Posts Tagged ‘singer songwriter’

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Last year, Ryan Adams and Jenny Lewis hit the road together in support of their new albums; in Adams’ case, it was his self-titled LP, while Lewis showcased her Adams-assisted third solo album “The Voyager“. One of their stops was an appearance on the Austin City Limits ,
Jenny Lewis and Ryan Adams were the featured performers on the last weekend of January’s episode of Austin City Limits. Lewis played tracks from her two solo albums and a few Rilo Kiley tracks, while Ryan Adams did as much of a career-spanning set as he could with only six songs. This was Jenny Lewis’ first solo appearance on the show, and her first time on the show in almost a decade after she performed with Rilo Kiley in 2005. Adams hasn’t graced the ACL stage since 2006. Jenny Lewis also performed a web exclusive  “Slippery Slopes” one of my personal favourites.

Jenny Lewis setlist:
“Silver Lining”
“Head Under Water”
“Moneymaker”
“Just One Of The Guys”
“She’s Not Me”
“Acid Tongue”

Ryan also played this song “Dirty Rain”  for the ACL webpage not featured in the broadcast

Ryan Adams setlist:
“Stay With Me”
“Let It Ride”
“Do I Wait”
“Dear Chicago”
“When The Summer Ends”
“Shadows”

Ryan Adams – vocals, guitar
The Shining: Freddy Bokkenheuser – drums Daniel Clarke – keyboards, vocals Charlie Stavish – bass Mike Viola – guitars, vocals

 

warren zevon

Warren William Zevon (January 24, 1947 – September 7, 2003) was an American rock singer-songwriter and musician. He was known for the dark and somewhat bizarre sense of humor in his lyrics.
He sang about Werewolfs, Lawyers and other humorous topics. We are talking about Warren Zevon who, if he were still with us, would have turned 68 years old today.
Warren was born in Chicago, Illinois, the son of Beverly Cope (née Simmons) and William Zevon. His father was a Jewish immigrant from Russia, and his original surname was Zivotovsky. William was a bookie who handled volume bets and dice games for notorious Los Angeles mobster Mickey Cohen. William worked for years in Cohen’s Combination, where he was known as Stumpy Zevon, and was best man at Cohen’s first marriage.
In interviews, Zevon described a lifelong phobia of doctors and said he seldom received medical assessment. Shortly before playing at the Edmonton Folk Music Festival in 2002, he started feeling dizzy and developed a chronic cough. After a period of suffering with pain and shortness of breath, Zevon was encouraged by his dentist to see a physician; he was diagnosed with inoperable peritoneal mesothelioma (cancer of the abdominal lining that is associated with exposure to asbestos). Refusing treatments he believed might incapacitate him, Zevon instead began recording his final album, “The Wind,” which includes guest appearances by close friends including Bruce Springsteen, Don Henley, Jackson Browne, Timothy B. Schmit, Joe Walsh, David Lindley, Billy Bob Thornton, Emmylou Harris, Tom Petty, Dwight Yoakam, and others. At the request of the VH1, documentarian Nick Read was given access to the sessions; his cameras documented a man who retained his mordant sense of humor, even as his health was deteriorating over time.

Warren passed away on September. 7th, 2003. He was 56 years old.
Zevon’s work has often been praised by well-known musicians, including Jackson Browne, Bruce Springsteen, Bob Dylan, and Neil Young. His best-known compositions include “Werewolves of London”, “Lawyers, Guns and Money”, “Roland the Headless Thompson Gunner” and “Johnny Strikes Up the Band”, all of which are featured on his third album, Excitable Boy (1978). Other well-known songs written by Zevon have been recorded by other artists, including “Poor Poor Pitiful Me” (a top 40 hit by Linda Ronstadt), “Accidentally Like a Martyr”, “Mohammed’s Radio”, “Carmelita”, and “Hasten Down the Wind”.

Along with his own compositions, Zevon recorded or performed occasional covers, including Allen Toussaint’s A Certain Girl, Bob Dylan’s “Knockin’ on Heaven’s Door” and Leonard Cohen’s “First We Take Manhattan”. He was a frequent guest on Late Night with David Letterman and the Late Show with David Letterman. Letterman later performed guest vocals on “Hit Somebody! (The Hockey Song)” with Paul Shaffer and members of the CBS Orchestra on Warren Zevon’s My Ride’s Here album.

Marika Hackman recorded this in a tunnel somewhere in the North East, Her lyrics, and her self-directed videos, reveal an appetite for the grotesque. In an early online hit Bath Is Black, written when she was 17, she sank into a tub of poster paint and “had black bogeys for days”. And the video for the new track Animal Fear will feature an evisceration of some kind ,a Facebook shot reveals her 1966 Fender Mustang spattered with fake blood. Severed limbs, decomposition and emotional self-sabotage continue to inspire her – in the new song Monday Afternoon she is “breathing in the sickly sweet of my rotting skin”. She wrote the song about the time her appendix burst.

