Posts Tagged ‘Mamalarky’

Mamalarky spent two years working on their self-titled debut album (released last year via Fire Talk on November 20th). Raw and cerebral, the LP looks to a range of influences from their collective musical nerdiness. ”We might have a vocal melody that sounds like the lead steel guitar from Santo & Johnny, played over production that aims to be noisy and weird like Deerhoof or Sheer Mag, all the while steeped in the greats like Stevie Wonder or The Four Seasons,’ explains Livvy. The album itself was cobbled together in a mix of DIY ways: home recordings with Livvy’s roommate Joey Oaxaca (White Reaper, Mo Dotti), singles with Daniel McNeill (White Denim) and a “final wrapping-up” with engineer Jim Vollentine (Spoon, Skating Polly). The result is an album that’s as musically fun and explorative as it is catchy and sweet. Or as Mamalarky puts it “We want to provide an experience that’s exploratory and trippy, but far removed from the problematic and corny psych stereotypes carried out by all those 60s dude bands.”

“Any song on Mamalarky’s self-titled debut deserves to be a single.” – Vice

“Mamalarky are a band that emanates cool factor.” –  

The harmony is beautiful and slightly strange. The drums are really strong, the vocalist is really skilled. The guitars and synths are really tasteful. Basically, the sound overall is really original, and really satisfying.

Mamalarky spent two years working on their self-titled debut album. Mamalarky  debut album out October 14th on Fire Talk Records.

As Mamalarky set out to make their debut album, they had a vision in mind: to shape the, “patchwork of different influences that comes together as a cozy quilt you can cuddle under”. Mamalarky are a collective of musical obsessives, outside of the band they are touring musicians and band managers, people dedicated to music above all else. The result is a record that seems to be indebted to the great and good of music history, a blur of musical ideas, melded into weird and wonderful soundscapes entirely of their own creation. There’s an almost hyper level of creativity here, a record that zips between styles and sounds, rarely stopping anywhere for long, channelling the spirit of an array of artists, from the angular stop-start rhythms of Weaves, the wonky-pop of Pom Poko and the wonderfully noisy edge of Deerhoof. In the foreground throughout is Livvy’s vivid story-telling, scratch the surface and these are personal tales, memories of feeling lost and lonely, repressing old relationships and the band’s own experience of being dotted across the country, wondering when the chance would come to be together again. This is the sound of a band in love with making music, a record that’s a fun, exciting and joyous expression of self

From Mamalarky’s Debut Self Titled Album Out in November on Fire Talk Records.

Mamalarky’s indie rock summons an easy and pure joy. Like stepping out from under a tree canopy and into the sun, or feeling the first kick of wind on a hot, sticky day. It’s that sort of gentle wonder that the Los Angeles-based quartet — comprised of ex-Cherry Glazer bassist Livvy Bennett, drummer Dylan Hill, keyboardist Michael Hunter, and bassist Noor Khan channels on their latest song, The song’s bright guitar licks and Bennet’s fuzzy vocals go down like the sweetest little package. As Bennet’s inquisitive lyrics wonder.

While “Schism Trek,” the first single from Mamalarky‘s self-titled debut album took on a more rocking edge, “You Make Me Smile” is a more laid-back affair. With light, precise instrumentation and dreamy vocals, it shows the versatility of the Atlanta quartet.

A new single from Mamalarky out October 14th on Fire Talk Records.