Archive for the ‘MUSIC’ Category

From his 1983 album “Punch The Clock”it’s a song that Elvis Costello wrote with Clive Langer during the Falklands War, reflecting the dark irony of profiting off the sales of ships on which their own sons would die.

His recording of it is distinguished forever by the haunting trumpet playing of the late Chet Baker, said to be Baker’s last recorded music. There’s been some confusion over authorship of the song. Most sources agree that Elvis wrote the lyrics to a tune written by Langer for Robert Wyatt, of Soft Machine, to record.

In fact, Elvis confirms this himself in an interview on the UK Channel Four show “Loose Talk.” Elvis said he wrote both the music and words:

ELVIS COSTELLO: “I came up with the melody first, which I put on cassette. I was singing it wordlessly, maybe just humming while playing the melody on an organ. I sang the vocal melody over these beautiful changes. It was for Robert Wyatt. He had the hope that I would write something bright and optimistic that would be the way Robert intended it, sort of like Neil Diamond’s `I’m a Believer,’  maybe something more poignant, but it should be like a conventional pop lyric. Instead of which I wrote a very specific song about something else entirely, and that reflects what was happening at that moment, that particular conflict of all these dilemmas that blew up and came out of the lyric of `Shipbuilding.’ “

In 2008, he told magazine he was proud of the song: “It’s a pretty good lyric, yeah. The key line for me is, ‘Diving for dear life, when we could be diving for pearls.’ That we should be doing something beautiful, better than this. I wrote the lyric before the Belgrano (Argentinean Navy cruiser sunk by British forces during the 1982 Falklands conflict in controversial circumstances). I’ve been to see the monument, stood and read the names of all the men… well, boys who died. Whatever you say about the conflict of war, that crime alone will see Thatcher in hell.”

Chet Baker played live with the band, as opposed to overdubbing his solo, according to co-producer Alan Winstanley “So we had to edit the multi-track just to get the trumpet right,” he said. “What you’re hearing is three different band performances spliced together. Amazingly, they’re all the same tempo, with no click track.”

The former Creedence Clearwater Revival leader and three of his kids remake classic tracks by the band (“Proud Mary,” “Bad Moon Rising”), as well as select covers (“Lean on Me,” “City of New Orleans”). While self-quarantining together the Fogerty Family recreated the cover of Cosmo’s Factory transforming it to Fogerty’s Factory. The family have also taken to their home studio during this isolation to create some music together, The Family Band. “Bringing a little light from our home to yours. We are having a little family fun together during the pandemic. It’s such a great feeling to be making and playin’ music surrounded by love. We all need to celebrate the life we have and remember how precious it is. I love music, I am listening every day. Makes everything feel better for me. Put the records on, pull out the old guitar, turn the radio up.. and dance to the music!” – John Fogerty. With his new album, Fogerty’s Factory, Fogerty enlisted his children Shane, Tyler and Kelsy to revisit some choice songs from his classic catalogue as well as covers that he always felt a fondness for.  Spawned from a series of weekly videos filmed by his wife Julie on her iPhone while killing time during the pandemic, the idea eventually gelled into an actual album that replicates the cover of the quintessential Creedence albumCosmo’s Factory, right down to its cover design and the typeface text. “Fogerty’s Factory” finds John Fogerty revisiting Creedence Clearwater Revival classics and other cover songs with an impromptu family band formed during the coronavirus lockdown. Some songs you might recognize from John’s historical career are ‘Proud Mary,’ ‘Fortunate Son,’ ‘Down on the Corner,’ ‘Centerfield,’ and tons more! Although in his 70s, John shows no signs of slowing down, creating new music and continuing to tour the world, so be sure to tune in, subscribe, and keep on the pulse of all things John Fogerty. Coming to you a day early due to the long weekend, this week Fogerty’s Factory performs Arlo Guthrie’s version of “City Of New Orleans” ( written by Steve Goodman) live from the farm! ‘Good morning, America, how are you?’ Now that is an important question. You all take care of yourselves. While the Quarantine continues the Fogerty Family – Shane and Tyler (Hearty Har) and Kelsy – will be joining their Dad for some musical fun covering songs from the classic Fogerty collection.

The album pays tribute to the city that launched the original Alice Cooper Band. “Detroit was the birthplace of angry hard rock,” said Cooper. “After not fitting in anywhere in the U.S. (musically or image-wise), Detroit was the only place that recognized the Alice Cooper Band guitar-driven, hard rock sound and our crazy stage show.”  

