“1985” is a new 6CD box set that tells the story of the making of The Waterboys‘ third studio album “This Is The Sea”.
Curated by the band’s leader Mike Scott, “1985” takes the listener through 95 tracks including a staggering 64 previously unreleased recordings of home recordings, early demos, alternate versions, outtakes, live recordings, and tv/radio sessions. It covers the recording process of the album and the sixth and final disc is a remastered version of the “This Is The Sea” album.
The box set comes with a massive book 220-page hard cover book containing a first-hand account of the creation of the album with deep recording details, background, cultural context, photographs (many previously unseen), songwriting pages, lyrics and previously unseen writings. Text is by Waterboys’ singer and songwriter Mike Scot with additional sections by Anthony Thistlethwaite and Max Edie.
To celebrate the release of “HOW THE WATERBOYS MADE THIS IS THE SEA AND SAW THE WHOLE OF THEMOON, Mike Scott will participate in Q+A events at Rough Trade East London with Pete Paphides, and Tower Records Dublin with Pat Carty. Both will be followed by signing sessions for any releases pre-ordered with tickets.
The original video for “The Whole Of The Moon” has been newly remastered in HD, and is on YouTube and streaming services now.
This large format presentation (288mm x 255mm) is a limited edition of only 3,000 units worldwide. A clear vinyl 180g pressing of the remastered “This Is The Sea” will also be available.
The 1985 6CD box set and the vinyl reissue of “This is The Sea” will be released on 23RD February 2024 via Chrysalis Records.
Incl. This Is The Sea (17-minute version) Bury My Heart At Wounded Knee (live) Beverly Penn (definitive) Meridian West (version of unheard Dylan tune) Adrian & The Piano Storm, Ribbon Of Steel, The Sound Of Snow, Old McMichael Had A Band, Son Of Dirt & 77 others
Karl Wallinger has approved vinyl reissues of World Party‘s all five studio albums, including the acclaimed “Goodbye Jumbo” (1990) and the 1993 hit “Bang!”. The other long-players are “Private Revolution” from 1986, “Egyptology” (1997) and “Dumbing Up” which was the last studio album issued way back in 2000.
World Party is Karl Wallinger’s band. Born in 1957, the man has been immersed in music since his earliest childhood, favouring keyboards but practicing many other instruments. His career as a musician began in 1977 when he joined the band Pax. However, it was in 1983 that she took off when Mike Scott recruited him to play the keyboards on the tour of the Waterboys’debut album. He participated in A Pagan Place, showcasing his talents as a musician and producer and then played a decisive role on This Is The Sea, going so far as to influence the sound of the Waterboys. Indeed, while Scott was moving towards minimalist arrangements, it was Wallinger who opened the band to The Big Music by diversifying the instruments and arrangements.
He impressed Scott so much that he will eventually include one of his songs in the setlist of This Is The Sea (Don’t Bang The Drum). As a result, The Waterboys being Scott’s project, he sees Wallinger’s growing influence with a slightly negative eye. In 1985, he eventually ejected him from the band and replaced him with Guy Chambers for the This Is The Sea tour.
He created World Party in 1985 and arrived at Ensign. The following year, he released Private Revolution, Recorded at Wallinger’s home in 1986, his debut album a pop, folk, soul exercise not completely completed but very promising in which he does almost everything: instruments, production. Almost, because he still involves two Waterboys members to help him: Anthony Thistlethwaite and newcomer Steve Wickham (integrated into the line up in 1985). That same year, 1986, therefore, on the side of MikeScott will, during a tour in Ireland, fall in love with the country and completely change his optics for the folk rock music of the Waterboys. More a Celtic, rock, folk, sometimes minimalist orientation. This change is also accompanied by a change of record company. The band will leave Island for Ensign, label of World Party. Between World Party’s first and second albums, Wallinger aided a young female vocalist Sinéad O’Connor in recording her 1987 debut, The Lion and the Cobra. O’Connor, then an unknown, had appeared as a guest on World Party’s first album. She would go on to appear as a guest on the second LP as well.
Scott, will still be inspired by Wallinger and credit him for writing the song World Party on Fisherman’s Blues. One can therefore legitimately think that in 1988, Wallinger is in perfect position to begin the composition of “Goodbye Jumbo”.
