Posts Tagged ‘William Tyler’

William Tyler is a Nashville guitarist and composer. He spent years woodshedding and touring with Nashville groups like Lambchop and Silver Jews before breaking away to focus on his own version of instrumental guitar music. The concept of “vanitas” in medieval art refers to the juxtaposition of macabre symbols of death with material ephemera in order to illustrate the impermanence of earthly things. What struck me about this was not the representation of death in a macabre/morbid way, but rather that very sense of ephemerality and impermanence. Reading an article about the history of ephemera in art led me to the concept of vanitas, and I wanted to find a way to pivot that in a more, well, hopeful direction. But these paintings force us to bear witness to the contrasts of life, death, and impermanence, and if 2020 has taught me about anything, it is this concept of “bearing witness” both on a personal and political level.

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If you don’t know William Tyler you really should by now. He’s been around for a bit and has been releasing solo work for a decade. This was his second effort of the year and this seven-song set is out there. The record is all about life and death and how they are separate but also one continuous thing. On the opening track “With News From Heaven” Tyler loops chords, riffs, and sonic scapes from his guitar over one another and as they brightly jangle around one another they bring the listener into a new realm that will take them through the rest of the record. There are weird radio broadcasts on a number of songs that fade in and out, which truly make you feel like you may not be on this planet anymore even though it’s clearly a familiar signal you’re hearing.

The sprawling 12-minute epic “Slow Night’s Static” is a guitar that drones in and out of focus as more of these distorted radio signal broadcasts are just out of reach of your ear behind the guitar. It’s hypnotic, beautiful, and like nothing, William Tyler has done before. This serene track must be that feeling of literally being between life and death, just waves of ease washing over you. He leaves us with “Pisces Backroads”, another euphoric track that feels hymnal and ends on a high note. As the record ends you might feel like you have reached a spiritual awakening or wonder where you just travelled to over the last 39 minutes.

Released September 4th, 2020

Recorded and produced by William Tyler except “Four Corners” by Scott Hirsch

Nathan Salsburg is a guitarist, composer, archivist and writer living in Kentucky. He is a frequent collaborator of songwriter-singer Joan Shelley, occasional guitar-duo partner of James Elkington, and has contributed to recordings by Bonnie “Prince” Billy, the Weather Station, and Jake Xerxes Fussell, among others. Salsburg is also curator of the digital Alan Lomax Archive.  Nathan and William are the guitarists I’ve been listening to the most lately, so hearing a collaboration is a clear sign that there are good things happening in the world after all

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Nathan Salsburg: electric guitar
William Tyler: 12-string and 6-string acoustic guitars
with Zak Riles: ebowed acoustic guitar

Recorded between Nashville, Tn., Louisville, Ky., and Shelbyville, Ky., June 2020. Mixed/mastered by Zak at Earthwave Studio in Shelbyville.

released June 18th, 2020.

Goes West

A vividly painted instrumental album, there is a beauty and tranquility that surrounds ‘goes west’, a sense of magic in the way that it captures both the heart, and the imagination, in equal amounts – close your eyes and you are transported immediately deep into rural america for a gripping, captivating musical journey full of personality, reminiscent of gustavo santaolallo’s gorgeous ‘brokeback mountain’ score.

The music of William Tyler, the south is not apart from america; the south is america condensed. ‘goes west’ marks a narrowing of focus, a way to point himself directly towards the rich and bittersweet emotional centre of his music without being distracted by side trips. surprisingly for one of Nashville’s finest electric guitarists, he only plays acoustic guitar throughout, allowing his band the space and freedom with which to explore new worlds of sound and movement. “melodies that convey messages on emotive and spiritual levels.” – popmatters, “invigoratingly sunny” – mojo, “constantly twisting and turning…rewards repeat listens”

From the album Goes West, out January 25, 2019 on Merge Records.

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Indie-folk guitarist William Tyler has released the first single from his forthcoming LP “Fail Safe.” from “Goes West” is Tyler’s first new album since 2016’s Modern Country and is scheduled for release on January. 2th5, 2019. The intricately woven, guitar-based instrumental feels like a journey, with his acoustic as star of the show. The strings layer, growing through the track’s end, giving it a sense of restlessness and excitement—of choosing not to stay stagnant but also embracing the change. Whatever downsides moving cross-country to sunny California may have, the impact on Tyler’s music certainly isn’t one. In a statement about the album, M.C. Taylor (of Hiss Golden Messenger) described the “emotional clarity” of Tyler’s forthcoming album. “It offered up a model for what I wanted my head to feel like,” said Taylor. “Goes West marks a sort of narrowing of focus for William’s music; it sounds as though he found a way to point himself directly towards the rich and bittersweet emotional center of his music without being distracted by side trips.

From the album Goes West, out January 25th, 2019 on Merge Records

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William Tyler will follow his sweeping 2016 album Modern Country with a new record entitled Goes West, the great Nashville-bred guitarist he’s released a new track called “Fail Safe,” a brief but luminous instrumental built on Tyler’s own graceful playing and a thwacking polyrhythmic backbeat.

A prodigiously skilled player with roots in folk, country, and rock’n’roll, Tyler got his start with stints in Lambchop and Silver Jews in the late ’90s before releasing a string of increasingly acclaimed solo albums beginning with 2010’s Behold the Spirit.That record found him toying with the borders of the so-called “American primitive” tradition, the style named and popularized by John Fahey in the 1960s, featuring elaborate compositions based on folk forms for solo fingerpicked steel-string acoustic guitar. (Tyler’s twists on the genre’s conventions included occasional trombone accompaniment and snippets of nocturnal field recordings.) He’s expanded his sound gradually since then, often playing electric guitar and with a full backing ensemble, culminating so far with Modern Country, an album that sounded as much like the widescreen productions of Daniel Lanois and Brian Eno as it did like down-home folk.

This trajectory continues with “Fail Safe,” a breezy melodic tune whose arrangement reveals new layers of resonance with each listen. According to a press release, Tyler is back to playing acoustic guitar only for this album, though he is accompanied by two great electric players in Meg Duffy and jazz legend Bill Frisell. Goes West will be released via Merge January 25th.

From the album Goes West, out January 25, 2019 on Merge Records.

William Tyler, “Gone Clear” (Merge)
In William Tyler’s eyes, America is well past its peak: The roads are pockmarked, the middle class is strangled, and the presidency has become a prize that’s auctioned off as part of a carnival sideshow. But within WilliamTyler’s songs, there’s still hope. “Gone Clear” — the first single from the Nashville guitarist’s forthcoming Impossible Truth follow-up, Modern Country, out June 3rd — feels imbued with pride, not cynicism; with its contemplative pace and chiming midsection, the six-minute instrumental focuses on the bits of promise that have yet to be snuffed out. Crumbling empire or not, there’s plenty of beauty to be found among the decay

From the album Modern Country, out June 3rd, 2016 on Merge Records

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mystical country Hiss Golden Messenger is about to tour the UK with fellow American William Tyler as accomplice and support based in Brooklyn but from Durham North Carolina the new album “HAW” is out now but I like this cover of a Neil Young song