Posts Tagged ‘Live’

November 4, 2014  Singer Songwriter, Nathaniel Rateliff, performed live at Brighton Music Hall in Boston, MA. Rateliff captivated the audience at Brighton Music Hall with his intimate, authentic sound and uninhibited lyrics. This is a musician comfortable in his own skin and writing songs from life experience.

Nathaniel Rateliff was born in rural Missouri where he first began playing music in Church. He relocated to Denver at the age of 19 where he’s built a loyal and passionate following. He’s toured across the world including alongside such acts as Mumford & Sons, Deer Tick and The Lumineers.


Set List:
LIVERPOOL 0:20
I AM 4:36
DON’T GET TOO CLOSE 8:48
NASHVILLE 14:20
THIS 18:11
YOU SHOULD’VE SEEN THE OTHER GUY 22:40
SOMETHING BEAUTIFUL 27:14
THREE FINGERS IN 31:00
LATE NIGHT PARTY 35:40
WASTING TIME 39:42
STILL TRYING 43:11

British alternative folk rock band, Dry The River, performed live at the Brighton Music Hall in Boston on November 4th, 2014. Dry The River played a number of songs from their second album, “Alarms in the Heart”, released late in 2014 as well as other favorites from their 2012 debut, “Shallow Bed”.
Lead Vocalist Peter Liddle and guitarist Scott Miller talked a little about the band before their set ,


SET LIST
Hidden Hand 0:44
New Ceremony 4:28
Alarms in the Heart 11:01
Peter & Scott talk about the name Dry The River 15:18
Family 16:11
Med School 21:30
Gethsemane 25:23
Bible Belt 31:16
Everlasting Light 37:48
Rollerskate 41:00
Lion’s Den 46:22
It Was Love That Laid Us Low 50:36
Vessel 54:22
Hope Diamond 1:01:08
No Rest 1:05:28
Weights & Measures 1:10:41

Peter Liddle – guitar, lead vocals
Matthew Taylor – guitar, vocals
Scott Miller – bass, vocals
Jon Warren – drums
Pat Pearson – keys

More about Dry The River: http://drytheriver.net/

 

St. Paul & The Broken Bones nearly blew the roof off Boston’s legendary Paradise Rock Club — and on a Tuesday night, no less. The soulful Birmingham Alabama rock band left the sold-out crowd in a state of delirium that lasted long after the unforgettable 90 min set. This is the full set from Boston (minus covers) — see link below to watch their cover of David Bowie’s “Moonage Daydream”.

Set list:
Don’t’ Mean a Thing
3:33 Paul Janeway talks about his journey from accounting school to professional musician
4:42 Sugar Dyed
7:37 Paul talks about how he got into soul music
8:45 Dixie Rothko
13:53 I’m Torn Up
19:01 Half the City
23:08 Broken Bones & Pocket Change
29:23 Paul talks about applying what he learned from the Church to his music
30:19 It’s Midnight
34:44 Like a Mighty River
39:34 Paul talks about his Mom throwing away his Nirvana CD
39:58 Grass is Greener
46:00 Paul talks about the origin of the band name
46:56 That Glow
Moonage Daydream: http://bit.ly/1BPA6Au
51:15 Call Me
Try A Little Tenderness: http://bit.ly/1AuuXOs

Lead Vocalist, Paul Janeway, sat down with Front Row Boston before the show to talk about everything from almost becoming an accounting to his Mom throwing away his Nirvana CD.

St. Paul & The Broken Bones debut album, Half The City, was released in 2014.

It has been more than two decades since The Juliana Hatfield Three‘s last, and only, full-length, “Become What You Are”, helped make its front woman an alt-rock darling. She remained remarkably prolific (releasing five LPs, solo and with collaborative projects, in the past five years alone), but the 1993 set boasted what is likely Hatfield’s defining song, the sweetly caustic “My Sister.” As a result, Hatfield’s JH3 era, with drummer Todd Philips and bassist Dean Fisher, has come to be regarded as her watershed moment. ut her she is in fine form with a recent recorded set for the Radio station KEXP .

All of which means Whatever, My Love arrives with an extra bit of anticipation from Juliana Hatfield enthusiasts. And, much like its forebear, the album’s 12 tunes are tight, tidy pop-rockers, presented in her characteristic straightforward-yet-slightly-skewed manner. Speaking of that voice, Hatfield, now 47, still sounds very much the eternal adolescent, her phrasing and timbre pegged somewhere between coiled petulance and blunt indifference. It’s her most distinctive asset, and a perfect foil for her vivid if seemingly tossed-off character sketches.

The Juliana Hatfield Three performing live in the KEXP studio. Recorded March 11th, 2015.

Songs:
My Sister
Ordinary Guy
I’m Shy
Spin the Bottle

Album Review: The Juliana Hatfield Three Make Their Alt-Rock Return With 'Whatever, My Love'

Live at Carnegie Hall Digital Collection

Live at Carnegie Hall was recorded over two nights at the historic Carnegie Hall in New York, NY on November 15th and 17th, 2014.

