Posts Tagged ‘Glassnote Records’


Hamilton Leithauser has proven himself as a master collaborator and solo artist throughout his nearly 20 year career. Following his time as the frontman of the Walkmen, Leithauser released the critically acclaimed collaboration with Rostam “I Had a Dream That You Were Mine” in 2016. The album debuted at No1 on Billboard’s Heatseekers Chart, #1 New Artist Album, and was named one of the Year’s Best by Pitchfork, Esquire, NPR, and more. His latest work and second solo record “The Loves of Your Life” was written and produced by Hamilton in his home studio and is a collection of stories about real people he’s met over his years living in New York City.

The Loves of Your Life is Hamilton Leithauser’s latest release following the Walkmen’s 2013 hiatus. He led the record with humorous teasers starring Ethan Hawke, Maggie Rogers, and Sienna Miller. The former frontman of the Walkmen still has one of the best voices around, in a white-blues lineage with Joe Cocker and Rod Stewart. It sits at the heart of these rackety character studies, which surge and balloon into beautiful anthems under the steam of his vocals.

The teaser videos for the first two singles from Hamilton Leithauser’s third solo LP, The Loves of Your Life, are some of the coolest album promo clips you’ll ever see. In the videos, the former frontman of The Walkmen paints himself to be a bit down and out as he traverses New York to play a new song for his friends Maggie Rogers (“Isabella”) and Ethan Hawke (“Here They Come.”) As the tracks play, Rogers cuts Leithauser’s hair, while Hawke casually beats him up. Just as much as the uncanny wail that’s been at the crux of so many of his stellar albums, Leithauser’s wits are very much still present. The singles are filled with upbeat folk rhythms and layered arrangements that beg for the repeat button. The album was recorded and produced over three years in Leithauser’s home studio, and his solo catalogue is definitely building into a similarly solid gold collection to the one that made The Walkmen so great.

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Hamilton Leithauser (formerly of The Walkmen) shared a new song, “Here They Come.” Part of the song could heard in a funny teaser video that we posted yesterday in which Leithauser got beaten up by actor/writer Ethan Hawke. The single features backing vocals by Leithauser’s wife Anna Stumpf and is out now via Glassnote Records.

There’s no word yet on when the new album from Leithauser will be released. In the teaser video Leithauser said his new album is made up of songs about real people, many of them his friends. “‘Here They Come’ is about a friend who tends to run from his problems,” Leithauser further explained in a voice over, as he walked around New York City. “When the going gets tough, he tends to just cut and run. The song is about the specific moment when the lights are coming up in a movie theater where he’s been hiding out all day.”

In the teaser Leithauser then arrives at Café Carlyle (where he had a series of residency shows in January) to play the song for one of his friends, who turns out to be Hawke. Right off the bat, the actor is annoyed that Leithauser is late. Then Hawke has a violent reaction to the song.

Back in 2016 Leithauser teamed up with Rostam Batmanglij (formerly of Vampire Weekend) to release a collaborative album, I Had a Dream That You Were Mine, via Glassnote Records.

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On the heels of her excellent gloomy and introspective 2018 EP, “Interpersonal”, Taylor Janzen played a great set at SXSW , The Austin Chronicle wrote that “she’s about to become an absolute star,” the combination of the best aspects of Julien Baker, Phoebe Bridgers and Lucy Dacus. For as great as last year’s EP was, I was even further blown away by the newer material I heard she was playing, a handful of more uptempo, more rock-adjacent tracks that saw her voice soar to impressive heights.

Those songs were corralled together on May’s Shouting Matches, a five-track EP showcasing a much different side of Janzen’s songwriting, a much more powerful one where she maintains that same level of personal reflection, now pairing it with catchy melodies and more in-your-face backing instrumentals. And I wasn’t the only one who thought that she’s about to become a star: Janzen had recently signed with Glassnote Records and released a new single, “What I Do…,” a slightly poppier track that sees her add even more pep than everything she’s released prior. The sky is truly the limit for Janzen, a songwriter who could easily be indie’s biggest breakout in 2020

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Montrealites Half Moon Run have released their third studio album, ‘A Blemish In The Great Light’, last Friday and it’s chock full of swirling indie rock riffs, at times a throwback to seventies nouveau synth, sometimes the harmonies feeling like an echo of sixties rock and roll. It’s a fresh new take and we like it. Last night they had a sold out headline show at Electric Brixton, and what a beauty it was.

Half Moon Run have returned with their third album, A Blemish In The Great Light, via Glassnote Records. Produced by Joe Chiccarelli (The Strokes, Beck, Killers) and featuring the singles Then Again and Flesh and Blood.

