Posts Tagged ‘Juliana Hatfield’

American Laundromat Records

The election of President Donald Trump has kicked Juliana Hatfield into action. On April 28th, she will release “Pussycat”, a new record inspired by the current political climate in the U.S.
“I wasn’t planning on making a record,” she said in a press release. But after the election, she continued, “All of these songs just started pouring out of me. And I felt an urgency to record them, to get them down, and get them out there.”
Hatfield wrote the material following a time in which she was questioning whether or not she had anything left to say as a songwriter. So, as quickly as the songs came, she wanted to record them in a similar manner. Playing all the instruments except drums, which were played by Pete Caldes, she recorded and mixed all 14 songs in 12-and-a-half days.
“It was a blur. It was cathartic,” she said. “I almost don’t even understand what happened in there, or how it came together so smoothly, so quickly. I was there, directing it all, managing it, getting it all done, but I was being swept along by some force that was driving me. The songs had a will, they forced themselves on me, or out of me, and I did what they told me to do. Even my hands — it felt like they were not my hands. I played bass differently — looser, more confident, better. I’ve always been prolific and productive and I have a good solid work ethic but this one happened so fast, I didn’t have time to think or plan. I just went with it, rode the wave. And now it is out of my hands. It feels a little scary.”


You can order Pussycat at American Laundromat Records’ website, with options of CD, pink cassette (limited to 250 copies), pink vinyl and a coupled of bundles that offer it on both pink and peach vinyl.
Juliana Hatfield, ‘Pussycat’

Track Listing
1. “I Wanna Be Your Disease”
2. “Impossible Song”
3. “You’re Breaking My Heart”
4. “When You’re a Star”
5. “Good Enough for Me”
6. “Short-Fingered Man”
7. “Touch You Again”
8. “Sex Machine”
9. “Wonder Why”
10. “Sunny Somewhere”
11. “Kellyanne”
12. “Heartless”
13. “Rhinoceros”
14. “Everything Is Forgiven”

According to an interview Paul Westerberg these are a bunch of songs/demos Westerberg had laying around his basement studio. Inertia had set-in and it took Hatfield to pick out some of the gems and help whip them into shape. If true, the collaboration has made for the best Westerberg release in ages. If you liked the harder stuff on “All Shook Down” or “14 Songs” you’ll dig this – lots of stonesy rock-with a tender side (“Whole Lotta Nothin’,” “Born to Me”).

It’s not a quite a “band” but Westerberg sounds really fantastic working in collaboration with Juliana Hatfield. A supremely enjoyable and impactful album. Lots of great songs here. A few tunes put Hatfield’s voice at the front,

Paul westerberg Harp Magazine

“I’m back if you’ll have me” — after too many years since a proper album this is a great and emotional album opener.

Born For Me – what was a slow piano ballad from a Westerberg solo release is rerecorded here as a joyous rock and roll song and it is fantastic. So fun and happy.

Kissing Break — the heartfelt performance here elevates what could have been a light and inconsequential throw away to something unique and beautiful. In a way it reminds me how “Dyslexic Heart” might have first seemed like just a fun song to place on a movie soundtrack, but the kept popping up all over the place for the past two decades.

Outta My System — another re-recorded Westerberg song, and again it’s way better than the original in every way. So deceptively simple it’s amazing how compelling it is.

Hands Together  An epic song. One of Paul’s best songs ever, imaginative and metaphorical and gut wrenching and uplifting. So good it is hard to put into words.

In between are 11 more great rock and roll songs full of life and enthusiasm. It all manages to immediately fit into Westerberg’s catalog and still sound new. This is among his best post-Replacements work and might prove to be one of his best overall releases


Juliana Hatfield dedicated an entire chapter of her 2008 book “When I Grow up”: A Memoir to Paul Westerberg, and in interviews, she frequently talks about his and the Replacements’ influence on her. She was asked to open for Westerberg on a solo tour after the Replacements broke up, but the tour ended up being cancelled after he threw out his back. Now, however, they’re finally in a band together, The I Don’t Cares, and they released their debut album, “Wild Stab”,

Wild Stab is a jangly, jaunty, lo-fi sprawl. Its 16 tracks sound slapped together with a healthy coat of Mod Podge, delivered straight from a basement studio. Some songs sound remarkably similar to each other, while others stick out at odd angles. It’s as if fussing over an album would’ve made it seem too much like a “statement”; instead, Wild Stab just feels like a couple of pals rockin’ out and having fun, but not worrying too much about the final product. That’s not to say that these songs are anything less than professional — Hatfield and Westerberg are too good to drop any stinkers. This is largely Westerberg’s show, with Hatfield mostly harmonizing her way through. But the result is just as smooth, an album as fun to listen to as it likely was to make.


Juliana Hatfield covers “Needle In The Hay” for “Say Yes! A Tribute To Elliott Smith” due out October 14th 2016.

A number of indie music’s finest are coming together to pay homage to Elliott Smith with a new tribute album on October 14th. Titled  Say Yes! A Tribute to Elliott Smith, the 15-track collection sees artists like  J.Mascis,Waxahatchee, Lou Barlow, Juliana Hatfield, and Yuck tackle songs from across the late singer-songwriter’s discography. The American Laundromat Records release also features a collaborative cover of “Condor Avenue” by Jesu and Sun Kil Moon.

check out Hatfield’s rendition of “Needle in the Hay”. The track is the only non-exclusive cover on Say Yes! (it had originally appeared on American Laundromat’s 2014 Wes Anderson tribute LP).



Juliana Hatfield’s cover of Elliot Smith’s “Needle In The Hay” from American Laundromat Records‘ “I Saved Latin! A Tribute to Wes Anderson” has been named to Paste Magazine’s list of the 20 best cover songs of 2014.Perhaps best of all is Hatfield’s cover of Elliott Smith’s heartbreaking ‘Needle In The Hay’ – previously played out over Luke Wilson’s suicide attempt in …Tenenbaums. It’s a track so integral to the hugely affecting scene that Hatfield’s plaintive version brings all the emotions flooding straight back.


The Wes Anderson tribute album “I Saved Latin!” from Laundromat Records is out today. You can hear Juliana’s cover of Elliott Smith’s “Needle In The Hay” here.

Here’s the new Minor Alps “Waiting For You” video directed by Emilie and Sarah Barbault. It was shot in the Bastille area of Paris and features the actors Julie Gayet and Philippe Rebbot. The album that Matthew Caws (of Nada Surf) and Juliana Hatfield is a new project called Minor Alps! Our album, Get There is out now