Posts Tagged ‘Mitski’

Mitski - "Your Best American Girl" Video

Mitski’s powerful Your Best American Girl is one of the best new artist emerging this last nine months with one of the songs of the year so far, and now it has an equally great music video to go along with it. The clip, which was directed by Zia Anger (who has also done videos for Angel Olsen and Jenny Hval), accentuates the song’s theme by playing into societal expectations of beauty and relationship dynamics. Mitski sees a (really, really hot) boy from across the room and waves, but is heartbroken when she sees him choose someone more “traditional.” Thankfully, Mitski turns to herself and her guitar to get over the loss, and leaves better off without him

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Folkadelphia Sessions are completely free, just enter $0 when prompted. That being said, any donation you give here on our Bandcamp site will be used to help us bring you more exciting projects and developments from Folkadelphia! .Recorded at the WXPN Performance Studio on April 26th, 2015 by James Clark Conner and Brian Goehrig. Mixed by Conner in Philadelphia. The first half of the album’s opening track is a beautiful, restrained ballad, which aches with quivering vulnerability. The second half of that same track is a screeching, thumping rock song. And the rest of the album continues in this brilliantly contradictory vein, layering Mitski’s emotive, scale-leaping vocals over squelchy rock riffs and a sea of noise. Its lyrics, too, are astoundingly beautiful

Songs:

First Love/Late Spring

Francis Forever  I Don’t SmokeI Will

Last Words Of A Shooting Star

Philadelphia-located folk music organization, WXPN radio show, airing Wednesdays 10-11 PM ET on 88.5 FM orxpn.org, and WKDU radio show

https://www.youtube.com/watch?t=84&v=cOAJEncH8nE

Of all the disparate sounds to be found on Mitski’s 2013 self-released LP Retired From Sad, New Career In Business“, there is none more devastating than her vocal quaver on the song Square.” The song is a chronicle of a decaying relationship, a convoluted interrogation of why things seem so complicated when “God’s very simple and love shouldn’t burn.” Mitski’s pointed lyrical turns-of-phrase have a tendency to silence her audience with their simplicity, She recently performed at SXSW. Earlier this month, Don Giovanni Records announced that they will release the deluxe edition of Mitski’s 2014 record “Bury Me At Makeout Creek”, which will include a series of extra bonus tracks. A live piano version of “Square” will follow the record’s concluding song “Last Words Of A Shooting Star.”

Watch the Brooklyn based singer-songwriter Mitski perform a track from the “Bury Me at Makeout Creek” album the  highlight “Francis Forever” in Brooklyn, NY.

Mitski newest album, Bury Me at Makeout Creek, feels like a simultaneous kiss on the cheek and punch in the gut. Brimming with fuzzy guitars and an aggressive rawness, the songs are finished with her deceptively sweet vocals, creating the perfect juxtaposition of strength and delicacy.

Her lyrics always feel very genuine, a fact that drew me in initially, but they’re presented using catchy melodies that make repeat listening that much easier. Though I’ve never seen her live, I can’t imagine that anyone with that much panache could bring anything less than total magic to the stage. Be sure to catch her down in Austin at the SXSW, and take a listen to “Bury Me at Makeout Creek” album  before you do!

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MITSKI – ” Townie “

Posted: February 27, 2015 in MUSIC
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https://vimeo.com/111312002 

Mitski’s recent “Bury Me at Make Out Creek”, showcases the singer’s ability to turn delicate indie-folk into carefree heavy rock at a moment’s notice. Her voice is both confident and sad, and her lyrics are personal and poetic — “I want a love that falls as fast as a body from the balcony,” she sings in “Townie,” “and I want a kiss like my heart is hitting the ground.”

It’s a sound that’s been a long time coming. Mitski studied composition in college and her past records have leaned more toward piano-driven, singer-songwriter tunes. She cites the international folk music her dad would play, and the Japanese pop her mom would sing to herself as inspirations, but she also draws influence from M.I.A., Mica Levi, Björk and J-pop singer Shiina Ringo, “because they all do what the fuck they want, and do it well.” She learned guitar last year, and out came “Bury Me at Make Out Creek” (“I had to make songs that would be good even when played badly,” she says). In turn, she’s been gaining critical praise and a busy performance schedule, with an upcoming tour supporting Hundred Waters and Screaming Females and another with Speedy Ortiz.

https://www.youtube.com/watch?v=VHFr3vRai90

She Says: “I’d never screamed in the studio before doing ‘Drunk Walk Home,’ but it just felt right for the song. I remember I did an initial take of screams and they were pretty tame because I was shy, and then the recording engineer stood up and said, ‘Let me try,’ and did a set of screams that were better, and I was like, ‘Oh, OK fucker, watch this,’ and did the screams on the record. I’m easily coerced by competition.”

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Mitski Miyawaki knows how to balance fragility with aggression. “Bury Me At Makeout Creek” is emotionally draining; sometimes it pummels so unrelentingly you can’t breathe, and other times it whispers and looks away shyly. Though Bury Me At Makeout Creek is Mitski’s third LP, it’s her first since learning to play guitar (the other two are heavily orchestral), which means it translates better into the grimy basement world. it’s an album that nestles itself in your chest cavity and then starts to expand, crushing all your other organs. I know that doesn’t sound very nice, but it is. “First Love/Late Spring” is such a good song I want to cry every time I hear it, even if I felt really good when I started listening to it. And that means something.