Posts Tagged ‘California’

50FOOTWAVE has just released their ‘Bath White’ EP via HHBTM Records. This is their sixth mini-album since forming in 2004 and their first release since 2012’s ‘With Love From The Men’s Room’. Once again, they dish up addictive power chords, sublime hard rock riffs and complex structures that fuel raw emotion.

Packing an album’s worth of ideas into six songs, ‘Bath White’ is loud and highly dynamic, with change-ups and massive drive, delivering some of the band’s most powerful material to date.

The EP was produced by Los Angeles producer Mudrock, best known for his work with Godsmack. As Mudrock states, “These are the best musicians I’ve ever worked with, easily the most facile…they’re pros and they’re good people. 50FOOTWAVE is why I do what I do.”

Comprised of Kristin Hersh and Bernard Georges of Throwing Muses, and monster drummer Rob Ahlers, this LA-based power trio is known for pioneering the name-your-own-price movement, which began with their 2005 release “Free Music”.

Named after the lowest note audible to human ears, 50FOOTWAVE was intended as an outlet for the noise/math rock pieces that didn’t fit the aesthetic of Throwing Muses or Kristin Hersh’s solo work. Their most successful and influential release, 2009’s Power + Light, is thirty minutes of non-stop music, a barrage of free-form sound that found the band challenging its own complex song structure.

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50FOOTWAVE’s early releases are available for download free of charge here http://50footwave.cashmusic.org/freemusic/ and licensed for sharing via Creative Commons. In this relation, Kristin co-founded the non-profit Coalition of Artists and Stake-Holders (CASH Music) in 2007. Over the past few years, CASH has not only completely funded Kristin’s own output, but has also powered dozens of other artist and label projects and has grown into a widely-recognized powerhouse of technical tools that enable commerce, communication and sustainability for artists.

TRACKLIST
1. Bath White
2. God’s Not A Dick
3. Human
4. Ratted Out
5. St. Christopher
6. Sun Salute

‘Bath White’ is available through HHBTM Records or via digital download from Bandcamp

Back on vinyl for this Kristin Hersh fronted project, a super rare 2016 EP of enchanting and exhilarating sounds that shift from dreamy and emotional melancholy to jagged and almost Neu!-like rhythms that evolve behind her pointed prose and astute one-liners. A rush to the head that’s caustic yet comforting.

https://50footwave.bandcamp.com/album/bath-white. Deluxe 12” colour vinyl packages also include full-size artwork, a screen-printed tote bag and a limited edition button.

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The She’s perform live from the KSFS lounge in San Francisco. A real gem of a song. Love the surf guitar sound and driving beat. Your sound is polished yet retains the spontaneity and rawness of a garage band. The She’s sing songs for your eyes and ears live from the KSFS Lounge in San Francisco
With guest host Lizzy Schliessmann.

The She’s are San Francisco natives, and they’ve been creating music together since the 7th grade. Their sound is a rock-pop hybrid. It’s November 2011. “The She’s” have just released their first full length record Then It Starts to Feel Like Summer.

It’s an album that captures their youthful spirits and deep-seeded friendship with tight three part harmonies, sparkling, sunny instrumentals and smart, catchy songwriting. The She’s sing songs that reflect their environment, their heartache, their relationships and aspirations. It’s infectious. The Grinch smiles when he hears it. People start to notice the noise these four best friends are making. The She’s gain momentum in the local music scene and open for bands like Girls, Surfer Blood,Thao and the Get Down Stay Down, and Yuck. They keep writing songs. Fast forward to present day. The She’s are back and they’ve got something new for you. It’s dreamy and sunny and the ladies most mature, honest and enchanting release to date.

Hannah Valente is the “voice” of the group. She sings and plays guitar. Samantha Perez plays the bass guitar. Sinclair Riley is on drums. Eva Treadway on guitar. With guest host Lizzy Schliessmann.

The She’s are

Sami Perez– Bass,Hannah Valente– Vocals, Eva Treadway– Guitar, Sinclair Riley– Drums

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Haunting dream rock. The group’s sound is characterized by its surreal lyrics, lush vocals, edgy post–punk, psychedelic and progressive influences and use of sonic experimentation.

