Posts Tagged ‘Years’

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Last year Sun June caught the ear of many with their excellent debut album, “Years”. Described by the band as a, “we’ve-been-broken-up-a-long-time-record”,Years was an exploration of loss not delivered in the centre of the emotional storm, but presented with hindsight and the time for emotions to evolve. The record is about to get it’s second pressing on Keeled Scales, and will be presented alongside a new digital EP, “Younger”.

This week the band have shared the first taste of the upcoming EP, “Monster Moon”. A fine introduction to the genre the band call, “regret pop”,Monster Moon is a reflection on the long shadows cast when a relationship fails. Here it’s given an upbeat musical spin, vocalist Laura’s nonchalant delivery contrasted with a bright, pop-driven backing, like the fertile middle ground of Big Thief and Fleetwood Mac. A band who’ve already made waves on the musical underground, we wouldn’t be at all surprised to see Sun June’s unstoppable rise reach new heights in the year ahead.


‘Monster Moon’ by Sun June is from their digital EP Younger coming March 22nd, 2019, via Keeled Scales. It accompanies the second pressing
of their debut LP Years, which was originally released June 15, 2018.

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Sun June shares some commonalities with another Austin, Texas outfit , all the more reason to keep a steadfast ear to the ground for music coming out of that particular city.  on Years, the band’s debut full-length for Keeled Scales, Laura Colwell and company offer up ten spare tracks that synthesize 1960s pop, early-2000s r&b, and country ornamentations, Colwell’s electric piano and the telecaster’s more mellow spectrum teaming up with a tasteful rhythm section for slow-burning standouts like “Johnson City” and the muted gleam of opening number “Discotheque.”

‘Discotheque’ by Sun June From Years, debut LP, Released June 15th, 2018 via Keeled Scales


The latest release by Austin label Keeled Scales, Years is the debut album from fellow Austin residents Sun June. The band was formed by founding members Laura Colwell and Stephen Salisbury when they were working in Terrence Malick’s editing rooms, and even practised in the office when Malick was away. Now they’ve added Michael Bain (guitar), Sarah Schultz (drums), and Justin Harris (bass) to become the quintet that is Sun June.

Years is a record shaped and propelled by the gentle forces of the world, The album opens with the swaying slo-mo folk rock song ‘Discotheque’, Colwell showing off her impressive vocals with a kind of husky and effortless passion. The track conjures gentle winds that swirl in plaintive yearning, lifting memories and images and twisting them into a full nostalgic picture with the slow rhythm of nature. ‘Slow Rise II’ is equally patient, beginning with snake-like guitar and a kind of wary soul-bearing. “Go ahead and look me in the eye,” Colwell sings, “tell me everything will be alright, oh I’m lonely too.” It’s a moment of unguarded honesty that closes distances, and which lays the groundwork for the catharsis that comes later. The last minute of the song distils what has until then been encoded between the lines, infused with a golden energy as it whips up into a rousing finale, Colwell repeating the line “I’m coming home” with increasing fervour.


Indeed, repetition forms a key part of Sun June’s sound on Years, a number of the tracks returning to a repeated phrase, cyclical patterns that rise in intensity like incantations, or else echo out into the fabric of the sound. ‘Young’ is an example of the former, a track we described previously as “staring back in time not to find answers or cast blame, but instead for the fleeting chance to warm your face on the now lost glow of past love.” After a restrained start, the song eventually kicks into a little eddy of motion, spurred by the catchy chorus, as though each cycle generates further motion.

Whispered and winey, ‘Johnson City’ features emotions fermented, made velvety with age, the taste haunting tongues beyond the moment, before ‘Homes’ presses forward with a sense of brooding intimacy that oozes and creeps. ‘Records’ is carried as if by a fresh spring breeze, with Colwell singing “I’ll try to love you right” and the rhythm possessing a warmth that goes halfway to fulfilling the promise. This warmth leaks through into ‘Apartments’, intensifying as the crispness is replaced by the humid heat of confused dreams, before ‘Baby Blue’ cools into an icy certainty. This is the darkest, most brooding track on the record, the drums tight and insistent, the vocals likewise, the track gathering momentum under its own motion, and though descending evenly from great height.

Released June 15th, 2018

Laura Colwell, Michael Bain, Justin Harris, Stephen Salisbury, Sarah Schultz

Sarah Shook sings from the perspective of a problem child of the highest caliber: impulsive, unapologetic, and impassioned. The songs she sings and the music she makes with her band the Disarmers on their latest record Years is the kind of stuff that defies a calendar. Could be 1962, could be 1974; that it’s 2018 only makes these songs sound more ageless. Sarah Shook & The Disarmers are a country band with a sneer, a bite, and no apologies. Shook’s original songs take on the usual country spin on shitty relationships, bad decisions, and excessive alcohol consumption for damn good reasons. I’d certainly accompany each listen with a bottle of whiskey too, cos these are great drunken tunes about life’s ups and downs.

from the Bloodshot Records album YEARS

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Hilang Child is a name that could well be familiar to you. A songwriter and producer of remarkable depth, his work has progressed and evolved, a gradual transition that has been beautiful to watch.

