Posts Tagged ‘UK’

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It’s a pleasure to announce our debut album ‘Working Men’s Club’ will be released on the 5th of June via Heavenly Recordings. It’s been a long road with a lot of sweat put into this album and at points we weren’t sure it would actually get made. However, it did and we’re incredibly proud of it. Produced by our dear friend Ross Orton and Recorded in Sheffield.

A rumble on the horizon. Gritted teeth, nuclear fizz and fissured rock. A dab of pill dust from a linty pocket before it hits: the atom split, pool table overturned, pint glass smashed — valley fever breaking with the clouds as the inertia of small town life is well and truly disrupted. Here to bust out of Doledrum, clad in a t-shirt that screams Socialism and armed with drum machine, synth, pedal and icy stare are Working Men’s Club, and their self-titled debut album.

Their eponymous collection of songs is equal parts Calder Valley restlessness and raw Sheffield steel; guitars locking horns with floor-filling beats, synths masquerading as drums and Minsky-Sargeant’s scratchy, electrifying bedroom demos brought to their full potential by Orton’s blade-sharp yet sensitive production.

Standouts include the nonchalant existential groove John Cooper Clarke — centred around the realisation that yes, even the luckiest guy alive, the Bard of Salford himself, will someday die. The washily-vocalled, Orange Juicily-guitared White Rooms and People, Cook A Coffee which is like a lost Joy Division number from an alternate universe and the frenetic, pew-pewing A.A.A.A.

Working Men’s Club are: Sydney Minsky-Sargeant – Vocals/Guitar/Drum Machine/Synth Liam Ogburn – Bass Rob Graham – Guitar/Synth Mairead O’Connor – Guitar/Keyboards/Vocals

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London’s Tugboat Captain, who named themselves after a Galaxie 500 song, are more than a little twee, making the kind of cute, shiny, horn-inflected indiepop that politely yells “striped tees and cardigans.” (They describe themselves as a “folk orchestra of ruffians.”) It’s pretty charming stuff and the band independently crowdfunded their trip to the USA only to have SXSW canceled, The impressive rise of Tugboat Captain has already taken them from home recording in their front room to Abbey Road, and is showing no signs of slowing down. The London-based quartet recently decamped to the iconic studios to work on their upcoming third album. With that release in mind the band will soon be heading to the other side of the Atlantic to play at both SXSW and the New York-based New Colossus Festival.

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released March 15th, 2019

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The new album from the Close Lobsters has been 6 years in the making. Including the brand new single “All Compasses Go Wild” The album will be released on Transparent Orange Vinyl and Grey Vinyl, it will also be available on CD.

The Scottish indie band Close Lobsters, who originally appeared on NME’s famed C-86 cassette, have just released their first album in 32 years. Post Neo Anti picks right up where they left off,
full of jangly guitars and big melodies.

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Jangling guitars the Paisley-based Scots Close Lobsters return to the fray with enough fervor and dash to make one wonder if even a single one of the last thirty-four years of calendar pages has in fact been torn from its place on the great rock wall. Rising from a growing feedback drone, the chiming dual strum of two electric guitars timed to the gallop of a rhythm section surely fueled by a transfusion of pure teenage energy, what’s perhaps most surprising given all that is that the true triumph in “Johnnie” (released ahead of new album Post Neo Anti…) is how utterly moving and elegiac it is.

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At once full of kinship, yearning, and the joy inherent in this mysterious arc of existence we all share, it is truly inconceivable to imagine a finer tribute. It’s a claim made all the more viscerally true by the fact that, by song’s end, soaked in one of ‘those’ melodies redolent of that mid-80’s golden age of which Close Lobsters were such an integral part (think the Minks the Junies the Mighty Lemon Drops et al, The power of song, it’s real and by the evidence submitted here, no one knows that better than Close Lobsters.

Officially released on February 28th, 2020.

GHUM gloss over dark pop with ghostly grunge” – The Line of Best Fit
“Immediately astonish with their electrifying brand of post-punk, but with a bitter and biting edge. The best goth pop that never was but could still be. Band of the night for me” – The Vapour Trail
“Morphing atmospheric pop through a smokey veil of haunting new wave guitar” – Hard of Hearing Music
“Playing Indietracks this summer, the band’s poised, intense set caught the imagination of everyone on site…A taut, wiry performance, ‘I’m The Storm’ matches their post-punk squall to a gothic sheen” – Clash Magazine
Ghum’s sweeping dark-pop proves they’re a band who deserve to be heard” – Get in her Ears
“This super slice of moody noise pop encapsulates all of the phases of love from obsession and infatuation to giddiness to a fevered masochism”- God is in the TV

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released January 22nd, 2020
Band Members
Laura Guerrero Lora – Vocals
Marina MJ – Bass
Vicki Butler – Drums
Jojo Khor – Guitar and Vocals

Conceived over a bucks fizz binge in Birmingham UK early 2018, Cherry Pickles comes at you like the basement band you always wanted to start.

Priscila B brings from Brazil her love of early Tropicalia and the kind of ‘let’s be bad’ attitude that can only come from a land chock full of Catholic guilt. Mimi B brings her love of stripped down, bare essential rhythm. If two drums are good enough for Peggy O’Neill then they should definitely be good enough for you. Together they bonded over a mutual love of 50s malt-shop-pop, 60s minimalist garage, no wave, fuzz and all forms of outsider art. ‘Art damaged’ isn’t a slur, it’s a compliment. Anything lost in translation with this transatlantic duo only doubles the charm.

