The Joy Formidable are celebrating the 10th anniversary of their seminal debut EP ‘A Balloon Called Moaning’ with the release of a very special double vinyl edition which includes a re-master of the original plus a newly recorded acoustic version sung in Welsh. Plus, they have launched a video of ‘While The Flies’ – now titled ‘Tra B’or Gwybed’.
There will only be x1000 copies of the EP ‘A Balloon Called Moaning’ re-release being made available which they showcase at Islington Assembly Hall in London on Sunday 24th of November.
The Joy Formidable have recently hit back with their new single “Into The Blue,” their first new material since their 2018 album AAARTH.
It was written in North Wales and later completed at their homes in Utah. The chugging anthemic track has their now trademark sound, with a mix of a slow-building rock sound that gradually transforms into something anthemic and life-affirming.
To celebrate, we’re releasing a special DOUBLE album edition of our first EP A Balloon Called Moaning. The double album will include the 2009 version (re-mastered for Vinyl) plus a newly recorded acoustic Welsh Language version Y Falŵn Drom and will be released November 1st. Limited to a 1000 copies, you can preorder it now here: https://smarturl.it/ABCM_10thAnniversary Thank you for all your support & for giving us a very memorable 1st decade of TJF Here’s Tra B’or Gwybed from Y Falŵn Drom.
Longstanding dream-pop duo Azure Ray will return with their album Remedy on June 11th via Maria Taylor’s Flower Moon Records. It is the band’s first full-length album in 10 years and saw them work individually through the COVID-19 pandemic across three separate recording locations in southern California
With the announcement came the release of new single and title track “Remedy.” It’s the first taste of their goal of exploring new structural arrangements and sonic dynamics, providing Walters with both the creative direction and freedom to expand upon the band’s long-established ambient sound.”
Twenty years have passed since Maria Taylor and Orenda Fink released their self-titled debut record as Azure Ray. Those familiar with their work now know that it was the tragic death of Taylor’s then boyfriend which abruptly transformed the duo’s relationship to music – their alt-rock roots gave way to the now signature, dreamlike soundscapes that became known as “whisper core” with songs like “Sleep” & “Rise.” The influence of Taylor & Fink’s hushed & intimate, ASMR-like delivery combined with hypnotic atmospherics is unmistakably apparent in (and openly acknowledged by) today’s chart-topping songwriters. After 4 full length albums, multiple cities, 2 hiatuses, and one pandemic, their timeless, genre-defining sound returns with a bold new fortitude on June 11th with “Remedy”.
Azure Ray’s first full length album in 10 years. With Remedy, Taylor and Fink sought to explore new structural arrangements and sonic dynamics, providing Walters with both the creative direction and freedom to expand upon the bands long-established ambient sound. Thematically, reoccurring themes of tragedy, chaos and anxiety present from the very first Azure Ray record (as a result of immense personal loss) reveal themselves with new meaning set against a world – not just their own lives – in turmoil. However impartial it sounds, the result is the best version of Azure Ray ever captured to tape (or computer). It’s the same Maria and Orenda who have lulled us through devastating agony and lifted our hearts over the last two decades, unchanged in their ability to find beauty in darkness, hope in desolation.
It’s an expansive and wholesome folk-themed dream pop offering that features lovely vocal work and arrangements that lift the spirit and provide some hope in a particularly dark time. There are traces of their old sound but also plenty of new direction to get excited about here as well.
From the forthcoming album, “Remedy,” out June 18th, 2021 on Flower Moon Records.
‘Déjà Vu Alternates’ from Crosby, Stills, Nash and Young, is a recreation of their immensely popular second album, Déjà Vu featuring alternate versions of songs which appeared on the original album. The iconic album which featured “Teach Your Children,” “Woodstock,” “Our House,” and “Helpless,” will showcase these alternate versions on vinyl for the first time and feature a cover that mirrors the original album with an alternate photo from the cover shoot. Pressed on 180 gram black vinyl and limited to 10,000 copies, get yours in stores starting July 17th as part of Record Store Day Drops. https://recordstoreday.com/
One year after its actual golden anniversary, Crosby, Stills, Nash & Young’s Déjà Vu will be receiving a 50th Anniversary deluxe edition with hours of rare and unreleased studio recordings. The March 17th, 2021 announcement described the original as “the most-anticipated new album in America in 1970.” The album includes such legendary songs. Rhino will be releasing an expansive 4-CD/1-LP collection on May 14th that includes a “pristine” version of the original album on both 180-gram vinyl and CD, plus hours of rare and unreleased studio recordings “that provide incredible insight into the making of the record.”
