Posts Tagged ‘Pure Noise Records’

The singer and guitarist of Los Angeles based punk quintet SPANISH LOVE SONGS is referencing his band, but he could just as easily be talking about himself. Since forming in 2014, Spanish Love Songs certainly have been heard, from legions of underground audiences at The Fest and South By Southwest to outlets like NPR, who hailed the group’s 2018 album, “Schmaltz”, as a “wellspring of big ideas, bigger riffs and the biggest possible feelings about love, war, fear and existential crisis.”

“Schmaltz” was an album coloured by guilt and self-doubt, an insular collection of soul-searching songs that found the singer amplifying his grief while kicking back at a world that seemed to be doing its best to keep knocking him down. It was a cathartic album, one that admittedly took a lot of Slocum’s soul to create. (“I don’t want to be the band where each album is me complaining about myself for 40 minutes,” he says.)

So instead, Slocum decided to look outward for Spanish Love Songs’s third album, “Brave Faces Everyone”, released in February 2020 on the band’s new label, Pure Noise Records. Steeped in the same detail-rich storytelling of Bruce Springsteen, The Menzingers and Manchester Orchestra and filtered through the band’s sweat-soaked punk fervor, the songs on “Brave Faces Everyone” represent the situations Slocum and his bandmates — guitarist Kyle McAulay, bassist Trevor Dietrich, drummer Ruben Duarte and keyboardist Meredith Van Woert — experienced during 30-some weeks of rigorous touring during the “Schmaltz” album cycle.

These are character stories set in small-town America and anxious urban jungles alike, unfurling heart-breaking tales of addiction, depression, debt and death juxtaposed alongside looming societal bogeys like mass shootings, the opioid epidemic and climate change. They’re all at once personal vignettes and universal truths of life in the 2010s, the lines blurred between Slocum’s own experiences and those of his friends and acquaintances. Because, as he sings in “Beachfront Property,” “Every city’s the same/Doom and gloom under different names.” These are the things that affect us all.

But for all its emotional heft, Slocum doesn’t see “Brave Faces Everyone” as a pessimistic album. Rather, the album — produced by McAulay at Howard Benson’s West Valley Recording  seeks to find balance between realism and optimism. It implores us to harbour less judgment and more empathy, to talk less and listen more. To understand that life never goes off the rails all at once. Rather, it’s a years-long series full of seemingly imperceptible events that snowball into life-altering issues like heroin addiction, mental illness or suicide. But just as things didn’t break overnight, happiness and redemption aren’t as simple as a flip of the switch. It’s a day-by-day, step-by-step climb we have to work to attain.

Ultimately, “Brave Faces Everyone” boldly declares that even though things might be bad, they’re not hopeless. On the appropriately named “Optimism,” Slocum sings, “Help me weather this high tide/But don’t take me out back and shoot me,” while the album-closing title track bears the album’s central thesis: “We were never broken/Life’s just very long.”

Ultimately, Spanish Love Songs are trying to break through that pessimism however they can. Sometimes that’s as simple as a hopeful lyric or soaring chorus to cut the tension in an otherwise weighty song, a brief respite that gives listeners a comforting melody to rally around.

“If you sing something loud enough and long enough,” Slocum muses, “hopefully people are able to find some peace in that.”

Experimenting with more traditional song structures and fewer forwardly caustic moments this time around haven’t dulled the band’s sound. If anything, they’ve accentuated the most important parts of it. When everything is loud and urgent, nothing is. But when Slocum’s voice swells to a roar on a song like “Generation Loss,” the undeniable power grabs you by the collar and forces you to pay attention — and that’s the difference between simply being heard and truly being understood.

Orange County hardcore band Stick To Your Guns are releasing an acoustic EP, “The Meaning Remains”, on February 18 via Pure Noise/End Hits, and the first taste is this rustic rendition of “Amber” from 2010’s The Hope Division. “The Meaning Remains Acoustic” EP comes out on February 18th on Pure Noise Records and End Hits Records! This is an EP of some of our most popular songs translated in a new light. We hope you enjoy these songs you’ve heard a thousand times — but now in a new way.

The Meaning Remains Acoustic EP comes out on February 18th on Pure Noise Records, and  Hits Records! This is an EP of some of our most popular songs translated in a new light. We hope you enjoy these songs you’ve heard a thousand times — but now in a new way. Europe!  Hits Records just put up pre orders for reissues of our ENTIRE catalogue! Every album was remastered and is available on coloured vinyl with die-cut deluxe covers that have never been available before. 

