Rydalwater

‘Rydalwater’, a 10-minute improvised guitar composition by Jack Cooper (Modern Nature), will be released over two sides of a 7″ single, out 10th march, originally commissioned as an improvised piece for the caught by the river programme for aerial festival back in september, Modern Nature’s ‘Rydalwater’ is now to become the twelfth release on caught by the river’s ‘Rivertones’ label (with artwork by tara okon).

Originally commissioned as an improvised guitar piece for the Caught by the River Aerial Festival programme, ‘Rydalwater’ recalls Jack Cooper’s childhood visits to Windermere.

Jack writes: “It’s difficult to reminisce about the past at the moment. The family I was a part of when I think about days out in the Lake District still exists, bonded forever by the twenty years we spent in each other’s pockets, but now we are spread out all over the country and, in my father’s case, the world.

Disregarding the pandemic for a second, it’s not impossible to imagine the current incarnation of our extended family piling into a couple of cars and heading up the M6 for a day out around Windermere. My wife, my mum, sister and her two girls did just that a couple of years ago. I’m sure when this pandemic is over, we’ll do it all again.
 
http://

But what I wouldn’t give to be in the back of my dad’s car, tearing up the M6 at six o’clock in the morning for a day out in the Lakes. The thought of racing raindrops across the back windows of the car with my sister while my Dad complains about caravans or tractors; my Mum singing along to Madonna on the car stereo is almost too much to even think about. The Little Chef at Staveley is long gone, but there’s some comfort in imagining our Rydal Water; its banks and contours slightly more eroded, the pebbles we stood on still there, under the water.”
 
Released February 5th, 2021
May be an image of text that says 'AN OURVINYL SESSION FEATURING SIR WOMAN O'

Sir Woman’s performance of “Thinkin’ Bout Tomorrow” from her 2020 EP Bitch. This session was filmed live at OurVinyl Studios in Nashville, TN.

Sir Woman is the newest creation from Kelsey Wilson, co-founder of Wild Child and member of Glorietta. Wilson has been co-writing, singing, and arranging strings on over 15 albums and musical projects spanning all musical genres. With Sir Woman, Kelsey explores a mix of R&B, pop, soul, and funk. About her 2020 EP “Bitch” Kelsey says, “This EP is me finding what makes me feel good and falling in love with myself. A mix of everything that makes my body move — pop, soul, gospel, funk, folk, and R&B. It feels so right to make a record that has my actual heart in it,” Wilson said. “These songs are the part of me that wants to help people fall in love with themselves through music. I can’t wait for everyone to hear it.”

About : OurVinyl films creative live performances with both emerging and established musicians. Filming artists in unique settings that complement the music while capturing studio quality audio regardless of the setting. It’s all live, all one take, no punching in, no autotune, no cheating. Just high energy and true authenticity.

May be an image of 1 person and hair

We are pleased to bring you Ty’s full solo performance recorded “Live at Zebulon” in June of 2020.

Under the dead of night, a stoic young gentleman named Ty Segall killed a garage rocker for punk. In the same secrecy, the California-born punk and roll darling slid a pre-order without any promotion, press or flim flam. What we have here is the full set Ty performed “Live at Zebulon back in June for all of us quarantining live music addicts thirsting for a taste of what we once knew. He delivered the goods from across his career. Crowd favorites like “Finger” mixed with new cuts like “Taste” for maximum hooliganry.

Tracklist: Finger 0:21 Squealer 3:34 Candy Sam 6:30 Warm Hands 10:00 You’re the Doctor 17:50 Taste 19:54 Love Fuzz 23:36

We’ve got three coloured variants for 200 whites, 300 pinks and 400 yellows and 600 classic blacks.  Don’t dilly dally, folks. Ty has fans from Des Moines to Timbuktu.

May be an image of 3 people, people playing musical instruments, people standing and food

Lush, jangly charm is evident throughout “How Come?” — the latest from Stray Fossa. The band has impressed with multiple singles over the years. As such, I’m strongly anticipating the Virginia-based band’s debut full-length album, due in April. “How Come?” is the album’s first single, recorded in a single session at the band’s Charlottesville, Virginia attic studio. Interlocking guitars carry two separate melodies, weaving between each other like two lives meeting. Sometimes they’re in harmony, sometimes they compete for dominance, each telling their own story while influencing the other. The melodic layers of trickling guitar jangles assemble an engrossing intro, percussively accompanied past the 30-second mark as the vocals glide in. Sections heavier on bass and synth emphasis, like 01:40, also play with captivating qualities. “How Come?” is a hypnotic, jangly gem.