The word everyone comes back to when describing Montreal indie rockers Half Moon Run is “complex” (The Guardian, Exclaim, et al.) Whether they’re billed as dreamy alt-pop, bucolic alt-folk, or psychedelic indie rock, the four multi-instrumentalists – Devon Portielje (vocals, guitar, piano, percussion), Conner Molander (vocals, guitar, keyboard, piano, pedal steel, bass, harmonica), Dylan Phillips (vocals, drums, piano, keyboard), and Isaac Symonds (vocals, drums, mandolin, synth, bass) – have built their name on cerebral, acrobatic arrangements and harmonies that lilt prettily till they turn feral.

This project is funded in part by FACTOR, the Government of Canada and Canada’s private radio broadcasters.


Ex:Re  the solo recordings of Elena Tonra from Daughter – is now available worldwide on vinyl and CD, after the digital release of the album late last year.

The album was Rough Trade’s Album of the Month, and they will be celebrating by offering an exclusive limited blue pressing of the vinyl with a free CD featuring live versions of four tracks recorded at Hoxton Hall, London in November 2018.

Last month Tonra shared the stunning visuals for ‘The Dazzler’.  Directed by Iain Forsyth and Jane Pollard (creators of Daughter’s triptych of videos for their second record Not To Disappear), the video imagines ‘The Dazzler’ as the hotel depicted in Tonra’s lyrics and places the magnificent British actress Maxine Peake languishing alone in one of its rooms (with cameo appearance from Tonra). Running parallel to Daughter, Tonra has assumed the pseudonym Ex:Re (pronounced ex ray) for her eponymously-titled debut solo album, a deeply personal record that was made with both a sense of urgency and a cathartic need.

“A spacious, raw record.” – Q
“The overall effect is immersive, wallowing, sad but often beautiful.” – Uncut
“Fascinating but demanding debut.” – MOJO
“An album that’s fully formed, rich and deeply affecting.” – DIY
“A beautifully understated mood piece and Tonra’s finest work to date, with or without the band.”
– Loud And Quiet

Elena said of the album, “Although the record is written for someone, a lot of the time it’s about the space without that person in it.  In every scenario, there’s either the person in memory or the noticeable absence of that person in the present moment.  I suppose it is a break-up record, however I do not talk about the relationship at all, and he hardly features in the scenes.  He is only felt as a ghostly presence.”

Tonra’s candid solo songs document the time after a relationship ended and are written like unsent letters to herself and others.  Taking on a creative moniker, she chose Ex:Re to mean ‘regarding ex’ and also ‘X-Ray’ as a way to look inside and see what is really there.  Writing took a year but the recording process lasted mere months, turning to Fabian Prynn (4AD’s in-house engineer and producer) and composer Josephine Stephenson on cello to help bring Ex:Reto life.

Ex:Re’s first single ‘Romance’ its accompanying video (directed by Antonia Luxem

Taken from Ex:Re’s self titled debut album, digitally out now on 4AD & Glassnote Records.

Ex:Re, the Solo Recordings of Elena Tonra. from Daughter.

Elena’s debut solo album – released under the alias Ex:Re – is available digitally now!

The 10-track album was recorded this autumn in South London and is co-produced by Elena & Fabian Prynn.  What a coincidence that I was wondering this morning, if Daughter is ever coming back with some new music. And then I check Twitter and see that “Romance” is released. Even though it’s not a new Daughter song or album, it’s still a pleasant surprise!

Physical copies of ‘Ex:Re’ are also now available for pre-order worldwide (12″ vinyl & CD) with a release date of the 1st February 2019. ‘Romance’ was the first single to be taken from ‘Ex:Re’. Watch the track’s accompanying video – directed by Antonia Luxem .

‘Romance’ is the first single taken from Ex:Re’s self titled debut album, digitally out on 4AD Records & Glassnote Records on November 30th.

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“I’m just an ordinary 20-year-old girl,” Jade Bird says with a shrug. “There’s nothing you can’t connect with about that.”

A quickly-growing audience seems to agree. The English singer-songwriter’s debut EP, Something American, arrived last July on Glassnote Records, the indie label that launched Mumford & Sons, Phoenix and Chvrches in the U.S. Her previous single “Lottery,” a heartfelt romantic plea (“You used to tell me that love is a lottery…Are you still betting on me?”), It hit Number 1 on Billboard‘s Alternative Songs chart in April, and its video has earned half a million views on YouTube. This summer, Jade Bird is in the midst of a long festival run, which will lead her into a headlining tour in the States.

Her story-driven songs, which veer between Americana, punk and soulful indie pop. Country fans have begun to gravitate to Bird thanks to her evocatively imagined narratives about broken relationships, fledgling love and marriages that end before they can begin. She says she’s happy to be simply alternative or maybe whatever Alanis Morissette was called.”