It’s a shame because with Goodbye Jumbo, Wallinger releases an immediate classic. The kind of record that, despite its flaws, goes through the years without taking a wrinkle. In addition to the themes discussed, all are rather universal (love, nature, joy, disappointment, alienation by images, fear of the future), Goodbye Jumbo sweeps through all popular musical styles with an exceptional accuracy and talent. Whether he imprints on the Stones (the choruses of Way Down Now),the Beatles (Put The Message In The Box, the lyrics of Thank You World), to Prince (this voice perched high on the very soulful Ain’t Gonna Come or the funky Show Me To The Top), whether he’s doing poignant ballads (the magnificent And I Fell Back Alone),melancholic pop at will (When The Rainbow Comes),hits(Put The Message, Way Down Now),the Scotsman just aims and touches the heart to almost every song. It’s quite simple, once you’ve put your ears in the gear, it’s almost impossible to get rid of it. Wallinger collaborated with fellow songwriter Guy Chambers on some of the tracks. Goodbye Jumbo was voted “album of the year” by Q magazine and was nominated for a Grammy Award for “best alternative music performance” in the US.
Especially since Wallinger, as the perfect sound wizard that he is, thought Goodbye Jumbo for each song the optimism of Thank You World will contrast with the dull anxiety of Is It Too Late(last and first track of the album), the melancholy of And I Fell Back Alone to the lightness of Take It Up(last track of the face A and first of the B-side), Ain’t Gonna Come and Show Me To The Top will be two different re-readings of Prince (the first will see the very melancholy If I Was Your Girlfriend.
After the 1991 EP “Thank You World”, Wallinger recruited guitarist David Catlin-Birch and ex-Icicle Works drummer Chris Sharrock as fully-fledged members for 1993’s album “Bang!” It reached no. 2 in the UK Albums Chart, with the track, “Is It Like Today?” hitting the UK Singles Chart also becoming a moderately successful single in europe.
All the albums will be issued on 180g black vinyl and “Dumbing Up” (which will be a 2LP set) sees its debut on the format. The schedule is roughly one release a month, starting with Private Revolution in February. Self-produced and largely self-played by sixties-obsessed Wallinger, World Party has essentially been Karl’s solo project since he left The Waterboys in 1986. ‘They’ released an impressive run of singles in the late eighties and early nineties including ‘Ship Of Fools’, ‘Message in the Box’, ‘Way Down Now’ and ‘Beautiful Dream’ most of which failed to chart, although the sublime ‘Is It Like Today?’ did creep into the UK top 20 helping Bang! reach an impressive and unlikely number two position in the British album charts. ‘She’s The One’ from Egyptology was covered by Robbie Williams and reached number one in 1999.
It doesn’t look like there’s any CD reissues to go with the vinyl and anyone expecting some deluxe editions is probably out of luck. He also doesn’t like greatest hits, only grudgingly releasing 2007’s Best in Show in the USA and Australia when told he needed something to support the tour.
Their fourth album, “Egyptology” (1997), written following the death of Wallinger’s mother, was commercially unsuccessful, although “She’s the One” won an Ivor Novello Award and was subsequently recorded by Robbie Williams. Sharrock left the group after the recording of this album, leaving Wallinger on his own. Wallinger took a three-year break from World Party, before the release of “Dumbing Up” in 2000. However, in February 2001 he suffered an aneurysm that left him unable to speak. After a five-year rehabilitation, in 2006 Wallinger re-emerged onto the scene. With his back catalogue reclaimed from EMI, a distribution deal was agreed (via his own Seaview label) with Universal Music.
These release supposedly will be remastered, even though Karl also told us “I’m not really in to remastering tracks we’ve heard before, I don’t really agree with that”. We’ll confirm when that information is forthcoming. All the albums are great, but Goodbye Jumbo is probably World Party’s masterpiece, wonderful catchy pop songs, beautifully recorded, exhibiting a brilliant mesh of influences (Prince, Beatles etc.) and lyrically powerful with a hippy heart delivering messages around ecology and love.
The reissue campaign starts with Private Revolution due on 26th February 2021 and moves through the albums every three or four weeks. These are issued on Karl’s own Seaview label. Bang! has the ‘new’ cover art from 2000, which is a bit of a shame. I can’t find any pre-order links for Egyptology, yet.
Private Revolution (1986) is the first album by the British band World Party – originally released in 1987. It features the hit singles “Ship Of Fools,” “All Come True,” and “Private Revolution.” This is a new 180-gram audiophile re-issue LP. It has been out of print on vinyl for years in the US.
Goodbye Jumbo (1990) Bang! (1993) Egyptology (1997) Dumbing Up (2000)
Fiona Apple covered The Waterboys’ “The Whole of the Moon” for the series finale of Showtime’s The Affair. She asked Tony Berg to produce the record. Tony called in Matt Chamberlain, Patrick Warren, Ethan Gruska, Wendy Melvoin, and Phoebe Bridgers. Fiona has worked often with Matt and Patrick and knew Ethan as the brother of her former bandmate, drummer, Barbara. This was the first time she had met Wendy and Phoebe and fell in love with both of them.
