Posts Tagged ‘Bright Eyes’

Conor Oberst Releases "No One Changes" and "The Rockaways"

Conor Oberst dropped two new gloriously melancholy singles on Bandcamp Wednesday morning: “No One Changes” and “The Rockaways” The former is a somber, introspective piano number which elegantly drops lyrics like “a goddamn shit show.” The latter is somber, introspective, post-breakup acoustic song with Bright Eyes’s  Nathaniel Walcott contributing keyboard parts.

The songs can be purchased digitally now and will be made available as a double A-side 7″ single on February 1st, 2019.

In August, the Oberst’s song “LAX” was featured on the soundtrack to the Ethan Hawke film Juliet, Naked. Hawke covered the song as his aging Gen X singer-songwriter from the film. Oberst then re-recorded a new version of the song with Phoebe Bridgers added vocals for Amazon Music’s “Produced By” series. The track was produced by Simone Felice of the Felice Brothers (his backing band) for Amazon Music’s “Produced By” series. Felice’s session also features songs by Bridgers, Wesley Schultz (the Lumineers), and more. Oberst’s song, indeed, does take its name from the Los Angeles airport. The artist formerly known as Bright Eyes includes lines in his bittersweet narrative like “It’s raining in L.A./and everyone’s gone mad” and “I’ll pick you up, just tell me when you land” over simple solo piano chording and snippets of electro acoustic ambience.

Conor Oberst’s last proper full-length Salutations came out in 2017, which was mainly a reworking of his 2016 album Ruminations.


Desaparecidos is a 5-piece rock band fronted by Bright Eyes singer/songwriter Conor Oberst (vocals, guitar) and featuring Denver Dalley (guitar), Landon Hedges (bass, vocals), Ian McElroy (keyboards), and Matt Baum (drums). Matt and Ian are familiar to many of you from the various incarnations of Bright Eyes‘ touring band of which they played in.

Conor Oberst may be better known for his confessional songwriting and storytelling, but Desaparecidos is nothing of the sort. Indeed, similar vocal melodies and song structure are present, but the guitars are loud and distorted, the bass is pounding, and the drums and keyboards round out this hi-energy, pop-rock band without the lyrical focus of personal relationships. Oberst screams out observational commentary about urban development, the sacrifice of human value for the dollar bill, and the new American Dream.


Setting out to capture the rawness of the band, the record was recorded over one week at Presto! Recording Studio in Lincoln with producer Mike Mogis. Bright Eyes fans will love it, but it’ll also appeal to anyone who’s ever dug At The Drive In, The Pixies, Weezer, Dinosaur Jr., etc.

This album was originally released February 11th, 2002

CD Box Set

Bright Eyes have announced a new box set, collecting six of their records from the 2000s. It’s aptly titled The Studio Albums 2000-2011, and it’s out on vinyl and CD on September 16th via Saddle Creek. The Studio Albums includes 2000’s Fevers and Mirrors, 2002’s Lifted, or, The Story Is in the Soil, Keep Your Ear to the Ground, 2005’s I’m Wide Awake, It’s Morning and Digital Ash in a Digital Urn, 2007’s Cassadaga, and their most recent LP The People’s Key (2011). All of the albums have been remastered by engineer Bob Ludwig (at Gateway Mastering).

The vinyl edition of the box set includes 10 colored LPs, 12 8×10 photo prints by Butch Hogan, and an essay by Nathaniel Krenkel (who founded Team Love Records with Conor Oberst). Each record is “housed in a foil stamped linen-wrapped box.” In addition, each disc in the 6xCD edition is “housed in a foil stamped linen coated board slip case.” See the vinyl box set below.

The new remastered records will be available individually in November via Saddle Creek. Fevers and Mirrors and Lifted are out November 4th. I’m Wide Awake, Digital Ash, and Cassadaga are out November 11th.

Bright Eyes – The Studio Albums 2000 – 2011
Bright Eyes is largely the brainchild of Nebraskan song writer Conor Oberst and his long time collaborator/producer/multi instrument playing friend Mike Mogis. Cataloguing all of the bands studio works, this box set features some of, in our opinion, the most underrated albums of their time. This long awaited box set catalogues Conor Oberst’s song writing at its peak, beautifully put together on stunning coloured LPs with some lovely extras. It really hits the old cliché of being ‘a must for any fan’ which we hear far too much in press releases from labels trying to promote box sets like this, but it really is worth it!

‘Fevers and Mirrors’ and ‘Lifted…’ are two great examples of how to make beautifully crafted songs with darker subject matter like failed suicide attempts, and drug abuse. Both, are to some extent, reminiscent of the writing style of Leonard Cohen, and Nick Cave, these songs aren’t afraid to lay out Oberst’s misery, or unafraid to be called depressing by some, because if songs are as good as these early works, they can’t be depressing at all!

The band’s real mainstream breakthrough came with the 2005 release of two albums on the same day, ‘Digital Ash In A Digital Urn’ a slightly more experimental album with touches of Obersts early oddities, and what is seen by many as the bands high point ‘I’m Wide Awake, It’s Morning’. An album that fits in with some of the best modern Americana, with a real love of country and is almost a more career driven album, itching to fulfil the critics who referred to Oberst as a modern day Dylan.

Cassadaga carries on prefectly from where ‘I’m Wide Awake…’ with country inspired tracks at the start of the album, such as the single ‘Four Winds’, but flows through bits of everything the band had done before. The track ‘No One Would Riot For Less’ feels like an end of the world, anti war piece that wouldn’t be out of place at the end of the ‘1984’ film, that no one else could’ve written.

The band’s final album, ‘The Peoples Key’, feels in some ways like a fitting end to the collection in this box, for the most part its a band that is still at its high point, but in moments like the stunning ‘The Ladder Song’ you feel like you’re right back with a ‘Fevers and Mirrors’ Conor. The beauty of all of these albums is how well Mogis can blend the ever changing collection of collaborating musicians that make up Bright Eyes with the bewitching vocals and lyrics from Oberst.  

Conor Oberst with First Aid Kit and Taylor Goldsmith of Dawes performs a Bright Eyes song “Lau” recorded at the Haldern Festival in August for Cardinal Sessions,


CONOR OBERST set is available to stream through from this last weekends Newport Folk Festival, Oberst backed by the alt,country,rock band DAWES. with some tracks taken from the recently released album “Upside Down Mountain” and some from his back catalouge its an awesome set of songs