Posts Tagged ‘Josh Burgess’


The day before the release of our third album, ‘Truth or Consequences’, the World Health Organisation declared COVID-19 an official pandemic. We’d arrived in the United States that morning to play the first show of our North American album release tour in Washington D.C. At this point, all of the tour dates were still set to go ahead, and we were excited to promote an album we had worked on for the last two years. This run was set to be our first ever fully sold-out US tour. The atmosphere was excitable, a little tense, optimistic. However, the chain of events that followed meant that by the time we finished our set that evening, restrictions on venues had been enacted by local governments across the country, and one-after-another, all of our remaining tour dates were cancelled. The performance at DC9 was the first and last show of the ‘Truth or Consequences’ album tour. It was all over, we went our separate ways and flew home the next day – on our album’s release day.

Touring is often the final piece of the puzzle that is an album campaign – the part you fixate on alone in a room, when you perfect a song and imagine how a crowd will react. You may have listened to certain songs a hundred times during the making of the record, but when you’re out on stage, face-to-face with an audience, this is when you start to truly re-contextualise and re-interpret the music, exploring the boundaries, focusing in on different parts of each song’s musical fabric. A new vocal harmony there, a new bassline there – perhaps you add different chord voicings on guitar, or new drum fills that set a new-found intensity to a section.

So after returning home and spending a few numb weeks adjusting to this strange new way of life, April came, the reality set in, and we quickly started to miss that feeling of exploring our new songs by night. We’d missed out on such a crucial part of the process – with no concrete idea of when we might next get the chance. It felt too soon to move on – we felt the pull to work on new music, but still felt a strong attachment, an unresolved connection to this new record that we’d laboured over and had waited so long to release.

Writing new music around them, we took the songs of ‘Truth or Consequences’ and found ourselves a new way of re-contextualising them safely, amidst the tragedy and fear going on in the world outside our windows – and the Alternate Versions were born. We encouraged each other to be bold, fearless, and to experiment like we would on stage – but from the comfort of our own bedrooms, living rooms and hallways. This new reimagining of ‘Truth or Consequences’ is the result of that process. Ten new arrangements that reflect our feelings of optimism, helplessness, and a desire to keep exploring.

Yumi Zouma are:
Christie Simpson, Josh Burgess, Charlie Ryder, and Olivia Campion.

Releases October 28th, 2020

Yumi Zouma 2020 © Jack Sheppard

Alternative pop band Yumi Zouma revel their third album, “Truth or Consequences”, released Friday, March 13th on Polyvinyl Records.

Originating from Christchurch, New Zealand, the four-piece band consists of Christie Simpson (vocals, keyboards), Josh Burgess (guitar, bass guitar, vocals, keyboards), Charlie Ryder (guitar, bass guitar, keyboards), and Olivia Campion (drums). Yumi Zouma’s first two records, Yoncalla (2016) and Willowbank (2017), received great reception from a growing fanbase, with tours following both albums. Constantly working and wanting to produce new material, the group have also released plenty of EPs and singles in between full-lengths, including the single, “Bruises” (2019). Truth or Consequences greatly emphasizes the growth Yumi Zouma have had as a band over the past few years.

Christie Simpson’s ethereal vocals, the band’s dreamy pop melodies, and honest lyrics blend perfectly together and capture the Yumi Zouma sound. Songs like “Truer Than Ever” and “Lie Like You Want Me Back” dive into the complexities of life and this idea that answers may not be as clear as you want them to be. Each song questions the relationships we have and keep with others, and even the relationship we have with ourselves.

The writing process for this album in particular was quite different from the band’s previous works. All living in different locations, the band members became immune to writing songs individually and coming together later on to complete the process. When writing Truth or Consequences, all four bandmates rented out studios in various locations and started writing from scratch. As a result, the record revolves around a solid, central theme, and presents an easy, beautiful flow between each track.

Yumi Zouma’s third album, Truth or Consequences.

 

New Zealand indie-pop band Yumi Zouma released a new album, Truth or Consequences, today via Polyvinyl, their first for the label. Now that the album is out, The band self-produced the album and it was mixed by Jake Aron (Solange, Grizzly Bear, Snail Mail). While formed in New Zealand, Yumi Zouma’s members currently reside in various cities around the world: New York City (Josh Burgess – guitar, vocals), London (Charlie Ryder – guitar, bass, keys), Christchurch, New Zealand (Christie Simpson – vocals, keys), and Wellington, New Zealand (Olivia Campion – drums).

Yumi Zouma shared Truth or Consequences’ lead single, “Cool For a Second,” via a video for the track The album also includes “Right Track / Wrong Man,” a song the band shared back in December. Then they shared another song from the album, “Southwark,” via a self-directed video for the track,

The band released a new EP, EP III, last September 2018 via Cascine Records. EP III was the follow-up to Yumi Zouma’s sophomore album, Willowbank, which was one of our Top 100 Albums of 2017. In May 2019 they shared another brand new song, “Bruise,” that was a standalone single .

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New Zealand’s Yumi Zouma are releasing a new album, “Truth or Consequences”, on March 13th via Polyvinyl, their first for the label. On Tuesday they shared another song from the album, “Southwark,” via a self-directed video for the track. The video intercuts between the band at the beach and performing the song indoors somewhere. “Southwark” continues Yumi Zouma’s remarkable track record of creating irresistible and effortless indie-pop.