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With a swirling combination of ’60s and ’70s-era classic rock and blues with the sunny sounds of SoCal-soaked surf rock, Carpool Tunnel have announced their debut full-length album “Bloom”. Due out February 26th, 2021 via Pure Noise Records, “Bloom” puts the quartet’s sandbar psychedelic sound on full display creating something that’s both nostalgic and fresh.

In addition to today’s announcement, the band released a new single and accompanying music video titled “Flora,” a bouncy, vaguely nostalgic-sounding track with a sunny video to match.

“The soil of 2020 was dense, and some of us still feel like we’re underground. However, sometimes we need the darkness to reach the light,” shares the band. “’Flora’ is here to remind you that no matter how grim life may seem, there will always be sparks of light, love, and hope as long as we are open to them…then it is up to us to decide how large that spark grows. Like many 21st-century relationships, Carpool Tunnel started with the swipe of an app.

Just two weeks after an ad for Vampr – hailed as Tinder for musicians – came across Daniel Stauffer’s phone in 2017, the Bay Area drummer was in the studio along with two fellow Vampr users, guitarist Bradley Kearsley and singer/guitarist Ben Koppenjan, recording their debut single “Afterlight” with Grammy-nominated producer Billy Mohler. One new member – bassist Spencer Layne – and a $400 Craigslist van later, the brilliantly named band hit the road, bringing their California cool aesthetic and classically retro sound up and down the coast. In this live setting, free-wheeling and bereft of perfectionist attitudes, the quartet began laying the foundation for their long-awaited debut full-length album, Bloom.

Months of road-testing the album’s 11 tracks in front of fervent audiences imbued a sense of spontaneity and looseness into the songs, letting them effortlessly evolve into the versions heard on the album. Across the set, the band brings the California coast to life through breezy rhythms and soothing melodies, from the slinky, bossa nova-flavored “Tarot Cards” to the bouncy, angular “Flora.”

The first single “Empty Faces,” which was released last month, is a long time staple of the band’s live set, is perhaps the best representation of Carpool Tunnel’s juxtaposition of classic and contemporary. Atop doo-wop charm and fuzzed-out guitars, Koppenjan muses about the state of relationships in the modern age – a muddied mix of emotions no other generation has been forced to confront. “We all have people from our past [that] you don’t really talk to anymore but still have a strange connection to,” he explains. “You might follow them on social media or have photos of them. You know nothing about them now but still feel connected to them because you see them all the time.”

The songs on Bloom are of that same uncertainty, about navigating life’s newness and seemingly omnipresent obstacles heading into adulthood. They’re sentiments and situations the band experienced first hand in 2018 after moving in together in San Francisco. As responsibilities like school and day jobs piled up next to the more joyous task of writing an album, the close quarters taught the members a lot about themselves – and one another.

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“We were all trying to come out of adolescence and find ourselves,” Koppenjan says of the mindset while writing the album. “The message we came up with was, ‘Like a flower, you too shall bloom.’ We were all blooming into ourselves and finding our sound at the same time.”

Releases February 26th, 2021

Chicago-based hardcore punk band LURK have released a lyric video for their song “Pressure Points” as well as an acoustic version of their song “Trample”. The songs are off of their upcoming EP, Pressure Points due out July 29 via Pure Noise Records.

Vocalist/guitarist Kevin Kiley tells us that the new song was recorded during the same sessions as the upcoming album, but that LURK “decided to keep it aside to release with this collection of songs instead.”

“Lyrically it’s about the damage caused by our desire for comfort and normalcy,” he continues. “In the wake of it we deplete our natural resources, murder animals, lower the standards of education and now apparently accept living with a deadly virus. It goes without saying but we need to do better and need rapid change.”

LURK tend to be a pretty genre-defying punk band, and “2043” is a fine example of this. It starts off giving the same IDLES-meets-Pere Ubu vibes as “Pressure Points” before evolving into a chorus that kinda sounds like shoegazy Stooges, and the song’s coda fuses psychedelic sound effects, harsh shrieks, and ’70s guitar heroism. It’s all over the place, but it works. Hear it for yourself below. LURK also tell us they also recorded some covers at home while quarantined, so stay tuned for those and more details on the upcoming LP, which Kevin says “will be coming when the timing is better.”

