Posts Tagged ‘East India Youth’

It’s nearly a decade since William Doyle handed a CD-R demo to the Quietus co-founder John Doran at a gig, who loved it so much he set up a label to release Doyle’s debut EP (as East India Youth). Doyle’s debut album, “Total Strife Forever”, followed in 2014, as did a nomination for the Mercury Music Prize. A year later, he was signed to XL, touring the world and about to release his second album – all by the age of 25.After self-releasing four ambient and instrumental albums, Doyle’s third full-length record – and the first under his own name – Your Wilderness Revisited arrived to ecstatic reviews in 2019:

Line of Best Fit described it as “a dazzlingly beautiful triumph of intention” and Metro declared it an album not only of the year, but “of the century”. Just over a year later, as he turns 30, Doyle is back with “Great Spans of Muddy Time”. Born from accident but driven forward by instinct, “Great Spans” was built from the remnants of a catastrophic hard-drive failure. With his work saved only to cassette tape, Doyle was forced to accept the recordings as they were – a sharp departure from his process on Your Wilderness Revisited, which took four long years to craft toward perfection. “Instead of feeling a loss that I could no longer craft these pieces into flawless ‘Works of Art’, I felt intensely liberated that they had been set free from my ceaseless tinkering,” Doyle says.“ The album this turned out to be – and that I’ve wanted to make for ages – is a kind of Englishman-gone-mad, scrambling around the verdancy of the country’s pastures looking for some sense,” says Doyle. “It has its seeds in Robert Wyatt, early Eno, Robyn Hitchcock, and Syd Barrett.” Doyle credits Bowie’s ever-influential Berlin trilogy, but also highlights a much less expected muse: Monty Don, presenter of the BBC programme Gardener’s World, Doyle’s lockdown addiction.

“I became obsessed with Monty Don. I like his manner and there’s something about him I relate to. He once described periods of depression in his life as consisting of ‘nothing but great spans of muddy time’. When I read that quote I knew it would be the title of this record,” Doyle says. “Something about the sludgy mulch of the album’s darker moments, and its feel of perpetual autumnal evening, seemed to fit so well with those words. I would also be lying if I said it didn’t chime with my mental health experiences as well.” Lead single “And Everything Changed (But I Feel Alright)” is representative of the album as a whole: eclectic and unpredictable, but also playful and properly danceable. On top of the gently pulsing electronics, soothing harmonies and glowing melodies, there’s a ripping guitar solo that ricochets around the song like a pinball. “I wanted to get back into the craft of writing individual songs rather than being concerned with overarching concepts,”

Doyle says. Elsewhere there’s the synth pop strut of “Nothing At All”, pulsating static on “Semi-Bionic”, incandescent synths and enveloping soundscapes in “Who Cares”, and the ambient glitch groove of “New Uncertainties”.

Great Spans of Muddy Time is a beautiful ode to the power of accident, instinct and intuition. The result, however, is far from an anomaly: this celebration of the imperfect album is one that required years of honed craft and dedicated focus to achieve, “For the first time in my career, the distance between what I hear and what the listener hears is paper-thin,” Doyle says. “Perhaps therein reveals a deeper truth that the perfectionist brain can often dissolve.”

Taken from the album, “Great Spans of Muddy Time”, out 19th March ’21 on Tough Love Records.

Hannah Peel performing live ‘Heaven, How Long’ by East India Youth in her studio.
Hand punched music box cover (Rebox)  will support Will on his upcoming UK tour

Hannah first came to recognition with her mesmerising, hand-punched music box covers EP Rebox, in 2010. Having released her critically lauded solo debut album ‘The Broken Wave‘ a year later, Hannah Peel then formed The Magnetic North, a collaborative project with Simon Tong of The Verve and Erland Cooper (Erland & The Carnival). Her solo career continued with 2014′s ‘Fabricstate EP and she’s currently working on a new album and a second Rebox EP which will include her version of East India Youth’s ‘HEAVEN, HOW LONG‘. Hannah also recently contributed strings to tracks on CULTURE OF VOLUME


27 MANCHESTER  Deaf  Institute  |  Tickets
28 GLASGOW  King Tuts  |  Tickets
30 SHEFFIELD  Plug  |  Tickets
31 NORWICH  Arts Centre  |  Tickets

02 BRISTOL  Exchange  |  Tickets
03 BRIGHTON  The Haunt  |  Tickets
04 LONDON Village Underground  |  Tickets / No booking fee tickets
05 RAMSGATE Ramsgate Music Hall  |  Tickets



EAST INDIA YOUTH aka William Doyle has unveiled the second track to be taken from his upcoming album “Culture of Volume”. The record is the follow-up to last year’s “Total Strife Forever”, which gained critical acclaim, got a Mercury Prize nomination. ‘Turning Away’ is a driving piece of synth-pop with an infectious melody and enthralling build. In all honesty it sounds a lot more like a single than the previously revealed ‘Carousel’, which was the first taste were given. Read our preview of the track here.

For those who are already well familiar with both tracks and are begging for more, however, you’ll have to wait until April 6th, whenCulture of Volume gets its full release on XL Recordings.