“Rock & Roll”: A Detroit Story… Alice Cooper releases “Rock & Roll” as a first taste of the sound and fury we can expect from the upcoming studio album “Detroit Stories”, coming February 26th, 2021 on earMUSIC. “Rock & Roll”, a classic song by The Velvet Underground from the album “Loaded”, is not a casual choice: It´s a song of joy and celebration of that magical moment when we all first turned on Rock and Roll radio …and it saved our lives.

Have a listen: Maybe it will save yours too! Here are some interesting Detroit Stories for the fans of rock and roll trivia and for those who believe that nothing happens by chance (especially in Detroit). In 1971, the Alice Cooper Group was working in Detroit, with producer Bob Ezrin. Around the same time, also in Detroit, a band called… Detroit, which featured Mitch Ryder, Johnny Bee and Steve Hunter, recorded a heavy new arrangement of Lou Reed’s “Rock & Roll” also produced by… Bob Ezrin. It was when he heard that version that Lou Reed decided to work with Ezrin on the follow-up to his monster hit album “Transformer”.

Their collaboration produced the seminal and fascinating classic album “Berlin”. But wait: There is more! Steve Hunter, the amazing guitar player who created the iconic main riff that drives Detroit´s cover of the song in 1971, ended up working with Ezrin on many of his productions. He toured and recorded with Alice and with Lou Reed as well…and that same riff is the backbone of this new recording of the song which was done in…Detroit, of course. Alice Cooper and Lou Reed shared a relationship of mutual respect and friendship over the years. Bob and Lou collaborated several other times and were dear friends for 40 years. Alice and Bob can’t remember how many albums this is and have been creative partners for 50 years.

Listen to Alice’s powerful new version of Lou Reed’s “Rock & Roll” featuring Johnny “Bee” Badanjek (Detroit Wheels), Steve Hunter (Detroit), Paul Randolph (legendary Detroit jazz and R&B bassist) and special guests Joe Bonamassa and Tommy Henriksen (for this occasion, crowned “Honorary Detroiters”) here: https://alicecooper.lnk.to/RocknRoll “Detroit Stories”, Alice’s upcoming new album, is a celebration of the sound and spirit of the Golden Era of Detroit rock. “Detroit was Heavy Rock central then,” explains Alice, “You’d play the Eastown and it would be Alice Cooper, Ted Nugent, the Stooges and the Who, for $4! The next weekend at the Grande it was MC5, Brownsville Station and Fleetwood Mac, or Savoy Brown or the Small Faces. You couldn’t be a soft-rock band or you’d get your ass kicked.” “Los Angeles had its sound with The Doors, Love and Buffalo Springfield,” he says, “San Francisco had the Grateful Dead and Jefferson Airplane. New York had The Rascals and The Velvet Underground. But Detroit was the birthplace of angry hard rock. After not fitting in anywhere in the US (musically or image wise) Detroit was the only place that recognized the Alice Cooper guitar driven, hard rock sound and our crazy stage show. Detroit was a haven for the outcasts. And when they found out I was born in East Detroit… we were home.” 50 years later, Alice and Ezrin have united in Detroit with their Detroit friends to record “Detroit Stories”, Cooper’s new album. If 2019’s “Breadcrumbs” EP laid down the trail to the city, “Detroit Stories” drives like a muscle car right down Woodward Ave. Discover Detroit Stories as they were meant to be told.

“Detroit Stories” will be available on CD, CD+DVD Digipak, CD Box Set (including CD, Blu-ray, T-shirt, face mask, torch light and 3 stickers), and 2LP Gatefold on February 26th 2021 on earMUSIC. And since he won’t be able to tour for a while, Alice asked us to include a DVD and Blu-ray of the incredible last show of the Paranormal tour, (“A Paranormal Evening At The Olympia in Paris”), for the first time available on video. With all concerts being cancelled or postponed, and the world still facing the Covid 19 pandemic at home, Alice Cooper asked us to bring the show to you… until we can celebrate the joy of Rock and Roll together again!

Alice Cooper unveils the first song from the new studio album “DETROIT STORIES” Featuring Steve Hunter, Johnny Bee Paul Randolph, plus Honourary Detroiter Joe Bonamasa on guitar.

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Originally issued solely via his website, the latest solo album by the long time Yes vocalist got an official release this year. Yes-mates Chris Squire, Steve Howe, Alan White and Rick Wakeman are among those dropping by the studio to add assistance.

When Jon Anderson quit Yes in 1980 some wondered what on earth he was going to do. However in a few short years he’d established himself as a solo artist of note and hit the charts with Vangelis. All before rejoining Yes who went on to be bigger than ever. On the back of his recently re-released second solo album Song Of Seven cover star Anderson reflects on that period of his career and details the upcoming reissue of Olias Of Sunhillow.

