Posts Tagged ‘Indie’

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We’ve featured already but having caught Daisy Victoria’s first ever live show with a full band . Its become abundantly clear that this is a young lady that people should be getting excited about. She is wonderfully reminiscent of Anna Calvi, with elements of PJ Harvey and Kate Bush thrown in, with a subtle, hidden bluesyness to her guitar playing as well. Ok, with that done we can focus on Daisy herself a little more.

Her recorded work is quite something, dark and twisted stories entwined with noir-ish melodies and hypnotically jarring moments of aural discordance. Live though, her most potent weapon, her voice, It’s quite grand, almost operatic and very theatrical. You can just see her singing in some ornate theatre, majestic furnishings all around her and elaborately chandeliers hanging from the gilded ceilings above as her vocals ring out across the auditorium.

Her music is also theatrical in a sense, but it is also dark, unnerving in places, romantic and destructive. It is a glorious antithesis of modern pop music; rich and textured with sound upon sound upon sound all adding layers to the narrative, to the heartbreak and dramatic tales that are being told. Like all the most interesting artists, she makes music that will divide opinion. Some will fall completely in love with it whilst others won’t.

Recorded on the streets of Dijon in France a few days ago, this shows a different side to the band from Brighton. Fear of Men is a Brighton-based band that formed in early 2011. On February 12, 2013 the band released a reverse chronological compilation of their early singles through Kanine Records called Early Fragments.

 

the Excellent radio show from presenter and musician Greg Foreman a member of the Pink Moutaintops,

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Brighton/London four piece Hella Better Dancer have been making dreamy, lo-fi guitar pop in their bedrooms for a few years. “Sleeptalking” sounds like a band ready to flock the nest. Perhaps it’s the prickly guitar solo and half-shouted harmonies that’s allowed the band to take on a more immediate personality and weighty reverb and shaded vocals Maybe it’s the band’s adoption of Norwegian songstress Farao last year as their drummer .Whatever the reason, “Sleeptalking” is a sure-fire step in the right direction. It doesn’t shed the band’s hallmark spacious sound nor is it a simple repetition of their previous efforts.

The self-produced/recorded single is out now.Record Label Beautiful Strange will release “Sleeptalking” on limited 7″ vinyl on 11 November.

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Girlpool – two female musicians who got together a while back at LA’s famous indie haunt the Smell – are a scream. Literally: they sound as though they’re screaming all the time on their records. OK, maybe not screaming. Something shriller and whinier than that. Shrieking. Whatever, it’s effective, and those voices, combined with their raw stripped-down guitar-bass arrangements (no drums) and simple nursery rhyme-goes-Americana melodies, make for an arresting combination. Their lyrics ring true, and are particularly satisfying delivered in catchy harmonies and minimally backed with just guitar and bass.

ben wattposter

 

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Benjamin Brian Thomas Watt  is a British musician, singer, songwriter, author, DJ and radio presenter, best known as one half of the duo Everything but the Girl along with Tracey Thorne and label boss of Buzzin’ Fly.

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After we stole him we made our way from Los Angeles through the Californian desert to Las Vegas. Drowning my sorrows and (narrowly) avoiding conflict from many directions… I sat down with Jim (Zane Lowe’s producer) and he began to explain to me how he was in the process of rescoring a movie and did we want to be involved. The film in question was the modern classic ‘Drive’. So of course my answer was ‘yes’. We wrote ‘Medicine’ for our chosen scenes.

‘Medicine’, its title and sentiment, goes all the way back to the original The 1975 project that was based in my bedroom. It’s a new piece of music informed by the genesis of our band and our love for ‘Drive’ as a film. Having the opportunity to rescore a movie of which we were already so familiar with provided us with a sense of knowing and allowed us to be slightly more introspective than we maybe would have been approaching something unknown. The movie itself plays with the duality of resignment and hope — and this is most obvious and stirring in the scenes we chose to score.

The song is a testament to that same idea and has in turn become one of our most personal and best loved pieces of music to date. I won’t delve into what the song is about lyrically because frankly I want to put those ideas to bed; but being provided with the context in which ‘Medicine’ came to be.

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Our favourite new import from Ireland, Sisters, have finally returned with an awesome new track. Check out the song ‘February’  It’s been nearly a year since the band issued their debut single ” Hush Hush”, and its great that there is a new song. Another sweet sound of hazey dream-pop with a grungy edge, ‘February’ Better still, it’s available as a free download right http://www.soundcloud.com/sisters

 

A track from the new album ” I Forget Where We Were” some really great guitar sounds Ben uses a lot of Delay, Reverb, Echo and looping this acoustic track is a real delight ,In 2014, Ben Howard and his band headlined the inaugural Somersault Festival, based in North Devon,
Howard’s first single “End of the Affair” from his second album was played on Zane Lowe’s Radio 1 show. Ben also announced the title of his second album,”I Forget Where We Were” on Zane Lowe’s show on Radio 1 whilst releasing the title track from the record at the same time. by the end of October “I Forget Where We Were” became number 1 in the UK Official Albums Chart

Portland, Oregon band Folk Rockers “Greylag” this is the second track taken from their debut self titled album “Greylag”,this track is a dark and moody study of good and evil, gorgeously shot in the Northern Californian woods out now on “Dead Oceans Records”