You can also listen to the outtake “Ivory Tower” and the previously unreleased demo for “Birds,” recorded during the sessions. On the new edition, the March 11th, 1970 album’s original 10 tracks are joined by 38 more to add nearly two-and-a-half hours of music that includes demos, outtakes, and alternate takes – most of which are previously unreleased. Among them is “Know You Got to Run,” the first song the quartet recorded during its first session on July 15th at the house Stills was renting from Peter Tork in Studio City.
“Ivory Tower” was one of Stills’ contributions to the Déjà Vu sessions that was ultimately left off of the final album. The song morphed and changed over the years, and was eventually released on a later Stills’ solo project as “Little Miss Bright Eyes.”
Other unreleased highlights include the demo for Crosby’s “Almost Cut My Hair”; Stills’ outtake for “Bluebird Revisited”; and Young’s alternate version of “Helpless” featuring harmonica. Also making its debut on the set is a delightful version of “Our House” that features Nash singing with the song’s inspiration, Joni Mitchell.
This ad for the “Woodstock” single appeared in the March 28th, 1970, issue of Record World
From the announcement: Déjà Vu: 50th Anniversary Deluxe Edition will be presented in a 12 x 12 hardcover book. The collection comes illustrated with rarely seen photos from the era and annotated by writer/filmmaker Cameron Crowe, whose revealing liner notes recount the making of the album through stories told by the people who were there, including David Crosby, Stephen Stills, Graham Nash, and Neil Young. On the same day, a deluxe vinyl version will also be available with the full content across 5 LPs of 180-gram vinyl. Crowe recalls in the liner notes that “Déjà Vu caught the zeitgeist perfectly” and “might just be the legendary band’s most accurate portrait of their fiery individualism.” Of this new Deluxe Edition, Crowe says: “50 years later, with the sonic aperture fully opened, it’s a wide-screen look at the big picture of Déjà Vu, with more music, including a batch of surprises, unseen photos, and a lot more clarity.”
In 2020, Nash, CSNY’s de facto archivist, said, “it will have a lot of stuff that people have never heard before. We found that the master tapes… are still fresh.”
Déjà Vu Alternates from Crosby, Stills, Nash and Young is a recreation of their immensely popular second album,Déjà Vu, featuring alternate versions of songs which appeared on the original album. The iconic album which featured “Teach Your Children,” “Woodstock,” “Our House” and “Helpless” will showcase these alternate versions on vinyl for the first time after appearing on CD as part of the box set due in May. It will also feature a cover that mirrors the original album with an alternate photo from the cover shoot.
Extremely loud and incredibly gross. Fightmilk’s second album “Contender” out May 14th 2021 on Reckless Yes.
We can’t believe it either. It’s only their second album! Recorded over four weekends between late 2019 and late 2020, it’s the sound of Fightmilk getting louder, quieter, stupider and more serious over the course of a ferocious forty-five minutes. Grab the album on your pick of vinyl or CD, or choose from our range of pretty sweet merch bundles, even if we do say so ourselves…
Lead vox/guitar/keys – Lily Lead guitar/vox/keys – Alex Bass/vox – Healey Drums/vox/keys/programming/percussion – Nick Guest vox on ‘You Are Not the Universe’ – Michael Physics
Australian favourites Methyl Ethel have today dropped a new track alongside East Coast tour dates.
Written after the band’s “Hurts To Laugh” EP touring plans were cancelled due to the pandemic, “Neon Cheap” is their first release since recently signing with Future Classic label and arrives alongside a music video directed by Tay Kaka.
