Posts Tagged ‘Auckland’

Everything changed for The Beths when they released their debut album, Future Me Hates Me, in 2018. The indie rock band had long been nurtured within Auckland, New Zealand’s tight-knit music scene, working full-time during the day and playing music with friends after hours. Full of uptempo pop rock songs with bright, indelible hooks, the LP garnered them critical acclaim from outlets like Pitchfork and Rolling Stone, and they set out for their first string of shows overseas. They quit their jobs, said goodbye to their hometown, and devoted themselves entirely to performing across North America and Europe. They found themselves playing to crowds of devoted fans and opening for acts like Pixies and Death Cab for Cutie. Almost instantly, The Beths turned from a passion project into a full-time career in music.

Songwriter and lead vocalist Elizabeth Stokes worked on what would become The Beths’ second LP, “Jump Rope Gazers”, in between these intense periods of touring. Like the group’s earlier music, the album tackles themes of anxiety and self-doubt with effervescent power pop choruses and rousing backup vocals, zeroing in on the communality and catharsis that can come from sharing stressful situations with some of your best friends. Stokes’s writing on Jump Rope Gazers grapples with the uneasy proposition of leaving everything and everyone you know behind on another continent, chasing your dreams while struggling to stay close with loved ones back home.

“If you’re at a certain age, all your friends scatter to the four winds,” Stokes says. “We did the same thing. When you’re home, you miss everybody, and when you’re away, you miss everybody. We were just missing people all the time.”

With songs like the rambunctious “Dying To Believe” and the tender, shoegazey “Out of Sight,” The Beths reckon with the distance that life necessarily drives between people over time. People who love each other inevitably fail each other. “I’m sorry for the way that I can’t hold conversations/They’re such a fragile thing to try to support the weight of,” Stokes sings on “Dying to Believe.” The best way to repair that failure, in The Beths’ view, is with abundant and unconditional love, no matter how far it has to travel. On “Out of Sight,” she pledges devotion to a dearly missed friend: “If your world collapses/I’ll be down in the rubble/I’d build you another,” she sings.

“It was a rough year in general, and I found myself saying the words, ‘wish you were here, wish I was there,’ over and over again,” she says of the time period in which the album was written. Touring far from home, The Beths committed themselves to taking care of each other as they were trying at the same time to take care of friends living thousands of miles away. They encouraged each other to communicate whenever things got hard, and to pay forward acts of kindness whenever they could. That care and attention shines through on Jump Rope Gazers, where the quartet sounds more locked in than ever. Their most emotive and heartfelt work to date, Jump Rope Gazers stares down all the hard parts of living in communion with other people, even at a distance, while celebrating the ferocious joy that makes it all worth it–a sentiment we need now more than ever.

releases July 10th, 2020

The Beths
Guitar: Elizabeth Stokes, Jonathan Pearce
Bass Guitar: Benjamin Sinclair
Drums: Tristan Deck
Vocals, Percussion: All

Image may contain: text, outdoor and nature

Auckland, New Zealand’s Singer Songwriter Molly Payton has kindly unveiled a stunningly-shot live version of her stark and thoughtful new single “Corduroy”. The track is the latest she’s shared from her debut EP Mess, which she releases courtesy of TMWRK on April 30th.

“Corduroy” is the third single from Molly Payton’s debut EP ‘Mess’

A ‘companion collection’ of live, whole takes recorded to 2” tape.

“I was very lucky to have 3 afternoons alone at Roundhead studios, in late 2017 and early 2018, when as a band we were just about finished mixing the full band versions I’m so proud of. Those had taken a long time to realise; it was a fun, beautiful, big project. So much happened during the process… I felt a need to get a snapshot of the songs at the end of it, with all that learning, reflecting on where they’d begun, and where they’d ended up.”

Released September 27, 2019

Written, performed and produced by Hollie Fullbrook

Having come together in 2013 after frontwoman Annabel Liddel recruited a group of musicians to support her solo performance, Auckland band Miss June have not wasted any time in establishing their unapologetic sound.

It’s raw and raucous; a hard-hitting explosion of fuzzed out punk riffs and wailing vocal melodies. With a string of consistently blistering singles under their collective belt, the four-piece belt through an energetic brand of 90’s garage that’ll kick you straight in the nose. On their most recent single Twitch”, the band showcase their penchant for vitriolic delivery. “I wrote Twitch in my first year of clinical placement for Medical School,” Liddel says about the track.

“The song is about the first time I operated on a living human being and how different this was to operating on a cadaver. I brought the lyrics and music to the boys and a year later it became the beautiful specimen it is today.”

http://

released May 29th, 2019

Annabel Liddell – vocals, guitar
Jun Cheul Park – guitar
Chris Marshall – bass
Tom Leggett – drums

The Beths are an Auckland quartet who pen stylish guitar pop with a keen lyrical bite. All four members studied jazz at University giving them the technical proficiency to contort simple pop structures and perfect, lush vocal harmonies. Check out a super rad performance by the Beths “Live at Lincoln Hall”. Recorded on March 6th, 2019 in Chicago, IL.

