Posts Tagged ‘Porridge Radio’

hello we have a new song for you
it’s called “7 seconds” – listen here https://porridgeradio.ffm.to/7seconds
“7 Seconds” started out sounding really different to this version. I wrote the words a few years ago and made a really slow sad song to go with them, but it never felt fully like a porridge band song. Early last year I was sitting with Sam and I played it to him and asked if he could help me speed it up and make it less miserable. He wrote the keyboard riff almost immediately and we were so into it that we listened to the 7 second loop for an hour.
Late last summer we spent a week in Margate at PRAH studios and showed Maddie and Georgie, and with them the rest of the song came together really fast. We didn’t think we’d get a chance to record it for ages, but some things work out and we’re happy to share it with you now.

Thanks so much Marta Salogni for your work on this song,

“7 Seconds” the new song by Porridge Radio out September 14th on Secretly Canadian.

Equal parts Neil Young, Cat Power and Blink 182, Porridge Radio’s songs are 2 cups of emotion for every tablespoon of salt. The crisp, golden brown surface of Rice, Pasta and Other Fillers belies a childhood misspent consuming The Carpenters, Supertramp and Guns ‘n’ Roses, with a generous sprinkling of the Cranberries.

After a series of home recorded solo demos, a split EP with West America, a single on CHUD records, and a comp with No Dice records, and the growing legend of their live shows, Rice, Pasta and Other Fillers  is the dragged out remnants of sessions done in the band’s earliest stage (summer 2k15). Many of the songs are full band reworkings of Porridge Radio’s earliest bedroom demos.

Rice, Pasta and Other Fillers  lyrics, title and artwork, as well as the group’s name, brings to mind a certain scrapbook absurdism at the core of Porridge Radio’s work. Faced with the dark abyss of existence, the band scrapes together some value from malarky, baloney and balderdash, and then cling to it, giggling, for dear life. This isn’t revivalism, stylised posturing, or calculated blog fodder. It’s not really anything, other than some sad friends expressing some weird feelings in a way that they like and find fun. I like it a lot too. At the dawn of midnight they sacrifice the goat to satan, praying for the end of mankind and the dawn of a new satanic era.

originally released August 2nd, 2016

Porridge Radio – Vocals and Guitar
Madilda Royale – Bass and Vocals
Sam @yaddlepuss – Drums
gorgus corgi stog – Vocals
Snake Leather – Guitar

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Porridge Radio have the ultimate band trajectory. Step one: Start a band even though you haven’t figured out how to play your instruments yet. Step two: Book your own shows and build up your reputation as a must-see live band. Step three: Spend years perfecting every tiny detail of the songs that will comprise your eventual first studio album. Step four: Release that album to overwhelming critical acclaim and chuckle at how long it took people to realize what you knew from the beginning—that you’re the best band in the world. This Brighton, U.K. foursome recently released their debut studio full-length Every Bad, which follows their 2016 self-recorded first album Rice, Pasta And Other Fillers. After signing to Secretly Canadian last year, it was clear they were going to lose their title as the best-kept secret of their British seaside town. Porridge Radio, led by their entrancing singer Dana Margolin, are headed for the big time.

They put out three of the most incredible singles (“Lilac,” “Sweet” and “Circling”) to kick off an album campaign in a very long time and planned a U.S. tour with noticeable anticipation building for their SXSW debut (the festival was later cancelled). Margolin is glad people have finally caught up with the band, especially now that they’ve unleashed the grand, dynamic rock songs they’ve always wanted to make after years of uploading experimental, lo-fi recordings to Bandcamp.

“Born Confused” has existed in some iteration for at least four years now, both in demo form and as a live staple accessible via YouTube, but the version that appears as the intro to the Brighton ensemble’s Secretly Canadian debut is significantly more three-dimensional. Shaved down a minute, and with its shitgaze production value swapped for pristine strings, accordion, and layered vocals, the intro manages to lean into the same emotive repetition as its demo, setting the listener up for plenty more peaks and valleys over the record’s ten additional tracks.

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Porridge Radio grew out of Dana Margolin’s bedroom, where she started making music in private. Living in the seaside town of Brighton, she recorded songs and slowly started playing them at open mic nights to rooms of old men who stared at her quietly as she screamed in their faces.

Though she eventually grew out of them, for Margolin these open mic nights unlocked a love of performing and songwriting, as well as a new way to express herself. She decided to form a band through which to channel it all, and be noisier while she was at it – so Porridge Radio was born.

Inspired by interpersonal relationships, her environment – in particular the sea – and her growing friendships with her new bandmates (bassist Maddie Ryall, keyboardist Georgie Stott, and drummer Sam Yardley) Margolin’s distinctive, indie-pop-but make-it-existentialist style soon started to crystallise. Quickly, the band self-released a load of demos and a garden-shed-recorded collection on Memorials of Distinction, while tireless touring cemented their firm reputation as one of UK DIY’s most beloved and compelling live bands.

