Posts Tagged ‘Yuck’

Yuck guitarist Max Bloom recorded his debut solo album Perfume following a painful breakup and a move back into his family home after 10 years of independence. Bloom pivoted to a more intimate, downtempo sound with unadorned vocals, influenced by the likes of George Harrison and Harry Nilsson, following three blown-out indie rock albums with Yuck. The result is a contemplative record that pivots between sunny melancholia, tongue-in-cheek humor and good old-fashioned yearning, and Bloom’s perky guitar work lightens the mood. “I decided to call the album Perfume because of how powerful smell can be,” Bloom says. “For me anyway, smelling a familiar smell can send me back in time like no other sense can. And when I smelled a jumper she had left behind, it brought everything back again.”

I never thought that I’d be releasing the album in these circumstances, but there you go. However dire the global situation, I never considered delaying the release. Partly because I think it’s important now more than ever for musicians to be putting their art into the world, but also because this plan has been years in the making, and nothing was going to get in the way.

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When Mariko Doi of Yuck and James Thomas of band The History of Apple Pie got together to form Parakeet, they sought to create a raucous, thrashing punk band. It turned out that they were better at coating their noise in more of an alt pop patina, however. That’s what put them on the map with 2012’s Shonen Hearts EP, an effort that gained them buzzing popularity abroad in Japan and their UK home. Two EPs later, they’ve continued to refine their sound — one that’s both unabashedly loud and sugary fun — and will unleash it in all of its glory on their debut LP, KASAvia Lunar Ruins.


Following lead single “Sugar Rush”, the duo has returned with a new track called “Summer Apathy”. As the title suggests, the track isn’t as lighthearted as the previous release, but the intricate guitar and bass work still manages to warm the cockles of your heart. With crunchy lines that point just slightly down at your shoes, the song encapsulates all the shine of a glorious summer day right alongside the too-cool sand of a lonely summer’s eve. Or, as the band puts it, “All the instruments are woven like a herringbone. It’s an ultimate heartbreak song.”

Members: Mariko Doi and James L Thomas



“KASA”, Parakeet’s first studio album has the pure spirit of D.I.Y. All the tracks were recorded, mixed and mastered at home in London.
Of Japanese origin, Mariko has named their album KASA after seeing the artwork by Noriko Okaku, a Japanese fine artist and an animator based in London.
Mariko learned guitar when she was young and she came back to her roots this time after years of playing bass professionally. Her guitar, bass and vocal parts are well woven with each other. James‘ drum parts are tastefully played and solid. He has the policy of ‘No drum solos’.


Their initial 2 piece, drums and bass approach has not changed. All the tracks make sense with drums and bass as Mariko is conscious of her bass parts not just playing root notes.
Mariko’s lyrics are heavily influenced by modern Japanese literature and existentialism. She likes to project a vivid picture of her story as if you are in it. 

Spectres release their new album, ‘Dead’, on Sonic Cathedral, and it sees the songs from the Bristol band’s hugely acclaimed debut ‘Dying’ nailed to the cross by Mogwai, Factory Floor, Hookworms, Richard Fearless (Death In Vegas), Andy Bell (Ride), Robert Hampson (Loop) and many more. The only instruction was “kill our songs”, and so here are the remains, served up on two mortuary slabs of vinyl (and CD and download) as a stunning, 13-track album that builds on the original’s feeling of claustrophobia and dread, but recasts it across everything from brutal techno (Blood Music’s ‘This Purgatory’) to New Order-meets-Animal Collective euphoria (Andy Bell’s ‘Sea Of Trees’). It’s an occasionally punishing, but always rewarding listen that begins somewhere in the depths of a K-hole, courtesy of Vision Fortune’s ‘Drag’, and ends somewhere rather beautiful, with the celestial synths of Mogwai’s ‘This Purgatory’. (It’s worth noting that Mogwai’s classic ‘Kicking A Dead Pig’ was a big inspiration here.) “We see Spectres as something that can work in a variety of contexts,” says frontman Joe Hatt, as he explains the motivation behind ‘Dead’. “Our musical interests spread out in different angles and we are always thinking of ways for what we do to evolve and mutate. We put together a list of artists who we admired, and thought would deliver a varied and eclectic mix. Some were close friends who are conveniently making some of the best music around, and others were pipe dreams that we thought would never happen. It was both nerve-wracking and fun waiting for each of the artists’ versions to arrive in our inbox, and some definitely surprised us; but none disappointed.” ‘Dead’ serves as an important reminder of what a special band Spectres are, something that can be easy to forget with their anti-industry stance and extra-curricular activities often grabbing the headlines more than their music (“We’ve always been like this, and we won’t cease,” threatens Hatt).

