Posts Tagged ‘Ben Boye’

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Shannon Lay’s “Live At Zebulon”, is her first-ever live album, recorded last fall while on tour in support of August, her Sub Pop debut. The thirteen track effort features songs from throughout her three album catalog –“August, All This Going Down, Living Water” – and her covers of Karen Dalton’s “Something On Your Mind” and Black Box’s “Everybody, Everybody.”

Shannon says of Live at Zebulon, “During November of 2019, I set off on tour with three of my best friends, Shelby Jacobson, Denee Segall and Sofia Arreguin. We played all over the U.S. and then returned home for a December residency at Zebulon in Los Angeles. We were joined on stage by Ben Boye and Mikal Cronin for three nights of celebration and with the help of engineer Elizaveta Boldyreva and the mixing skills of Michael Kriebel these are the recordings that came out of it. I had never toured with a band before and the songs became brand new again. I am so happy to have captured what they were in those moments with those people. To get to play music with the friends I love so much is a very special thing and I want to sincerely thank Shelby, Denee, Sofia, Ben and Mikal for adding their magical touch. In my wildest dreams I never imagined knowing such incredible people and getting to share the stage with them.”

Shannon has also delivered a full album stream for Live At Zebulon featuring footage culled from the tour. Lay offers this on the YouTube document, “To go along with the live record we filmed footage of the U.S. tour in November 2019. Edited by Shelby Jacobson and filmed by Shelby Jacobson, Sofia Arreguin, Denee Segall and Shannon Lay it is a moment in time that we knew would be fleeting so we wanted to preserve it somehow. I hope you enjoy listening to the album while watching this film.”

released May 8th, 2020 Sub Pop Records.
L.A.’sShannon Lay has just released Live at Zebulon, her first-ever live album beautifully picked like Nico’s “These Days” and finely focused — can be found thereupon. Containing 13 arresting tracks like this, it’s out care of Sub Pop. You can buy the digital version of it either from their MegaMart or from her Bandcamp page right now.

Ty Segall

If First Taste is your, well, first taste of Ty Segall, it might be easy to brush him off as self-indulgent noise rock. The album is overly-produced and as gaudy as a paisley shirt, sure, but it’s also immensely compelling, inventive and fascinatingly unhinged, all while still maintaining a tight control and an understanding of how to reign it all in to create an actual song from the mire of noise

“Ice Plant” is Segall at his most sparing. Gone are the fuzzy freak-fests and instrumental meltdowns; here are the airy vocal harmonies. Shannon Lay, the newest member of the rotating Freedom Band, duets with Segall on the track. Her voice is a lovely match for Segall’s, together imbuing the repeated refrain “Let your love rain down on me” with a disarming affect. Simple percussion and pianos bookend the song, which is otherwise entirely vocal.

On the toes of a 10-week residency at the Teragram Ballroom and the release of his brand new album, “First Taste”, Psych/Garage Rock virtuoso Ty Segall came by the KCRW Studio for his 5th MBE Session! 5 sessions in almost as many years and something like 15 albums, not including albums from other bands he plays with and/or is a part of, Ty Segall is like a cosmic beam of pure rock-n-roll energy.

With his Freedom Band mates – Emmett Kelly, Ben Boye, Charles Moothart, Mikal Cronin and Shannon Lay – plus a deep set up with doubles of everything, from two drum kits and bass guitars to kotos, omnichords and bazukis, Segall played all new work from First Taste for almost 40 mins.

Although the new work is undeniably Ty Segall, the instrumental set up pushes the boundaries of the fuzzy, more traditional Garage sound into a hazy world psychedelic and proto-prog rock vibe.  Like, for all the T.Rex and Stooges action and Hawkwind nods.

A number of KCRW friends and colleagues watched the performance from the Mezzanine while absolutely face-melted and slack-jawed. I know for a fact that I was making a really gross stank face for most of the set because the grooves were so disgusting and the bass, drums, and SAX were gut churning. It was a beastly trip and I LITERALLY CANNOT emphasize this enough…GO SEE THEM.

They opened the set with a full on ripper, “Taste,” and followed it up by leaning into a loping, skronky groover “Whatever” before getting to the first of our live highlights, “Ice Plant.”

Possibly one of the loveliest tracks in this dude’s oeuvre, “Ice Plant,” which has serious Marc Bolan meets Syd Barrett in Strawberry Fields vibes, wistfully floats on a mellotron-ish mist of keys and Ooos and Aahs before exploding into a super glammy freak-out. Like finding a lit firecracker in your banana split.

The set kept steam rolling through everyone’s faces and guts with “The Fall” and “I Worship The Dog,” during and after which the preternaturally boy-faced Segall kept panting and occasionally barking. He’s a grown ass man, but so help me, if I could’ve, I would’ve pinched his cheeks. They then went into “The Arms” which is probably the most straight-ahead Psych/Garage tune they played, however the high pitched Bazuki phrases really lit the track up with Turkish Psych vibes that made me wanna lay down on the carpet and go for a ride. It was really, really nice.

The band kept in that mode with “I Sing Them” before closing with the seriously heady “Self Esteem,” which I imagine is what you’d get if you crash landed a plane on a desert island with a bunch of marching band kids and they had nothing to eat but psychedelics and Can and Yes records. It was a riot and made me wish I could watch it all over again immediately.

Drag City Records. Released on: 23rd July 2019.