Posts Tagged ‘White Lies’

White Lies have shared their new single ‘Hurt My Heart’. The three-piece are currently in retrospective mode, re-visiting debut album ‘To Lose My Life’ on its 10th anniversary.

Recorded in Los Angeles whilst on hiatus and what has been a busy year traversing various continents in support of album ‘Five’ released earlier this year, their first for new label [PIAS] Recordings.
The brooding, synthpop sound  of ‘Hurt My Heart’ is one of a couple of tracks the band recently recorded with US producer Andrew Wells (5 Seconds Of Summer. Fall Out Boy).

Band Members
Harry McVeigh,
Charles Cave,
Jack Brown

White Lies are to play shows in the UK:

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Julia Jacklin –  Don’t Let The Kids Win

Julia Jacklin highly anticipated debut album, ‘Don’t Let The Kids Win’, is released via Transgressive Records. Hailing from the Australian Blue Mountains, Julia Jacklin is a guitarist and singer like no other. Her music courses with the aching current of alt-country and indie-folk, augmented by her undeniable calling cards: her rich, distinctive voice, and her playful, observational wit. For the past several years Jacklin has lived in a garage in Glebe (a suburb of Sydney), working a day job on a factory production line making essential oils, all the while finding time to hone her craft – to examine her turns of phrase, to observe the stretching of her friendship circles, to wonder who she was and who she might become. And now, as Jacklin quits her factory job to focus solely on a music career, the future she had once imagined is becoming her present day reality. For fans of Margo Price, Mazzy Star and Lana Del Ray.

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Hiss Golden Messenger  –  Heart Like A Levee

The writing of the songs that became ‘Heart Like a Levee’ started in a hotel room in Washington DC in January of 2015 during a powerful storm that darkened the East Coast. At that time I was feeling – more acutely than I had ever felt before – wrenched apart by my responsibilities to my family and to my music. Forgetting, momentarily, that for me, each exists only with the other. How could I forget? Though maybe my lapse was reasonable: I had just quit my job, the most recent and last, in a series of dead-end gigs stretching back 20 years, with the vow that my children would understand their father as a man in love with his world and the inventor of his own days. They would be rare in that regard. And then – driven by monthly bills and pure fear – I left for another tour, carrying a load of guilt that I could just barely lift. But in that snowy hotel room I found the refrain that became my compass: I was a dreamer, babe, when I set out on the road; but did I say I could find my way home? M.C. Taylor Available CD – Digipak with poster style insert. 11 Tracks.2CD – Deluxe 2CD is Digipak / Softpak with obi wrap and poster style insert. Includes the 8 Track ‘Vestapol’. 19 Tracks total.LP – 11 Tracks with Download.2LP – Deluxe 2LP in Gatefold Sleeve poster plus obi wrap and Download. Includes the 8 Track ‘Vestapol‘. 19 Tracks total.

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Goat Girl  –  Country Sleaze / Scum

Limited to just 500 Copies on Rough Trade Records. The debut single by teenage South London four piece Goat Girl. Goat Girl head up an emerging set of groups from South London who have been inspired by the burgeoning local circuit there. Goat Girl are a special band. Songs that use subtlety as their main ingredient while remaining disarmingly fierce at every turn. Lyrics that mean everything despite being written down in the most simplistic and non-aggressive way possible… they are an anomaly in the UK music scene as 2016 draws to a draggy close: four people playing guitars, bass and drums who have the ability to make you feel //alive// again. Goat Girl release two songs on Rough Trade, each one a caustic commentary on the England they’ve grown up in: Country Sleaze is a brooding two-chord time capsule that sounds like it’s been beamed over from a Seattle divebar in 1989. Both tracks were recorded purposefully quickly in a no-nonsense north London studio a few weeks ago with fast-rising producer Margo Broom

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C Duncan – The Midnight Sun

Glasgow’s prodigious talent C Duncan released his critically acclaimed and Mercury Prize nominated debut full-length ‘Architect’ last July, wrapping up an extremely successful first year with a headline tour and stunning sell-out performance at Union Chapel. Follow up ‘The Midnight Sun’ sees the bedroom producer return with a more expansive and experimental second offering, blending electronic elements and sweeping synth sounds with his signature layered vocals and dreamy instrumentation.

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Babeheaven  –  Moving On

Babeheaven return with their second single on Handsome Dad and limited to just 250 Copies. It’s a beautifully immersive slice of ethereal trip-hop. Pinned together with lead vocalist Nancy Andersen’s shimmering voice, it’s another smooth triumph for the London based five piece. As time passes, it feels kinda like they’re morphing into this generation’s Portishead.