Played entirely on thrift store instruments with the kind of enthusiasm and naiveté severely lacking in a lot of today’s music this is not some clever re-imagining or ironic take on lo-fi, this is the real deal! Technique and skill be damned, the message comes through strong and that message is “Don’t think about it, just cross the line and enjoy it.” All rolled together with gum, glitter and stickytape in the studio by fellow Birmingham noisemakers Black Mekon, the result is slightly wrong-sounding but infectious one-minute-garage-pop with gusto. One guitar, 2 drums, the basement band you always wanted to start.

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Cherry Pickles’ debut LP Cherry Pickles Will Harden Your Nipples will be released on April 5th 2019 via PNKSLM Recordings following the band’s US debut at SXSW.

released April 5, 2019

The music they produce ranges from the most beautiful and melancholy soundtrack to the loudest of feedback driven post rock. They have certainly mastered the soft/loud dynamic, of bands such as Swans, Mogwai and low”
ClubDasEnde

Southampton’s Burning House have created a sepia-tinted sound that is both pastoral and psychedelic.
Since their formation in 2011, Burning House have been slowly picking up a storm. The glacial arpeggios, the guttural feedback that owe’s much to the cinema of Andrei Tarkovsky, as it does to the likes of Red House Painters and My Bloody Valentine. The music truly takes you on a rollercoaster of emotions which evolves a certain sadness, elation, but also black humour. The sound is also dreamlike recalling moments of our youth lost to time’s unforgiving fire.

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Band Members
Aaron – Vocals/Guitar
Ruby – Guitar/ Vocals
Dominic – Drums
Patrick – Bass

Released July 12th, 2019

Holiday Ghosts are back with their second LP “West Bay Playroom”, the follow-up to their acclaimed self-titled debut album from 2017. Originally starting out as a solo project from Sam Stacpoole the band evolved into a partnership with Katja Rackin, before turning into a full band with the debut album – showcasing a primitive rock ’n’ roll sound that’s been compared to The Modern Lovers and The Velvet Underground alongside current garage rock acts, and praised by the likes of The FADER, Stereogum, BrooklynVegan and KEXP. For West Bay Playroom the band’s refined their sound, with Stacpoole and Rackin being joined by Ryan Cleave on bass and Charlie Fairbairnon on guitar, offering a cleaner and more focused set of songs while breaking new ground and experimenting with influences from country, blues, spaghetti western soundtracks and more.
released February 15th, 2019

Originally the solo project of Elise Cook, Soot Sprite have evolved into a three piece shoegaze/ dream pop outfit for their sophomore EP ‘Sharp Tongue’ with drummer Matt Tiller and bass player Ross Becker (now joined live with bass player Sean Mariner). for this new EP, which released last month on 12” vinyl and digital platforms.

Sharp Tongue is the second release by Soot Sprite but the first by this lineup and it offers a chill but personal blend of bedroom pop and shoegaze that fits the mood whether you’re feeling reflective or relaxed.

Sharp Tongue 12″ EP out 11th October on Specialist Subject Records

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The Band

Elise Cook – Guitar / vocals
Sean Mariner – Bass / backing
Matt Tiller – Drums

Released October 11th, 2019

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Formed in 2016, Lemondaze started as a project inspired by the bands of the 90s shoegazing era. Developing their sound over the next few years, Lemondaze have cemented their shoegaze sound with nods to trip hop, post-punk and break beat. Originally from Cambridge, Lemondaze translate a dark and intense eruption of swirling guitars underpinned by thundering bass lines and hypnotic drums.

The band are now beginning to settle to life in london’s dingy music hotbeds. the band, after two years of stop and start gigging have finally master-crafted their debut single ‘Neon Ballroom’. this band echoes similarities with staple indie bands such as wolf alice, whose influence is so engrained in the track’s opening sections, similar to much of wolf alice’s early ep’s.

Lemondaze’s shoegaze anthem feels like you’re intrinsically stuck in an ethereal lucid dream loop consisting only of fuzz pedals & 90’s indie movies – the track is simply cosmic from start to finish with looping guitar lines, calmed fuzz interference and hypnotic harmonies. elements of noise and shoegaze are entwined to present a fresh take on a trend that has been tried and tested so many times before, and by all means, polished by the east anglian 3-piece.

having shared stages with the likes of gengahr, hinds, bloody knees and piroshka, including recommendations from wolf alice, lemondaze are set to be a band to look out for over the next year,

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released November 15th, 2019
Written and performed by Lemondaze

Foundlings are a London / Brighton based band who play melodic, guitar-driven, indie-rock. In support of their debut release – double a-side single, ‘Misery’ / ‘Your Sister’ – the band embarked on their successful first U.K. tour, with performances in London, Brighton, Glasgow, Manchester and Sheffield. ‘Misery’ was selected by Steve Lamacq for his 6Music Recommends playlist and by Tom Robinson for the BBC Introducing Mixtape. The track received nationwide airplay on BBC 6Music, Amazing Radio and various other stations; Lamacq described the band’s sound as, “breathless indie pop.” The tracks have an insistent, guitar-driven energy across which the vocals are lifted, setting the tone somewhere between urban style and sweet nostalgia.

Foundlings’ eponymous debut EP is the band’s first release on Scottish label Last Night From Glasgow.

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Band Members
Amber, Bryan, Matthew and Oliver

released March 1, 2019