Posts Tagged ‘Moon Duo’

This week John Jeffrey, the drummer for Moon Duo, announced his debut solo album, “Passage”, and shared its first single, the eight-minute long instrumental “Leaving Franklin.” Passage is due out October 30th via Jean Sandwich (a Portland-based label).

“Passage” consists of four lengthy jazz-influenced instrumental songs and a press release says Jeffrey was inspired by Alice Coltrane and Canadian painter Takao Tanabe. Recorded in a series of sessions at The Hive, with engineer Colin Stewart, Jeffrey drew inspiration from the jazz principles of spontaneity, dynamism, progression, and improvisation, the singular spirituality of Alice Coltrane and the mist-veiled landscapes of Canadian painter Takao Tanabe. He approached each session as an experiment in not only improvisation but also a kind of anti-composition in which he sought to remove ego from the creative process and to reimagine the self as a channel for natural processes, rendered through music. Playing to the rhythms of something unseen – a hidden partner that made itself known only in the moment of contact – Jeffrey sought to capture rather than design.

​The four shimmering instrumentals that compromise the album are like a landscape unto themselves. At once grounding and expansive, molecular and infinite, they defy easy categorization. There are no linear surfaces, only elemental processes that curve and weave, disappear and reappear; a detailed interplay of atmospheric synths and meditative rhythm evokes the motion of water, the momentary ray of light through tall trees. Like a sonic rendering of one of Tanabe’s distant shorelines, there is both beauty and mystery here – a quality just out of reach, that rewards close attention but does not pursue it.
“I didn’t want to have a structure in place, in order to be guided in a specific direction,” says Jeffrey in a press release. “Everything was developed around simple rhythmic patterns.”

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When on touring breaks in 2018 and 2019 Jeffrey returned home to Vancouver Island, BC and recorded a series of sessions with engineer Colin Stewart.

John Jeffrey – drums, bass, guitar, synth, vibraphone
Rolla Olak – guitar
Marc Jenkins – pedal steel

Releases October 30th, 2020.

Moon Duo Escape album artwork

To celebrate the tenth anniversary of Moon Duo’s long-out-of-print debut LP “Escape”, Sacred Bones is proud to present a new deluxe version of the album.
The new reissue will include the original album in its entirety, plus three additional rare tracks taken from Moon Duo’s wild early days. Reflecting on the album in March 2020, the band shared the following statement: “We made this record in a rehearsal space in San Francisco in late 2009. It was kind of a classic band space, shared by a rangy assortment of musicians over months and years, behind one of several similar doors in a dark red hall. A windowless room lit by string lights and an odd assortment of lamps, the walls a palimpsest of posters and gig fliers.

The band shared the following statement on the 10th anniversary of the album: “We made this record in a rehearsal space in San Francisco in late 2009. It was kind of a classic band space, shared by a rangy assortment of musicians over months and years, behind one of several similar doors in a dark red hall. A windowless room lit by string lights and an odd assortment of lamps, the walls a palimpsest of posters and gig fliers. There was a grimy, burn-pocked rug, cluttered gear in various stages of use and abandonment, and the air seemed to hang in a permanent film of smoke residue and stale beer. We recorded to a 4-track tape machine over the course of a few nights – we’d just start the beats, hit ‘record’ and let fly. We had a vague sense of coalescence, or fomentation, like a glimpse of a thing in outline which you can’t yet see, but neither of us knew at the time that this was the record that would mark the beginning of our life as a touring band and would initiate our connections to so many (now long-time) friends, familiars and collaborators. Ten years feels like both a lifetime and the blink of an eye – measurable but impossible to quantify. These four tracks, and the others that join them here, are a snapshot of our earliest incarnation: flying blind, but high on the freedom of experimentation and filled with hope for things to come.”

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Moon Duo is Ripley Johnson and Sanae Yamada.

 

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It is impossible to talk about modern psychedelic music without mentioning Ripley Johnson. As bandleader of Wooden Shjips and one half of Moon Duo, Johnson has continually charted new cosmic paths that expand on the language of the genre. With Rose City Band, Johnson’s songwriting and beautiful guitar lines take center stage, the veil of psychedelia notably drawn back. While his vocal treatment would be recognizable to any Wooden Shjips fan, the sparseness of the instrumentation lays bare the beauty of his writing. Shimmering guitar lines are free to shine, buoyed by driving rhythms. New to the mix are arrangements and instruments drawn directly from classic country, resulting in songs with more than a hint of twang.