Never to stand still musically, he is currently releasing an album he started 29 years ago, now called “1,000 Hands” a reference to the fact that numerous guest musicians perform on the album, including Ian Anderson, Billy Cobham, Jean Luc Ponty, Chick Corea, Zap Momma, Chris Squire, Alan White Steve Howe and many more. This album produced by his friend Michael Franklin really speaks to the power of a musical life still in the throes of a fervent artistic endeavor, always wanting new experiences in music, always wanting to surprise the listener. The album is scheduled for release in 2020.

Finally, in Jon’s words: “Music is our spiritual connection to the soul, that’s why people all over the world connect to Music and to each other through Music”.

From the Album 1000 Hands

ZOLA JESUS – ” Krunk “

Posted: December 6, 2020 in MUSIC
Tags: , ,

Zola Jesus signed to Sacred Bones in 2008. In the seven years that followed, we released eight albums together (three LPs, two EPs, two 7”s, a CD-R, and even a DVD). We discovered her via Myspace, which was the common A&R vehicle of the early- to mid-Aughts. Nika is the sole member of Zola Jesus.

I first heard the song “Krunk” (Crane) while listening to a collection of songs sung by Lousine Zakarian, a renowned Armenian soprano. Her recording was so devastatingly beautiful, it spoke to me on many levels. The song evoked so much yearning and sadness, yet at the same time it felt so delicate, like her voice could lift off and fly away. It felt like the purest expression of the ineffable Armenian Soul. I never thought I’d be able to do the song justice, and I still don’t, but the song is so meaningful to me that performing it became a compulsion. Once I heard about the crisis happening in Artsakh, my heart really pained for the Armenian people. They have survived genocides, wars, battles for autonomy and independence, and now this — fighting to reclaim a sacred place that represents so much of their ancient heritage and resilience. I wanted to honour and pay my support to the Armenian Soul, and to acknowledge all the lives tragically lost this year in the war with Azerbaijan. Nika

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Proceeds of this song will go to the Armenian Fund, to help support the needs of civilians on the ground in Nagorno-Karabakh (Artsakh.)

Released December 4th, 2020

elizabeth cook

With some of the best songs of her career, her band Gravy at her side, and producer Butch Walker behind the console, Nashville singer-songwriter Elizabeth Cook headed to L.A. to make a banger of an album. While it may be more West Coast shine than Tennessee dirt, the country livin’ in the lyrics is unmistakable. She writes of playing loose with the truth in “Two Chords and a Lie,” drops redneck bon mots like “Don’t go selling crazy/We’re stocked up here” in “These Days,” and puts you right in the room with her and her ailing father in “Daddy I Got Love for You.” Egged on by Walker in brawny tracks like “Bones,” Cook even reveals her inner rock goddess. The results are glorious.

“Two Chords and a Lie “ by Elizabeth Cook Written by : Elizabeth Cook Produced by : Butch Walker

To date Matador’s Revisionist History series has set its focus on the hallowed year of 1995 – surfacing critical releases by Pavement, Yo La Tengo, Guided by Voices, and Chavez.

Today, however, we whirl the dial on the in-house wayback machine and travel toward the future: the year 2000 and Mary Timony’s debut solo album, ‘Mountains’, which will be reissued on January 15th. Remastered by Bob Weston, Mountains comes back to us as a gold foil-embossed gatefold 2xLP and will include the previously unreleased original takes of “Return to Pirates,” “Poison Moon,” and “Killed by the Telephone,” which were delivered along with the original master tapes 20 years ago, but were omitted from the final album. The record is completed by a newly recorded orchestral version of “Valley of One Thousand Perfumes” produced by composer Joe Wong (Russian Doll, Midnight Gospel) and mixed by Dave Fridmann.

At the turn of the century, Timony (Ex Hex, Wild Flag, Hammered Hulls) was already a celebrated presence in American underground music – a fixture of D.C. and Boston rock ’n’ roll via her work in Autoclave and Helium respectively. By 1998, though, Helium was drawing to a close and Timony was feeling uncertain about the future. “I had never been good at the rock’ n’ roll business, and making a living from being in a band just didn’t seem like it was in the realm of possibility for me,” she writes. “I just knew I wanted to make another record because that was the part of being in a band that I liked the most.”

