Posts Tagged ‘If You’re Dreaming’

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What is this instinct to hate on everything?” asks singer/songwriter Anna Burch on her song “Not So Bad,” the first single from her new sophomore album If You’re Dreaming, which is out today on Polyvinyl. This is Burch’s second LP for the label, following 2018’s Quit the Curse. Sam Evian produced the new record. “Not So Bad” is kind of like a dreamscape, as its delightful music video, which features several dance sequences and plenty of twirling. The chorus is a response to Burch’s question: “It’s not so bad,” she sings. “I’m still here,” she later says, “if it’s not clear.” The video was directed by Burch, and Ben Collins was the director of photography.

Tell Me What’s True – new single + video inspired by Scorsese’s 1974 film Alice Doesn’t Live Here Anymore.

“Tell Me What’s True” is taken from Anna Burch’s sophomore album, If You’re Dreaming, out April 3rd, 2020.

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Just two years after her debut “Quit the Curse” introduced us to her lackadaisical, warm guitar-driven pop, Anna Burch’s sophomore album “If You’re Dreaming”pivots into deeper poetic lyricism and darker metaphors, all strung together with the same lush vocals. Upon the release of her latest single “Party’s Over” on Tuesday, she premieres the music video .

The song itself is an anthem for the emotionally exhausted. Like a mantra, she breezily repeats, “I’m so tired” over a 12-string guitar, which lends a certain ’60s sound that she translated straight into the accompanying visuals. “It’s kind of strange but I already started envisioning the video as we were listening to the playback during recording,” Burch told us. “I was originally picturing a runaway bride scenario, but I pivoted to runaway groom with the ’60s sci-fi angle… A lot of my close friends and family have gotten engaged or married in the last year so weddings have been on the surface of my psyche as well.”

In case the chorus’ mantra wasn’t enough to drive it home, Burch’s album title If You’re Dreamingis very literal. “I talk about sleep, or not being able to sleep, a lot throughout these songs,” she said. “I wanted the title to have a hopeful connotation. I’m thankfully sleeping a lot better these days.”

“Party’s Over” is taken from Anna Burch’s sophomore album, If You’re Dreaming, out April 3rd, 2020.

When Anna Burch introduced herself on her 2018 debut Quit the Curse, it was with a concentrated wash of energetic, serotonin-boosting pop. Jangly guitars, blithe vocal harmonies and an occasional undercurrent of grungy fuzz all converged in seemingly straightforward songs that hid their complexities under sunny hooks. The impact of the songs was immediate and exciting, presenting narratives of confusion and upheaval with melodies so bright it was hard to do anything but smile. Two years later, Burch’s follow up “If You’re Dreaming” takes us down a different path than its predecessor, shedding some nervous energy in favor of a deeper exploration of an internal world.

After months on the road in support of Quit the Curse, Burch disappeared for a while. The long stretches of touring had been broken up by only a few weeks off here and there, and a month spent writing in Berlin between European dates. The time she did get to spend at home in Detroit was disrupted by several unexpected housing changes, adding to the transient feelings brought on by constant touring. When things finally stabilized, Burch encamped into a slow, thoughtful and intentional writing process for what would become the second album. Days were spent playing guitar, exploring unconventional chord changes, ruminating on song structures and allowing her subconscious to wander until lyrics materialized. Though about half of the songs were already written, this time was dedicated to taking a closer look at the loose ends of three years of ideas and seeing if there were common threads that held them together.

If You’re Dreaming was tracked with producer Sam Evian in his home studio in the Catskill mountains of upstate New York. Where the first album had been a rush of inspired songwriting followed by a drawn-out process of arrangement and mixing, Burch and Evian worked with self-imposed time limitations to establish a sharper focus and get to the core of the new songs. The work was swift but somehow more relaxed, locking into a groove of tracking the basic elements and then expanding on the arrangements with overdubs and auxiliary instrumentation. The end goal was to present not just an assortment of new songs, but craft an album that moved dynamically through an interconnected emotional arc.

With recurring themes of isolation, weariness and longing, these songs deliver that emotional arc with a delicate but uncompromising execution. Burch’s intrinsically catchy songwriting dials down the urgency of her debut a notch, taking a turn towards airy, jazz-voiced chords, floating reverb and an expansion of the sonic palate with unexpected instrumentation. The soft-rock bass grooves and understated saxophone lines of “Not So Bad” push an impressive pop structure into exciting new territory, and the sweetly melancholic “Tell Me What’s True” centers around muted electric piano, its languid but metered vibe recalling the gentler side of Carole King.

The nuance of arrangements that could sometimes get buried on Quit the Curse rises to the surface on patient, opulent tunes like “Every Feeling” and in the twelve-string guitar hooks of “Party’s Over.” The album drifts dreamily as much as it hones in with a sharper clarity on some of Burch’s most personal songs.

Even at its most introverted, If You’re Dreaming is always warm and present. It’s a deliberately drawn chapter of Burch’s work, trading in the wild-eyed and sometimes neurotic party hopping of Quit the Curse for a more solitary walk after midnight. Daring and clear-headed, these songs cut deeper in their subtleties. If You’re Dreaming moves with intention, taking its time revealing new layers of sophistication and growth in Burch’s always charming songcraft.

Releases April 3rd, 2020