Posts Tagged ‘Cross Record’

The debut album from Loma, a collaborative trio formed of members of Shearwater and Cross Record, has an intriguing atmosphere and dynamic to it, likely due in part to the unusual circumstances of its creation. At the outset of the sessions, singer Emily Cross and multi-instrumentalist Dan Duszynski were a married couple, who towards the end of recording decided to divorce. Despite this, the trio completed ‘Loma’, a record of incredible depth and clarity that cathartically explores rich soundscapes. Though the album is strong in its entirety, the stunning highlight ‘I Don’t Want Children’ exemplifies the trio’s acute attention to detail as synthesised textures gradually layer over a delicate piano arrangement, with Cross‘ crystal-clear vocals piercing straight through. ‘Loma’ is an emotionally wrought and delicately crafted album that is beyond impressive for any first offering – regardless of its circumstances.

It was only last month that the return of Loma, the collaboration of Cross Record’s Emily Cross, Jonathan Meiburg of Shearwater and Dan Duszynski. That was around the release of the track “Ocotillo”, the first track from their upcoming second album, Don’t Shy Away, out in October via Sub Pop Records. This week the band have shared the latest offering from the record, Half Silences.

The first song the band wrote for Don’t Shy Away, “Half Silences” is the result of what Jonathan described as, “tinkering”, the track evolving from its early form, into the final version that, “always seemed to belong”, on this record. The whole track is built around the propulsive, brilliant drum beat, accompanied by chiming guitars and Emily’s echo-drenched vocal, creating an eerie shuffle that slowly worms its way into your mind and refuses to let go. Particularly wonderful is the chant along chorus, where voices arrive en masse to repeat the line, “generate light, generate heat, generate feeling”, driving the uneasy message home with each run-through. Further evidence that we’re on the right track when we declare Don’t Shy Away our most anticipated record of 2020,

“Half Silences” by Loma from their album Don’t Shy Away (Release Date: 10/23/2020 on @Sub Pop Records)


“What is your wish? What do you expect?” Cross Record’s self-titled third album begins with Emily Cross’s disembodied voice intoning from an otherworldly vacuum. In the three years since her last album, Cross has divorced, quit drinking, become a death doula, started the observational podcast “What I’m Looking At,” and toured with Sub Pop’s Loma, the trio she formed with Dan Duszynski on drums and Jonathan Meiburg (Shearwater) on guitar /vocals. On Cross Record, she guides the listener like a sonic Virgil, delivering a textured soundscape of meditative curiosity, akin to Low’s Double Negative, Broadcast’s The Noise Made By People and Radiohead’s Kid A.

Having recorded 2016’s Wabi Sabi at home between work and sleep hours, Cross did the opposite for Cross Record, writing the album while living on a secluded part of Mexico’s coast. The collaborative atmosphere of Loma challenged Cross to experiment with her sound, detuning her voice and obstructing its clarity in specific moments. As such, Cross Record is primarily a showcase for Cross’s vocal style, as she pushes her range and engages with a multitude of approaches at every turn.

Cross Record, aka Emily Cross, releases her new single The Fly today off her self-titled album (out August 2nd) and we hope you’re as excited as we are! The Fly serves as the successor for Cross’ previous single, PSYOL My Castle. Both songs foreshadow the “voyage through the psyche” that the album is bound to take its listeners on,

With the release of The Fly comes the announcement of Cross Record’s North American Tour, as well as a series of Living Funerals that Emily will perform herself.

Cross Record, out August 2nd on Ba Da Bing! Records.


Cross Record is Emily Cross and Dan Duszynski. While studying fine arts in Ireland through The School of the Art Institute of Chicago, Cross discovered her love for songwriting and recording. Upon her return to Chicago, she began to perform– experimenting with various musicians around the city . She met her husband, local recording engineer Dan Duszynski, and forged the creative partnership that is now Cross Record. They now currently reside and record in Dripping Springs, TX.

