Posts Tagged ‘Desperate Journalist’

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“In Search of the Miraculous” is the third album from much-loved indie goth dreamboats Desperate Journalist and follows the bands critically acclaimed album Grow Up. If the title conveys a sense of wide- eyed ambition then the music on In Search Of The Miraculous fits the plot perfectly, featuring ten tracks fizzing with creative passion, giant choruses, heroic solos and poetic intensity.

Warning: this album contains love songs, anti-love songs and other songs wandering about, lost in an in-between-daze. It’s a bit complicated. Boasting one of the most inspired band names of recent times, the quartet take their moniker from a 1979 John Peel Session track by The Cure. If you ever wondered what Harriet Wheeler from the Sundays would sound like fronting a rawer version of the Smiths or the Cocteau Twins with energy and a shimmering indie edge, then Desperate Journalist is a must hear.

‘Satellite’ is the second single taken from the LP ‘In Search of the Miraculous’, out on 22nd February 2019 on Fierce Panda Records

Band Members
Jo Bevan – Vocals,
Simon Drowner – Bass,
Rob Hardy – Guitar,
Caz Hellbent – Drums

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Once again the New Year promises great things from listings of new albums to be released, already announced in late 2018, and top of that tree is the third album from Desperate Journalist, In Search of the Miraculous. Arguably, they already found it on 2017’s Grow Up but on the other hand, if that was near perfection then maybe they needed to find the “miraculous” to improve on it. The first single ‘Cedars’ showcases Rob Hardy and Jo Bevan’s ability to create a pop song that improves with every listen, slowly creeping under the skin, new elements appear and surprise until it’s so deep in your soul that you can never escape and you become a full blown evangelist.

‘Cedars’ is taken from the LP ‘In Search of the Miraculous’, out on 22nd February 2019 on Fierce Panda Records

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Swathed in fuzz and fury,  Desperate Journalist’s ‘Good Luck’ EP is a gripping, acid-burnt cut of their harsh post-punk. Latest single ‘Leave Home’ is no different – a guttural, gothic exorcism, the track’s new accompanying video, mirrors that belief in the bleak.

Stripped back, blown-out monochrome takes centre stage as washy images of the band’s furious performance overlap and swirl to disorientating effect.

Tracklist

Good Luck, Leave Home, A Phase, Paint Something, Perfect Health,

Leave Home is taken from the ‘Good Luck’ EP, released 2nd October 2015 on Fierce Panda Records.

Desperate Journalist have just released latest single Resolution, a mix of noir power chords.

Singer Jo Bevan said, “The song was written in a hotel room after a New Year’s Eve party when I was feeling particularly peculiar, unable to drink and on a lot of codeine. New Years Eve is obviously an unusually heightened time to feel completely out of the loop with a group and when that happens to me, like everything else I can’t really cope with, I romanticise it into filmic fragments.

“The countdown to midnight was dramatized massively by the band we were watching (as is standard), and I couldn’t escape fixating on teenage thoughts like: how many cliched repetitive conversations/Fun Times you have with people on Significant Days of the Year, how emotionally awkward the midnight kiss was for so many of us, the people making big pointless romantic gestures, and the general warm frenzy of everyone else from the weird cold bubble of where I was. So broadly speaking, the song is about being detached and overstimulated.”

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Glowering indiegoth melody crunchers Desperate Journalist have announced their biggest headline show to date at the Scala in Kings Cross on Thursday April 6th. Their terrific new single called Resolution is out now

 

 

Image of The Jesus And Mary Chain - Damage And Joy

The Jesus And Mary Chain are set to release their long-awaited new album ‘Damage and Joy’ on March 24th, their first since ‘Munki’, back in the summer of 1998. The Reid brothers have enlisted the help of super (as in cool, not megabucks!) producer Youth and he has coaxed and cajoled these perma-scrapping siblings (still, even now!!) into producing a magnificent distillation of everything we’ve come to love about their sound.

Fuzzed up trashy or broken and blue, Jim’s honeyed voice takes us over familiar territory while William scuzzes things up in the wings. The songs are all classic Mary Chain.
With the help of Isobel Campbell, Sky Ferreira and the Reids’ own sister Linda on vocals, there’s also a freshness to their palette, bringing their much imitated sound back up to date, here in the now.  It’s great to have them back!

