Posts Tagged ‘Grandfeathered’

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After releasing the exquisite Everything Else Matters last year, Russian group Pinkshinyultrablast return with Grandfeathered. A very prog rock return from the band with a mixture of twinkling guitar harmonies in a much heavier approach. They have named their style “thunder pop,” and on the basis of this 11 track album, you would have to agree.check out these live tracks.

Typically then, the Russian 5-piece hurtled through their first 3 songs uninterrupted before anyone could blink, retaining an unwavering energy throughout a blistering set. Equal parts shoegaze, post-rock and math-rock, the music had the crowd happily hypnotised from the beginning, with angelic lead vocals piercing through thick layers of guitar and synth, undercut by taut, expressive bass lines.

The band took the radiant sound of their studio work to a stadium-sized level, commanding an inventive live set-up that included more effects pedals than I could count. Their set went by as quickly as it arrived, leaving the crowd suitably spaced-out and desperate for more.

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Grandfeathered

The St. Petersburg five-piece created something of a stir with their debut album Everything Else Matters in early 2015 and the interest in the release stemmed from more than the fact that nobody had heard a Russian shoegaze band before. Despite its obvious influences, there was a depth to the music that implied Pinkshinyultrablast were a band who weren’t afraid to take a step into the unknown and push at a few boundaries. Their new album “Grandfeathered” shows this indeed to be the case as it is more experimental and powerful than its predecessor, managing to be both exhilarating and captivating. Opener ‘Initial’ begins with a long drawn out single note that gives no hint at the multi-layered gem to come, the song throbbing like a dub remix whilst overlayered in Cocteau Twins’ shimmering vocals. ‘Glow Vastly’ follows in the same pattern, the vocals here just managing to keep to the surface while a heavily distorted barrage of guitars and drums attempts to submerge them, the whole occasionally infiltrated by light bursts of melody that tantalise briefly before disappearing into the depths. ‘I Catch You Napping’ flies backwards and forwards between pop serenity and frenzied distortion and is quite excellent, while ‘Kiddy Pool Dream’ opens to a squeal of feedback and embraces MBV noisescaping, something also witnessed in the crushing ‘Comet Marbles’ and ‘Mölkky’. The single ‘The Cherry Pit’ is also a headrush of contrasting forces, while the closing title track moves between tempos with uncommon grace. From a band who had found themselves embraced by supporters of a very precise genre, this is a brave album, a potent blend of force and fancy. All credit to Pinkshinyultrablast for stepping out of the comfort zone to deliver such a fiercely charged offering and all the more credit for producing one of such quality.

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Pinkshinyultrablast look ahead to their second album with ‘The Cherry Pit’

St. Petersburg rabble Pinkshinyultrablast don’t hang about. Following up their 2015 debut ‘Everything Else Matters’ in quick succession, they release their second full-length album – ‘Grandfeathered’ – in February next year. The first real taste of what to expect comes in the shape of ‘The Cherry Pit,’ which we’re premiering here on DIY.

Shimmering, lush, and more looming than a neck-craning look up to the top of the Shard, ‘The Cherry Pit’ shares the same lofty ambition as the band’s previous efforts, and typically, their shoegazing sensibilities are carefully balanced with a knack for occasional minimalism; knowing just when to rein it back. Lyubov’s vocals skate atop uneasy, angular chimes, before colliding into a fish-slappingly sudden wall of reverb, getting lost and indistinguishable among the glittery sonic mud.

Pinkshinyultrablast are putting out 500 copies of their second album ‘Grandfeathered’ on what they’re calling ‘Ride The Sky’ vinyl LP, and another 500 copies on ‘Pinkle’. There’s also a regular digital download, if that’s your jam.

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