Rose City Band started purely as a recording project, with Johnson’s role mostly obscured for the self-titled debut album. Released with no promotion, in the style of private press records, it was a liberating act, a focus on music without any expectations. Explaining it with a chuckle, Johnson elaborates, “I always would threaten to my friends that I’m gonna start a country rock band so I can retire and just play down at the pub every Thursday night during happy hour. I love being able to tour and travel, but I also like the idea of having a local band … more of a social music experience.” Freedom from expectation and obligation gave Johnson the space to experiment with new instrumentation and arrangements. The introduction of lap steel, mandolin, and jaw harp enhance Johnson’s lean guitar work with radiant overtones, Work on the album began at Johnson’s home studio in Portland during the summer, but, interrupted by touring.

The album is described this way by producer Ripley Johnson: “The band was aiming to capture a timeless, natural sound, not quite of the present, past, or future, but phasing in between the consciousness of now and the stoned dream-state of the eternal. Sort of a back porch jam just as the shrooms are starting to kick in. Handmade and human, but also cosmic and transcendental.
It’s psych rock, and difficult to describe without getting poetic; dreamy and insular, it’s easy to get lost in this album. Produced and recorded by Ripley Johnson (Moon Duo, Wooden Shjips), and mixed by Chris Cohen (Captured Tracks, Deerhoof), the album finds its niche in the hazy sonic landscape of private press country and psych records, and alongside artists like Relatively Clean Rivers, Jim Sullivan, Kenny Knight , and countless other explorers of the pastoral underground.

Buoyant and joyous, this is a captivating listen that leaves the listener yearning for more. The record is an ode to freedom, born of a musician stepping out of all routines and whose own liberation is communicated so completely in his music. in its entirety, is an emphatic statement on the songwriting power of Ripley Johnson. Johnson’s joy in every aspect of this album is delightfully infectious.

Releases May 15th, 2020

Moon Duo - Stars Are The Light (Dinked Edition)

“Stars Are the Light”, the luminous seventh album by the American psych explorers Moon Duo, marks a progression into significantly new territory. From a preoccupation with the transcendental and occult that informed Ripley Johnson and Sanae Yamada’s guitar-driven psych rock, and reached its apotheosis in the acclaimed Occult Architecture diptych, Stars Are the Light sees the band synthesize the abstract and metaphysical with the embodied and terrestrial. Branching out from Occult Architecture Vol. 2, the album has a sonic physicality that is at once propulsive and undulating; it puts dance at the heart of an expansive nexus that connects the body to the stars. These are songs about embodied human experience — love, change, misunderstanding, internal struggle, joy, misery, alienation, discord, harmony, celebration — rendered as a kind of dance of the self, both in relation to other selves and to the eternal dance of the cosmos. Taking disco as its groove-oriented departure point, Stars Are the Light shimmers with elements of ’70s funk and ’90s rave. Johnson’s signature guitar sound is at its most languid and refined, while Yamada’s synths and oneiric vocals are foregrounded to create a spacious percussiveness that invites the body to move with its mesmeric rhythms. With Sonic Boom (Spacemen 3, Spectrum) at the mixing desk in Portugal’s Serra de Sintra, (known to the Romans as “The Mountains of the Moon”) the area’s lush landscape and powerful lunar energies exerted a strong influence on the vibe and sonic texture of the album. On embracing disco as an inspiration, Yamada says, “It’s something we hadn’t referenced in our music before, but its core concepts really align with what we were circling around as we made the album.

We were also very inspired by the space and community of a disco – a space of free self-expression through dance, fashion, and mode of being; where everyone was welcome, diversity was celebrated, and identity could be fluid; where the life force that animates each of us differently could flower.”

From ‘Stars Are the Light,’ out September. 27th.out on Sacred Bones Records.

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Vive la Void, a new project from Sanae Yamada, co-founder and keyboardist of Moon Duo. The self-titled album comes out on May 4th. Yamada wrote and recorded Vive la Void over roughly a two-year period, during windows of downtime in Moon Duo’s substantial touring and recording schedule. The dense, shape-shifting atmospheres of the seven songs grew out of late-night basement experiments in the layering of synthesizer tracks, a process that also led to meditations on the changeable nature of memory and perception.

The result is an undulating blend of ethereal swirl, low end thrumming, and electric crackle, buoyed by Yamada’s understated but captivating vocal melodies and her striking lyrics. Released on the Sacred Bones Records .