  • Select HD WAV or 320kbps MP3 from the drop down menu above
  • All orders will contain an instant download of “Kim”
  • Tracklist

    01. Gimme Something Good
    02. Oh My Sweet Carolina
    03. Damn, Sam
    04. My Winding Wheel
    05. Trouble
    06. Nobody’s Girl
    07. On Broadway
    08. Halloween
    09. New York, New York
    10. Please Do Not Let Me Go
    11. Rats In The Wall
    12. Why Do They Leave
    13. Sylvia Plath
    14. Crossed-Out Name
    15. This Is Where We Meet In My Mind
    16. If I Am A Stranger
    17. Amy
    18. English Girls Approximately
    19. Avenues
    20. Come Pick Me Up
    21. Oh My Sweet Carolina
    22. My Winding Wheel
    23. Dirty Rain
    24. My Wrecking Ball
    25. New York New York
    26. Friends
    27. Am I Safe
    28. Ashes And Fire
    29. Gimme Something Good
    30. Why Do They Leave
    31. Off Broadway
    32. The Hardest Part
    33. The Rescue Blues
    34. Lucky Now
    35. Dear Chicago
    36. Desire
    37. How Much Light
    38. Firecracker
    39. Kim
    40. Call Me On Your Way Back Home
    41. Black Sheets Of Rain
    42. Come Pick Me Up

    http://

    It seems only appropriate to post another recording of Ryley Walker, This singer songwriter guitar virtuoso represents among the very finest of their time, his authenticity, and an amazing understanding of their musical past, and honest songwriting. My first experience with Ryley Walker was the song “Primrose Green”. Here, at the Rough Trade Venue, Ryley Walker proved himself alone (with a supporting bassist for part of the set). More to the point, Ryley proved himself an unmitigated master of his art, far beyond his years in poise and style.

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    Most CMJ sets tend to be truncated versions of artists’ “best stuff”, run through in perfunctory fashion to get the most bang for the buck in terms of setlist. Ryley Walker saw things differently, leading off with a twelve-minute, spine-tingling “Summer Dress” that equaled about a third of the set. That time wasn’t wasted, either, as Walker soared on improvised vocal runs that took the song beyond the singer-songwriter realm into something spiritual, his voice becoming its own instrument rather than the mere vessel of lyrics. As with the bulk of the set in North Carolina back in September, this focused entirely on new material in lieu of Walker’s outstanding album of earlier this year “All Kinds of You”. That alone should say something about how prolific this artist is at this point. The ability of the young Chicagoan to distill such pain and emotion into his work is a humbling surprise, the kind of thing you’d never guess from the rest of his happy-go-lucky stage persona. This is a man possessed of rare gifts, and we cannot wait to see them brought to a wider world.

    Tracks
    01 Summer Dress
    02 The West Wind
    03 [banter1]
    04 Primrose Green
    05 [banter2]
    06 Sweet Satisfaction

    The set recorded primarily with a soundboard feed by Rough Trade engineer Cam, with a small amount of Schoeps audience microphones added for ambiance. Other than a few glitches with a DI during one song, the sound is excellent. Enjoy, and spread the word! of this superb musician.

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    Ryley Walker will be a star this year, and the reason won’t just be his forthcoming album, “Primrose Green”. Ryley Walker has been touring hard, working out the new material, and consistently wowing audiences. BrooklynVegan brought him to New York for a Red Bull Sound Select event at Baby’s All Right, and we couldn’t have been happier,

    Once Primrose Green hits shelves, those versions of Ryley Walker’s songs might well seem polite by comparison. The title track’s single, available on Soundcloud and on other streaming services, is a fine version, but pales when up against Walker’s fierce version on this night, a ten-minute ramble through his mind featuring an elongated intro and a virtuosic guitar playing that mimicked some of the dissociative elements of the alcoholic beverage for which the song is titled.

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    Ryley Walker’s post-All Kinds of You album material, I think it’s “Summer Dress” that will go down as his signature song, as it begins with its loping guitar line under a vocal turn in which Walker yelps, deploys falsetto, flirts with chaos. Watching Walker, you get the sense that he’s not even trying to play these songs to please you, but he does anyway. There’s a sense of abandon to his work that can’t help but grab you; he’s feral up there, without anchor. He makes many of the greats to whom he’s compared — Bert Jansch, for one — sound like choirboys. As to other distinctions, this set boasted a new song, “Funny Thing She Said”, as well as a cover of Van Morrison’s “Fair Play” from Veedon Fleece, the latter a worthwhile reimagining that again places Walker right up there with the rarefied company that came before him.

    Tracks [Note that two tags of the FLAC and MP3 files need updating]
    01 Funny Thing She Said
    02 [banter1]
    03 Summer Dress
    04 [banter2]
    05 Primrose Green
    06 On the Banks of the Old Kishwaukee
    07 Fair Play [Van Morrison]
    08 [banter3]
    09 Sweet Satisfaction

    This set was recorded by Baby’s engineer Rubes, whose dedication to craft is obvious in his flawless mix of his board feed with the house mics. The sound quality is outstanding. Enjoy!…………..thanks to the nyctaper words and music

    Meatbodies performing live in the KEXP studio. Recorded November 19, 2014.