At the time of its original release, Timony called ‘Mountains’, “A Trip to the New Underworld.” “A bunch of hard stuff was happening in my life: family illnesses, people dying, people leaving, relationships ending. I fell into a deep depression,” she explains. “I tried new ways of making music: I tried writing songs without any filter at all, and I purposely didn’t think about what the music would sound like to anyone else. I was only interested in describing what was in my head.”
Recorded and mixed in Boston alongside Christina Files and Eric Masunaga and in Chicago with Bob Weston, Mountains found Timony dialing into territory that was barer and more confessional than her work in Helium. Stark arrangements were augmented with newly ornate instrumentation — piano, vibraphone, and viola — and the lyrics were tinted with slyly occult imagery.

“Listening back to Mountains now I am struck most by how raw it sounds,” says Timony. “I hear the depression and angst, but also I hear all of that darkness disappearing through the power of music and friendship—and turning into songs during those happy and productive months recording and hanging out in Christina’s loft in downtown Boston.”

Today, you can also watch Timony in the Brett Vapnek-directed short film, “Dream Machine” (1999).

Halsey has no inhibitions when it comes to getting raw emotionally — and Manicis her most fearless move yet. She chases her darkest anxieties all over the spectrum, from hip-hop to rock to country, in hits like “Without You” and “Graveyard” — the kind of album where you can find Alanis Morissette, Suga from BTS, Jennifer’s Body samples or a voicemail pep talk from John Mayer. Halsey has the too-much too-young celebrity blues: as she sings, “I remember the names of every single kid I’ve met/But I forget half the people I’ve gotten in bed.” Yet she wrestles with her issues in her own unmistakably real voice

“Poetic lyricism and [a] tendency to deliver dark, angsty verses disguised as fun, catchy pop songs.” – Madelyn Tait. The continued renaissance of Halsey thrives in the US songstresses latest release. As usual, the electro-pop hitmaker knocks it out of the park in terms of the songs themselves, but Manic is thematically miles ahead of her previous releases and well beyond her 25 years.

Known offstage as Ashley Nicolette Frangipane, the singer takes her newest LP as a chance to deep-dive into her own internal battles with bipolar disorder and channel those internal struggles into a creative triumph. It’s more personal, emotive, intense and compelling than anything Frangipane has put out before, and a thoughtful peek beyond the curtain to the woman behind the moniker.

Halsey’s new album ‘Manic’ out now!

hi friends! we’re excited to announce that our version of The Blue Nile’s “Hats” is being rereleased and will now be available to stream everywhere for the first time! it will be out in full 12/18 via Better Company. it’s been remixed and remastered and features additional arrangements by the wonderful San Fermin today you can hear The Downtown Lights featuring backing vocals from the great Benjamin Gibbard.

The Portland based indie pop outfit Pure Bathing Culture have covered the Blue Nile’s 1989 album Hats in its entirety. In a statement, Pure Bathing Culture’s Sarah Versprille said, “We became immediately obsessed with their world of nostalgia and longing and the way the songs were simultaneously extremely sad at times but also intensely romantic and modern. It made us feel like the music we wanted to make was validated in some way by the fact that their music had already existed in the universe.” Listen to their take on “Saturday Night,” featuring Death Cab for Cutie’s Ben Gibbard.

The album is part of Turntable Kitchen’s Sounds Delicious series, which finds artists covering their favourite albums in their entirety. (Previous entries included Ben Gibbard’s take on Teenage Fanclub’s Bandwagonesque, Jonathan Rado doing Bruce Springsteen’s Born to Run, and Mutual Benefit playing Vashti Bunyan’s Just Another Diamond Day). Pure Bathing Culture’s Hats is limited to 1,000 copies and is available exclusively through Turntable Kitchen.

This week Swedish post-punk band Viagra Boys released a video for their new song “Creatures,” which will be featured on their upcoming album Welfare Jazz, out January 8th, 2021 via YEAR0001. The quirky, Erik Kockum-directed video picks up where their previous video “Ain’t Nice” left off, where band member Sebastian Murphy is shown continuing to wander around an 18th century estate.

Welfare Jazz features production by Matt Sweeney (Bonnie “Prince” Billy, Run the Jewels), Justin and Jeremiah Raisen (Yves Tumor, Kim Gordon, Sky Ferreira), and past collaborators Pelle Gunnerfeldt and Daniel Fagerström (The Hives, The Knife)Viagra Boys’ most recent release was their Common Sense EP, which came out back in March also on YEAR0001

YEAR0001 is a multidisciplinary record label, management and creative studio founded in Stockholm in 2015.
Our vision is to act as an independent incubator active in the landscape of music, culture, fashion and technology. We believe in using transparency and co-creation to achieve a more sustainable landscape for our artists and creators.

From the album ‘Welfare Jazz’, out January 8th on YEAR0001