Our new single “Pressure Points” is out now via Pure Noise Records along with an acoustic version of an older song called “Trample”.

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Released July 29th, 2020

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Los Angeles ensemble Spanish Love Songs are gearing up to release their third album this Friday in the wake of 2018’s impressive Schmaltz. But before revealing “Brave Faces Everyone”—their first LP through their new label, Pure Noise—the group is sharing one more single called “Beachfront Property,” which angstily addresses many of the same concerns we’re forced to confront on a day-to-day basis: climate change, student loan debt, and a baffling incompetent political system, among others.

“The answers seem so obvious, yet nothing ever really changes,” shares lead vocalist Dylan Slocum, addressing these topics which recur throughout the album. “It’s tiring. This is a song about the apathy and anxiety that I see in myself and my friends, especially concerning the chaos that seems to be coming our way. On any given day our anxiety feels hyperbolic, or is the punchline to a joke, or keeps us up all night, but we don’t really do anything about it because it feels insurmountable and inescapable. It’s not meant to preachy—life is difficult. But we have to try to call ourselves on our shit if we ever hope to change anything.”

The video sees the band performing the tune in front of a bright red Mercedes, a surrogate image on par with the luxury of the song’s titular real estate. As the song reaches its climax the band’s showered in bright flowers, providing a vibrant new color palette to the single-tone set.

Brave Faces Everyone is due out this Friday, February 7th, via Pure Noise Records.

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It’s not that Spanish Love Songs are sad,  Sure, the California-based band’s jangling, heartfelt punk rock exudes the feeling of returning home to your shitty town for a family gathering, and guitarist/vocalist Dylan Slocum’s lyrics are full of crushing phrases that sum up the overbearing weight of the world. But neither feel self-indulgent or emotionally manipulative — instead, they just point out the honest-to-God truths of what it is to struggle in the modern day. And maybe that’s overwhelmingly depressing, but maybe that says more about the world than Spanish Love Songs.

Losers 2, the new single from Spanish Love Songs off of their upcoming album “Brave Faces Everyone”, tells it like it is, and rips your heart out accordingly. From the opening vignette of staring at the house you grew up in that you can no longer afford to own post-financial crisis, to the classic Spanish Love Songs bridge in which Dylan solemnly sings, ‘You know, if we weren’t bailed out every time by our parents, we’d be dead,’ the track is a throttling series of truths that cut deep into the millennial psyche.

This is another case of taking what we do well and trying to focus it outwards,” says Dylan. “I’ve had plenty of people ask why the songs continue to get bleaker and bleaker, but I feel like the answer is pretty obvious. This is the world we know. It’s the world I see my friends stuck in, and that I’ve seen my family stuck in. Everyone works themselves to the bones to just survive. Not to say that we’re not incredibly privileged — I’m aware — but I wanted to look outward and just acknowledge that for the roughly 99 per cent of us, life is an endless grind,

Band Members
Dylan Slocum – Guitar and Vocals
Kyle McAulay – Guitar
Trevor Dietrich – Bass
Ruben Duarte – Drums
Meredith Van Woert – Keys
Brave Faces Everyone is out February 7th via Pure Noise Records

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“Something often lost: Life is process, not product,” sings Patrick Kindlon on “Unlicensed Guidance Counselor,” perhaps the most poignant track on Cheer. Drug Church’s third album is a tribute to that “process.” Kindlon’s protagonists are studies in humanity, captured with a photographer’s eye, a poet’s ear, and a comic’s timing. The titular “Unlicensed” advisor offers “guidance” via hilarious/horrifying anecdotes as good as anything in Confederacy Of Dunces … mashed up with platitudes lifted from Dark Knight dialogue. It’s perfection: Kindlon is on some zen-master shit and his lessons are delivered over bangers indebted to Pixies, Fugazi, and countless other erstwhile bash-and-poppers largely lost to time. Such is life. Cherish the moments. Trust the process. Buy this product.

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Band Members
Patrick-vocals, Chris-drums, Nick-guitar, Patrick-bass, Cory-guitar,

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Huge new track from the band GATES from New Brunswick New Jersey, taken from the album Bloom and Breathe

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With the debut album Bloom and Breathe due out 21st October this New Brunswick, New Jersey Band signed to Pure Noise Records,