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This week releases include First Aid Kit’s newest outing, with swooning folky rock refrains, sliding guitars and beautiful two-part harmonies abound. Speaking of folky rocking guitars, yer’ man Ryan Adams has produced the debut outing from frankly terrifying youngsters, Starcrawler. they’re terrifically talented, and they trade in very concise and punky indie-rock territory. Great stuff. What else? Well, lots of stuff. the new Liminanas LP is out and again, superbly reminiscent of their earlier work whilst bringing things up to date. New (reversed) Shins, and reissues from The Residents,

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The Limiñanas – Shadow People

French psych duo The Limiñanas have announced their new album ‘Shadow People’ which will be released on 19th January on Because Music. One of France’s most beloved treasures, The Limiñanas are Marie (drums/vocals) and Lionel (guitar, bass, keyboards and vocals). Hailing from Perpignan, the duo straddles the boundary between psych, shoegaze, and yé-yé. With hazy, reverb-laden hooks, combined at times with noisy distortion, and fronted by effortlessly cool vocals, reminiscent of Serge Gainsbourg and Brigitte Bardot, the band is at once timeless and quintessentially French.

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The Shins –  The Worms Heart

When James Mercer was recording his latest Shins LP Heart Worms as a creative exercise he decided to re-record the songs in the opposite way of the originals. Songs that were more rock and uptempo became more acoustic and slow, and songs that were acoustic and slow in tempo became more upbeat. They were flipped. The result of those sessions he calls, The Worms Heart. What began as an exercise in songwriting transformed into a commentary on what it means to be a songwriter. After writing the first track for Heartworms (released 10 March 2017), James Mercer decided to recreate each song from scratch. Driven by its malleability, its ability to be foundationally identical, yet aesthetically and sonically utterly new, Mercer continued experimenting until he had two complete albums: one original and one “flipped”. Mercer’s ability to create two totally divergent albums from the same underlying compositions not only highlights his immense capability as a songwriter, but also functions as a reminder of what it means to be an artist, how an artist acts as both the master and facilitator of his artistic product.

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Shopping  –  The Official Body

Their first release since 2015’s Why Choose and their second album to be released on FatCat Records, Post-Punk trio Shopping return with an album that fans of their earlier records will undoubtedly find satisfying. Recorded over 10 days by Edwyn Collins, the latest album stays true to the minimal dance-punk ethos of Shopping’s previous efforts, but seeks to”amp up the party vibe”.

Coming off the back of an unrelenting cycle of touring, having made their way across the UK, Europe, and the US, the band found themselves without a natural home as the band’s London rehearsal and writing space closed down. Then their drummer, Andrew Milk, relocated to Glasgow, and the band could suddenly no longer spontaneously get together to practice or write. The distance added an element of pressure: “As a band that only ever writes collaboratively, it’s essential for us to actually be together in the room before any songs start to formulate. It can be a little daunting when we all turn up, and we only have an afternoon to pull a song out of thin air”. Add to that a sprinkling of Brexit, Trump, a principally imploding world, and you’ve got yourself The Official Body— Shopping’s second album to be released on FatCat Records.

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First Aid Kit  –  Ruins

Swedish siblings Klara & Johanna Soderberg, release their eagerly anticipated new album “Ruins” via Columbia Records. This will be the girls’ 4th studio album & a follow up to the critically acclaimed breakthrough album “Stay Gold”, released in 2014. “Ruins” is a 10 song album, recorded in Portland, USA & produced by Tucker Martine (My Morning Jacket, Laura Veirs). Collaborators include Peter Buck (REM), Glenn Kotche (Wilco) & McKenzie Smith (Midlake).

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Starcrawler  –  Starcrawler

Starcrawler are a Los Angeles rock band who formed in 2015 when 18-year-old lead vocalist Arrow de Wilde first met guitarist Henri Cash at their Echo Park high school. Shortly thereafter they were joined by the rhythm section of Austin Smith (drums) and Tim Franco (bass). The foursome play with squalling riffs and thundering beats, and their incendiary live shows, fronted by de Wilde’s otherworldly magnetism, are truly captivating. Gigwise (UK) recently stated that “Starcrawler are simply the most exciting – and best – band Rough Trade have signed in years.”

