GUSTER – ” Look Alive “

Posted: January 2, 2019 in MUSIC
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Look Alive

Their new album is called “Look Alive” and it comes out January 18th on Nettwerk Records. We’ve shared a couple of tracks and a few little snippets of information so far, but now we’re ready to get serious. We have a new song called “Look Alive” which is track 1 on the album Look Alive, The cover art for Look Alive was embroidered by a fabulous artist named Nikki Virbitsky.

Given their fondness for populist precepts, Guster ought to find plenty of inspiration for their upcoming album, and given its prescient title Look Alive, one would imagine that the band’s in a generally upbeat mood. Word is that it was recorded in a vintage keyboard museum in Calgary, Alberta, and that despite the chilly temperatures, the mood was quite merry. It remains to be seen—and heard—how being set free in a building filled with archaic keyboards might have had a lingering impact on their new music, but given Guster’s generally upbeat antics, we’re guessing that they made the most of the opportunity. Perky piano and sizzling synth ought to temper the tableau.

Look Alive is available for pre-order now, Standard Black Vinyl, and a Deluxe Clear Vinyl variant. The deluxe comes with a special fabric-wrapped hardcover book, exclusive embossed cover, and a 10 page layout with printed sleeve & band portraits. We’ve included a bonus track, “When You Go Quiet,” on physical copies to entice people to actually order them — but we need not harp on this. Guster fans have supported our music, shared our music, and encouraged our creativity from the beginning. It is an honor to present Look Alive to you guys. After 27 years, it’s an album that will be a major part of our legacy.

This London band just missed our list of the best EPs of 2018 with their 7” on Nervous Energy, but they’re working on a 2019 release (maybe an EP, maybe an LP) for Thrilling Living that’s at the top of my list of stuff to buy this new year. They’ve shown fantastic taste and craft on songs like “Feral” and “CCMMD,” demanding comparisons to stalwarts of the post punk canon, but with the bonus of their stuff being fresh and current and not 40-year-old records made by 60-year-old men. On that EP you can hear the economy of Wire, the directness of Kleenex / LiLiPuT, the tunefulness and fury of early Iceage (yes, we know New Brigade is from this decade and not the ’70s), and all kinds of other properties from all kinds of other rad bands that rad record collectors are into.

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Child’s Pose are bridge-builders, helping to close the gap between the hungry kids of today and their weirdo aunts and uncles.

released March 28th, 2018, Nervous Energy Records .

Sports Team

Harlsden’s Sports Team released their debut EP “Winter Nets” in January 2018 and have since been building up a word-of-mouth buzz across the year, supporting The Magic Gang, Hinds and Rat Boy. Their recent single, Margate, was recorded with Courtney Barnett and they have a stack of live dates lined up for 2019, including a show at London’s Electric Ballroom on 22nd March.

Official music video for “Margate,” by Sports Team, shot on location in Margate, UK.

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Singer/songwriter Cass McCombs is prepping the release of his ninth studio album, “Tip of the Sphere”, out on Feb. 8 via ANTI-.Records According to the press release, most of his albums have been recorded in multiple studios over a substantial period of time, but this one was recorded fairly quickly at Figure 8 Studios in Brooklyn. McCombs has been quietly making critics’ album-of-the-year lists for quite some time, and his latest album Mangy Love was no exception with its literary, chilled-out rock soundscapes and his sturdy vocals.

We’ve already had the first track “Estrella” now we have “Sleeping Volcanoes” from the new LP, and their leisurely pace and understated sonics seem to have carried over from his previous album.

“Sleeping Volcanoes” by Cass McCombs from the album ‘Tip of the Sphere,’ available February 8th

Two years after delivering the astonishing “Some Things Last Longer than You,” London based trio Doe returns with “Grow Into It,” in which Nicola Leel, Jake Popyura and Dean Smithers drop another set of Breeders/Weezer-influenced rock. They still don’t have a bassist and don’t seem to need one, as their double-guitar attack really does the job. The surprising sonic explosions and fits of chaos suggest that they may be taking cues from “Pinkerton,” and yet songs like the bouncy “Labour Like I Do,” the pensive “Team Spirit,” and single-ready fuzz-ballad, “Cathy” rank among their best work.

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Band Members
Nicola // vocals, guitar
Jake // drums, vocals
Dean // guitar

released September 28th, 2018

Portland, Maine’s Weakened Friends deliver the kind of grungy, power-pop not often heard on the radio this side of 1996, and on their full-length debut, they firmly establish themselves with standouts like “Aches,” “Blue Again,” “Early” and the J Mascis-assisted “Junk Mail.” Perhaps the secret of their sound cementing itself in your brain is singer Sonia Sturino’s unusual vocal delivery, full of raspy twists and turns. In any case, “Common Blah” is a near-perfect nineties “buzz-bin” record even in 2018.

