Posts Tagged ‘Electric Ladyland’

Jimi Hendrix

The Jimi Hendrix Experience’s Electric Ladyland is being reissued with a massive 50th anniversary deluxe box set. Due on November. 9th, the album will be available as either a three-CD/Blu-ray set or a six-LP/Blu-ray set.

Both packages include the original double album, which has been newly remastered from the original analog tapes. The vinyl set features an all-analog direct-to-disc vinyl transfer. Among the set’s other highlights are Electric Ladyland: The Early Takes, which features demos and studio outtakes from the era; an expanded documentary on the making of Electric Ladyland; a book containing handwritten lyrics and unseen photos; Live at the Hollywood Bowl 14/9/68, a recently discovered two-track soundboard recording that’s part of Experience Hendrix’s Dagger Records official bootleg series; the feature-length documentary At Last … the Beginning: The Making of ‘Electric Ladyland’; and a new 5.1 surround sound mix of the album by original Hendrix engineer Eddie Kramer.

Hollywood Bowl Cover

Initially released on October. 16th, 1968, this was the third album by the Jimi Hendrix Experience, the first produced by Hendrix himself and the last studio effort to arrive during his lifetime. Signature tracks include “Voodoo Child (Slight Return),” “Crosstown Traffic” and his definitive cover of Bob Dylan’s “All Along the Watchtower.”

“Electric Ladyland is a complete work. He pushed the limit musically; it went in different directions,” Kramer says in the video preview below. “It’s a body of work that Jimi was in control of right from the beginning. This is the definitive album that Jimi created.”

This never-before-released 1968 performance at the Hollywood Bowl “captures the band and the mounting excitement that took place just weeks before the release of Electric Ladyland,” according to pre-release materials.

The late Linda Eastman (McCartney) took the updated cover art, which finds the Jimi Hendrix Experience and a group children at the statue of Alice in Wonderland in New York’s Central Park. This was actually Hendrix’s choice for the album cover image, though it was later relegated to the inside of the U.S. version. The U.K. edition infamously featured a gatefold photo of 19 naked women instead, a decision Hendrix never agreed with.

Jimi Hendrix / Electric Ladyland 50th anniversary super deluxe edition

This period found Hendrix expanding his musical sphere with a series of collaborators as his relationship with Experience bassist Noel Redding deteriorated. Jefferson Airplane’s Jack Casady played bass on “Voodoo Chile,” while Hendrix took over on many of the other tracks – including “All Along the Watchtower.” Other guest stars on Electric Ladyland include Steve Winwood, Chris Wood and Dave Mason of Traffic; Al Kooper; and Hendrix’s future Band of Gypsys bandmate Buddy Miles.

The volume of outtakes, Electric Ladyland: The Early Takes, contains audio pulled from reel-to-reel tapes Hendrix recorded himself on his personal Teac machine in March 1968 while staying at Manhattan’s Drake Hotel. These include early versions of “Voodoo Chile” and “Gypsy Eyes” as well as two songs that didn’t make the Ladyland finaltrack list – “Angel” and “My Friend”– and an early version of “… And the Gods Made Love” titled “At Lastthe Beginning.”  “He did these incredibly quietly,” Kramer says with a laugh. “You can hear the atmosphere of the hotel room. He’s almost whispering. Why? He doesn’t want to wake up the neighbors. He’d go, ‘Here’s “Electric Ladyland”‘ and he’d whisper, ‘Have you ever been? … ‘ It’s so warm and so intimate, and all of a sudden you hear a phone ringing and that’s the front desk calling and you can just hear in his voice he’s getting really pissed off. It’s great.”

Previously unreleased versions of “Angel Caterina” and “Little Miss Strange” on The Early Takes also feature a guest appearance by Stephen Stills. Kramer’s new 5.1 surround-sound remix showcases uncompressed 24 bit/96 kz high resolution audio, a first for a Hendrix studio album.

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Without doubt, 2017 has been a year that, though yielding some phenomenal music, also put some serious effort into killing off too many of our rock ‘n roll heroes.
The wonderful thing about records is that, no matter how many musicians we lose, when they go, or how their work changed over time, we’ll always have those vital, tangible slabs of wax cut deep with the songs that have defined and soundtracked our lives.
As we head into the final few weeks of December, do us (and yourself) a favor and revisit some of your favorite records, whether from this year or three decades past.
Those records brought you here, they keep us here, and we’re pretty sure they’ll still be here when we’re long gone.

Limited Edition Electric Ladyland [Redux] 4 Panel 2 Disc DigiPak.

DISC 1
1. AND THE GODS MADE LOVE – ELEPHANT TREE
2. HAVE YOU EVER BEEN (TO ELECTRIC LADYLAND) – OPEN HAND
3. CROSSTOWN TRAFFIC – SUPERCHIEF
4. VOODOO CHILE – ALL THEM WITCHES
5. LITTLE MISS STRANGE – ORIGAMI HORSES
6. LONG HOT SUMMER NIGHT – THE HEAVY EYES
7. COME ON (LET THE GOOD TIMES ROLL) – EARTHLESS
8. GYPSY EYES – WO FAT
9. BURNING OF THE MIDNIGHT LAMP – MOS GENERATOR

DISC 2
1. RAINY DAY, DREAM AWAY – GOZU
2. 1983…(A MERMAN I SHOULD TURN TO BE) – SUMMONER
3. MOON, TURN THE TIDES… GENTLY GENTLY AWAY – CLAYMATION
4. STILL RAINING, STILL DREAMING – MOTHERSHIP
5. HOUSE BURNING DOWN – KING BUFFALO
6. ALL ALONG THE WATCHTOWER – TUNGA MOLN
7. VOODOO CHILD (SLIGHT RETURN) – ELDER 

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October 25th 1968 saw the release of the third Hendrix album, Electric Ladyland a double album and produced by Jimi Hendrix, described as one of the best double albums released in rock music recorded at Olympic Studios in London and the Record Plant in New York City between July and December in 1967 and April to August in 1968. the album is amixture of sounds of Blues Rock, Hard Rock and Psychedelia sonically speaking the sounds were ahead of their time with Hendrix searching for new sounds with its musical vision  . The album included a Bob Dylan song “All Along The Watchtower”  which became the  Experience’s biggest selling single.

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