    Chad Ubovich spent the last few years as a member of Ty Segall and Mikal Cronin‘s respective backing bands. Along the way, he’s learned to put his personal spin on the surf-strum mutant beach party championed by California psychedelic rock bands like Thee Oh Sees, Wand and Bleached.

    As Meatbodies, Ubovich’s lessons pay off. Listening to the band, fans of Ty Segall and his coterie will no doubt find similarities — the obvious nods to ’60s dream-time dementia, cultish lyrical enticements, the cartoonish narcissism of glam rock, the positioning of an acoustic guitar against heaps of fuzz and delay. That’s fine. People don’t expect a revelation in rock ‘n’ roll so much as they demand a good time. But Ubovich finds ways to differentiate his music, and in doing so gets to have it both ways.

    You can tell he’s a bassist by trade, as the rhythmic imperative on his self-titled debut hardly ever lets up; it’s dialed into mosh-pit velocity while driving songs with metallic edges (the twinned lead guitars of “Mountain,” for example) into controlled bursts of frenzy. Someone has already knocked the drink out of your hand, but Meatbodies’ poignant middle section will have you staring at patterns from the lights dancing off the liquid now covering the floor.

    meatbodies

    Elsewhere the sturdy two-chord riff structures recall an earlier SoCal sensation, Rocket From The Crypt, if it had replaced its horn section with two more guitarists and played everything much faster and heavier. Meatbodies plays off this energy, which dips only by design and comes racing back anew, recharged and ready to slam heads together. Ubovich applies these lessons to perfection in “Off,” four and a half minutes of bug-eyed melodic pogo-punk that’s been jammed into a quick-shifting chorus and peppered with whammy-bar fratricide and finger-shredding hammer-ons designed to knock the wind out of anyone in earshot. The record closes, fittingly, with “The Master,” a massive coda of delay and noise that shoots the curl against the driving, steady beat, sounding for all the world like Ubovich is trying to trigger the next big earthquake.

    Songs:
    Mountain
    Him
    Wahoo
    Tremmors

    Kevin Morby performing live in the KEXP studio. Recorded February 19th, 2015. Kevin Robert Morby is an American musician. He is best known as the former bassist of Woods, and the songwriter and guitarist of The Babies.He released his debut solo album Harlem River in 2013,and followed up with a second album Still Lifein October 2014. Morby learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens.17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs.

    He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012.

    Following his move to Los Angeles, Morby recorded a collection of songs with Babies producer Rob Barbato which were intended to be an homage to New York City. Released in 2013 by Woodsist Records, the eight-song collection was called Harlem River and became Morby’s debut as a solo artist. The album also features drummer Justin Sullivan (The Babies) as well as contributions from Will Canzoneri, Tim Presley (White Fence), Dan Lead, and Cate Le BonWhile on tour, Morby wrote songs that were later featured on his second album, “Still Life. The album was once again produced by Barbato and released on October 14, 2014

    Songs:
    The Dead They Don’t Come Back
    Reign
    All My Life
    Amen
    I Hear You Calling (Bill Fay)
    Parade

    https://vimeo.com/69667884

    The Cure in Orange is a concert film by British rock group The Curefilmed at the classic Théâtre antique d’Orange in the French countryside (Orange, Vaucluse), With two performances by the band on August 9th and 10th, 1986.  Members Robert Smith (Vocals & guitar), Simon Gallup(Bass guitar), Porl Thompson (Keyboards, guitar and saxophone), Boris Williams (Drums), and Lol Tolhurst (Keyboards) make their way through 23 songs. Robert Smith has mentioned on the band’s official website that The Cure in Orange will be released on DVD sometime  but It is now 2015 and still no official release, it was only made available on VHS  like The Cure’s more recent release, Trilogy which is available on dvd/Blue Ray. The Set of Songs were described as “An astonishingly lavish production number for one of the world’s less dynamic live bands, rendered noteworthy by its setting against the magnificent backdrop of an ancient amphitheatre  for Cure fans this is as perfect and cinematographically compelling a record of a gig as could be asked for. “the mixing and recording of the show is pristine and would have made an excellent live album…With performance highlights including fantastic versions of “Primary,” “A Night Like This,” “A Forest,” and “Faith,” Orange is ample testimony to both the Cure’s excellence and Pope’s ability to showcase them at their best.”

    Tracklist

    1- Shake dog shake
    2- Piggy in the mirror
    3- Play for today
    4- A strange day
    5- Primary
    6- Kyoto song
    7- Charlotte sometimes
    8- Inbetween days
    9- The walk
    10- A night like this
    11- Push
    12- A hundred years
    13- A forest
    14- Sinking
    15- Close to me
    16- Let´s go to bed
    17- Six different ways
    18- Three imaginary boys
    19- Boys don´t cry
    20- Faith
    21- Give me it
    22- 10:15 Saturday night
    23- Killing an a arab