As the band’s sound – bright pop-rock instrumentation blended with Margolin’s tender, open-ended lyrics – has developed and refined, Porridge Radio have also received enthusiastic radio airplay on the BBC, Radio X and more. Now, they are taking that development a step further, as they put out their label debut, “Every Bad”.

Official video for ‘Circling’ by Porridge Radio, taken from their forthcoming album ‘Every Bad’ due 13th March.

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Birthed from open mic nights around the seaside town, Dana Margolin initially performed bedroom-recorded songs to rooms of polite, unassuming audiences who stared at her quietly while she screamed in their faces. She soon decided to form a band through which to channel her new love of performing and songwriting – and be noisier while she was at it – so Porridge Radio was born.

While the band have self-released numerous demos and a garden-shed-recorded album (2016’s Rice, Pasta and Other Fillers) on Memorials of Distinction, Every Bad is a culmination of what has been in their head for some time; the record they have been waiting for the means to record.

It arrives full of grand, sweeping ambition – with vocals so urgent that it often feels like it is moved by compulsion rather than choice, with all the rawness of early Karen O, and influences as disparate as Charli XCX and The Cranberries.

New single “Sweet” is a creeping self-examination, striking in its minutely observed details, while December release “Lilac” is dominated by a repeated, anxiety-quelling mantra: “I don’t want to get bitter / I want us to get better.”

These mantras and repetitions are something of a signature and nowhere is it more deftly put to work than on Every Bad’s closer “Homecoming Song,” with its decisive, self-awarely poppy percussion, and howling final cry: “There’s nothing inside.”

Though these songs are deeply personal explorations, expressed via a weird, beautiful musical language all Porridge Radio’s own, they extend a hand to every listener who has felt conflicted, held two feelings in their hearts at once, or flailed around the depths of their own choices and relationships. For those of us who know how that feels, Every Bad is a funny, profound little comfort.

Official video for ‘Sweet’ by Porridge Radio, taken from their forthcoming album “Every Bad” due 13th March

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“Lilac” is a surrender to the uncertainty of love, and a reaffirmation that its messy realities are worth trying to parse. Against warbled guitars, ascendant strings and marching drums, Dana Margolin screams into the void, “I can never seem to find it,” with the kind of passionate exhaustion that sounds like she’s ready to throw herself into the sea. Despite feeling stuck, she ultimately reaches the conclusion that if kindness and love aren’t noble causes, then nothing is noble. “I don’t want to get bitter, I want us to get better,” Margoli sings as she sides with humans’ better nature and delivers one of the most intense vocal performances of the year. The strings and guitars cry out and match Margoli’s existential urgency, resulting in a late song of the year contender.

The album documents struggles with life, love and boredom – spelt out with sticky fingers by five idiot savants. The lyrics, title and artwork, as well as the group’s name, brings to mind a certain scrapbook absurdism at the core of Porridge Radio’s work. Faced with the dark abyss of existence, the band scrapes together some value from the nonsensical and the pointless, and then cling to it, giggling, for dear life.

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Massive news: Porridge Radio have signed to Secretly Canadian, The first single is out today: Lilac You may recognise it from their live sets. There is a beautiful video directed by El Hardwick:

I can’t count how many times I’ve been asked by people where they can find this song since we started playing it at shows, and I hope this recording lives up to the live version and is as special to you as it is to us.

I’m so proud of us for getting to this place and I’m so excited for everything that’s gonna come next. Love to the heads love to the newbies xxx

Official video for Lilac by Porridge Radio

Porridge Radio played Green Man back in August and the wonderful team filmed their performance of cult classic ‘Eugh’.

 

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Brighton via London four-piece Porridge Radio have shared their first new music since their 2016 debut LP Rice, Pasta and Other Fillers. “Give/Take” is the kind of poignant, lo-fi guitar pop that makes bedroom pop doubters look silly. Alongside bittersweet ’80s synths and a subtle, silvery bass line, Dana Margolin’s heart-rending vocals yearn with believable affection as she sings of the warring mindsets that make life so confusing, yet visceral. With all the cynicism in today’s cultural and political discourse, sometimes earnest conviction is the best medicine, and “Give/Take” is the type of chaotic good that’s worth celebrating.

This is our first release in a long time and our first real studio recording and I’m so pleased to share it. We’ve been working hard on lots of new things and I’m so ready for you all to hear what we’ve been up to because guess what. I’m proud of us. Come see us on tour next week

“Give / Take” · Porridge Radio

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This exceptional Brighton slacker indie band are led by the magnetic Dana Margolin, who blends the freewheeling romance of Wolf Alice’s Ellie Rowsell with ramshackle C86-style production and the darker, drowsier energy of PJ Harvey or Mark Lanegan. Even when they brood under a drizzly cloud, the surefire melodies can’t help but jangle

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