
The Joy Formidable release their third album, ‘Hitch’. The follow up to 2013’s ‘Wolf’s Law’ is released through the Welsh trio’s own label C’Mon Lets Drift. ‘Hitch’ was self-produced by the band, and mixed by the legendary Alan Moulder. The new release showcases the evolution of the trio’s sound and musicianship. The commanding guitar and lead vocals of Ritzy Bryan coupled with bassist Rhydian Davies and the stalwart stylings of drummer Matt Thomas perfectly align on the band’s latest endeavor. From the atmospheric, Twin Peaks murk of ‘The Gift’ to the woozy rush of ‘Running Hands With the Night’, ‘Hitch’ is an album that fizzes with thrilling self assurance.
CD – Digipack.
2LP – 180 gram LP Set.

SPRING KING  –  RECTIFIER

Limited Red Vinyl 7″. Manchester garage-poppers Spring King release ‘Rectifier’, a brand new single and the band’s first since signing to Island Records. Jumpy and fidgety as ever, it’s a track that sees the group up the ante on that early promise. Pairing shifty atmospherics with their frenetic pace, it’s a promising hint at their debut album.