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500 limited edition 12” on Cadillac pink vinyl. Manchester all-female five-piece Pins release a new EP Bad Thing, through Haus Of Pins and features Aggrophobe, their single with the legendary Iggy Pop. Following the release of their acclaimed second album Wild Nights last year, Pins went back into the studio to work on new tracks. Recorded in a studio on the Scottish Borders last October and produced by Mark Vernon and the band themselves, the EP features 5 new tracks, which includes a cover of Joy Division’s Dead Souls. The EP opens with the teasing Bad Thing before moving into the addictive Aggrophobe, featuring Iggy Pop’s iconic vocal, leading onto the chant-like pop of All Hail and the dreamy and synth-laden In Nightmares, before ending with Pins own take on Dead Souls. The four new tracks are synonymous with Pins’ sound but also showcase a vigorous, more mature side to the band, making up a solid and impressive musical body of work.

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Desperate Journalist release their second album, Grow Up, ostensibly eleven tracks of rocketing leftfield delights propelled forth with thundering rhythms, thunderously spectacular guitar and Jo Bevan’s thunderstruck vocals. Such is intense life with Desperate Journalist, one of the most potent, important DIY bands lurking on the underground scene right now.

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They began as a fictional band from a fictional town featured on the Eccentronic Research Council’s 2015 concept album Johnny Rocket, Narcissist And Music Machine… I’m Your Biggest Fan. Now The Moonlandingz have lurched, sticky and bleeding, into the real world and are releasing the first great album of 2017. Interplanetary Class Classics, released on Transgressive Records, is a feast of swirling juddering synths, wailing guitars, motorik stomp and extraordinary songwriting. The Moonlandingz have proven themselves to be one of the best live bands in the UK (“Magnificent, cosmic and batshit!” said The Quietus. “Feral antics and louche anarchy!” said The Guardian) and now they’ve produced an album of proper weird catchy glorious filthy pop.
The Moonlandingz is Eccentronic Research Council’s Adrian Flanagan and Dean Honer in cahoots with Fat White Family’s Lias Saoudi (aka frontman Johnny Rocket) and Saul Adamczewski. They recorded the album with Sean Lennon at his studio in upstate New York. Also on the record: Randy Jones the Cowboy from The Village People, Rebecca Taylor from Slow Club, drummer Ross Orton, bassist Mairead O’Connor, Phil Oakey and YOKO fucking ONO, who sings and yowls on epic closer This Cities Undone.

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Sonic Jesus is an Italian musical project lead by multi-instrumentalist Tiziano Veronese. Since signing to Fuzz Club, the project has released a split single with The Black Angels and been remixed by Sonic Boom aka Pete Kember. Their internationally acclaimed debut ‘Neither Virtue Nor Anger’; an industrial barrage of hypnotic, dark psychedelia. Sonic Jesus’ new album ‘Grace’ goes beyond the past boundaries, pushing towards enthralling melodic horizons and modern pounding beats, delivered by a new-found pop sensibility. There’s still a darkness brooding beneath the noise but these new tracks see the project take on a magnificent and insatiable new form.

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Limited to 1000 Copies. Long Time is the second single off Blondie’s new album Pollinator and comes backed with exclusive B-Side Breaks.

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On her first proper album as Jay Som, Melina Duterte, 22, solidifies her rep as a self-made force of sonic splendor and emotional might. If last year’s aptly named Turn Into compilation showcased a fuzz-loving artist in flux – chronicling her mission to master bedroom recording – then the rising Oakland star’s latest, Everybody Works, is the LP equivalent of mission accomplished. Duterte is as DIY as ever – writing, recording, playing, and producing every sound beyond a few backing vocals – but she takes us places we never could have imagined, wedding lo-fi rock to hi-fi home orchestration, and weaving evocative autobiographical poetry into energetic punk, electrified folk, and dreamy alt-funk. Everybody Works was made in three furious, caffeinated weeks. She came home from the road, moved into a new apartment, set up her bedroom studio and dove in. Duterte even ditched most of her demos, writing half the LP on the spot and making lushly composed pieces like Lipstick Stains all the more impressive. While the guitar-grinding Jay Som we first fell in love with still reigns on shoegazey shredders like 1 Billion Dogs and in the melodic distortions of Take It, we also get the sublimely spacious synth-pop beauty of Remain, and the luxe, proggy funk of One More Time, Please.

Image of Samantha Crain - You Had Me At Goodbye - Bonus Disc Edition

Fifth album (third for Full Time Hobby) from Samantha Crain, following 2015’s “Under Branch & Thorn & Tree” and the 2014 album “Kid Face.”

Written over 4 months at the back end of winter whilst at home in Norman, Oklahoma, You Had Me At Goodbye was penned whilst Samantha was working shifts at a pizza place to save up money for touring, recording, paying bills, and as a self-confessed ‘film nerd,’ binge watching movies. “Oklahoma is beautiful but my relationship with it is complicated. There are mountains, plains, prairies, rolling hills, high deserts and plateaus, with an amazing creative community of people making beautiful visual art, interesting films and loud music. But it’s extremely Christian, conservative, and whilst people say it’s ‘friendly,’ really, people are only friendly if you’re white and aren’t dressed unconventionally. I feel welcome and alienated all at once.”
Bolstered by the visionary production of John Vanderslice (Spoon, the Mountain Goats, Strand of Oaks), mixed and engineered by Jacob Winik (The Magnetic Fields, Hot Buttered Rum), Samantha returned to the Bay Area in California to, once again, record the album in analog at Tiny Telephone Studio.

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Iggy Pop had hit bottom after the messy breakup of the Stooges and he needed help, and when friend and fan David Bowie offered to lend him a hand, he was smart and grateful enough to accept. Bowie produced Iggy’s first solo album, The Idiot, and after Iggy set up a tour to promote the record, Bowie put together the band and tagged along as their keyboard player. Bowie’s presence insured a larger audience than Iggy had attracted during the grim final days of his band, and he was determined to prove he could deliver the goods without making a spectacle of himself or collapsing into a drug-sodden heap on-stage. Unfortunately, anyone familiar with Iggy’s body of work knows the last thing you want from one of his live shows is a professional-sounding performance without a sense of danger, and unfortunately, that’s what the audience got during this March 21st, 1977 show in Cleveland, OH, part of a three-night stand Iggy and the band would perform at the Agora Ballroom. Iggy & Ziggy: Cleveland ’77 finds Iggy in fine voice, and at a time when he had a lot to prove, he leaves no doubt he was a solid musician and showman, singing with a sense of control and dynamics he couldn’t approach with the Raw Power-era Stooges. However, Iggy also seems clearly afraid to push this material too far, and the caution robs the songs (nine of which are drawn from the Stooges‘ songbook) of much of their life force. Even worse, guitarist Ricky Gardiner doesn’t seem to know what to do with the Stooges material — he’s at least as skillful as Ron Asheton or James Williamson, but his attack is so toothless and polite that he reduces some of the greatest rock songs ever to mush. (Bowie’s keyboards are not nearly as ill-advised but they don’t fit the old material very well, though Hunt Sales and Tony Sales are a great rhythm section who do what they can to give Iggy the energy he needs.) Some of the material from this show also appeared on Iggy’s lamentable live album TV Eye Live.

Video for ‘Perfect Health’ by Desperate Journalist, directed by Jason Weidner. Taken from the ‘Good Luck’ EP released 2nd October 2015 on Fierce Panda Records, Besides having a really great band name these guys from London delivered one of the most fascinating debut albums of the year. Somewhere between Siouxsie and the Banshees and the early Cranberries DESPERATE JOURNALIST found their own version of heart-wrenching and urgent new wave rock that captivates the listener. Singer Jo Bevan is just the right sort of leading lady a band like this needs. If you happen to love the sound of the already mentioned references and are tired of waiting for a new Cure record we highly advice you to take a closer look to the DESPERATE JOURNALIST debut.

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OCTOBER 8TH MANCHESTER Sound Control
OCTOBER 9TH GLASGOW Cathouse
OCTOBER 10TH GATESHEAD, Central Bar
OCTOBER 11TH BIRMINGHAM Oobleck
OCTOBER 12TH SOUTHAMPTON Joiners
OCTOBER 13TH LONDON Borderline

Equal parts post-punk and Britpop with a smidgen of new wave angst thrown in, London-based four-piece Desperate Journalist are one of the most exciting bands to emerge from the capital’s underground scene this past year. Frontwoman and main mouthpiece Jo Bevan also happens to be an idol in waiting, an energetically captivating bundle of joy whose mesmerising performances undoubtedly form the catalyst of her band’s live show. Ignore at your peril. Video for ‘Hesitate’ by Desperate Journalist taken from the album ‘Desperate Journalist’ out now on Fierce Panda (UK) & Minty Fresh (US)

 

Desperate Journalist’s self-titled debut album builds on the fantastic single they released last year, as the band continue to demonstrate their ability to balance phenomenal vocals with stunning guitar riffs that grab you and don’t let go.

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When I hear a band whose music reminds me of the Brit-pop era I go to a very happy place and start to reminisce.  Desperate Journalist does just this.

I could listen to Jo Bevan sing all day long.  Her vocals are encapsulating, and coupled with Rob Hardy’s mesmerizing guitar riffs, well let’s just say that prior to writing this review I have nearly worn the album out through listening to it. Desperate Journalist are a New Music Snapshot and I believe Jo’s vocals were compared to those of Shirley Manson’s of Garbage fame.  Striking, invigorating and perfectly balanced throughout the tracks, there’s an edge to her voice which combines with a velvety smoothness that takes your hand and leads you through the tracks.  Along with Bevan’s voice the album provides a very distinct sound, testament to the dedication and self-production of the tracks.  I was trying to think of another band I’ve heard this year that provides the same distinct sound while heavily reminiscent of the Britpop era.

If I had to suggest one small issue with the record, and it is tiny, there is a danger that some of the tracks blend into each other.  I was introduced to the band through “Control” which opens the album superbly, while “Cristina”, “Hesitate” and “Remainder” carry on this fantastic opening, but there are some similarities across the songs.  To be fair to the band, this is a slightly ridiculous point to make as the tracks are great and they all strengthen the distinct sound Desperate Journalist have. I’ve finished rambling on I would recommend two things; going to see them live and also listening to a few of their tracks… I guarantee that a small amount of exposure to Desperate Journalist will result in a purchase of their album.

 

Desperate Journalist exude cool.  powerful, urgent female vocals, and sophisticated, layered guitar work, in the image of Savages,  the new single “Control” previewed yesterday the new single from Londoners Desperate Journalist, whom are fast rising to become one of our favourite bands of the moment. Swooping in on a tangle of Rob Hardy’s 12 string arpeggio assault, cavernous drums and dexterous baselines, Detailing a relationship that’s seemingly turned into a literal battle of wills, Jo Bevan’s knowing vocal tone entrances and then pierces: she possesses that rare ability to play with you, to ironically dismiss(“What a fantastic growth rate/Darling, go fill up your plate”) artfully reworking phrases that in the hands of some could sound clumsy but in hers sound positively weighty, powerfully affecting and ultimately self affirming(“It’s like a hole in your head/I’m a thoroughbred”).

While the backing is sinuous and widescreen, atmospheric yet pulsing, faintly reminiscent of the ghosts 80s and 90s grandest indie sounds but never in awe of their heroes. This beauty cowers, creeps and then pounces on you when you aren’t looking, the chorus firing off boldly, vigorously and quite thrillingly with a fearsome melodic punch that is sadly lacking in most bands of today. Desperate Journalist might have been one of my tips for 2014, but their sumptuous forthcoming self titled debut album(which you can stream below) makes them firmly approved for 2015 .

This track really has the feel of the early Smiths sound,  a song that will certainly stick in your head, in a good way. Their debut album is due out 26th January 2015 on Fierce Panda Records. The band are playing in Nottingham 13th December

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New single ‘Control’, taken from the debut album ‘Desperate Journalist’ which is out on CD and Vinyl on 26th January 2015 on Fierce Panda Records.Desperate Journalist exude cool. With powerful, urgent female vocals, and sophisticated, layered guitar work, in the image of Savages, their new single ‘Control’ will certainly stick in your head, in a good way.