Posts Tagged ‘Brussels’

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Magnolia Electric Co’s ‘Trials & Errors’ was released 15 years ago today on January 18th, 2005. A live album originally recorded in April 2003 at Club Ancienne Belgique in Brussels, the record is the first to bear the Magnolia Electric Co moniker despite the band having been touring as Songs: Ohia over that period, and was met with comparisons to the live recordings of Neil Young & Crazy Horse.

Recorded only a few months after they had formed, “Trials & Errors” captures Jason Molina’s new band Magnolia Electric Co. on one magical night in Brussels in 2003. It is a scintillating audio document of one of America’s most important contemporary live acts evolving into something really special and doing what it does best – whipping an audience into a frenzy. This set captures Molina & Co right after Molina had retired the Songs: Ohia machine in favor of this powerful new vision of his.

Two years in the planning process, the new project took its name from the last Songs: Ohia full-length album. Composed of a nucleus of four members, this particular show captures the newly christened band on its first tour in its earliest state. Still a four-piece with Pete Schreiner providing the back beat drum pulse, Mike Kapinus on bass and melancholic trumpet, and the two Jason’s dueling over guitar solo space: Molina’s down-tuned guitar matching his now settled tenor voice, and Groth’s Creedence-channeling rhythm guitar and solos filling out the upper register. With Molina as the principal songwriter, the songs are as classic as his fans have come to expect over the course of seven Songs: Ohia full-lengths (all released between ’96 and ’03). With his new band, however, fans can finally enjoy a stable & more-than-able rhythm section that just gets tougher and tougher with each performance. Like a juggernaut that simply chews up everything in its path, on Trials & Errors, the new Magnolia grinds through three old Molina favorites (two from Songs: Ohia’s Didn’t It Rain and one from the Songs: Ohia album Magnolia Electric Co), three songs which will be released on the upcoming Magnolia Electric Co studio album (out Spring 2005) as well as four songs that will only exist on record in their live form as presented here.

Fans may recognize that Trials & Errors comes peppered with an homage or two to Neil Young. One could, in fact, argue that the album is an existential response to Tonight’s the Night. While from the songwriting perspective Molina is often pegged as the perennial downer, this is not, like Young’s, a record born out of a series of sudden tragedies, but rather out of a whole life of growing up & out in the Midwest, surrounded by a small town mentality in a wide open space. The bastard second of three children, the Midwest is a funny place, often patted on the head and doled out placations of “Oh that’s nice – now go run along while the East & West do their business.” It is an album about finally accepting one’s place in this world; about standing ground and owning up to it with confidence. These are familiar themes that run through some of the greatest literary works of our last great century. Join Magnolia Electric Co as they play their part in a long-standing tradition of touring musical artists (Lynyrd Skynyrd, Creedence Clearwater Revival, Bruce Springsteen & the E-Street Band) that capture the spirit of their own homes, traditions and principles and communicate those through the chooglin’ rock of ages on stage for rooms full of empassioned audiences 150 nights a year. This is all about that wandering spirit, and the longing to wrangle it into place every now & again.

In subsequent tours, this core line-up would soon shift to find Mark Rice (the Impossible Shapes, John Wilkes Booze) replace Schreiner on drums, with Schreiner (the Panoply Academy, Scout Niblett, the Coke Dares) moving to bass guitar, and Kapinus (Okkervil River sideman) shifting to keyboards/piano & trumpet while Groth (the Impossible Shapes, John Wilkes Booze, the Coke Dares) and Molina remain constant on guitar.

King Gizzard And The Lizard Wizard have released a third live album to raise funds for Australian wildlife charities.

All proceeds from the new Brussels live album go to WIRES Wildlife Rescue, while proceeds from the Adelaide album go to Animals Australia, and proceeds from the Paris album go to Wildlife Victoria. Bandcamp has also agreed to donate its share of the revenue from the releases to fire relief charities.

This third recording of two Brussels concerts, captured October 8th-9th, 2019 at Ancienne Belgique, joins the two live albums the prolific psych rock group released on January 10th in their first fundraising effort. Those were recordings of their July 12th, 2019 concert at Adelaide’s The Barton Theatre and their October 14th, 2019 show at Paris’ L’Olympia.

Live at Ancienne Belgique, Brussels, Belgium, October 8th and 9th 2019

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The Band:

Drums: Michael Cavanagh
Guitar / Keys / Vocals: Cook Craig
Harmonica / Vocals / Keys / Percussion: Ambrose Kenny-Smith
Vocals / Guitar / Keys: Stu Mackenzie
Drums: Eric Moore
Bass: Lucas Harwood
Guitar / Vocals: Joey Walker

Mixed by Stu Mackenzie

Tracks 1-9 recorded on October 8th
Tracks 10-17 recorded on October 9th

On the day (October. 17th) in 1973: The Rolling Stones performed two shows at Forest Nationale in Brussels, Belgium, as part of a tour of the UK & Europe; sax player Bobby Keys didn’t show up for the concert, which resulted in him being banned by Mick Jagger from future Rolling Stones tours until 1982, with occasional exceptions; according to legend, Bobby missed the gig due to him filling a hotel bathtub with Dom Perignon champagne & drinking most of it…(Bobby ‘left the building’ for the last time on December. 2nd, 2014…)

October 17, 1973. 1st show: Brown Sugar / Gimme Shelter / Happy / Tumbling Dice / Dancing With Mr D / Angie / You Can’t Always Get What You Want / Midnight Rambler / Honky Tonk Women / All Down The Line / Rip This Joint / Jumping Jack Flash / Street Fighting Man

What an beautiful, elegant blues player Mick Taylor is during this period… using the same old scales that most all that most of us play.His solo on Angie is the most perfect, no wasted notes statement this side of George Harrison, but as w/ the rest of this set played on the sweet verge of feedback.The perfect foil for Keef who also needless to say is at the height of his powers hereand besides what group needs 2 of the same on the guitar front?No offence to R.W. whom I love w/ the Faces but he seems to have stopped practising (or something… ) upon entering the Stones.

YCAGWYW is so beautiful here it damm near had me tearing up, Keith and Mick Taylor can only be described as sublime on this version, they play off one another perfectly…and da sax just knocks it outta the fuckin’ park…never heard a better live effort of this song, its like they sold their souls for this one…

Mick Taylor, what an amazing guitar player ! I think, the Rolling Stones songs bring him up to this level. He also plays great on his solo albums, but its never the magic like with the Stones.Mick Taylor without the Stones is not same. And of course he plays better the Ronnie Wood. But playing fantastic performances makes the band not surviving for so long. It’s Ronnies character and personality who is a part off, that the Stones still play this days… So thanks all of them for such great music they gave and still give to us !