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Justin Townes Earle: Single Mothers

For his fifth full-length album, Justin Townes Earle doubled down on the more laid-back, R&B-influenced sound he carved out on his previous 2012 record. On “Single Mothers”, the Tennessee songwriter plays the role of soul crooner (“White Gardenias”), roadhouse bluesman (“My Baby Drives”), and high-lonesome balladeer (“Pictures in a Drawer”) with equal grace. The claustrophobic, burnt-out blues of “Today and Lonely Night” is the real highpoint, a vintage Earle tune that climaxes when the singer gives his excuse to stay in on a Friday night in New York: “Darling, I just don’t feel much like going to Brooklyn tonight,” he moans, possessed with the voice of someone who’s seen far too much and needs to say nothing more. That same sort of sinister subtext can be found on “My Baby Drives,” where the narrator who’s all-too happy to be riding shotgun refuses to reveal why he’s been unable, lately, to take the wheel. “Single Mothers” may trick you into thinking its a simple record, but it just may be Earle’s darkest.

Single Mothers was released on September 9, 2014 via Vagrant Records and is available now . Combined with Absent Fathers, the double album perfectly showcases exactly why Justin Townes Earle is considered a forefather of Contemporary Americana. Hailed as an album that’s “showing the world that alt-country can be pretty dope,” (Noisey/Vice), “Single Mothers” has had great radio success,

Rae’s debut album ‘Unguarded’ is out 26.01.2015, This Blackpool singer songwriter and pianist has been attracting listeners for over a year and a half with her singles and guest appearances with Bombay Bicycle Club and Clean Bandit and now with producer Ariel Rechtshald, Morris has fashioned a lush sounding debut, with songs of  yearning and intimacy, her songs of lust and heartache make for an amazing debut

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Rae morris debut album is due next week after a long wait the album finally comes to the store near you, her hugely-anticipated debut full-length album titled “Unguarded” ahead of its release the track “Love Again”.

The album’s been teased a lot over the past few months, and tracks like “Love Again”, “Closer” and “Under The Shadows” have won over hearts nationwide; so much so that she was longlisted for this year’s BBC Sound Of poll.Rae Morris will be at the Rescue Rooms in Nottingham in February.

“Unguarded” is released 26th January via Atlantic Records.

Ryan Adams performed an acoustic version of “Gimme Something Good” last night on The Late Late Show, which was guest hosted by Judd Apatow. He was accompanied by legendary musician Don Was for a somber rendition of the Ryan Adams track.

The performance happened on the same day that it was announced Adams and Mandy Moore filed for a divorce. US Weekly has a statement from Moore’s rep that reads, “Mandy Moore and Ryan Adams have mutually decided to end their marriage of almost 6 years… It is a respectful, amicable parting of ways and both Mandy and Ryan are asking for media to respect their privacy at this time.”
In context, you can understand why this performance is so much heavier than other performances we’ve seen of the song. With Ryan Adams on acoustic guitar and Don Was on upright bass, the two turn the original into a model of haunting beauty. Ryan gently strums the song while Don lays the bass foundation. The vocals highlight the song, as Ryan delivers them with emotion and determination.

“Gimme Something Good” is the first track from Ryan Adams’ 2014 self-titled release,

“How Could You Babe” from the debut album “Goon” out March 16/17th, the more varied production he’s bringing to the table on tracks like this and ‘Hollywood’ without losing the distinct piano-ballad style that drew me in to begin with. The vocal performance he gives on this track is kind of incendiary for Tobias. Plus, the fuzzy, aged-film aesthetic to this music video is completely his.. all I can say is that his album is going to be amazing from what I heard!!! This guy’s voice is phenomenal!

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Conor Stephenson aka The Half Earth first caught our attention with a stunning debut track . He spent last year supporting the likes of Money,Ezra Vine, proving that he is as impressive live as he is on record. Now, in 2015 he is currently preparing to open for Lucy Rose on her headline tour of the UK, another mandate for his live prowess, which will surely enhance his reputation
The Half Earth This song in question is the magnificently melancholic. The haunting beauty of the track lends itself to an acoustic arrangement, focusing your attention on Conor’s extraordinary voice.

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Sophie Jamieson has been one of our favourite artists for quite some time ,As far back as December 2012 I had heard some songs she recorded for a session on Amazing Radio on the Simon Raymonde Radio Show . Since then Sophie has released a string of excellent singles, put a band together and expanded her sound exponentially.
The song itself exudes intricacy and melancholy in a similar way to artists such as the sound of Daughter or Marika Hackman.