Posts Tagged ‘Bella Union’

2:54 – ” Orion “

Posted: February 14, 2015 in MUSIC
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The two sisters in 2:54, the Irish-born and London-based duo, make grandly gloomy windswept rock music, something like the xx if they were more revved-up and shoegazey. They were a Band To Watch in 2011, and they released their self-titled debut in 2012, but they’ve been relatively quiet lately. So here’s their big return. They’ve signed to new label Bella Union Records, and they’ve got an as-yet-untitled new album coming later this year. First single “Orion” is dark and majestic and synthy, and it sounds more like the Cure than anything they’ve done before. 

2:54 2014 press pic, credit Joseph Piper

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New song from Father John Misty, “Chateau Lobby #4 (in C for Two Virgins)” from Father John Misty’s 2/10/15 album, “I Love You, Honeybear ” out February 9th on Bella Union (Europe) and February 10th on Sub Pop (North America / Rest of World).

Buy Father John Misty‘s 2/10/15 album I Love You, Honeybear

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Emmy The Great has a new EP titled the  EP  on Bella Union Records, Written in cities –  Salt Lake City, Tokyo, Hong Kong, LA, New York and London –  during an itinerant period in Emmy’s life, the songs track the resulting personal changes and invite us to explore the rapidly advancing world around us.

The lead track, “Swimming Pool”, features vocals from Tom Fleming of Wild Beasts. The four tracks that make up S are infectious and delivered with a well placed tongue-in-cheek, and each one certainly feels like an exercise in [Emma-Lee] Moss’ own musical exploration. It’s going to be interesting to see where she goes next.”

is out now on Bella Union.

2:54 – ” Orion “

Posted: January 26, 2015 in MUSIC
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2:54 – aka sisters Hannah and Colette Thurlow – have unveiled ‘Orion’, the first taste of their highly–anticipated second album, which will be released worldwide later this year on their new label home Bella Union. The epic track, streamed and accompanied by enigmatic moving image artwork, was posted this morning by the band across their social networks, as they confirmed they’ll be releasing their second album later this year.

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2:54 – ” Blindfold “

Posted: January 25, 2015 in MUSIC
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new track from the album on Bella Union “The Other I” 

The Thurlow sisters were born in Ireland but spent much of their childhood in Bristol after moving there at an early age. In 2007 they formed the punk rock band The Vulgarians, and in mid-2010 formed 2:54, named after part of a song by The Melvins .They first came to public attention in 2010 after putting one of their demos online. Their debut single, “On a Wire”, was released in 2011 and was followed with “Scarlet” on Fiction Records. They toured with Warpaint, Wild Beasts, The Big Pink,The Maccabees, and The xx, and played at several festivals including South by Southwest. The sisters were joined for live shows in 2011 by bassist Joel Porter and drummer Alex Robins.

In 21 July 2014, 2:54 announced they have signed to the independent record label Bella Union, and will be releasing their second album later in the year, streaming the first single off the forthcoming work, entitled “Orion”.

 

 

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B.C. Camplight is the moniker of songwriter and multi-instrumentalist Brian Christinzio based in Manchester, UK. His 2005 album “Hide, Run Away” was released by One Little Indian and featured Cynthia G. Mason on vocals. Lost treasure needn’t be found in the distant past; the 21st century hides many artists who disappeared into the great wide yonder. BC Camplight is one such example. The alter-ego of Americansinger songwriter Brian Christinzio released albums in 2005 and 2007, both gems of a certain psych-pop vintage, combining eloquent songwriting with a self-destructive bent. Christinzio certainly knew it – he’s described himself as, “the guy who blew it.”

But this sublime talent with the keening vocal and fearless approach to lyrical introspection has another chance. His new album ‘How To Die In The North’, recorded in his newly adopted home of Manchester, England, is a fantastically rich, stylistically diverse trip. From dramatic, layered pop to a haunted take on Sixties sunshine-pop, Originally from New Jersey, Christinzio started playing piano aged just four, inspired by his mum’s Jerry Lee Lewis and Nilsson records and his Dad’s classical collection. Depression and crippling hypochondria clashed with captaining the football team and a penchant for boxing. Post-school, he fell in with people, “willing to go through shit to be a musician,” which saw him relocate to Philadelphia where he occasionally played live with Philly faves The War On Drugs and guested on Sharon Van Etten’s album ‘Epic’.

He’s already done two sessions for long-term fan Marc Riley at BBC 6 Music, which featured Christinzio’s band of Mancunians who he met at The Castle Hotel pub, a watering hole in the city centre particularly popular with musicians. Christinzio also heard John Grant’s album on the jukebox there, which encouraged him to approach Bella Union. Grant’s cocktail of depression and self-sabotage thwarted an outrageous talent, but he took his second chance. The same deserves to happen to Christinzio,

Bella Union are excited to announce the release of How To Die In The North, the new album from maverick songwriter BC Camplight, on 19th January.

 

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Bella Union are thrilled to announce the late summer release of The Dew Lasts An Hour, the brilliant, long-awaited debut album from Berlin-based multi-nationals BALLET SCHOOL.

