Posts Tagged ‘Annie Booth’

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Slow Weather is the new project of Chris McCrory and Annie Booth, of Catholic Action and Last Night From Glasgow fame. The collaboration came about when Chris and Annie worked together in recording sessions for a track by wojtek the bear, followed by Chris providing production on Annie’s ‘Spectral’ EP which was released in 2019. Slow Weather is an exciting partnership of two hidden gems of the Scottish music scene; one that on their debut EP showcases two truly great songwriters combining to deliver a very cohesive set of luscious yet varied songs packed with character and nuance.

‘Lisbon’ is a particular highlight, where shimmering guitar glistens over a sleepy rhythm section that brings to mind the dying breaths of day as the sun fades. Annie Booth’s melancholic vocals guide the listener through a series of poetic musings that feel nostalgic in their whispered delivery. The latter parts of the song really begin to take flight and it’s easy to bear resemblances to Beach House, with reverby guitars wash through a circling stream of consciousness. It really is a captivating piece of dream pop and a clear point where the production really shines in giving the songs space to open up and breathe.

The title track ‘Clean Living’ sets off with gentle plucked guitars and lullaby-like keys, which don’t even begin to prepare the listener for this expansive musing on the comedown from a failed relationship. Lines like ‘I’m an optimist’ being met with ‘I’m a realist’ shows the duo’s musical chemistry and interplay as they cohesively weave a sense of narrative that ebbs and flows alongside the instrumentation so elegantly. In the latter half of the track, Chris and Anna deliver a spiralling ‘How did I let this happen to us?’ refrain which repeats over and over, as the keys gently build and layer to drive home the sense of circling thoughts and regret over what has been lost. It’s an emotionally captivating moment that frequently threatens to spill over, yet stays restrained and understated, almost as the character tries to keep their emotions intact. It’s such a powerful finishing statement that leaves a lasting impact.

Slow Weather’s debut is the affirming sound of two artists maturing in their craft and exploring the possibilities offered by collaboration. This clever, emotionally compelling yet often playful set of songs provides an experience more akin to an album than just five songs.

‘Clean Living’ is out now on 12” vinyl, available from Last Night From Glasgow in the UK.

The first single “Great White Male”  from Slow Weather is the new project from renowned producer and Catholic Action front man Chris McCrory and LNFG’s Annie Booth. Annie and Chris first met when Annie was providing feature vocals on a Wojtek the Bear track. Annie Booth is an Edinburgh-based singer, songwriter and instrumentalist. With a keen ear for melody and movingly bittersweet compositions, she is a unique and fiercely emotive voice in the Scottish music scene, her songs woven with a subtle but exciting patchwork of styles and sounds.

A big fan of his recording style, Annie then went into the studio with Chris to work on her “Spectral” EP. The process was extremely fun and organic, leading to talk of writing together for a new project.

After they penned their first song together in four hours, the two knew they’d stumbled across something exciting. The Clean Living EP, due for release in November 2020, was recorded mainly at Hermitage Works Studios in London, with the finishing touches added at Chris‘s home.

Preceded by two digital singles, the EP brings you well-executed, lush song writing from two people whose individual crafts have seamlessly woven together to produce music that is utterly lovely in its sound and has depth in its meaning

The two first worked together on Boothe’s 2018 release SpectrumTheir new project, Slow Weather, offers a proper and satisfying new collaboration. Debut EP Clean Living features five pretty, pastoral indie pop numbers, enhanced by some enjoyable boy/girl vocal interplay. A sunny affair,Clean Living goes great with the hope of morning and a warm cuppa to boot. But we’re really digging the fun, Buffalo Bill referencing “Great White Male,” and its trippy, wrong side of the Rapture video,

Taken from the forthcoming album Clean Living – LNFG39 – Released November 2020.

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Scottish Fiction and Last Night From Glasgow are proud to present ‘Magic 8’, the lead single from Annie Booth’s new EP ‘Spectral’.

Lead single ‘Magic 8’ showcases perfectly Booth’s lyrical frankness as she concedes “This is all I have to give to you and it’s nothing”, atop elegant acoustic guitar playing and building instrumentation; exposing herself and her shortcomings to the listener with a touching sincerity. It is a song which freely admits the writer does not have the answers; delving into the feeling of hopelessness and melancholy which permeates in all our lives, whether we admit it or not.

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‘Spectral’, the EP from which ‘Magic 8’ is taken from, follows on from 2017’s triumphant debut album ‘An Unforgiving Light’, and is a far more intimate collection of songs. Working with acclaimed producer Chris McCrory (Catholic Action, Siobhan Wilson) ‘Spectral’ showcases bittersweet notions set against sparse and creeping instrumentation. Affecting and dense in subject matter, ‘Spectral’ traces Booth’s maturing development as a songwriter both musically and lyrically.

Released March 29th, 2019
Composed and arranged by Annie Booth.Vocals, acoustic guitar, keys, synths and additional electric guitar performed by Annie Booth. 
Electric guitar, synths and monotron performed by Chris McCrory. 

Fresh from touring with Scottish Fiction stalwarts Mt. Doubt, vocalist and guitarist Annie Booth will released her solo debut LP ‘An Unforgiving Light’ in October 2017.

A joint venture from Scottish Fiction and Last Night From Glasgow, the record is an ambitious solo effort of puncturing melody and raw lyricism in the vein of alt-rock titan Jeff Buckley, marked by the contrasts of folk roots paired with alt-rock backing, and urgent instrumentation contrasted with introspective vocals.

The album starts as it means to go on, opening with the honest and tender ‘Demons’. Annie introduces herself in the most personal fashion in a track weathered with vulnerability and reflection. From here, the record opens up to more sonic possibilities on ‘Over My’ and ‘Little Lies’, stretching Annie’s excellent vocal capabilities as the backing grows in stature and strength.
The record’s middle section tackles poignant universal issues such as apathy, anxiety, and a loss of faith, making it’s way through a wide variety of musical textures: from delicate arpeggios, to dynamic rhythms, to glacial hymn-like vocal climbs.
Perhaps ‘An Unforgiving Light’s greatest achievement comes when it reaches the crescendo of ‘Reverie’, a track which manages  more

Released October 20, 2017

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