Established in 1999, Craig plays drums and bass. Clara plays guitar and sings. They both are dedicated to writing ethereal melodies and poetic lyrics which give the music its unique foundation and soundscape

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Kristin Hersh’s power trio 50 Foot Wave released their new EP, “Bath White”, a few weeks back via Happy Happy Birthday to Me Records and it’s a sonically complex record, shifting from punk to psychedelic elements in each song. As mentioned, Kristin will be doing a solo set opening for Violent Femmes in Prospect Park on Saturday (6/18), which is part of this year’s BRIC Celebrate Brooklyn! Festival.

This LA-based power trio formed in 2003 by Kristin Hersh and Bernard Georges of Throwing Muses (with Rob Ahlers ondrums), was named after the lowest note audible to
human ears. The band was intended as an outlet for the noise/math rock pieces that
didn’t fit the aesthetic of Throwing Muses or Kristin Hersh’s solo work.

This year’s Bath White is their sixth release.

Kristin Hersh released new 50 Foot Wave EP

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50Foot Wave is Rob Ahlers, Bernard Georges and Kristin Hersh

Deerhoof is fucking weird. We won’t pretend to “get it,” but we certainly love them; just when you think you know where they’re going, they’ll throw you for a loop. Early single “Plastic Thrills” is a great example — a straightforward rocker with a “woo-woo” chorus, it’s literally the last thing we’d expect from them. Catch them on tour this summer to hear some deep cuts, and maybe some new joints from their latest for Polyvinyl, The Magic.

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band names like Partybaby are totally fine, somehow. Right? In any event, it’s a bit of a red herring: this California ensemble are far more complex and nuanced than their moniker might suggest, serving up an intoxicating blend of frazzled punk, lo-fi-that-magically-morphs-into-hi-fi, and impossibly infectious melodic refrains. It’s, put most simply, really exciting new pop music.

http://www.partybabymusic.com

This is the third album by the post-punk/coldwave band that’s fronted by Luis Vasquez. He started the project in Oakland back in 2010. After his 2012 sophomore album, he said he was done with The Soft Moon. He moved to Italy and started spending a lot of time in the bustling Berlin music scene. He came out of “retirement” with this new record in March. It’s darker and colder than the other stuff, and I love it. You may need a flashlight, some climbing gear, and a rain jacket when you listen to this album, but it’s a really rewarding experience. Mr. Vasquez’s music is brilliant! New Wave or Post-Cyber Punk or whatever they call it, I find it genuinely expressive, creative, and immersive. One of the most excellent “contemporary gothic” acts nowadays.

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Luis Vasquez never intended for The Soft Moon to reach the public’s ears; for him, music has always been about self­-actualization rather than self-aggrandizement. Nevertheless, the bleak, hushed sounds he created years ago in his small Oakland apartment bubbled to the surface and 2010 saw his debut LP, The Soft Moon, released on Captured Tracks rise to critical acclaim. Vasquez made “oblivion seems like an enticing prospect” and, indeed, listeners were immediately drawn into his murky musical wasteland, swathed in the moody atmospheres of jagged dark wave and wayfaring post­punk. For them, and for Vasquez, there was no turning back. The Total Decay EP and Zeros emerged soon after, and now Vasquez returns with The Soft Moon’s most introspective and focused album to date: Deeper.
Following live line­-up changes and a lull in the The Soft Moon’s constant touring schedule, the year 2013 found Luis Vasquez lost in the void. Though he fatalistically stated that 2012’s Zeros would be the last album where he was the sole songwriter, Vasquez realized that The Soft Moon has always been one man’s vision. Over time, it’s been the one place where Vasquez can express himself, totally and singularly, on his own terms.
Thus, in July of 2013, Vasquez decamped from Oakland, CA to Venice, Italy, unsure of where The Soft Moon would land. While Zeros was written and recorded between long days on the road, Deeper was begat from an almost primal urge to recoil from the world and experience total solitude. During the writing process, Vasquez pushed himself to discover the reality and nightmare of living with yourself, in entirely foreign surroundings with nothing and no one to fall back on. Stepping back and letting inspiration fall where it may, Vasquez only had one goal in mind for his third album: to pen his most emotional record yet. Between frequent visits to Berlin, Vasquez retreated to Venice’s Hate Studios, located in the mountains near electronic guru and spiritual anchor Giorgio Moroder’s hometown.
At Hate, he worked for almost a year with producer Maurizio Baggio to piece together Deeper, only completing the album in August 2014. While maintaining the stark sonic formula so indicative of The Soft Moon’s music — that bass that reeks of chorus, those unrelenting, mechanized beats, that wailing synthesizer and those eerily, angular guitar lines that worm into your ears and never leave — Baggio also worked to refine the album’s gothic palette, leaving Vasquez to concentrate more intensely on songwriting and singing than ever before:
“I’ve never worked so closely with someone before. Working with Maurizio felt right and I completely opened up to him during the entire process. I finally felt the urge to express myself more verbally with this record and I was able to focus more on songwriting rather than just experimenting with soundscapes.”
The voice of The Soft Moon has never been more clear and honest than it is on this record. With eerie, immersive tracks like the dogged “Far” and slow, beautifully melancholic “Wasting” (the first track written for Deeper), the album is a penetrating portrait of Vasquez as he wrestles thoughts of suicide, vulnerability and what it means to heal. By facing the most hopeless parts of himself without illusion and putting his past demons to bed, the creation of Deeper was an intense personal exploration of existence for Vasquez — old wounds were forcibly opened, deep anger and paranoia were manipulated into song — and he did not emerge unchanged. Deeper may have delivered Vasquez back to the waking world, but it willingly drags us further into The Soft Moon’s dark, euphonic universe once more.

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DEEPER REMIXED VOL 1 and VOL 2 12″ will be released early 2016.

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Our fifth album and back to our pop punk roots! If you like our debut “Eat My Heart Out”, you’ll LOVE this one. CDs come in a full color digipak with clear tray, “distressed” CD print! Artwork by punk rock graphics guru Sean Rowley. The band are Kelly Ogden (Vox, Bass)
Luis Cabezas (Guitar, Vox

INCLUDES:
• Full album download in any format you choose
• 4 digital-only bonus tracks – only available on Bandcamp!

*If you pick the “Autograph to CD” option and would like your signed CD personalized, please include a note with your order indicating the name you’d like it made out to…we love writing notes to our fans – just let us know who to make it out to!* There’s just too too many catchy tunes in this one to pass up. Its great brings back memories of the dollyrots first album and has get weird on it, so basicly it could have no other tracks on it and still be great! but you know the other tracks just make it even better

“Fool For Love” opens with a delicate wash of humming bells, a distant organ drone and a few carefully plucked strings. It’s a beautiful, meditative mix that shimmers with the kind of hope and determination that only a new day can hold in its earliest hours, just after waking, before the inevitable letdown.

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What unfolds after it is a sepia-toned story song from another time, when honorable men resorted to fisticuffs to win a woman’s heart. “I’m leaving this place behind, and I’m heading out on the road tonight,” sings frontman Ben Schneider. “Before I commence my ride, I’m askin’ Lily to be my bride.”

As Schneider tells his tale, the music kicks along with cocksure resolve, punctuated by ringing guitar riffs and shuffling rhythms. It swells and ebbs like a sighing heart, heavy with the weight of love. But there’s a melancholy undertone to it all, as if he knows, down deep inside, he isn’t really going to get the girl, or if he is, it’ll never live up to his expectations. Sort of like the strange, uncertain looks Dustin Hoffman and Katharine Ross give each other at the end of The Graduate.

Based in Los Angeles, Lord Huron will release their full length second album , Strange Trails, on April 7th. It comes three years after the folk rock group’s 2012 debut Lonesome Dreams.

Music video by Lord Huron performing Fool for Love

James McMurtry album Complicated Game landed among most bloggers Best Albums of 2015: “James McMurtry, the son of novelist Larry McMurtry, puts his yarn-spinning genes to good use in dark tales on ‘Complicated Game,’ an acoustic Americana masterwork and his first album since 2008’s politically caustic Just Us Kids. This time, the singer-songwriter leaves protest tunes behind for more personal narratives. He flaunts his guitar chops on rock stomper How’m I Gonna Find You Now, but most of the dozen tracks keep the focus on McMurtry’s rich literary talents.”

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The first studio album in six years from the dean of Texas songwriting. McMurtry turns a phrase better than most, and injects an extraordinary pathos into his everyman characters. He didn’t miss a beat during the half-dozen years delay, and this one is well worth the wait.
I’m not sure there is anyone out there today who can write songs about everyday scenarios as perfectly as James McMurtry. On his latest effort, McMurtry strips down his songs to their basics and lets the focus be on the stories within each song. The incredibly heartbreaking song “You Got To Me” will leave you missing something- whether that be home, a past relationship, or just earlier years will be up to you.