Jade Bird, who now spends her time in south London when not on tour, was born in Hexham, a small town in the far north of England, and jumped around the U.K. throughout her early childhood as an army brat. Her parents’ divorce sent the singer to live with her mom and grandma in South Wales as a teen. She’d taken piano lessons earlier on from a Russian teacher (“She taught me discipline,” Bird quips), but it wasn’t until she taught herself to play guitar at age 13 plucking her grandma’s old acoustic until she found the right sounds, inspired by Bob Dylan, Neil Young and Black Rebel Motorcycle Club – that she found the right outlet for her feelings. “Songwriting really kicked in with the guitar,” she says. “I was going through a lot as a kid. There had been a lot of transitions in my family. So it just became a total therapy, like most artists. I think that’s why I did so much. I used to write so many songs.”

Bird remains a prolific songwriter, constantly jotting ideas down on her phone and in a Moleskine notebook. Every few months, she heads into a London studio with an engineer to lay down demos of everything she’s got ready. Most sessions yield 13 to 15 new tracks, all in a visceral, imperfect form. “I kinda just bang through ’em,” she says. “I’m not really precious about it. It’s just me and my guitar. How much perfection do you really need?”

Bird recorded Something American with producer Simone Felice, formerly of the Felice Brothers, in upstate New York. The five-song EP is full of heartbreak songs – see elsewhere “Cathedral,” an acoustic ballad about broken vows – and echoes of her hero, Patti Smith (particularly on the raw, piano-led number “What Am I Here For”). Her newer songs, including “Lottery,” “Furious” and “Uh Huh,” unfurl in notably varied ways, with tones that range from languid crooning to snarling punk.

As Bird finishes up her full-length debut, expected out in 2019, she wants to explore all facets of her personality. “No artist is one-dimensional,” she says. “I get the sense that if I push myself now and if I create a million different-sounding songs – I just feel that’s going to be such a set-up for my ability in the future.”

Instead of looking to professional session musicians or label executives for guidance, Bird tests her new music on her fans, either at live performances or in snippets on Instagram (which is how “Furious” came to be). “I’m hoping to write the album 100 percent by myself,” she says. “Which, nowadays, is quite a rare thing. The artists I love, like Elliott Smith, they wrote their own songs, and the imperfections make a perfect album in the end. But you only get imperfections by people who don’t point out your imperfections and go, ‘Maybe we should rewrite that.’”

Adds Bird, “I feel pretty perfect. I feel pretty in it, pretty ready to stay in it and keep working like bloody hell and releasing new music.” She grins. “Yeah, I feel good right now. And that’s not to be taken for granted.”


Numbers is taken from Daughter’s second LP, “Not To Disappear”, to be released on 15th January via 4AD/Glassnote Records.

Not To Disappear has crept right up our list of records we’re looking forward to since the band’s recent show at St Johns Church in Hackney, a triumph which showed they’ve found the balance between the delicate, tender nuances we love the band for and a little extra oomph which enhances the live experience. We really, really, loved it and Numbers stood out, with its thunderous bass and rattling drums. It’s a little softer on the release, so, if you like your music with a little kick in the chest make sure you head out to one of their forthcoming live shows.

Nearly three years after the release of their debut ‘If You Leave’, Daughter – the London-based trio of Elena Tonra, Igor Haefeli and Remi Aguilella – will return in 2016 with a new album, entitled ‘Not To Disappear’.

‘Not To Disappear’ is Daughter’s second album and finds the band making confident strides forward both sonically and lyrically. Elena, Igor and Remi spent a summer in New York recording ‘Not To Disappear‘ with Nicolas Vernhes (Deerhunter, War On Drugs, Animal Collective) at his Rare Book Room studio in Greenpoint, Brooklyn.

Taken from the new album ‘Every Open Eye’. There’s a long and proud tradition of disaffected youth in art, from cult classics like Over the Edge to actual classics like The Outsiders to more modern depictions like Kids and TV’s Skins(the British version, of course). In their latest music video for the song “Empty Threat,” Chvrches (and director Austin Peters) build off this tradition. There’s not much in the way of a narrative plot—a group of goth-ish kids buy alcohol and go to a water park—but it’s a beautiful illustration of the energy, sadness, and caprice of being young. It’s one of those videos that tells you very little about its characters, but is so rich with image and emotion that you feel like you can deduce an awful lot. Watch it above, and look out for Chvrches new album Every Open Eye, which was released in September


The 20-year-old English singer-songwriter Flo Morrissey is an old soul in the way that her lyrics are tethered to her teenage experiences, but her velveteen voice has a classic, ageless quality that makes her music relate to young and old alike.

Her debut album is out on Glassnote Records in the early part of 2015 and with a string of festival appearances this summer, and recently released first single, Pages of Gold.”  this track taken from the album is the follow up release showcasing her beautiful vocals