An old song recorded for NPR’s Tiny Desk Concert,

Husband and wife combinations can sometimes sound clichéd and schmaltzy, all winsome sing-song and cooing back and forth. Cross Record are rather different. In 2013, Emily Cross decamped from Chicago to the remote, idyllic town of Dripping Springs, Texas, with her husband, Dan Duszynski. Living on Moon Phase ranch with a bird sanctuary in tow was something of a different experience to city life –  the scorpions on the cover of this album are a snap Cross took of the creatures in her bath. Over two years Cross has produced a potent, atmospheric and bewitching record which perfectly captures the fiery dawns and smoky evenings of their new abode.

Wabi Sabi is set in vast spaces but communicated in an intimate way, and thus feels simultaneously unsettling yet strangely comforting. Just 9 tracks long, it is intense and passionate, disparate elements in the individual tracks making up for a lack of quantity elsewhere.

Lead single “Steady Waves” builds from acoustic flickers to a foreboding howl of a climax, powerful and gripping in its cinematic sweeps, whereas “Basket” swims in an eerie smoulder. The video to “High Rise” is as disconcerting as its sonics, minimalist electro shifting into thick guitar, and moments of hopelessness shuddering into violent explosions. On “The Depths”, muffled whispers merge into thunderous potency in a reflection of the instability of human experience and its messy dissonance. “Something Unseen Touches A Flower To My Forehead” is the sweetest track on the record, almost pop like in its immediacy.


Throughout Wabi Sabi there are birds cawing in the distance, marimba and kalimba flickering, and a ladies choir offering vocals, adding to the feeling of being absorbed in the expansive vista. Destabilised static and soft pulsations blur with the sound of nature and those dusty, warm spaces.


The recording process of Wabi Sabi was slow but meticulous, and Cross working 60 hour weeks in restaurants, cleaning and other roles which allowed her the head space to create and compose. Collaborating with a variety of other artists, it’s been carefully sculpted, samples and recordings being produced, ripped apart, and changed again. What this means is that the album is exploratory and intoxicating in its slow perusal of deep emotions, stirring and resonant in its weirdness – and completely beguiling.

Wabi Sabi was released: 29th January 2016, Ba Da Bing Records


Austin Texas is a Southern metropolis for new music, but you don’t have to drive far outside the city limits to find miles of eerie Texas desert. That’s where Cross Record’s ranch is situated, where their stunning album Wabi-Sabi was conceptualized and brought to life. The album reflects its environment, its sun-charred drones and thunderous storms of noise animated by Emily Cross’ restless whisper. Chicago post-rock is in the mix too, nodding to the band’s pre-Austin history, but those sounds have been transported to a foreign realm and converted into something utterly haunting and unique the guitar burst in this song is awesome.


“Steady Waves” off Cross Record’s Wabi-Sabi, which came out January 29th, 2016 on Ba Da Bing Records.

Cross Records’ presence in our tips for the year ahead is totally on the one song I’ve heard, but Wabi-Sabi is a record so good it’s hard to think to think of the year ahead without recommending it highly.

This is the bands second album, Wabi-Sabi is a confident musical stride-forward; an album of textures and shifting-sonic boundaries, lurching from brittle and minimal to thundering and epic. Emily’s hauntingly beautiful vocal pins the whole record together, a fractured murmur with shades of Jessica Pratt or Angel Olsen, it draws the listener close to the speaker, and allows you to become engulfed in the sometimes chaotic and discordant music that swirls around it. A record of perfect, beautiful contrasts, if there are many albums released as good as Wabi-Sabi it’s going to be a magical year of music.



Already signed to prosperous indie rock label Team Love Records, Texan band Cross Record rather aptly live in a place called Dripping Springs. Sounding as sadly rejected as their hometown’s name suggests, husband and wife duo Emily Cross and Dan Duszynski create haunting, atmospheric lullabies to wet your pants to. Like Daughter with an aggressive bite , this is sure to satisfy brooding weirdo-folk and subtly-progressive rock fans alike. Their debut Wabi-Sabi is due out in January 2016, so they’ll perhaps defy my two year rule. “Steady Waves” off Cross Record’s Wabi-Sabi, out January 29th, 2016 on Ba Da Bing Records