Archive for the ‘CLASSIC ALBUMS’ Category

“Go Farther in Lightness” earned Gang of Youths a whopping four ARIA awards in their native Australia but largely fell on deaf American ears and the rest of the World, which is strange considering it sounds like a Girl Talk-style mash-up album of every indie rock band thats been popular over the last decade. Over 77 minutes long , the record packs in a healthy mix of the Gaslight Anthem, the Walkmen, and its most obvious comparison, the National. The band breaks into a Springsteen stride by the second track, which sees frontman David Le’aupepe questioning his Christian faith, and from there they never break their pace. It’s odd to describe an album that debuted at number one in Australia as “overlooked,” the rest of us has some serious catching up to do.

Everything from modern Czech authors to ancient Greek mythology gets a liner note reference, but it’s the heartland rock scale-shift from grandiose (“a sky full of light”) to personal (“I am grieving the loss of myself”) that makes this a standout on the best Aussie album of the year. “The Deepest Sighs, the Frankest Shadows” is from the New Album “Go Farther in Lightness”

goy feature band

No automatic alt text available.

Nervous Dater are from Brooklyn New York  they could be the next premiere rock & roll outfit” so says one of the two-sentence-intro that accompanies the release of the aforementioned quartet’s forthcoming new record on Counter Intuitive Records, reading like something of a throwaway line, Thankfully, however, one listen to the band’s new track Bad Spanish is enough to dissipate any sense of cynicism, leading instead to a wholehearted embrace of such a sentiment.

For “Bad Spanish” slays. From the gnarly intro of crashing drums and guitar to the more structurally refined glow of the verses, all leading to frenetic moments of release that pertinently shape their beast of a song. “It’s fine, I said, I’ll bash my fucking head through the wall so I don’t have to call you before I go to bed,” Rachel Lightner bellows with all the gutsy and glorious weight of someone who needs such words dispelled from said head and out in to the world as soon, as loud, as clear as possible. Likened to bands such as Martha and Lemuria, Nervous Dater certainly make good on such lofty comparisons here, “Bad Spanish” further ramping up the excitement levels ahead of the full record release at the end of this month.

http://

Don’t Be A Stranger was released on September 29th

How can something so furious feel so life-affirming? There is so much love and passion in Camp Cope’s debut album that, even after a million listens, I still find myself stuck to the chair and gripping onto the table as those drums kick in. Singular and unrelenting, the fuzz drums, magic bass lines and Georgia Maq’s voice , these 8 short songs are everything. Not only was this an incredible debut, it also felt like the start of something. From the now, sadly, kinda legendary “girls to the front” incident, and the subsequent #ItTakesOne campaign, it felt like this year Camp Cope changed from being just a local band that released a great record, to a scene-changing force for good – breaking faces, and absolutely-no-doubt inspiring.

Their latest single The Opener, from the band’s forthcoming album, features lyrics that take on gender disparity over a swaggering bassline, insistent drums and urgent guitars: “You worked so hard, but we were just lucky/To ride those coattails into infinity/And all my success has got nothing to do with me/Yeah, tell me again how there just aren’t that many girls in the music scene.”

Image may contain: 2 people, people smiling, car

Taking some time out from recording last month, bass player Kelly-Dawn Hellmrich wrote a guest editorial piece for the monthly edition of The Music and discussed Camp Cope’s “overall experience being non-male in the music industry”. “In this music world we have all been made to feel less important, less listened to and deserving of space because of our gender,” Hellmrich writes. “This continues together as a band where we are constantly facing discrimination and sexism and then criticism when we are outspoken about it. There have been people asking us if we knew how to use our equipment or if we write our own songs,

And as the year draws to an end, the band were voted “This Year’s Girl Band” Camp Cope had already retaliated in the best way possible, dropping new songs “Keep Growing” and “The Opener” pounding and fully focussed, ready.

CAMP COPE ‘The Opener’. Taken from forthcoming 2018 album – via Run For Cover (EU/UK/USA) and Poison City Records

Image may contain: 1 person

Cale Hawkins creates his original music from a small, windowless room in Brooklyn. He is currently releasing two new songs every two months. He writes, produces, engineers and plays all the instruments except violin & cello on his songs.  Cale Hawkins was that artist that bought out something a little special. This song, “The Ferryman” has some of the most sophisticated songwriting and lyrical content that I’ve heard in years. This is poetic and moving, deeply stirring far beyond what any genre convention could explain.

Past credits include work with Quincy Jones, Wyclef Jean, Nate Ruess, Blue Note Records, Nikki Yanofsky, Miguel Atwood-Ferguson, Grace Weber, Gabriel Garzon-Montano, Carrie Manolakos, KAMAU, and No Wyld. Hawkins is also a proud collaborator and contributor to the original music of Ben Talmi, Arthur Moon, Sulene, J3PO, and several other New York-based artists.

http://

Jeffrey Martin’s song “Burroghs” this song is one of the most powerful songs I’ve ever heard. I don’t mean this year. I mean ever. Martin’s precision in songwriting is probably once in a generation. He’s in very elite company when it comes to the ability to match a folk song ethos with cathartic, sometimes chilling lyrics. The lonesome quality in his vocals helps to punctuate the tragedy of Burroughs’ life as expressed in the song. This is truly exceptional work.