In a few hours they produced this beautiful rendition of a classic written by Mike Scott. After Mr. Scott (@ MikePuck) heard the performance he tweeted – “Prepare ye to receive goosebumps.” Fiona practiced the first take in a small vocal closet but when it came time for the main event, Tony moved Fiona into the big room where she had a great expanse to sing into. I tagged along with my new camera which I could barely work because I had forgotten my glasses – couldn’t see the buttons, couldn’t focus. Despite the crappy camera work of a blind photographer, the magic that is Fiona shines through.
This collaboration between Apple and Bridgers feels inevitable. Both “Fetch the Bolt Cutters” and “Punisher” became popular choices for everyone’s albums of the year, respectively, Both artists’ songs are known for having a vulnerable core along with a witty, cutting edge. Fans have fingers crossed that the two talented singer/songwriters will cross paths again in the future.
I hope you enjoy this captivating version of a sublime song. Drums – Matt Chamberlain – Patrick Warren Bass – Wendy Melvoin Piano – Ethan Gruska Background Vocals – Phoebe Bridgers
Apple is not the first to take on the song; it’s been a popular one to cover. Other versions of “The Whole of the Moon” have been done by Jennifer Warnes, Mandy Moore and Terry Reid. Prince even covered the song live at Ronnie Scott’s Jazz Club during his 2014 Hit & Run tour, while U2 have also done it live as part of a medley with “Where the Streets Have No Name.”
The Waterboys, one of the most creative, loved and literate bands of the last four decades, return this summer with their 14th studio album “Good Luck, Seeker” – coming just over one year after the release of the critically acclaimed album ‘Where The Action Is’. The first track to go live is the seven-minute mash-up manifesto ‘My Wanderings In The Weary Land’.
Is it psychedelic soul? Is it trance? Is it punk? Whatever it is, it’s the first taste of Good Luck, Seeker, which will be released on August 21st via Cooking Vinyl.
‘My Wanderings in the Weary Land’ is taken from the brand new album ‘Good Luck, Seeker’
The Waterboys have detailed more information about their upcoming album “Where the Action Is”. To be
Released in May through Cooking Vinyl, the album’s ten tracks have a variety of influences with nods to The Clash’s Mick Jones (‘London Mick’), Robert Burns’ poem ‘Green Grow the Rashes-O’ (‘Then She Made The Lasses-O’) and Kenneth Grahame’s famous book The Wind In The Willows (‘Piper At the Gates of Dawn’) which was recorded all in one take at Real World studios last Summer. The set features regular cohorts Steve Wickham and Brother Paul, and occasional Paul Weller producer Simon Dine worked on ‘And There is Love’.
The first glimpse of the album, the single ‘Right Side Of Heartbreak (Wrong Side Of Love)’ can be previewed below. Where the Action follows up the top ten success of Out of All This Blue. Essentially now just Mike Scott and friends, it’s his 15th album, and will be available as a ten-track CD, 21-track two-CD deluxe (with remixes) and on black vinyl. The official store offers a selection of exclusive signed bundles and red/black marbled vinyl.
The band will be touring the UK across May, and Europe over Summer, as well as popping up at the odd festival such as Hay, Cropredy and Skye Live. Where The Action Is released on 24th May 2019.
The Waterboys have announced details of a new double album, “Out Of All This Blue”.
Produced by Mike Scott and recorded in Dublin and Tokyo , Out Of All This Blue will be available on Double CD and Double Vinyl, plus Deluxe Triple CD (including Bonus Tracks) and Deluxe Triple Vinyl (including Bonus Tracks) and Digital. “Out Of All This Blue” contains 23 songs. String and brass sections were arranged and conducted by Trey Pollard of The Spacebomb Collective.
Out Of All This Blue is The Waterboys most exploratory recording yet, comprising 23 songs with Mike Scott’s trademark sharp lyrics set to pop music with echoes of classic R&B, country, soul and funk and underpinned by modern hiphop production values and rhythms. String & brass sections were arranged and conducted by Trey Pollard of The Spacebomb Collective. Mike Scott says of the record: “Out Of All This Blue is 2/3 love and romance, 1/3 stories and observations. I knew from the beginning I wanted to make a double album, and lucky for me – and I hope the listener – the songs just kept coming, and in pop colours.”
The Waterboys – Out Of All This Blue It’s due on September 8th their first for new label, BMG Records.
The Waterboys perform The Whole Of The Moon at Glastonbury 2015. Never mind the Libertines, MikeScott is the original wandering minstrel poet songwriter, and he has the back catalogue to prove it.Visit the Glastonbury website at http://bbc.co.uk/glastonbury for more videos and photos