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Common Blah is the debut full-length by Weakened Friends. Founded by songwriter Sonia Sturino, bassist Annie Hoffman, and drummer Cam Jones in 2015, the trio is a low pressure outlet for emotionally volatile music. Engineered and produced by Hoffman and perfected over the last year, the record broadcasts heavy feelings amid screech and feedback with little more than a distortion pedal to clog up the signal chain.
For Sturino, writing in Weakened Friends is more of a physical process than a mental one. “I have to feel the vibration or sound coming out of my body. I need the physicality to do it, to enjoy singing it,” she says. “People probably hear the vocals and think, ‘she just puts on that weird voice,’ but it’s really just what comes out. It’s my body making that sound.”

On their fourth LP, The Pact, Slothrust released what very may well be their best record. Led by human force of nature, vocalist and guitarist Leah Wellbaum, and an incomparable rhythm section of bassist Kyle Bann and drummer Will Gorin, Slothrust created their most diverse album to date.

Right from the first track, “Double Down”, anyone familiar with the band will notice something is different. It has some electronic drums and bass, and the additions of both take the song into another dimension. “Peach” has a sound reminiscent of the early Slothrust records. “Planetarium” is a frenetically paced track with Gorin and Bann proving once again why there is no more solid bassist-drummer duo in rock music. Everyone gets some time to shine, too. There are bass solos, drum solos, guitar solos, and even a nonsensical vocal solo that rules so hard.

After “Planetarium”, however, the album takes an abrupt change of direction with “Walk Away”. It is a flat out stunner of a track, and it’s heart wrenching. It’s the first of a few slower paced tracks that sound amazing, includng “The Haunting”, “New Red Pants”, “Some Kind of Cowgirl”, and “On My Mind”. Each of those songs are truly amazing. “On My Mind” has this layer of saxophone that takes it out of this world. “Some Kind of Cowgirl” has an ending that is breathtaking.

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With The Pact, Slothrust has shattered classification once again. They’re more than trio of gritty jazz students who happen to like grunge. They’ve become way more than that. Lots of different styles of rock on display here but somehow it’s cohesive… A great album. From start to finish.

The Pact is out now on Dangerbird Records.

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Luxury Death are a duo made up of Ben Thompson (formerly of Nai Harvest) and Meg Williams and their latest release was last year’s single, “Diluted,” backed with “Kids of the Club.” They put out three singles and their 2017 debut EP on Stockholm, Sweden’s PNKSLM Recordings.

Official music video for Luxury Death’s Glue, taken from the debut EP Glue, due February 24 via PNKSLM Recordings on baby pink vinyl (ltd to 500 copies worldwide)

Their debut EP Glue was a microcosm of their penchant for sparkling pop and synth-rock exultation and candid lyrical vulnerabilities (“Your body aches for another fake embrace”). “Diluted” and “Kids of the Club,” on the other hand, take more cues from New Wave and electro-pop—glistening with bright pop melodies, spacey synth riffs and contagious boy-girl vocals with a punky delivery.

New single out now via PNKSLM Recordings.

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On their first album in 14 years, Champaign, Illinois, rockers Poster Children return with a sharply appealing, politically-charged set. Tracks like “Hippie Hills,” “Better Than Nothing,” “World’s Insane” and “Devil and a Gun” provide the kind of energy that earned them a following in the nineties, but it is the bludgeoning force of the spoken-word title track, which takes direct aim at the current administration, that really leaves a powerful impression. Rick Valentin’s deadpan verses and bellowing choruses still pack a wallop.

Band Members
Rick Valentin (guitar, vocals),
Rose Marshack (bass, vocals),
Jim Valentin (guitar),
Matt Friscia (drums)

Directed by John Isberg: The title track, single, and video from Poster Children’s album, “Grand Bargain!”

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Rock three-piece False Advertising don’t care that the music they make isn’t necessarily fashionable any more, but their noise-pop and grunge is worthy of your ear space any way. Their last release was a critically acclaimed 2017 EP, I Would Be So Much Happier If I Just Stopped Caring, though they also released a compilation of tracks from their last two years as a band for a Japanese exclusive album, Belligerent (also available digitally on Bandcamp). Their songs are hazy, hook-centric and bursting with elated fuzz and youthful, turbulent angst. Songs like “Hey You” and “Not My Fault” fuse scintillating grunge-pop with melodic alternative rock a la Garbage or Veruca Salt. As of now, there’s no word on a forthcoming album release.

Hey You is taken from the EP ‘I Would Be So Much Happier If I Just Stopped Caring’