Posts Tagged ‘Australia’

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Methyl Ethel will release their third album “Triage” on Friday 15th February 2019.

The album was written, produced and performed by lead singer Jake Webb, recorded in Jake’s home studio in West Perth and mixed at Mute Studio in London with Marta Salogni.

With his thirtieth birthday, and the ceremonial cap on three records and three EP’s, Webb felt a sense of closure in the making of Triage. Methyl Ethel has always been a surrealist outfit – a dark and obscured expression of life set to the backdrop of dream pop hooks. But Triage is a more reflective album – one that explores the notion of coming of age, only to reference it for the snapshots and passing memories that it has become.

Methyl Ethel is the musical project of Jake Webb. As a live band it expands to a five piece and includes Thom Stewart, Chris Wright, Lyndon Blue and Jacob Diamond. 

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Methyl Ethel has enjoyed phenomenal successes over the last years. ‘Ubu’ became an ARIA Accredited Gold single earlier this year off the back of landing at #4 in triple j’s 2017 Hottest 100. The band have clocked up over 25 million Spotify streams alone and all of their tour dates in Australia and the UK since 2016 have sold out.

released February 15th, 2019

All songs written and recorded by Jake Webb 

All instruments played by Jake Webb 

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Flightless Records family members The Murlocs have returned with their first slice of new music since 2017. Presenting you Comfort Zone; four minutes of pure madness!

Five fellas with roots firmly placed in their own blown-out, distorted demented dance party brand of soulful RnB. Formed in the end of November 2010 and originally from the coastal town of Ocean Grove the group has since gone on to play such music festivals as Meredith, Queenscliffe, Boogie and Falls. As well as supporting such acts as Gary Clarke Junior, Mac Demarco, Ty Segall, Thee Oh Sees, The Pixies, Earthless, Stephen Malkmus and The Jicks, Wavves and King Gizzard and the Lizard Wizard.

Band Members
Cal Shortal,
Ambrose Kenny Smith,
Matt Blach,
Cook Craig,
Tim Karmouche,

Melbourne garage-rock quintet The Murlocs are back with new track and video “Noble Soldier”, which comes via Australian indie label Flightless Records. The group are mostly comprised of members from fellow Australian psychedelic rockers King Gizzard And The Lizard Wizard, meaning they’re pretty much two for two with regard to brilliantly ludicrous band names.

“Noble Soldier” garage-guitar amble recalls Shannon And The Clams or even some of the more restrained Reigning Sound stuff, while the brisk crackle of Ambrose Kenny Smith’s vocals allow the track to maintain its casual saunter.

The track also comes with an accompanying video, which features a deeply surreal take on fitness and plastic surgery.

King Gizzard & The Lizard Wizard return with their first new music since 2017. Cyboogie b/w Acarine is a limited-edition 7” featuring two brand new songs from Australia’s freewheeling seven-piece band.  “Cyboogie” is a step in a new direction for Gizz with five of the seven members playing synth on the track and not a guitar in sight. It’s an incredibly fun, upbeat disco boogie track reminiscent of Stevie Wonder, Devo, Trans era Neil Young and everything that is good.

Cyboogie comes complete with a regulation Jason Galea video, which sees the band cast as a bunch of identikit analogue droogs.

 

Australian quartet The Jungle Giants will be bringing sizzling hot indie rock anthems to Liverpool Sound City this summer 2019! Creators of music that ‘makes you want to dance, but also clench your fists,’ singles such as ‘Used to Be in Love’ and ‘Feel the Way I Do’ have been racking up millions of streams in their homeland. With 3 albums to boast and a number of sellout tours under their belts, it is only a matter of time before The Jungle Giants make a name for themselves on this hemisphere. check out the album “Quiet Ferocity”:

Listen to The Jungle Giants third studio album Quiet Ferocity and one thing becomes clear: they’ve found their sound. The band – featuring Sam Hales on vocals/guitar, Cesira Aitken on lead guitar, Andrew Dooris on Bass Guitar/Backing Vocals and Keelan Bijker on drums/trombone – met in Brisbane at Mansfield State High, and since their first performance in 2011, they’ve released two EPs (The Jungle Giants, 2011 and She’s a Riot, 2012) and two studio albums (Learn to Exist, 2013 and Speakerzoid, 2015).

Quiet Ferocity combines the signature melodic arrangements of their first album with the percussion-laden production of their second and catapults them into asonic stratosphere that is entirely their own sound.
“After Speakerzoid I didn’t write for a while,” Sam says. “I needed to figure out what I wanted to do. I had to get out of my head. Then one day I was in the pool. It came to me, and I made this conscious decision. I told the band I wanted to make banging indie rock. I wanted to make a strong record that I would be happy to play live.” 