“Picture yourself scrolling, mind-numbingly at 3am. Now, instead of scrolling, you’re traipsing some Vegas-like strip. All the events and people you’d normally read about are there as you walk around, inoculated, casually observing. For me, this is “Neon Cheap” Methyl Ethel frontman Jake Webb said.
On the recent signing, Future Classic CEO and Founder Nathan McLay noted: “Methyl Ethel is an iconic part of the Australian music landscape. We’re delighted to be working with Jake in this vital period of his art practice.”
To celebrate “Neon Cheap”, Methyl Ethel will perform headline shows in Melbourne and Sydney in July,
Lucy Dacus has announced her third studio album “Home Video”, due out 25th June through Matador Records. The album’s first single, “Hot & Heavy”, landed alongside the album’s announcement today. It features a music video directed by Dacus herself. To mark the launch of the single, Dacus will perform the track during tonight’s (13th April) episode of The Late Show With Stephen Colbert. Footage for the “Hot & Heavy” video was shot in the historic Byrd Theatre in Richmond, Virginia – a regular haunt of the singer-songwriter when she was growing up.
“So much of life is submitting to change and saying goodbye even if you don’t want to,” Dacus said of the single in a statement. “Now whenever I go to places that used to be significant to me, it feels like trespassing the past.
“I know that the teen version of me wouldn’t approve of me now, and that’s embarrassing and a little bit heartbreaking, even if I know intellectually that I like my life and who I am.”
She continued: “I thought I was writing Hot & Heavy about an old friend, but I realised along the way that it was just about me outgrowing past versions of myself.” “Home Video”, which features 11 tracks, is said to explore themes of “childhood, memory and identity” and involves a “a large biographical component” from Dacus.
The record will include the single, Thumbs, a song Dacus has regularly performed, but never publicly released until last month. Considered a ‘white whale’ for Dacus fans, the track was also never filmed unofficially by request of the singer-songwriter.
“Hot & Heavy” is taken from Lucy Dacus‘ upcoming album ‘Home Video’ out on Matador Records June 25th
The Black Keys are returning to their roots with a new blues covers album titled “Delta Kream”, out May 14th via Nonesuch Records. Auerbach and Carney’s interpretation of John Lee Hooker’s ‘Crawling Kingsnake’ is now available to stream by signing up to The Black Keys’ online fan club here. Teasing their new project, the pair tweeted a link to the old version of the song last week
The announcement (via Reddit) was made through the band’s Lonely Boys & Girls fan club. The 11-track collection honours Mississippi Hill Country blues artists who inspired The Black Keys, including John Lee Hooker, R. L. Burnside, and David “Junior” Kimbrough.
The lead single, “Crawling Kingsnake”, is a John Lee Hooker cover. It is currently available as a fan club exclusive and will hit streaming services on Thursday. Delta Kream marks The Black Keys’ follow-up to 2019’s “Let’s Rock”. Earlier this year, they released a 10th anniversary deluxe edition of “Brothers”. The Black Keys marked the 10th anniversary of their acclaimed sixth album ‘Brothers’ with a special deluxe edition in January. Originally released in 2010, the LP contains the songs ‘Next Girl’, ‘Howlin’ For You’, ‘Everlasting Light’ and ‘Tighten Up’.
THE BLACK KEYS, the most famous blues-rock tandem, for the past few years – before them the White Stripes ruled the world – go back to the roots that inspired their sound and spirit. They canned an album of covers, titled DELTA KREAM, out next month,14th May. It’s a collection honouring their heroes of the Mississippi Hill country blues. artists like John Lee Hooker, Big Joe Williams, Mississippi Fred McDowell, Junior Kimbrough and Ranie Burnette.
One of the pearls is The Keys cover version of “Going Down South” by R.L Burnside.
Mick Jagger has surprise released a new song, “Eazy Sleazy.” The track features Foo Fighters’ Dave Grohl on drums, guitar and bass. Jagger wrote the song during lockdown, and he adds guitar work in addition to his vocals. “Eazy Sleazy” was released along with a performance video, showing Grohl and Jagger playing their parts remotely. According to a press release, Jagger recorded his parts at home while Grohl worked in the Foo Fighters’ studio.
