Posts Tagged ‘Sketches Of Brunswick East’

Sketches Of Brunswick East is King Gizzard and the Lizard Wizard 3rd album of five in 2017 and a collaboration with LA’s Mild High Club. Just when you think you have King Gizzard and The Lizard Wizard sussed they throw a curveball – in the wake of two albums released in 2017 already, including most recently the dystopian end-times concept album Murder Of The Universe, which tackled in no uncertain terms the rise of robots and the downfall of mankind, comes Sketches Of Brunswick Eastan entirely altered beast. Australia’s finest and most productive rock band have done this before, of course: while the world was still reeling from their 2014 breakthrough psych-punk masterpiece I’m In Your Mind Fuzz (2014) they casually released 2015’s expectation-confounding Paper Mache Dream Balloon (2015), a pastoral, sun-drenched acid-folk album. Sketches Of Brunswick East is a collaboration between King Gizzard and Mild High Club, the Los Angeles based tripster troupe signed to Stones Throw Records and led by Alex Brettin – the two bands formed a strong friendship touring together throughout the USA, Europe, and Australia. Recorded at the band’s own Flightless HQ in East Brunswick, Melbourne Australia earlier this year and mixed at Stones Throw studios in L.A. it’s the third of five projected albums to be released in 2017.

its their 11th studio album, released August 18th, 2017.



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King Gizzard’s very own resident art mastermind Jason Galea has outdone himself with this one. Having already been responsible for a bunch of the best music videos in the country over the past years, he and the band have made the best pencil-on-paper animated clip since ‘Take On Me’ was blaring out of stereos.

Seriously, the constantly-morphing visuals and soothing strains of ‘Countdown’ could be on a loop for an hour and we’d still be watching, entranced, as abstract images assemble and disassemble themselves before our eyes, and it might just be the best clip they’ve ever made – although that’s a big call, considering everything else they’ve put out.

The track is of course taken from their latest LP Sketches of Brunswick East, King Gizzard’s collab with Mild High Club and their third album of four they’re releasing this year, which hit #4 on the ARIA charts after Flying Microtonal Banana and Murder of the Universe peaked at #2 and #3 respectively.

Of course, with the record out, the King Gizzard boys are gearing up for their upcoming Gizzfest tour, having announced a massive lineup for their hometown city of Melbourne,

Sketches Of Brunswick East is a collaboration with Mild High Club frontman Alexander Brettin.

“[Mild High Club] came over and played Gizzfest with us in December and [Alex] just stayed at my house for a few weeks. We were sending each other these really rough, vague ideas before that…usually just a chord progression or a melody.” McKenzie told Triple J that while Brettin was staying with them they worked on about 15 recordings. McKenzie explained in an interview last month how this process led to the title of the album: “Alex from Mild High Club, they came over and played Gizzfest in December, and ended up just staying at my house for a few weeks. We had really, really vague ideas before we started, a handful of iPhone voice memos to each other, which we ended up calling sketches. Mostly they were just a chord progression or some melodic part with a chord thing underneath it. It was just simple stuff. They really were just jump off points, and when we finally got together, we sort of fleshed these songs out together.”

This week on McKenzie said the worked on the album almost every day Brettin was staying with them in December 2016. He previously described the sessions noting the casual manner the material developed. “A lot of the time Alex and I sitting on the couch in my living room with two unplugged electric guitars, just sort of noodling, until we kind of felt like we were somewhere. Going to the studio just like, I don’t know, whoever was around, usually there were four or five of us and we would just get together and kind of try and make these little sort of doodly things into songs, which is probably not that uncommon of a way to try and make music, but there is a certain pressure that was there when you know that Alex or you know that the person that you are working with isn’t going to be there for very long.
We were just making these bizarre recordings that weren’t songs by any stretch, though some of them felt like they were more songs than others, and there were a lot of pieces of music that were like, “okay that’s something, but what is it?” And it took a long time, up until now really, to feel like… We’ve been kind of going back and forth, sending each other overdubs and recording vocals and flushing out these songs and just getting all the sort of disparate… a lot of them were, at the time, improvised somewhat jazz-inspired pieces of music, and try to make them into what felt like a record or a cohesive thing that was worthy of being a record, and I think we got there in the end, but it took a long time.”

Since the December 2016 sessions Gizz and Brettin “spent up until a month ago going back and forward, changing them, cutting things out… [and] finished the record that way.”
“I wasn’t sure if this was going to take another year, or if we needed to get together again and work on this a little more, but I think what we came up with is really interesting and it’s funny to me, maybe not to anyone else, but it’s funny to me that when I listen to the record it actually kind of does sound like in between Mild High Club and King Gizzard, so I’m not sure if that was just always what was going to happen, but it’s funny that that was kind of the end result, to me at least.”

McKenzie described the material as “interesting, chilled, jazzy, loose improvised pieces.” it’s a lot more relaxed than Murder of the Universe obviously, and there are more sort of individual songs, but a lot of the songs segue to other pieces of music and there are a lot of interlinking things and there is some fun instrumentation on the record.
Alex and I were saying to each other when we were making this record because Alex has been working on another Mild High Club record as well and we just kept saying to each other, ‘This is the record where we just do weird stuff. This is the record where we just do anything, Let’s just make some weird music, it’s fine. Don’t worry about it. It’s just a strange record. It just is it’s own thing, let us stretch our limbs and just see what happens. We have three weeks, let’s make some bizarre music,’ and funny enough it didn’t end up that bizarre, but it’s something.”

The title of the album is a nod to Sketches of Spain, Miles Davis​’ classic 1960 collaborative LP with Gil Evans. A Heavenly Recordings first revealed Sketches Of Brunswick East is “a jazz-based, improv- leaning collection entitled Sketches Of Brunswick East, whose name alludes to both Miles Davis’ Sketches Of Spain, the notion of sketches as outlines for ideas and all- round sketchy behaviour.”

Stu Mackenzie explained, “it’s jazzy, it’s definitely not a jazz improvisation album. As much as I’d like it to be a jazz improvisation album, I think that would be fairly flattering. There is improvisation on this record. It’s a weird record, it’s all over the place, and the nature of it being collaboration and the nature of the way we made, caused it to be a certain thing.”

As for the two albums to follow Sketches Of Brunswick East and complete Gizzard’s ambition of five studio releases in 2017, at last update Stu admitted they’re “sort of distant at the moment, but we’ll see. We’ve got a little bit of time at home, so I think we’ll do it. But who knows.” Note the aforementioned Heavenly Recordings April press statement that revealed Sketches of Brunswick East’s album title and jazz inspirations also confirmed “two more albums will follow that in 2017.


  1. Sketches Of Brunswick East I
  2. Countdown
  3. D-Day
  4. Tereta
  5. Cities, Planes, Migraines
  6. The Spider And Me
  7. Sketches Of Brunswick East II
  8. Dusk To Dawn On Lygon Street
  9. The Book
  10. A Journey To
  11. Rolling Stoned
  12. You Can Be Your Silhouette
  13. Sketches Of Brunswick East III

Note the tenth track’s title is incomplete. It appears to be a “A Journey To” somewhere, but the writing of the end of the line is illegible.

King Gizzard drummer Eric Moore (founder of the band’s Flightless​ Records) that the LP is now released and it will be issued though he stopped short of announcing a release date. “We’re just gonna drop it at any point,” Moore said. “It’s just coming out, straight up.” Rumor has its release will be a random day within the next two weeks. the title of the album is Sketches Of Brunswick East. Aside from being released on Heavenly Recordings in the United Kingdom, it’s expected on ATO Records in the United States and Moore’s Flightless Records in Australia.