The Fat Angel Sings

Life on the road is stressful, but in between the broken-down cars, the sleepless nights, cancelled gigs, and general headaches that afflict the touring musician, brief moments of unexpected beauty are merely an invitation away. Such was the case with Christopher Paul Stelling, the Brooklyn-based singer-songwriter who found himself standing with just his acoustic guitar in a gorgeous sanctuary flanked by gnarled, entwined trees in Charlottesville, Virginia.
After performing the night before, Stelling met up with Charlottesville’s Pando Creative to film a spot for their Garage video series. “The Garage is the literal garage of a funeral home called Hill and Wood that doubles as a venue in the warmer months,” he recalls. “When they brought me to the location they had chosen, I was stunned….It was a giant installation of woven saplings by an artist named Patrick Dougherty on the campus of UVA.”

Stelling has self-released two albums of his inquisitive, incisive folk and toured through America and Europe. But after cutting his third album, he realized he lacked the wherewithal to repeat the process of raising money by himself. He shipped the music to Anti-, home of singer-songwriters like Tom Waits and William Elliott Whitmore, and connected quickly. On June 16th, they’ll issue his “Labor Against Waste”. For these songs, Stelling stretched his approach to include elegiac strings and solemn harmonies on “Too Far North,” clanging percussion and driving banjo on “Death of Influence” and a shuffling, simpatico band for “Revenge.” The record delights at the threshold of polished folk-pop and rustic old folk; and he seems bound to make converts on both sides of that divide.

What follows is an intimate look at one of the tracks off Stelling’s stunning debut, “Labor Against Waste”, out June 16th via Anti Records. It’s one thing to give in to the hypnosis induced by Stelling’s fluttering finger-picking on the studio track, but to catch him live is to see Stelling at his prime, all hoarse inflections, pensive delivery, and a pristine, total package of a one-man musical outfit that recalls the intensity of The Tallest Man on Earth and labelmate Glen Hansard.

It’s been a big week for Stelling, too: In addition to the drop of this video, for “Warm Enemy,” Stelling announced on April 9th that he’ll be joining the lineup at the Newport Folk Festival this July 24th–26th. “I’m beyond excited to be playing at Newport Folk Festival this year,” he says. “Historically, it’s one of, if not the most important music festivals in existence….I don’t put much stock in labels, but ‘folk’ is one I’ve come to appreciate, simply because it just means ‘people’…simple as that. At its core, all music is folk music.”

Listen to the live cut of “Warm Enemy” below, and stay tuned for the release of Christopher Paul Stelling’s Labor Against Waste on June 16.