Recorded by Ryan Adams on analog tape at his Pax-Am studio, the 10 songs on the album prove that yes, they ARE making rock and roll exciting again! Ryan has been tweeting up a storm about them saying things like “This starcrawler record is gonna peel the paint off your brain!” and “Starcrawler are so fucking insanely good. Soon they will rule this galaxy.”

The first single from the album is “I Love LA” and the video, directed by famed music photographer Autumn de Wilde (AKA Arrow’s mum) is a fun and feisty homage to the city of dreamers

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After signing to Rough Trade earlier this year, they quickly released their debut single “Ants”, which caught the ear of Elton John who played the track on his Beats 1 radio show. Soon after, they were on the cover of LA Weekly – their hometown paper. The headline was “With Fake Blood and Frenetic Songs, Starcrawler make rock feel dangerous again”. In the article, Arrow describes that “bands are boring nowadays” and that “there’s no mystery”. That helps explain a little bit of why their shows have become the stuff of legend. They also recently played LA’s CalJam Festival, which is curated by Dave Grohl (Starcrawler was the first band he reached out to, and he raved about them the next day on KROQ.) Gerard Way is also a fan, describing them as a “mix of 70’s theatricality and Stooges electricity.

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Fleetwood Mac  –  Fleetwood Mac

Fleetwood Mac reissue their 1975 eponymous album. This album was the first of the most successful incarnation of Fleetwood Mac, where Lindsey Buckingham and Stevie Nicks joined Mick Fleetwood, John McVie and Christine McVie to form the legendary band who continues to be highly successful to this day. The album introduced a smoother more radio-friendly sound and a new beginning and by 1977 the emotional monolith of Rumours would make them one of the biggest bands on the planet.

CD – Newly remastered version.

2CD – Expanded edition. The first CD features the original album with newly remastered audio, as well as single mixes of Over My Head, Rhiannon, Say You Love Me and Blue Letter. CD2 features an alternate version of the album comprised of unreleased outtakes for each track, as well as previously unreleased live versions from 1976.

5CD – Deluxe 3 CD / 1 DVD and 1 LP Set. Comes packaged in a 12×12 embossed sleeve with rare and unseen photos along with in-depth liner notes written by David Wild, as well as new interviews with all the band members. The deluxe editions features a newly remastered version of the original album along with single mixes for Over My Head, Rhiannon and Say You Love Me. Also included is a second disc with an alternate version of the complete album comprised of unreleased outtakes for each album track, plus several unreleased live performances from 1976. The third disc includes even more unreleased live recordings, including stellar performances of Landslide, Oh Well and World Turning. Also included in the deluxe edition set is the original album pressed on 180-gram vinyl, as well as a DVD featuring 5.1 Surround Sound and high-resolution 24/96 Stereo Audio mixes of the original album and four single mixes.

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The XX  –  On Hold (Jamie XX Remix) / A Violent Noise (Four Tet Remix)

Limited 12″ featuring Jamie’s own Remix of On Hold. It’s comes across like Daft Punk dropping Homework on a Ibiza terrace. Four Tet is on the flip with a fresh re-rub of A Violent Noise. Mr Hebden takes the track to Berghain and drops it at 4am.

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Moon Duo  –  Jukebox Babe / No Fun

Following the resounding success of their two-volume, Yin-and-Yang song cycle Occult Architecture, the Portland psych heroes in Moon Duo return with a limited edition 12″ paying tribute to two of their musical heroes — Iggy Pop and Alan Vega. Moon Duo’s versions of these classic songs push them into bold new sonic territory, and show that Ripley Johnson and Sanae Yamada’s expansive musical imaginations are still firing on all cylinders.“We started playing No Fun after BBC6 Radio asked us to record an Iggy song for his 70th birthday. We added it to our set to work it out for the session and kept playing it every night because everyone loves that song. We worked up a version of Jukebox Babe because our sound engineer Larry got it stuck in his head and was singing it all the time. We figured, we may as well play it if we’re going to hear it all the time. The Stooges and Iggy, and Suicide / Alan Vega / Martin Rev, are all huge influences on us. But we never want to do faithful covers of great songs, because what’s the point? So we tried to push both of the tracks in less obvious directions, incorporating other influences, like California psych and cosmic disco, giving them more of a summer vibe. We knew Sonic Boom was working outside of Lisbon, so we asked him to produce the tracks, recording them in August for maximal summer heat.”