Stray Fossa explain more about the upcoming album below:

“The band’s first full-length record was written and recorded entirely in the first half of 2020, a period of time that the world will collectively remember. The songs do not so much play into the zeitgeist as accompany it – weaved in and out of the record are themes of social isolation, anxiety and dissolution; inter-independence; restlessness; nostalgia; and collective memory, the last of which, given the band’s lifetime of friendship, has long underlined their writing process. The songs are personal both to the three songwriters as individuals and to the group as a whole. A shared living room and late night discussions spun the thread that winds through the record from start to finish, while collaborative arrangement and Will Evans’ meticulous production make it seem as if the ten tracks were carved from one sonic medium.”

our debut album “With You For Ever” out April 9th, 2021

May be an image of 4 people

A deeply personal album for bandleader Rob Grote – all of the songs were written in his bedroom as a means of coping with struggles he was facing at the time with no intention of them putting them on a record. He wound up with 32 songs during that writing session, of which he and the band chose the 11 featured on the new record. The new album was produced by the band and frequent collaborator Keith Abrams, and mixed by Dave Fridmann (The Flaming Lips, Spoon, MGMT, Tame Impala).

You Know I’m Not Going Anywhere is born into the world . I’m so super proud of this record. It feels like we’ve come full circle in a sense from where we began. We started this thing with ambition, attitude, and no clue what we were doing. It was always just feeling our way through the dark. From being a bunch of young kids thinking we were gonna “make it,” to feeling like we definitely weren’t, to not giving a fuck either way, I’m super lucky to have continued creating waves of sound with my favourite people forever. A depth of understanding and consistently always having each other’s backs has been the through-line of it all. This record is a departure and return, a paradox like the many lives we’re always trying to reconcile as one, and it feels amazing that you can hear it all today. I hope you feel something in it that is yours as much as it is ours. Birthed from the ether of imagination and now in physical form, we present to you, YKINGA! Thank you so much to everyone involved and everyone who’s ever believed in us. I hope it keeps you company through the madness of the world and when it all gets to be too much, you can turn to it and escape.

“Through the Smoke” American High Records Released on: 2021-01-15

May be an image of 1 person, child, sitting and food

The minute we realized that the word Juicebox sounded like the word Jukebox, we knew that volume 3 of our covers series would have something to do with kids. The songs on Busted Juicebox: “Busted Jukebox Vol 3″ are collaborations with friends who are also navigating the unique circumstances of raising children within the structures of a traveling band or within the music world. In many ways diapers and nap schedules replace sex and drugs as the sustaining routines of our touring lives. So many of our friends in the arts have become parents, and it feels comforting to know there is a tribe of artists, nurturing men and women, who are finding their way out there and that we have one another for encouragement and support. These songs on Juicebox were all chosen because of some connection we have to them.
Childhood movie favourite, old lullabies and songs we just understood differently once we became parents ourselves. And considering the circumstances of the last year, and the resulting time we have had with our children, this album has never been more appropriate. We hope you enjoy listening to it.
Special thanks to Sharon Van Etten, M. Ward, T. Hardy Morris, The Secret Sisters, John Paul White, John and Dennis of Deer Tick, Tanya Trotter from The War and Treaty, The Felice Brothers, and the Shrimp Records Family Ant Band.

Have you listened to “In My Room” feat Sharon Van Etten yet? Go forth and do so now! The rest of the joyful and not sad album.

May be an image of food and flower

Indie rock band Typhoon took fans by surprise with the release of their previously unannounced fifth studio album “Sympathetic Magic”, out now via Roll Call Records. This is the Portland band’s first album since 2018’s Offerings.

Typhoon frontman Kyle Morton wrote and tracked a significant part of the record in his basement studio while quarantining with his wife and dog. “Empire Builder” stands out as a testament to Morton’s compelling song writing as he captures a view of America that is full of paranoia and cynicism, but not without hope: “Tiny points of life I see haphazardly / scattered in the void like so much bird seed / and I hope it’s enough.” The band’s large line-up, at times 11 members strong, came together through remote and individual socially distanced sessions to complete the LP.