Bob Mould returns with his next solo album titled ‘Patch the Sky’ via Merge Records. It is both his darkest and catchiest work. While written in solitude, Mould is backed on the record by longtime drummer Jon Wurster (Superchunk, Mountain Goats) and bassist Jason Narducy (Split Single). The first side of the LP is simple and catchy whilst he back-half of the record heavier in spirit and tone.
CD – Digipak (blue foil) plus poster insert.
LP – Standard black vinyl LP in Blue foil sleeve with full album download coupon.
LP+ – Lmited Clear coloured vinyl LP in Blue foil sleeve with full album download coupon.

A return to the fiery cauldron of ‘Fits’ for the new look White Denim, stuffed with sprung-steel riffs, quicksilver solos and scudding swamp boogie. Plus a couple of cool R&B interludes from James Petralli’s inner soul man. ‘Stiff’ is White Denim’s sixth record and they teamed up with the legendary Ethan Johns (Paul McCartney, Laura Marling, The Staves) to produce their first truly live record.
LP – 140 Gram Vinyl housed in Gatefold Sleeve with CD Version.
CD – Digipack.

Limited 7″ and tipped. West-London five-piece Babeheaven release their beautiful debut single ‘Heaven’ through Handsome Dad / B3SCI. Currently on tour with BBC Sound Poll nominee Loyle Carner, the band have already opened for Liss, supported Formation around the UK and kicked off the year playing DIY’s ‘Hello 2016’ shows at The Old Blue Last. Babeheaven were born out of a long-standing friendship between singer Nancy and guitarist Jamie, who started spending time together in earnest whilst working on the same street in Ladbroke Grove (she in her grandmother’s antique shop, and he in a soul-destroying stint at an organic farm store). Musically, Babeheaven’s tastes were similarly neighbouring: bonding over a love of trip-hop, soul and ethereal electronics (everything from Portishead and James Blake to Stevie Wonder), a typical evening spent hanging out turned into an attempt to write a song together. Their tribute to Domino’s Pizza may never see the light of day, but in finding drummer Harry, keyboard / guitarist Milo and bassist Hugo, the foundations of Babeheaven were formed instead. Debut single ‘Heaven’ is a gentle but insistent introduction, blending hazy guitars, atmospheric synths and flashes of local colour (from the steel pans to nu-soul vocal) into broader emotional resonance. Lyrically, the track was at first inspired by Nancy’s Mum – who passed away when she was young – and the different meanings heaven has for different people: it’s since evolved, say the band, into something “about the front you put up and break down in front of people, and how things might’ve been different with someone else around.”

Since their 2011 self-titled debut LP much has been written about the influence of 1990’s alternative rock on Yuck – the bands Dinosaur Jr. and Sonic Youth have been invoked repeatedly on music sites and in print publications across the world. On their third studio LP, ‘Stranger Things’, the young London based quartet make it clear that they have come into their own. The 11 tracks on ‘Stranger Things’ effortlessly wrap the divergent influences of Fifties Rock n Roll, Sixties Psychedelia, Seventies Supergroup Ballads, and Dark Eighties Pop, in the warm fuzzy blanket of harmonic distortion they are known for – and to masterful effect. ‘Stranger Things’ make the case that Yuck is now operating, not under the influence of, but in the very echelon of these bands of old they have long been noted as being descendants of.
CD – Digipack.
LP – Limited White Vinyl Version with Download.

20 year old Kiran Leonard releases his debut album, ‘Grapefruit’ on Moshi Moshi “A boy, in his attempt to gain an elusive masculine identification, often comes to define this masculinity largely in negative terms, as that which is not feminine or involved with women. There is an internal and external aspect to this. Internally, the boy tries to reject his mother and deny his attachment to her and the strong dependence upon her that he still feels. He also tries to deny the deep personal identification with her that he has developed during his early years. He does this by repressing whatever he takes to be feminine inside himself, and, importantly, by denigrating and devaluing whatever he considers to be feminine in the outside world.”
2LP – Double LP With Download.

The Cosmic Dead return with their first full length album since 2014’s Easterfaust. For the uninitiated The Cosmic Dead are a quartet from Glasgow, Scotland, making some of the best raging freak out psych right now. ‘Rainbowhead’ is a brand new LP, featuring four tracks of spaced out, heavy psych formed from insane chugging bass, trippy synth blasts, krautrock infused metallic guitar riffin’ and furious cascading drum cycles. The band’s constant positive vibes have led to them touring all over the UK and Europe, playing the prestigious Liverpool Psych Fest and the band are due to play Psycho Festival in Las Vegas in August alongside Sleep, Candlemass, Yob, Mudhoney, Death and more. ‘Rainbowhead’ follows records on Cardinal Fuzz, Evil Hoodoo, Who Do You Trust?, Sound of Cobra and some of the best underground labels around.

The Joy Formidable release their third album, ‘Hitch’. The follow up to 2013’s ‘Wolf’s Law’ is released through the Welsh trio’s own label C’Mon Lets Drift. ‘Hitch’ was self-produced by the band, and mixed by the legendary Alan Moulder. The new release showcases the evolution of the trio’s sound and musicianship. The commanding guitar and lead vocals of Ritzy Bryan coupled with bassist Rhydian Davies and the stalwart stylings of drummer Matt Thomas perfectly align on the band’s latest endeavor. From the atmospheric, Twin Peaks murk of ‘The Gift’ to the woozy rush of ‘Running Hands With the Night’, ‘Hitch’ is an album that fizzes with thrilling self assurance.
CD – Digipack.
2LP – 180 gram LP Set.


Limited Red Vinyl 7″. Manchester garage-poppers Spring King release ‘Rectifier’, a brand new single and the band’s first since signing to Island Records. Jumpy and fidgety as ever, it’s a track that sees the group up the ante on that early promise. Pairing shifty atmospherics with their frenetic pace, it’s a promising hint at their debut album.


The single, the band’s first from album Stranger Things , which is out February. 26th, opens with a whirling Pixies-ish guitar riff. The song adds some power-pop punch and the vocals feature some revved up reverb and layered harmonies.


“Hearts In Motion” from Yuck’s new album “Stranger Things” (out February 26th). Pre-order everything from signed vinyl to VIP soundcheck passes at our shows, and grab an instant download of the lead single, “Hearts In Motion.”

“Cannonball” is a barrage of distorted lo-fi sound from the get-go. The sonic signature of a band who knows what they do best. Built on a cutting guitar riff right from the get-go, the song plummets into almost two and a half minutes of energetic, fuzzed out distortion. Max Bloom’s crunchy vocals sitting just above piercing drums, likely the only element that hasn’t been passed through layers of distortion.

Yuck will be releasing their third album, Stranger Things, due out February 26th through their label Mamé Records. They’ve also announced a slew of tour dates, including a headlining spot at the Bodega Social in Nottingham in March. Following two singles, “Hold Me Closer” and “Hearts In Motion”, and a non-album Fugazi cover, this is shaping up to be an exciting year for the London band.


A gorgeous new track from the Indie Rock band YUCK taken from the Ep Released this week on I-Tunes, with shimmering guitar and piano, led with a sweet vocal and harmony. Check out the other tracks Athena, Another One and Set In Motion. check out last years album Glow and Behold. Set in Motion features lead vocals from Sebastian Fors from the band Lets Say We Did from Stockholm.