In a press release the band’s singer/songwriter Christie Simpson says the song “feels like a dedication, a mantra, a promise to myself. I wrote the chorus line about the someone in particular that I was with at the time, but it now feels like a universal truth for my relationships, a dedication that goes to every person I’ve loved and those that I’m still loving now. I can be quite dramatic in love and relationships, and I don’t always do or say the right thing when I should, but I do throw myself in completely (for better or worse). I loved that idea of repeating that dedication – ‘I am imperfectly yours’…. This track has haunted me a little every time I listen, there’s something melancholy that sits in there alongside that overall feeling of quiet elation. I suppose that speaks to the classic dichotomy of love and relationships – nothing is ever 100% good or perfect, and that’s what I am constantly trying to come to terms with.”

Guitarist/vocalist Josh Burgess had this to say about the video: “A bit of a Yumi tradition is having at least one video on a record we shot ourselves. While we’re not going to be nominated for an Oscar anytime soon, it’s always fun to grab a camera and start shooting. It felt like too good of an opportunity to pass up having us all sitting there in a photo studio mere moments after the centerfold picture of our record. From there we headed off to the beach for sunset. Christie wanted to get into the water but the threat of hypothermia proved too much! It’s also the first video/time we’ve ever revealed lyrics so overtly! The fantastic Lorenzo Fanton’s typeface was too good to pass up!”

Previously Yumi Zouma shared Truth or Consequences’ lead single, “Cool For a Second,” via a video for the track The album also includes “Right Track / Wrong Man,” a song the band shared back in December.

Yumi Zouma’s glistening new single “Southwark” is taken from the group’s new LP Truth or Consequences, coming March 13th on Polyvinyl. Watch the video, shot by the band’s own Josh Burgess,

“Southwark” is taken from Yumi Zouma’s long-awaited third album, “Truth or Consequences”,

The band self-produced the album and it was mixed by Jake Aron (Solange, Grizzly Bear, Snail Mail). While formed in New Zealand, Yumi Zouma’s members currently reside in various cities around the world: New York City (Josh Burgess – guitar, vocals), London (Charlie Ryder – guitar, bass, keys), Christchurch, New Zealand (Christie Simpson – vocals, keys), and Wellington, New Zealand (Olivia Campion – drums).

The band released a new EP, EP III, in September 2018 via Cascine. EP III was the follow-up to Yumi Zouma’s sophomore album, Willowbank, which was among our Top Albums of 2017. In May 2019 they shared another brand new song, “Bruise,” .

After hearing EP II back in 2015, it was a pretty unanimous feeling that there was just something extra amazing about the band Yumi Zouma. Their blend of 80s-leaning synth designs, easy breezy vocal treatments from Christie Simpson and cross-continental songwriting technique (Charlie Ryder in London, Josh Burgess in New York, and Christie Simpson & Olivia Campion in Christchurch) stood out among their peers in the dream pop landscape.  After three fantastic full-lengths including a sensational Oasis cover album, Yumi Zouma is ready to continue the EP series.

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First single In Camera starts off right where the last one ended over 3 years ago, thick with atmospheric dance pop straight out of a John Hughes film.  Just try and not love this f-ing song.  Once you get your heart back into your chest, smash that ‘buy’ button and get yourself a 10″ slab on blue and white split vinyl.  All preorders will include a hand-numbered autographed print from the band, while supplies last.

Cascine Records webstore pre-orders are pressed on limited edition white vinyl, and will also include an exclusive 10″ print, hand-numbered and signed by Yumi Zouma.

Yumi Zouma returns with EP III, completing the trilogy they started with EPs I and II. This new collection finds the international act stronger than ever, sculpting effortless atmospheres, winsome hooks and stadium-ready finishes. EP III is out digitally on September 28th, and will be released as 10″ vinyl on November 16th.

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Yumi Zouma now returns with their anticipated third EP, bookending their era of intimate and restrained short-form releases. The new tracks are just as effortless and engaging as expected, but they also tell the story of a band evolving. Lush, electronic productions buoy key tracks and the vocal deliveries are increasingly sophisticated

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being spread across the globe doesn’t seem to hinder Yumi Zouma; if anything, the quartet thrives off of displacement.  our reigning best new artists turned in their much-anticipated ep mere months after receiving the accolade, one that showcases a more intricate understanding of how to intertwine soaring hooks and intimate textures.  “alena” and “catastrophe” are both baleric anthems, indulging in their respective melodies to craft compositions that feel like extroverted extensions of the subdued persona

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Please Check out this band, I would love to see them Live.

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Yumi Zouma’s music – budget-plush, instantly poignant – sounds placeless. It could have come from anywhere, and yet it was made everywhere – or at least in countries as far-flung as France (Charlie Ryder), America (Josh Burgess) and New Zealand (Kim Pflaum), where the three members live. It’s a very modern way of operating, via Dropbox. They used to live together in a house in Christchurch, until it was destroyed in the city’s 2011 earthquake. They used that terrible event as the impetus to scatter, but their connection lingers in the songs they file-share into existence. It’s dreampop, only this time there is a good reason for them to be making hazy, drowsy music – it was often assembled in half-waking states after the demos arrived across conflicting time zones.

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You would never know that Ryder and Burgess (who works in NYC for Captured Tracks, specifically on the label’s Flying Nun catalogue) used to be in NZ disco-punks Bang! Bang! Eche! They’re all about softness, hardly sharing rock’s essential mistrust of the mellifluous, flaunting Pflaum’s cut(i)e vocals, which rarely reach beyond a whisper. If you measure a band’s worth, their ability to convey authentic emotion, by volume and technique, be warned that Pflaum is more Sarah Cracknell than Sarah Vaughan. Her voice works perfectly as part of Yumi Zouma’s music.