Tracklist:
1. Whatever
2. Happy Unhappy
3. Little Death

Band Members
Elizabeth Stokes – Vocals and Guitar
Jonathan Pearce – Guitar and Vocals
Benjamin Sinclair – Bass and Vocals
Ivan Luketina-Johnston – Drums and Vocals

Auckland psych-rock behemoth Ounce have unleashed their hugely anticipated debut album OZ, following hot on the heels of a mind-altering run of singles and senses-defying live shows. The incendiary six-piece’s ten track collection, released today via local independent mavericks 1:12 Records, features previously released favourites ‘Electric Eye’, ‘Satan II’ and ‘Crocodile’ alongside a fistful of fresh tracks, drawing upon a diverse sonic melting pot of influences including propulsive ‘kraut rock’ grooves, surf guitar and 50’s exotica percussive workouts. You can experience Ounce’s blazed double drum attack for yourself on their national album release.

http://

released March 1st, 2019

All words and music by Ounce except for Interstellar Overdrive riff by Pink Floyd in “Desert”. Recorded and mixed by Callum Rooney. Mastered by Patrick Haight. Art and design by Callum Rooney.

The Band

Antony Pike – Drums and percussion, some keys and backing vocals
Kieran Ruffles – Drums and percusion
Callum Rooney – Baritone guitar, vocals, keys
Yves Yang – Bass guitar
Fi Browne – Hand percussion

Image may contain: 4 people, people smiling

The Beths performing live in the KEXP studio. Recorded October 2nd, 2018.

Our KEXP vid is up! Give it a look if you wanna see me:
– head bang my headphones off with a single bang🤘
– disintegrate into a nervous, mumbling mess💧
– be completely star struck by Cheryl

Songs: Future Me Hates Me Uptown Girl Little Death Happy Unhappy

Band Members
Elizabeth Stokes – Guitar and Vocals
Jonathan Pearce – Guitar and Vocals
Benjamin Sinclair – Bass and Vocals
Ivan Luketina-Johnston – Drums and Vocals

We are very excited to welcome to the Milk! Records family the incredible Tiny Ruins from Auckland, New Zealand. Tiny Ruins have released two EPs and two albums, the most recent 2014’s acclaimed, Brightly Painted One. In late 2015 songwriter and guitarist Hollie Fullbrook recorded a collection of songs in Brooklyn NY with drummer Hamish Kilgour of The Clean, resulting in the EP Hurtling Through. This was closely followed by the release of Dream Wave – a 7″ single recorded/produced by renowned filmmaker (and Tiny Ruins fan) David Lynch.

Hollie Fullbrook doesn’t waste her time, and by extension, She doesn’t waste yours either. She has never released a song that didn’t sound as smart as it seems effortless. Some people can just command attention. And that’s why we’re excited to be working with her. If the above descriptions don’t make clear, her songs are amazing – anyone who likes the skill demonstrated by The Go-Betweens and Julie Byrne is at risk of Tiny Ruins fanship. We put out a song, “How Much,” recently, and we’ll have more to announce soon.

Tiny Ruins will be touring as a four-piece in the UK and Europe this August with some brand new music coming very soon.

Image may contain: 1 person, on stage, playing a musical instrument and night

The first time I wrote about The Beths “Future Me Hates Me”—which is already near the top of my own personal Best of the Year list 2018 , I zeroed in on one specific aspect of it: the album’s sense of melancholy. And while that’s undeniably present on the record—on the rip-roaring “Uptown Girl,” Elizabeth Stokes vows to “drink the whole town dry”—but what’s also present is a sense of elation. The starry-eyed deep-in-love ballad “Little Death” offers a deeply earnest and touching depiction of true romance, Stokes gently singing, “Your smile, it makes me weak/ and the red spreads to my cheeks/ you make me feel three glasses in,” as the band steadily accelerates behind her, as if matching the rhythms of her heart. The whole record is shot through with deceptively complicated musicianship and attention to craft; what at first feel like full-blast indie rock songs soon open up to reveal deft, complicated guitar work, clever, counterintuitive structures—like the way the coulda-been-on-Jade-Tree rave-up “Not Running” slams the brakes midway through to turn the melody over to group-sung a cappella vocals.  It’s pitch perfect power-pop with smart, sad lyrics and insanely catchy hooks.

http://

The more you listen, the more you notice the little filigrees and pivots that usually start showing up on a band’s fifth record, not their first—which is both an accomplishment and a challenge. If The Beths are this good already, just imagine where they’ll be four albums from now.

Celebrating the release of ‘How Much’ from their third album, Tiny Ruins will be touring as a full band through the UK and Europe later this month.

Tiny Ruins are a band based in Auckland, New Zealand, conceived in 2009 by songwriter Hollie Fullbrook to describe her solo output. Fullbrook was born in Bristol, England, before moving to New Zealand at the age of ten. Growing up in West Auckland, she learnt the cello, guitar and wrote songs from her early teens.

Following five years living in Wellington, she collaborated with Barcelona-based A Singer Of Songs, releasing EP Little Notes independently in 2010.

Debut Some Were Meant for Sea followed in 2011. Recorded by Fullbrook and producer Greg ‘J’ Walker (Machine Translations), the album was recorded in an old hall in South Gippsland, Australia. It received critical praise for its minimalist approach and lyrical flair.

Joining forces with bassist Cass Basil and drummer Alex Freer in 2013, an EP of older songs and B sides, Haunts, was recorded on tape machine by Jon Pearce in the Waipu bush. Following this, the trio met with future band-member Tom Healy to record their second album, Brightly Painted One, released in 2014.

Fullbrook recorded a collection of songs in Brooklyn NY with drummer Hamish Kilgour of The Clean, resulting in EP Hurtling Through, released late 2015. This was followed by the 2016 release of Dream Wave – a 7″ single recorded/produced by renowned filmmaker David Lynch.

First single ‘How Much’ from the third Tiny Ruins LP was released 7th August 2018.

The first single from Tiny Ruins album No.3

Performed by:
Cass Basil: bass guitar, backing vocals
Alex Freer: drums
Hollie Fullbrook: vocals, acoustic guitar, cello
Tom Healy: electric guitar