Jeffrey Martin’s music has been compared to songwriters like Josh Ritter and Joe Pug. “I’m a writer more than I am a musician. If I could play guitar half as well as I can write I’d be wearing nicer pants.” His songwriting has earned him opening slots for the likes of Anais Mitchell, Sean Hayes, Frank Fairfield, Joe Pug, Gregory Alan Isakov, David Wilcox, and others.

Jeffrey Martin has recently partnered with Fluff and Gravy Records in Portland, OR, and is releasing a full length album with them . The album, entitled Dogs in the Daylight, is an ambitious 15 track collection that is full of weight and intricacy. While the new album is bigger than his previous albums, complete with piano, bass, fiddle, drums, and even trumpet, the songs are still largely carried by Jeffrey’s voice and the sincerity of this songwriting – the very qualities that separate him from his peers.

http://

 

Image may contain: 1 person

I can tell you very little about Janileigh Cohen other than she’s a singer songwriter from Bolton, UK and I think she’s pretty magical. With a wonderous vocal style hearing her sing ‘As A Child‘ EP. I’d made my mind up to introduce her to you. Her influences are very much from the heyday of contemporary folk including such greats as John Martyn, Joni Mitchell, Jackson C Frank, Bob Dylan and Leonard Cohen. She has that ever so slight husky edge to her vocals that catch you on first listen and she’s a very talented songwriter as well as you can hear below.

http://

Image may contain: 1 person, standing and outdoor

On the heals of a successful set of EPs, the debut full-length album “Midnight Waves” by Paul Johnson AKA Canyon City was released September. 9th of 2016, Its further defining an immersive sound of finger-style guitar, harmony & minimalism in the context of conversational storytelling. A contemporary return to pure songwriting.

“Firework” technically came out in 2016, seriously I love this song I Love his voice . It’s about love and trying to make relationships work. But it’s also about the uncertainty of living life with other vulnerable people. I love both the guitar style and the subtle vocal of this artist. The whole sound is absolutely lovely.

http://

Image may contain: night

Check out the Shifting Sands, the name of a psychedelic guitar-oriented rock band out of New Zealand and whose atmospheric sound is a bit reminiscent of Australian group the Church. Consisting of singer/guitarist Mike McLeod, bassist Tom Bell, drummer Jake Langley and guitarist Steve Marr, the Shifting Sands is one of bands who are part of the Dunedin Sound that emerged sometime in the early ‘80s in the university town of Dunedin in New Zealand.

The band released its debut album, Feel, in 2012; three years later, the Shifting Sands returned with Cosmic Radio Station. It is perhaps one of the most gorgeous-sounding albums you’ll hear these days . Its for fans of jangly guitar, pop melodies, and atmosphere,Cosmic Radio Station is nirvana from the almost anthemic “Waiting for the Sun” and gauzy-sounding “We All Fall Down,” through the driving and shimmering “Abstract Objects” and the moody Neil Young-like “Dreaming to Keep Awake.” A trio based at the legendary Chick’s Hotel at Port Chalmers near Dunedin, they create Southern symphonic psychedelia, alternating between slow lush lullabies and almost space-rock psychedelic noise songs.

The Shifting Sands present “Zoe”/”Run” as a classic 45 rpm 7″ single

http://

releases January 31st, 2018
The Band
Michael McLeod – Vocals, guitars
Tom Bell – Bass
Jake Langley – Drums
Steven Schayer – Guitars

Fishrider Records is a Dunedin, NZ record label specialising in psych-pop, no wave, post-punk, jangle & subversive DIY pop

Image may contain: 1 person, smiling, outdoor

Among the best new acts of the year from Australia would’nt be complete without Stella Donnelly. While she’d been rocking in Perth for a while with bands like Boat Show, her real emergence came with the release of her debut LP Thrush Metal, which just about knocked everyone’s socks off.

In an unflinching account of sexual assault, the Perth singer-songwriter provides both an enthralling introduction to her poetic plainspokenness and a snapshot of the reality beyond the #MeToo movement. Most striking is the victim-blaming critique’s abrupt full-stop, as calm assessor turns threatener: “time to pay the fucking rent”.

http://

Her performances at the Big Sound Festival bumped her even higher in everyone’s estimations, winning her the inaugural $25,000 Levi’s Music Prize, and setting her on the path to take out the triple j Unearthed Artist of the Year at the 2017 J Awards, beating out lots of fierce competition like Ruby Fields, Alex The Astronaut and, Confidence Man . Not a bad year at all.

Image may contain: 2 people

Despite having formed a few years ago, 2017 was the year that everything changed for Winston Surfshirt. After releasing a number of brilliant tracks, Winston Surfshirt went on to supporting the likes of Midnight Oil and releasing a debut record that has been considered one of the best albums of the year. Just image what the next twelve months hold for an act that has accomplished this much in just one year.

This album has been years in the making. Some crazy stuff has happened in the past 12 months that I could only dream of.

Image may contain: one or more people and text