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Slothrust  – Show Me How You Want It To Be EP

A collection of unexpected and inventive takes on classics by icons as diverse as Al Green and Britney Spears, Marcy Playground and Louis Armstrong. Led by guitarist and vocalist Leah Wellbaum, with bassist Kyle Bann and drummer WiIl Gorin, Slothrust form one of the most exciting and agile trios in recent memory. The selections on Show Me How You Want It To Be showcase the diverse and discerning musicianship that has earned Slothrust an army of admirers that first began building with their song 7:30 AM, featured as the theme song for 4 seasons of the FX Network show You’re The Worst.

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Belle and Sebastian  –  How To Solve Our Human Problems (Part 2)

Harkening back to their 1997 release of three consecutive EPs (Dog On Wheels, Lazy Line Painter Janeand 3.. 6.. 9 Seconds Of Light), Belle and Sebastian release three new EPs under the umbrella title How To Solve Our Human ProblemsJust as those three early EPs are at the very heart of the Belle and Sebastian canon, so these three new releases deserve to be treated not as a stopgap, but as definitive releases in their own right. How To Solve Our Human Problems is both an era of its own, and part of a long, rich history. How To Solve Our Human Problems is, if you like, Belle and Sebastian Redux.

Ahead of UK live dates starting later this month, Portland’s Moon Duo are back with a new limited edition 12″, featuring covers of classic songs by Alan Vega of Suicide and The Stooges. Their new take on Vega’s ‘Jukebox Babe’ is streaming now, and the 12″, which also features The Stooges’ ‘No Fun’, is due for release on January 19th via Sacred Bones.

The covers were conceived during the band’s last UK tour, which saw them play their biggest London show yet at a sold out Heaven, in support of two-part opus Occult Architecture: “We started playing ‘No Fun’ after BBC6 Radio asked us to record an Iggy song for his 70th birthday,” the band explained.

“We added it to our set to work it out for the session and kept playing it every night because everyone loves that song. We worked up a version of ‘Jukebox Babe’ because our sound engineer Larry got it stuck in his head and was singing it all the time. We figured, we may as well play it if we’re going to hear it all the time.

“The Stooges and Iggy, and Suicide/Alan Vega/Martin Rev, are all huge influences on us. But we never want to do faithful covers of great songs, because what’s the point. So we tried to push both of the tracks in less obvious directions, incorporating other influences, like California psych and cosmic disco, giving them more of a summer vibe. We knew Sonic Boom was working outside of Lisbon, so we asked him to produce the tracks, recording them in August for maximal summer heat.”

Moon Duo was formed by Ripley Johnson of Wooden Shjips and Sanae Yamada in San Francisco in 2009. Inspired initially by free jazz duos, such as John Coltrane and Rashied Ali, Moon Duo counts such variant groups as Silver Apples, Royal Trux, Moolah, Suicide, and Cluster as touchstones. Utilizing primarily guitar, keyboards, and vocals, Moon Duo plays space against form to create a primeval sound experience. For SHP they recorded a mesmerising, 21 minute long, track.

Sleeperhold Publications would like to present you with the newest installment on the platform: a series of 10 vinyl records. Every record will have sound on the A-side and an etching on the B-side.

The magnificent MOON DUO recorded a killer, 21 minute long, track called “High Over Blue”, which we then pressed on heavy black vinyl, with an etching on the back. The sleeve design an etching on this one was done by Ward Heirwegh. The record is limited to 200 copies and can be ordered from the Sleeperhold website. (www.sleeperholdpublications.com)

 

Moon Duo is a project of Wooden Shjips guitarist and singer Ripley Johnson. Under the Moon Duo moniker, Johnson and collaborator Sanae Yamada create expansive Krautrock influenced tapestries of warm cascading fuzz and controlled feedback, organ, and accenting keyboard. This Reissued vinyl from 2009 features  four song 12-inch is the second release and incorporates a much more concise, composed and driving sound than before. The Duo expand on ideas only hinted at on the Sick Thirst 12-inch (which is already long gone) adding a driving drum machine beat behind the thick walls of layered sound.

Following the release of Moon Duo’s wonderful recordings two-volume Occult Architecture suite, the Portland-based band are reissuing their 2009 Killing Time EP as a deluxe expanded edition with three extra bonus tracks.

Those bonus tracks, ‘Bopper’s Hat’, ‘Run Around’ and ‘Dead West Pt. II’ have never been widely available on vinyl before. The newly expanded release is also available digitally.

Moon Duo return to the road next week, kicking off a European tour including festival stops at Beaches Brew in Ravenna and Roskilde Festival.

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