“It’s a song that I wrote about coming out of lockdown, with some much needed optimism,” Jagger said in a statement. “Thanks to Dave Grohl for jumping on drums, bass and guitar, it was a lot of fun working with him. – hope you all enjoy “Eazy Sleazy”
Dave commented – “It’s hard to put into words what recording this song with Sir Mick means to me. It’s beyond a dream come true,” added Grohl. “Just when I thought life couldn’t get any crazier……and it’s the song of the summer, without a doubt!!”
I wanted to share this song that I wrote about eventually coming out of lockdown, with some much needed optimism – hope you all enjoy Eazy Sleazy !
Downhaul returns with their sophomore album, “Proof”, this May. Listen to the new single, “Standing Water”, out now on all music and streaming services.
Downhaul‘s new album Proof is a definitive step towards a sound tangled in the dense mystery of the South. It’s unabashed, dense, and jarringly honest. No bullshit, the opener is seven minutes long and the tracks are surrounded by atmospheric, blurry transitions fine-tuned by producer/mixer/engineer Chris Teti (TWIABP, Fiddlehead). An album that truly exists in its own universe, Proof comes out on May 21st.
Today the band shares a new song called “Standing Water,” and it works as a sort of map through the very environment that bred these songs. Visions of college in a harbour-side Virginia town are woven throughout the verses, just detailed enough to sketch the base of a portrait, but leaving you to fill in your own details. “Memories are vignettes—the corners darken first,” vocalist/guitarist Gordon Phillips explains. “Supporting details or peripheral elements of lived experiences are hard to hold onto as time passes, but the stuff in the middle of the picture hangs around awhile, for better or for worse.”
Wanting to preserve what the song meant for him, he drove the hour from the band’s new base in Richmond, back to the place where the “water doesn’t go anywhere. It stands.”
Built brick by brick with soaring synths, drawling guitars tones, rumbling bass, and topped by Gordon’s southeast born and bred accent slinging witty cynicisms, Proof is Downhaul embracing the weight they always toyed with. They’re putting their foot down. All gas, no brakes.
Andrew Seymour – drums, percussion, vocals Patrick Davis – bass guitar, vocals Robbie Ludvigsen – electric guitar, acoustic guitar, keyboards, programming, vocals Gordon Phillips – vocals, baritone guitar
Evan King – vocals on The Ladder Maxwell Stern – lap steel on Bury, The Ladder, Interlude, About Leaving
To commemorate what would have been Ronnie Lane’s 75th birthday (April 1st 1946), UMC has announced the reissue of Lane’s seminal 1974 debut solo album, “Anymore For Anymore“, on May 7th. The album will be available on vinyl for the first time in more than 30 years.
Anymore For Anymore has been newly mastered at Abbey Road Studios, pressed on 180gm vinyl and is housed in a sleeve reproducing the original distinctive artwork. A new inner sleeve features rare photos and the lyrics to Ronnie’s original songs and the package includes a reproduction of the original album promo poster along with a download code.
Many fans know Ronnie Lane for his celebrated songwriter with both his previous bands the Small Faces and The Faces. He’s the genius behind such iconic songs such as “Ooh La La,” “Itchycoo Park,” “All Or Nothing,” “Tin Soldier,”“Annie” and “Debris.” However, after tiring of the rock and roll world that had come to engulf and consume both bands, Lane decided to go solo, leaving behind London’s East End and taking his family and musician friends with him for a new life in the country.
Originally released in July 1974 and recorded at his newly acquired ‘Fishpool’ farm in Wales, “Anymore For Anymore” saw Ronnie’s music embrace country, folk, bluegrass, music hall, soul and rhythm & blues to spellbinding effect. The album reached No.48 on the UK album chart, while single “The Poacher” peaked at No.36. Despite the modest chart position, the album has grown in stature since release.
Widely considered his best solo outing, and championed by the likes of Pete Townshend, Noel & Liam Gallagher, Paul Weller, and Jimmy Page, it’s an album now established as a “must-have” for any serious music lover, recognized as one of the great artistic records of the 1970s.
The Fat Angel Sings 