Working with Bella Union Records, Hilang Child – real name Ed Riman – is now ready to tackle his first full length project. ‘Years’ will be released on August 17th, with the songwriter able to share bewitching, engrossing, wholly fascinating new song ‘I Wrote A Letter Home’.

It’s a song that gradually washes over you, and it emerged at a key point in the album process. “I was playing this live as a solo piano thing for a while, but realised I wanted a bit more from the song,” he said. “I demoed it with my friend Sam Delves (who plays Microkorg on it) in his flat, we added some drums and it came alive into something completely new.”

“So I took it away to rethink the final version and eventually built it into something bigger and more energetic than most of what I’d written previously. In terms of sound, I think what it eventually became then dictated what I decided wanted to do with the rest of the album.”


He continues: “Lyrically ‘I Wrote A Letter Home’ is written from the perspective of someone feeling totally lost and overwhelmed at the prospect of navigating the big wide world alone. It’s a reflective letter, accepting that on the road to this point he didn’t appreciate what he had and so is yearning to be back home with those he held dear.”

A beautiful new song, Hilang Child seems to approach ‘I Wrote A Letter Home’ with remarkable openness, combined with a beautiful sense of assurance.

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Sun June’s debut album slides further into focus, it becomes harder to ignore its potential to be one of this year’s best inaugural outings.

On the Austin quintet’s latest single, “Slow Rise II,” Laura Colwell tentatively feels out the palm-muted echoes of the track’s foundation, her vocals gathering strength as the arrangement around her fleshes out.  what begins as a whispered, atmospheric facade tilts into something gritty, more forceful, Colwell’s declaration of “I’m tired of feeling I was the only one” resonating long after the song abruptly evaporates in a cloud of reverb.


“Slow Rise II” is the third single from Sun June’s debut album “Years” coming June 15 via Keeled Scales

                                                                                                                                                                                                                                                                                                                                                       photo by Bryan Parker

Sun June makes regret pop in Austin, Texas. Laura Colwell and Stephen Salisbury formed the band while working long hours in director Terrence Malick’s editing rooms, practicing in the office whenever Malick was out of town.

They worked with Dan Duszynski (Cross Record; Loma) and fellow Malick alum Will Patterson (Sleep Good) on their first set of demos before solidifying the current line up of Michael Bain on guitar, Sarah Schultz on drums, and Justin Harris on bass.

In 2017 they began working on Years with Evan Kaspar at Estuary Recording Facility, recording live to tape. Tony Presley of the Austin label Keeled Scales was living above the studio at the time, and first heard Sun June through the floorboards. He contacted the band soon after. Years is a we’ve-been-broken-up-a-long-time record. It looks back on failed relationships from a distance. But its ten songs are filled with warm sounds and catchy melodies. Laura’s vocals, Sarah’s harmonies, and Michael’s layered guitar lines float over simple and spacious structures.

‘Discotheque’ by Sun June From Years, debut LP, out June 15th, 2018 via Keeled Scales

The summer often finds a way of mixing magic and melancholy, and it proves to be the case once more on “Young”, the beautiful lead track from Sun June’s new record, set to be released later this year. Palpably a song for the aforementioned season, the track could quite easily slip in to the sultriness of long sun-filled days, it’s outward persuasion one of bright vocals and buoyant musical spirals, but pear through the cracks and something is revealed; a yearning for something as yet untouched, a sadness needling away at the core.

Arriving this-coming June, via Keeled Scales beautifully blossoming roster, the new record is the debut LP from Laura Colwell and Stephen Salisbury’s tender project, and was introduced last week by the track “Young”, with a beautiful new self-directed video. New album ‘Years’ is pitched as a “we’ve-been-broken-up-a-long-time” album  which might go someway toward explaining that balance between sunniness and solitude.

At just two-and-a-half minutes, “Young” is a fleeting first glimpse of the record but it feels far broader than its running-time suggests, the lilt of the voice, both brooding in its verses and punchy in the chorus’ hooks, giving way to a charming splash of instrumental that underpins the whole thing with a country-like sway that has always been a skeleton key for heartache. Brooding and quietly powerful, it makes for a beautiful first-step

Sun June “Young” From “Years,” their debut LP, out June 2018 via Keeled Scales