Band Members
Sam Hales – Vocals/Guitar
Cesira Aitken – Lead Guitar
Andrew Dooris – Bass Guitar/Backing Vocals
Keelan Bijker – Drums

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After the colourful detour of Deep Heat (2012), Oh Mercy’s ARIA-winning singer Alexander Gow relocated to the USA, where things didn’t go necessarily as planned. Recorded across three cities, “When We Talk About Love” is rife with homesickness, lovesickness and nods to Gow’s heroes – from Raymond Carver, to Burt Bacharach, the Triffids to the Go-Betweens. Opener “Without You” is expansive and evocative, with sweeping string arrangements and the kind of honest vocal delivery that pours out like an open wound. “I’m always thinking of you with some other guy,” he deadpans. Songs like “I Don’t Really Want To Know” and “Sandy” pull off that great songwriter’s trick of pairing a melancholic lyric with an optimistic melody, but it all comes to a head on Lady Eucalyptus, a lush finger-picked take on Ovid’s Metamorphoses. “My cards are all dealt and done,” he sings like a man who’s burned everything to the ground just to start again.

After the swaggering glam of the Portland-recorded ‘Deep Heat’, Alex Gow holed up in the NSW coast with producer Scott Horscroft to craft a breakup record for the ages. Largely eschewing the characters he filtered his emotional point of view through on the last record, Alex (playing almost every instrument here) marries a lyrical vocabulary tied to the mature pop of the sixties and early 70s (Bacharach/David, Carole King) with a timeless sonic approach that gives his tender melodies room to breath. The vividness of ‘Lady Ecalyptus’ and ‘I Don’t Really Wanna Know’ is devastating, but the album is never a depressing or unpleasant listen, just a collection of great pop tunes.

Is this stretching the word “rising” too far? Purple Skies, Toxic River was pretty much the best album from 2013, and there’s been nary a peep since from Canberra’s TV Colours since, a one-man project from Bobby Kill. The band did release some new t-shirts in 2018, with a note promising more music soon—that Facebook post is almost a year old at this point. That first LP was criminally underheard in the States, though, even with a domestic release on Comedy Minus One, and so it’d be negligent of us to leave them off a list like this. On Purple Skies TV Colours delivers a pop-punk album in the best possible meaning of the term, a modern day successor to the terminally catchy disquiet of bands like the Buzzcocks and the Mice, but recorded on what sounds like a four-track from the early ‘90s.

Bobby Kill squeezes more warmth and color than you can imagine out of that lo-fi set-up, brightening up the programmed drums and classic riffs tightly coiled together on every song. Look, it’s true: “Beverly” is a song that should be on every “best of ” list, and blasting out of every bored, anxious, unsettled kid’s window every summer night for the rest of existence. And hey, it’s from Australia, so good job, island continent.

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This effortlessly cool Sydney quartet offer everything we want from indie-rock in 2019: lush guitar melodies, a willingness to mix things up, and a readiness to sing about feelings with feeling. Last year, they released their anticipated debut EP:

Band Members
Sophie Mccomish (guitar + vox) // Annabel Blackman (guitar + vox) // Georgia Wilkinson-derums (bass + vox) // Cecil Coleman (drums)

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With so many bands flitting in and out of Melbourne, it can be hard to keep track of who’s worth listening to. Tiny Little Houses, a four-piece, self-described “whatever rock” band from Australia’s second-biggest city, cut through the noise. Aside from having a great title, their debut LP, Idiot Proverbs proves there’s more than just happy-go-lucky rock coming out of their home city. At times, Idiot Proverbs is downright self-deprecating: On the first track, the band compare themselves to a literal “Garbage Bin.” But the album examines poor self-confidence with a sense of humor, leaving the listener feeling more entertained than depressed.

Band Members
Caleb Karvountzis,
Mo Sullins,
Clancy Bond,
Al Yamin,

Tiny Little Houses “Idiot Proverbs” ℗ Ivy League Records Released on: 2018-01-12

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Another Milk! Records signee, the mint rock trio Loose Tooth dropped their second LP, “Keep Up” in 2018. I must admit I was skeptical: How can Melbourne keep up the guitar-pop bands of such quality, But Loose Tooth were a pleasant surprise. Their transcendent rock certainly takes cues from bands like The Cure and that classic Melbourne jangle, but it’s nevertheless some of the freshest sounds coming out of the Australian metropolis. Etta Curry, Luc Dawson and Nellie Jackson know a thing or two about hooks, and “Keep On” is especially infectious, like a pleasant nag. With Barnett on their side and plenty of catchy rock melodies in their heads, this Loose Tooth won’t fall out anytime soon.

‘Keep On‘ is taken from Loose Tooth’s album ‘Keep Up’ out now: