Posts Tagged ‘Berlin’

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Hailing from Canada, King Khan Unlimited have filled this release with biting social insights (mostly about their southern neighbour) driven by some very analogue sounding punk rock that will take you back to the hey day of CBGB’s (think Ramones, Dead Boys even Blondie). For all that they have found a very appropriate home on the Australian based Bargain Bin Records. Featuring his majesty’s dream line up of Bordeaux’s finest rock‘n’roll lifers, The Magnetix and Fredovitch (from King Khan & The Shrines), King Khan Unlimited’s new slab of punk rock is chock full of stinging social critique delivered with wit and a wry smile.

Their first single “Pigment Of Your Imagination” tackles the complicated topic of pigment as related to the tidal wave of racism all over the world. “Pigment Of Your Imagination” also features Eamon Sandwith from The Chats professing his love for, uh, Shea Butter amongst other things… Opening the charge is “Bedwetter”, a very Ramones-esque lament to exactly that. Heavy bass and drums underpin this song and you can imagine how great this would be live. Second song Narcissist has the refrain “narcissist, you don’t exist” and could be a tribute to the now former president of the United States (even though they reference Napoleon throughout the song). “Trapped in your own illusion” is much like the aftermath of 45 leaving office. Megpie Eyes is equally Dead Boys and The Stooges, with a heavy blues undertone.

The title track “Opiate Them Asses” carries along in the same vein as Narcissist, with messages of people being blinded by media and online tropes. Then we step away from the somewhat socio-political messaging to Al Capones Symphallytic Fever Dream, a song referencing what Al Capone might have dreamt about (whiskey running?!?) and exploring the Capone mythology in their own way. Crime Don’t Pay seems like a deliberately ironic song to include after a song about Al Capone. This morphs into Foaming At The Mouth, it took me while to realise that this one actually sounds a lot like The Vapours, Turning Japanese, never the less a good fun song.

The second half of the album is less hook-you-in, but is still pretty solid and listenable. Modern Frankenstein, Do You Wanna Get Hurt and Kamikazi are all pretty solid efforts, but compared to the first 3 songs are exactly what they are – solid B-sides. Pigment of Your Imagination has some interesting and clever word play. Kamikazi is an ode to over doing it on the drink, then crashing and burning(they will fit into the Bargain Bin collective well).

The end song is Play Safe has some nice plinky-plonk piano and is the most ballad type song on the album.


“Opiate Them Asses” is a solid punk rock album. The songs where they are making a socio-political comment (perhaps where the bands passions lie) and that are underpinned by a great track are the strongest on the album. When the band settles in to just being a punk band singing about girls and beer the strengths taper off a bit (lyrically, the band are pretty clever almost through the whole album).

Opiate Them Asses is definitely a play through with the best songs being Bedwetter, Narcissist and Megpie Eyes, just don’t listen too hard to the second half and the whole thing will feel like its still all good fun the more you listen.

Released January 29th, 2021

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It might be a stretch to say Psymon Spine is a group inspired by LCD Soundsystem, as the boisterous, colourful sound they create as a unit stretches well beyond the parameters of James Murphy’s discography. With the gleaming, taffy-like synths that open Psymon Spine’s sophomore album Charismatic Megafauna, the Brooklyn-and-Berlin quartet flexes a muscle it previously showed only occasionally. Although the band’s 2017 debut LP You Are Coming to My Birthday often comprised muddy, thickly overdriven rock experiments, the edges of tracks such as “Transfiguration Church” and “Shocked” glowed with traces of sugary psychedelia. This melty, gooey sound comes into full view on Charismatic Megafauna lead-off “Confusion,” which springs vividly from the uniquely joyous soil where the roots of psychedelia and pop wrap around one another. It’s a fitting intro: Charismatic Megafauna is far more vibrant and colourful than its challenging, formidable predecessor

The latest sample from their forthcoming Charismatic Megafauna is PS at their most extreme—particularly signified by the strained vocal performance from Noah Prebish (who you may also know as a member of Barrie). “‘Channels’ was written in Acadia National Park, Maine, where we stayed for a few weeks to begin writing Charismatic Megafauna,” Prebish shares of the cathartic recording experience. “We spend the majority of our time in Brooklyn, NY absorbing energy, stress, and excitement, then go into the middle of nowhere to process all of those feelings through writing/recording. 


Additional composition, keys, and vocals on ‘Milk’ by Barrie Lindsay. Percussion on ‘Modmed’, ‘Jumprope’, and ‘Channels’ by Pablo Eluchans. Violin on ‘Different Patterns’ by Ruby Z Wang.

Released February 19th, 2021

All tracks written and performed by Noah Prebish, Peter Spears, Brother Michael Rudinski, Sabine Holler, and Nathaniel Coffey.

My name is A. A. Khan (a.k.a. “King Khan” or “the artist formerly known as The Blacksnake“). Welcome to the Art of Khannibalism… featuring music I have recorded and produced from my Moon Studios in Berlin, Germany. Music is my religion and can heal all wounds…. Enjoy these sounds and share them with the ones you love.

King Khan has worn many hats over the years and this year he has added jazz artist to that hat collection. With members of Sun Ra Arkestra and Calexico, as well as some regular collaborators, King Khan goes all-in right off the bat. Opening with “Wait Till The Stars Burn” a song that has a psychedelic tribal acid free-form jazz to it that only King Khan could cook up in his bag of tricks, we know we’re in for a ride immediately. I mean this record goes far out into the realms of space and never touches down to Earth. If you listen closely throughout the album, there are hints of Ennio Morricone sprinkled about, which feels like a beautiful tribute for an absolute legend that we lost this year. While the record is only 37 minutes long, it feels far longer, in a good way, as not a single track is in a rush to leave your ears. The trumpet playing by Martin Wenk in “Theme of Yahya” just envelopes your ears like a hug. “Mister Mystery” is freeform jazz meeting garage rock in an intertwining tussle where everyone wins. “Follow the Mantis” feels like film noir, but in a song. Go in with an open mind and let this band of misfits into your soul. 

Sometimes a work of art comes unintentionally from a place from deep within the soul. It meanders and flops onto a table and sits and waits for its birth. The album begins with “Wait Till The Stars Burn”, a planetary ode to the Sun. The second track “Tribute to the Pharoahs Den”, is a requiem for Danny Ray Thompson (R.I.P.) of the Sun Ra Arkestra, his music and legacy now floating above us in the infinity of space. Both tracks and featuring Marshall Allen and Knoel Scott (of the Sun Ra Arkestra).


The song “Theme of Yahya” was a song I wrote for Yahya El Majid who played for many years with the Arkestra. I met Yahya in 2005 during my first meeting with the Arkestra. He shared many stories with me about the teachings of Sun Ra, the discipline he learned from him, and the many adventures he had all over the world travelling with the Arkestra. He told me these tales while playing a chinese harp, jamming to the sounds of Tuvaan Throat Singers, while burning a large amount of frankincense and myrrh. When I recorded the song I had four harps panned in stereo to form a sonic flower. When Yahya heard the track he telephoned me and told me that he was really moved by the piece and was proud of me. Yahya had been struggling for years with cancer and sadly passed away late August, 2020. I did not realize that my tribute to him would become a requiem, and it means the world to me that he was able to hear his tribute before he left the planet.

feat. Marshall Allen & Knoel Scott (Sun Ra Arkestra)

John Convertino & Martin Wenk (Calexico)
Brontez Purnell (Younger Lovers)
Ben Ra (King Khan & The Shrines)
Davide Zolli (The Mojomatics)

The album ends with a requiem for Hal Willner (R.I.P.) whose devotion to celebrating the weird and insane was like an insatiable thirst leading to deep introspection and joy in harmony and sonic dissidence.

Lollapalooza Berlin Announces 2016 Line-Up - All Things Loud

Now that you have no choice whether or not you fancy a quiet night in, we hereby present the first of several LIVE SHOWS from the Radiohead Public Library now coming to Radiohead’s YouTube channel:

Radiohead have shared their 2016 performance from Lollapalooza Berlin for their Stay Home, With Me archival video series. The two-set offering took place in September 2016, a few months after the band shared their most recent album A Moon Shaped Pool. In face, the performance kicks off with a string of A Moon Shaped Pool tracks, including album opener “Burn the Witch” followed by “Daydreaming,” “Decks Dark,” “Desert Island Disk” and “Ful Stop.”

Other highlights include a “Creep”/”Karma Police” encore.

From the band:
“We will be releasing one a week until either the restrictions resulting from current situation are eased, or we run out of shows. Which will be first? No-one knows.” Thanks to all who tuned in last week. Next up is Radiohead’s performance at Lollapalooza Berlin from September 2016.

Recorded at Lollapalooza Festival, Treptower Park, Berlin on the 11th of September 2016

00:00:20 Burn the Witch, 00:04:36 Daydreaming, 00:10:15 Decks Dark, 00:15:24 Desert Island Disk, 00:20:22 Ful Stop,00:26:42 2 + 2 = 5, 00:30:12 Lotus Flower, 00:35:29 Reckoner, 00:40:51 No Surprises, 00:44:59 Bloom, 00:51:42 Identikit, 00:56:32 The Numbers, 01:02:19 The Gloaming, 01:06:11 Everything in Its Right Place, 01:10:36 Idioteque
01:15:01 Bodysnatchers, 01:19:25 Street Spirit (Fade Out), 01:26:41 Let Down, 01:31:51 Present Tense, 01:37:43 Paranoid Android, 01:44:13 Nude, 01:49:05 Weird Fishes/Arpeggi, 01:57:29 Creep, 02:02:54 Karma Police

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Holly Herndon operates at the nexus of technological evolution and musical euphoria.

On a record of countless voices (both human and AI) and instruments (both real and virtual), Holly Herndon fused the ancient and futuristic to form a hopeful vision for our present. There are crystallizations of her club music on “Alienation” and “Eternal,” stunning chorales like “Frontier” indebted to both gospel and Medieval church music, breathtaking electro-acoustic sound design on “Fear, Uncertainty, Doubt,” and remarkable snapshots of Herndon’s process with glimpses at the AI’s “live training.” At a time when machine learning is viewed mostly with fear, Herndon depicts it more accurately as something young and innocent, something we created — in need of guidance, community, and, yes, love.  mind-bending arrangements and ideas that really test the stretch of the imagination.


For the album, she assembled a contemporary ensemble of vocalists, developers, guest contributors (Jenna Sutela, Jlin, Lily Anna Haynes, Martine Syms) and an inhuman intelligence housed in a DIY souped-up gaming PC to create a record that encompasses live vocal processing and timeless folk singing.

Can’t get enough of this album. Holly is a true innovator, and this is one of her most innovative releases.

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Based in Berlin The Underground Youth conjure black leather-clad post-punk melancholia in their new track “I Can’t Resist”‘, a macabre and crooning Ballad taken from their forthcoming ninth LP Montage Images of Lust & Fear that’s set for release on Fuzz Club Records next Friday.

“I Can’t Resist”, is like the bastard demon love child of The Damned’s Dave Vanian and The Birthday Party’s Rowland S. Howard, already establishing itself as one of the best songs to claw its way out of the seductive song catalog of The Underground Youth.


On the song’s themes, frontman Craig Dyer explains: “Lyrically ‘I Can’t Resist’ has sort of a double meaning, on the surface it’s an impassioned love letter but it could also be read as a sinister list of hidden desires. The music could frame either, itself both driving and passionate.”

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The KVB are gearing up to the release of their sixth album, entitled ‘Only Now Forever’, which will be released October 12th via Invada Records.

The band have now shared new single “On My Skin” which the band describe as “the most openly romantic track on our new album”. They go on to explain “It’s a song that deals with the glowing anticipation of new relationships and the uncertainty and optimism whilst falling in love. How people have a presence even when they are not present, and how memories can linger and infatuate your mind. Treading the lines between euphoria and melancholia, it also recognises that in these delicate beginnings, nothing can last forever.”

After intense touring their 2016 release ‘Of Desire’, The KVB returned to their home to further immerse themselves in sonic experimentation. The resulting Only Now Forever heralds the next chapter in the adopted-Berliners dark, electronic pop development. “On our new album we wanted to take everything we had learned in the studio recording our last album and apply it to self-producing this album,” explains the band. Recorded entirely in their Berlin apartment throughout 2017 the band decided they wanted to take a freer approach to writing and recording. “In the past, we had always tried to restrict ourselves productions wise, to what was possible to play live as a duo, but this time we wanted to expand our compositions and instrumentation, and let the atmosphere dictate the layers of sound.”

Offering poignant lyricism that explores modern anxieties that plague many, the duo manage to imbue feelings of empowerment, fighting such struggles with a deceivingly sanguine sound. This seamless juxtaposition is perhaps their best trait. “For us it is an album of contrasts: light yet dark, uplifting yet melancholic, romantic yet unsettling.”