Kyle / Typhoon says Small news in the big scheme, but we finished a record and I wanted to share it with you. I wrote all these songs while puttering around the house these past several months, because, what else was I going to do? The songs are about people – the space between them and the ordinary, miraculous things that happen there, as we come into contact, imitate each other, leave our marks, lose touch. Being self and other somehow amounting to the same thing.
Recording had to be adapted to the plague-times. I tracked the demos first and sent them out to the band. Then the improvised procession of friends dropping by my basement, one at a time, masks on. Other folks recorded their parts in their own homes with cell phone voice memos or GarageBand in the laundry room. Parts from the original demos remain intact. Like everything right now, it was all a little disjointed, but I think it came together in the end.
The record is called Sympathetic Magic and it’s a great joy to share it with you. To be honest, it’s a joy to share anything at all in these isolating times.
Yrs,

May be an image of 3 people

Released from Creeptones, “Vacant Winds” is an expansive rocker with engrossing rhythmic drive, shimmering guitar/synth interplay, and hooky vocals. The New Jersey-based act, formed in 2010, release this track as a follow-up to last year’s album “Hell + Ice”. Relaxed vocals ride alongside a spacey backing synth to start, with a bouncy bass line exuding a brightly psychedelic feeling. “The “winds blow vacant,” hook succeeds with a soaring, infectious charm. The synth lines and prominent bass line remind fondly of The Helio Sequence. “Vacant Winds” soars with a likable charm throughout, marking another success for Creeptones.

In case you hear something familiar and nostalgic, it’s worth knowing that the track’s intro uses samples from SNES classics Earthbound and Sim City.

Creeptones elaborate more on the track’s creative process below:

“Our longtime collaborator and friend (also visual artist for the group) Nico Lucido sent me the lyrics for this song on a particularly rough day I was having. It seemed to be perfect timing. I was very thankful to have him as a friend. Went home that night and finished the track in one sitting. It helped me during a difficult time, and I hope it might help others in a small way, if not just for the reminder to keep things in perspective once in awhile. We used some classic SNES Earthbound and Sim City sounds to give the intro a bit of a VGM feel, but then the song opens up into a more familiar sound.

Here’s our lyric video for our new single, “Vacant Winds” also available everywhere you stream music! If you’d like to support Creeptones present and future releases, head over to our bandcamp and purchase the track in the highest quality lossless and wav formats!.  This song was made for the times when we need a reminder to stop and look around, and drift into present mind-Recording it was an enlightening experience, and we tried to up our game with a few more sonic wizbangs.
If you’ve heard about Creeptones, first time hearing, heard never listened, listened but didn’t realize cause it was on in the background somewhere- Thanks for listening and look forward to our next single in a few months.

“Vacant Winds” Available for Streaming everywhere February 5th.”

May be a black-and-white image of child, sitting and food

Grammy-nominated and band of the moment the psychedelic soul duo Black Pumas have joined forces with indie-pop outfit Lucious for an updated collaborative cover of The Kinks‘ “Strangers”. Released to streaming platforms on Thursday via ATO Records, the new cover also appears in the promo trailer for the forthcoming YouTube Originals documentary, Life In A Day 2020. The film premiered as part of the Sundance Film Festival recently.

“To me, ‘Strangers’ has a really interesting way of cutting through straight to the soul,” Black Pumas singer Eric Burton said in a press statement about the song, which The Kinks first released way back in 1970 on the band’s “Lola Versus Powerman and the Moneygoround, Part One” album. “I had such a good time inhabiting this honest reflection on love lost and the triumph that is a resilient human spirit.”

In addition to the documentary trailer arriving Thursday, the band also shared an eight-minute behind-the-scenes featurette showing how their cover with Lucius came to be in the recording studio.

Black Pumas and Lucius have released a new cover of The Kinks classic “Strangers.”

May be an image of 3 people and people standing

Last year Flyte was good to us, giving us a handful of new songs teasing their long-awaited sophomore album (which we spoke to them about last fall), which they have formally announced is entitled This Is Really Going To Hurt and will be out April 9th via Islands Records.

The album, which was recorded in Los Angeles with collaborators Justin Raisen, Andrew Sarlo, and mixing engineer Ali Chant, is a lucid documentation of the bad breakup that lead singer Will Taylor’s endured, following the “ending of a relationship through the stages of grief and acceptance.” These were songs that Taylor shared when we saw them play at Berlin in September of 2019, so we excited to hear them now in their final form, as it’s an album that we can really use during this still very tough time.

Along with today’s announcement comes the release of the music video of new single “Under The Skin.” The track has that trademark song writing from Flyte, with a grandiose build that feels emotional, true, and completely cathartic. When Nick’s guitar enters, the song just runs off with your heart completely.

About the track Taylor explained; “Under the skin” is a build-up of tension. It warns of imminent chaos. An ode to a relationship that’s on the brink of destruction. I hope we never have to write a song like it again, it was a very dark time.

Find the music video for “Under The Skin” available to watch below. 

Music video by Flyte performing Under The Skin (Live). You can pre-order special limited edition bundles of the album which includes a companion book that gives an insight into the making of the album.

Flyte, under exclusive licence to Island Records, a division of Universal Music Operations .