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White Lies  – Friends

After three consecutive Top 5 albums, White Lies release their fourth album ‘Friends’. With ‘Friends’, White Lies haven’t so much abandoned their trademark synth-rock sound as given it a spring clean by exploring new sounds. For many reasons, it felt like a fresh start. The trio were temporarily without a label after a bout of record company reorganisation. Rather than re-sign straight away, they decided to start ‘Friends’ under their own steam without the pressure of a deadline or a budget, or even the guidance of a producer. Whatever sound each song suggested, White Lies went with it. Hence, when ‘Hold Back Your Love’ and ‘Is My Love Enough’ sparkled with disco grooves, they embraced it. When the beautiful ballad ‘Don’t Fall’ jettisoned their signature sound entirely, leaving only frontman Harry McVeigh’s sumptuous, sonorous vocals to connect it to White Lies of old, they stuck with it. Similarly, when the triumphant ‘Summer Didn’t Change A Thing’ harked back to the arena-ready rock of their debut, they didn’t mind. The changing nature of relationships is a recurring theme throughout the album. ‘Friends’ was recorded in Bryan Ferry’s private studio in London’s Olympia and was self-produced by the band. White Lies enlisted the help of an expert team including Grammy Award-winning engineer James Brown (Foo Fighters, Arctic Monkeys), David Wrench (Caribou, FKA twigs) on mixing duties and long-term collaborator Ed Buller who contributed additional production.

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Happyness – Tunnel Vision On Your Part

The harmony-packed single Anna, Lisa Calls appears here as the opener to Happyness’ Tunnel Vision On Your Part EP, with the band saying; “This is our first phone call song and our 5th song in E major. We wrote it one day in the studio in June and recorded it straight away – I think we were going for a kind of Traveling Wilburys thing. Also we felt like we hadn’t put a synth in a song for a while, so there’s a synth.” The EP, which also includes single SB’s Truck – a track penned by the band in homage to Samuel Beckett, who famously used to give the beloved, late, 80’s wrestler André The Giant lifts to school in his truck, owing to him being too large for his dad’s car – also provides a rare direct glimpse into the band’s influences as they offer their own interpretation of Club Gaga’s Friend Of The Revolution. Originally featuring on their Suburban Lake album, it’s a record that Happyness hold up as one of their favourites of all time, saying “Most (if not the whole) of the record is findable on YouTube. There were a few different songwriters in the band – but this one’s by the great Peter Fancher.”

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Lush – Lollapalooza Festival, Miami Fl August 22, 1992

Numbered Limited edition of 349 copies on White and Red splatter vinyl. Following the release of 1992’s Spooky, produced by Robin Guthrie of Cocteau Twins fame, Lush brought their first wave shoegaze sound to the US for their second stateside tour, as part of the Lollapalooza tour, which that year included Red Hot Chili Peppers Ministry, Ice Cube, Soundgarden, The Jesus and Mary Chain, and Pearl Jam

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Lou Reed – The RCA / Arista Albums Collection

A limited edition 12″x12″ deluxe box set library, Lou Reed – The RCA and Arista Album Collection is the ultimate tribute to an essential epoch in Lou Reed’s career as a transformative figure in American music. This definitive anthology contains 16 full-length albums on 17 compact discs in addition to an 80-page hard-bound book featuring memorabilia from Lou Reed’s personal archives, rarely seen photos and artwork, interviews with Lou conducted during his years as a recording artist for RCA and Arista and evocative in- depth liner notes – written by Lou’s longtime friend and the collection’s co- producer Hal Willner – chronicling Lou Reed’s involvement with the making of Lou Reed – The RCA and Arista Album Collection. The collectible deluxe box set also contains – suitable for framing – five 8″x10″ prints and a facsimile reproduction of a rare RCA promotional poster (598mm x 572mm, folds to 299mm x 286mm). The set includes

1. Lou Reed (April 1972)
2. Transformer (November 1972)
3. Berlin (July 1973)
4. Rock n Roll Animal (live – February 1974)
5. Sally Can’t Dance (August 1974)
6. Metal Machine Music (July 1975)
7. Coney Island Baby (December 1975)
8. Rock and Roll Heart (October 1976)
9. Street Hassle (February 1978)
10. Lou Reed Live Take No Prisoners (2 CDs – November 1978) 11. The Bells (April 1979)
12. Growing Up in Public (April 1980)
13. The Blue Mask (February 1982)
14. Legendary Hearts (March 1983)
15. New Sensations (April 1984)
16. Mistrial (June 1986