The ethereal cover ,mirrors dreamy songs such as ‘Live In Fiction’, ‘Cerulean’ and ‘Violet Noon’ – the latter a romantic ode to the apocalypse. In reaction to the anxieties of now, there are more aggressive moments on the album, such as the title track ‘Only Now Forever’ and the single ‘Above Us’, a driving defiance against modern life. Dark and seductive tracks like ‘Afterglow’ & ‘Into Life’ show the influence being in Berlin has had on making the album, a place that has been their home for the past four years.

The duo will take Only Now Forever on the road across the UK and Europe following the October release.


Tess Parks and Anton Newcombe will release their second full-length album on 12th October 2018.

The nine-track eponymous album was recorded in Anton Newcombe’s Cobra Studios in Berlin last year and was mostly co-written by the duo.  Now, the band have unleashed the video for new track ‘Please Never Die’ made by Parks herself alongside Ruari Meehan.

The pair first collaborated in 2015 on the album ‘I Declare Nothing’, which saw Park’s vocals as “unique and smoke-laden, and hypnotic” when it was named Album of the Month. A native of Toronto,  Parks moved to London at the age of seventeen where she briefly studied photography before deciding to focus on music. Parks went on to make a lasting impression on Alan McGee, founder of Creation Records, and she became one of his first signings on 359 Music, releasing her debut record ‘Blood Hot’ in November 2013 to excellent reviews. “She’s only 24 and is already an amazing songwriter,” McGee once said. She just doesn’t quite know she is yet,  her most beautiful quality is her lack of ego. Tess is an amazing lady”.

Her partner in crime, Anton Newcombe, is a man who needs no introduction as Founder Of The Brian Jonestown Massacre. A man who offers insight into a musical mind who has done so much but strives for more. And more is what he keeps on producing.

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BRIAN JONESTOWN MASSACRE  are set to release the first of two expected new albums in 2018
‘Something Else’ Is out on  Out On 1st June 2018, On his own imprint A Recordings.

Hear first single ‘Hold That Thought’

Brian Jonestown Massacre will release the first of 2 new albums in 2018; ‘Something Else’ is out on 1st June on A Recordings. The album, which is available on 180grm white vinyl, was recorded and produced at Anton Newcombe’s Cobra Studio in Berlin. The second album of 2018 is self-titled and will be out in September, more details to come on that at a later date…

‘Something Else’ is the Brian Jonestown Massacre’s 17th full-length release, the style of which is less experimental than more recent records and harks back to the traditional sound of the band. Recorded between 2017 and 2018, this 9-track album will please old and new fans alike.

Following a relatively quiet 2017 – the band did a tour of the US East & West Coasts and Mexico City to support last year’s album ‘Don’t Get Lost’ – the band have now announced tours of the USA, Canada and Australasia, and will shortly be announcing a tour throughout the UK and Europe.

Anton Newcombe has been a very busy man these past 4 years, having released 3 critically acclaimed Brian Jonestown Massacre albums and an EP, 1 soundtrack album and 1 album with Tess Parks, the follow up to which will be released in between the forthcoming BJM albums this year. All releases were fully recorded and produced at Anton’s studio.

The Brian Jonestown Massacre track ‘Straight Up and Down’ was used as the theme tune to the multi-award winning Boardwalk Empire. Anton penned the soundtrack for ‘Moon Dogs’, a film directed by multi-BAFTA nominated Philip John (Svengali, Downton Abbey, Being Human).

Track Listing
1. Hold That Thought
2. Animal Wisdom
3. Psychic Lips
4. Skin and Bones
5. My Poor Heart
6. My Love
7. Who dreams of cats?
8. Fragmentation
9. Silent Stream

‘a reaffirmation of their cult status.’  – Guardian
‘’Twenty years of enthusiastic participation in the rock’n’roll lifestyle may have cemented Anton Newcombe’s legend, but sobriety – he’s been clean for five years – clearly suits him.’ – Q Magazine
‘BJM delicately balance classic 60’s songwriting and woozy shoegaze…. they still inhabit a different, more enticing cosmos to their peers.’ – Mojo
Anton Newcombe is one of those rare artists who manages to stay prolific without compromising his output.’ – NME
‘astonishingly relevant in psych-obsessed 2014’ – Time Out
‘As notorious as he is prolific, Anton Newcombe has been creating shoegaze-inflected psychedelic jams for the best part of 25 years.’ – Record Collector
‘Anton Newcombe’s garage psych troupe excel on 14th LP’ – Guitarist
‘BJM are a fucking great band.’ – CRACK
‘Long Live Anton Newcombe, we still and will always adore you.’ – 1883