From ambient intro ‘Slowdream’ to the slow R&B jam of new single ‘Lux’, from the swooning dream-pop of ‘Pale Saint’ and ‘Heliconia’ to the ecstatic hooks of ‘Heartbeat Overdrive’ and ‘Ghost’, the album is a fresh, vibrant take on the lush, emoting tropes of Eighties pop and rock, but sounds resolutely 21st century, its diverse influences placing the trio at the forefront of pop’s new alternative.

“We’re not a synth band, we’re a guitar band, but one that’s trying to push the boundaries of the traditional set up,” declares Rosie Blair, whose beautiful, octave-stretching vocals spearhead Michel Jun Collet’s luminous guitar figures and Louis McGuire’s inventive drums. “We write pop songs. I never thought pop music was a lower form of art. We actively try to play with the model of mainstream pop against what indie is supposed to be and find our own new form. And though I love laptop pop, it’s vital that people witness our energy, that punk lust, when we play live.”

Ballet School began in early 2011 when Blair spotted Collet in Berlin’s U-Bahn underground, “playing amazingly delicate, arcane, beautiful guitar. We bonded over Cocteau Twins and immediately knew we had to be in a band together.” When the pair subsequently met McGuire in one of Kreuzberg’s artist-run spaces, witnessing the talented young drummer playing an electronic kit and simultaneously triggering bass lines, the trinity was complete.

Last year’s Boys Again EP included the pop-euphoric pair ‘Heartbeat Overdrive’ and ‘Ghost’, which appear on the album in re-recorded versions, likewise the dynamic ‘Yaoi’ with it’s early-Eighties Cure/Banshees guitar chime, alongside an alternative take on ‘Crush’ and seven brand new tracks. The album title may refer to the transience and fragility of youth, but Ballet School’s sublime debut is going to live on for a very long time.

The Dew Lasts An Hour will be released 8th September on Bella Union in UK and US.

Snowbird is the union of former Cocteau Twins instrumentalist Simon Raymonde, now the label boss of London-based label Bella Union, and Wisconsin-born singer-songwriter Stephanie Dosen. Released in January, the duo presents a collection of sensual, enigmatic songs that simply glide off Raymonde’s piano and Dosen’s tongue. While it might be easy to lose yourself in the sheer loveliness of all this, there are exceptional songs that remove any threat of stupor, not least the lushly realised “All Wishes Are Ghosts.” The accompanying video directed by Jamie Stone blends footage from Victor Sjöström’s 1918 film “Berg-Ejvind och hans Hustru” (“The Outlaw and His Wife”), adapted from the Icelandic play by Jóhann Sigurjónsson, with a contemporary tale that sits perfectly and movingly alongside it. Awesome beauty.

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Lost treasure needn’t be found in the distant past; the 21st century hides many artists who disappeared into the great wide yonder. BC Camplight . The alter-ego of American songwriter Brian Christinzio released albums in 2005 and 2007, both gems of a certain psych-pop vintage, combining eloquent songwriting with a self-destructive bent.

But this sublime talent with the keening vocal and fearless approach to lyrical introspection has another chance. His new album ‘How To Die In The North’, recorded in his newly adopted home of Manchester, England, is a fantastically rich, stylistically diverse trip. From dramatic, layered pop to a haunted take on Sixties sunshine-pop, from blue-eyed soul to speedy surf-pop, from sparser piano balladry to psychedelic showstoppers and a grand finale that’s part Nilsson and part Broadway showtune.

Originally from New Jersey, Christinzio started playing piano aged just four, inspired by his mum’s Jerry Lee Lewis and Nilsson records and his Dad’s classical collection. Depression and crippling hypochondria clashed with captaining the football team and a penchant for boxing. Post-school, he fell in with people, “willing to go through shit to be a musician,” which saw him relocate to Philadelphia where he occasionally played live with Philly faves The War On Drugs and guested on Sharon Van Etten’s album ‘Epic’.

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Manchester Girl Boy duo art-soul twosome Bernard + Edith (Greta ‘Edith’ Carroll and Nick ‘Bernard’ Delap) have revealed their new deal with Bella Union and details of a debut single on the label, “WURDS”
Jamie Lee – MONEY’s frontman – has inked a lengthy silver-penned bio for the duo, from which you can read an excerpt: “Perhaps Bernard and Edith would think that what I’m about to say is going too far. But I remember drinking with vocalist Edith in a bar in Manchester and talking about how her and Bernard come to creating their songs. Edith observed: “Rather than say ‘let’s go out’ or ‘let’s watch TV’ I say, ‘should we make a cheeky song?’ And he says ‘Alright then’.” And that laughter I’ve come to know so well erupts from her maniacally, childishly, freely……It is my belief that whatever art is, it is the direct opposite of whatever money is. It is made by the maker to save oneself briefly from the inevitable and in doing so (where the craft comes in) may end up saving other people briefly too. Bernard + Edith make their music from home and (I cannot help but feel) predominantly for each other – a kind of covenant to their particular and special bond.”