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Bruce Hornsby has released his latest studio album, “Non-Secure Connection”, out today via Zappo Production/Thirty Tigers. The 10-track album from the acclaimed pianist and singer acts as Hornsby’s second full-length studio effort in as many years following 2019’s Absolute Zero.

“Non-Secure Connection” features guest appearances from artists including James Mercer (The Shins), Justin Vernon and Wayne Pooley (Bon Iver), Jamila Woods, Vernon Reid, and even a posthumous cameo from the late Leon Russell on the song “Anything Can Happen“, which was shared earlier this week.

Bruce Hornsby shared the new song which will appear on the veteran musician and songwriter’s forthcoming studio album, Non-Secure Connection, due out this Friday (August 14th). Entitled, “Anything Can Happen”, the optimistic, sitar-filled song is that of a duet with the late Leon Russell, who died in November 2016.

“Anything Can Happen” follows “My Resolve” and “Bright Star Cast” as the third single from the forthcoming studio album. Amazingly, Russell recorded his vocal contributions for the song almost 30 years ago, with Hornsby finally getting around to completing the recording featuring his old friend.

As Hornsby explains,

I was able to get Leon Russell a record deal with Virgin in 1990, and we made a record called ‘Anything Can Happen.’ I always felt that the title song wasn’t produced as well as it could have been (I’ll take the blame), and always wanted to re-cut it. Leon asked me to ‘write me a Barry White track,’ which is how the song started. His vocal from the original demo ghosts mine for a lot of the song, and then he emerges at the end to join me in harmony. My time with Leon was extremely memorable and deserves its own article; too much amazing and funny, classic stuff.

Other previously-released singles included on Non-Secure Connection include “Bright Star Cast” and “My Resolve”.

“The new album’s chromaticism and dissonance quotient is exactly twice as high (three songs featuring that language compared to one and a half on the last record),” Hornsby mentioned with Non-Secure Connection‘s announcement back in June. “I feel like my music has never been a part of any trend that defined any era of music during my 34 years of doing this. I may be wrong, but that’s how it feels to me.”

Hornsby recently shared a trio of 2019 performances for fans to download or stream for free as the live events industry remains on indefinite hiatus. Hornsby has since been forced to postpone the final remaining dates of his 2020 spring tour.

iconic Irish Psychedelic rock band Andwella’s Dream (later changed to Andwella). This site is hosted by the band‘s founder, songwriter and frontman Dave Lewis. Over the coming weeks Dave will be sharing his memories, photos and favourite music from that era with old friends and new. Please drop by and say hello.

“People’s People” finds David Lewis and his band of freewheelers stripping their sound down to the essentials. Emerging from the psychedelic haze, the trio find themselves at a crossroads of American southern rock and a pastoral English countryside and deliver an album with booming harmonies and transcendental hooks that could go head-to-head with The Band or The Allman Brothers. The final chapter in the “Andwella” story has all the makings of a classic LP, and if not for the Reflection label’s own chaotic dissolution around the time of the release, it probably would have been.

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Released August 7th, 2020.

That kinetic rush of the record’s creation can be felt in first single ‘As Many Candles as Possible,’ which features Al Green’s organist Charles Hodges. On the first of March, 2020, John Darnielle, Peter Hughes, Matt Douglas, and Jon Wurster, aka the Mountain Goats band, visited legendary studio Sam Phillips Recording in Memphis, TN. Darnielle armed his band with new songs and reunited with producer Matt Ross-Spang who engineered last year’s In League with Dragons. In the same room where the Cramps tracked their 1980 debut album, the Mountain Goats spent a week capturing the magic of a band at the top of its game. The result is Getting Into Knives, the perfect album for the millions of us who have spent many idle hours contemplating whether we ought to be honest with ourselves and just get massively into knives.

Getting Into Knives includes guest performance on Hammond B-3 organ by Charles Hodges (of numerous Al Green records) and guest performance on guitar by Chris Boerner (of the Hiss Golden Messenger band). “The track opens with a bristling twist of guitars and rumbling drums before settling into a steady groove. A distorted crunch underpins the primarily acoustic proceedings, helping the song build to a pitch-perfect freakout, featuring Al Green’s organist Charles Hodges.” – Rolling Stone

“The album news arrives with the release of dark, squally lead single “As Many Candles As Possible,” which features Al Green organist Charles Hodges and builds to a churning catharsis.” – Indy Week
“Recorded across a single week in Memphis, the album trades between piano-driven intimacy and stormy bombast, the latter of which is on display in its lead single, ‘As Many Candles As Possible.’ Featuring Al Green’s organist Charles Hodges, the dark and swampy track reflects the Deep South milieu in which it was recorded.” – A.V. Club

“As Many Candles As Possible” by the Mountain Goats from their album ‘Getting Into Knives’ coming October 23, 2020 on Merge Records.

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Recorded across the year 2010 at Mana Recording Studios, St. Petersburg, Florida; Fidelitorium, Kernersville, North Carolina; Q Division, Cambridge, Massachusetts; Mission Sound, Brooklyn, New York

with: Bob Barrone – steel guitar / Yuval Semo – organ; piano on outer Scorpion Squadron / Yoed Nir – cello / Gillian Rivers – violin / all string arrangements by Yuval Semo / vocals on High Hawk Season arranged by Daniel Perry and performed by the North Mountain Singers: Daniel Roihl, Daniel Perry, and Darrick Yee

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Damn The Vampires, Prowl Great Cain, For Charles Bronson, and Never Quite Free produced and mixed by John Congleton; High Hawk Season produced and mixed by Brandon Eggleston; Birth of Serpents, The Autopsy Garland, Beautiful Gas Mask, and Sourdoire Valley Song produced by Erik Rutan and mixed by Brandon Eggleston; Estate Sale Sign, Age of Kings, Outer Scorpion Squadron, and Liza Forever Minnelli produced and mixed by Scott Solter

all song lyrics and music by John Darnielle

The Mountain Goats:
John Darnielle, Peter Hughes, Jon Wurster

Neil Young Announces New EP, ‘The Times’

Neil Young has announced plans to remove all Facebook and Google logins from his Neil Young Archives website.

This announcement is nothing terribly new, as the 74-year-old politically-minded rocker has railed against Facebook since the aftermath of the 2016 election. He delayed initial plans to purge Facebook logins back in March on account of the pandemic, stating that “asking people to make a transition now, would just add another complication to their lives and tax our customer support.” However the reasons for his stance against Google are much less clear.

In an email sent out to Neil Young Archives subscribers, the singer-songwriter stated that the transition will be an easy one that will require “just a few extra clicks.” After that, users’ accounts will be switched to their email address and a password for the login. After thanking his subscribers for bearing with this change, Young sites the Neil Young Archives Times-Contrarian motto, “Quality whether you want it or not!”. As for why Young is making this change, the email directs users to a post on NYA from February 21st, 2020. The post states that while the estimated cost of purging Facebook and Google logins from the site is roughly $20,000, the price is worth it.

“Facebook knowingly allows untruths and lies in its political ads to circulate on the platform, while bots sow discord among users,” the post reads in part. “Sowing dissent and chaos in our country via political disinformation is something we cannot condone. Simply put, Facebook is screwing with our election.”
Yet the post, titled “After Facebook”, lays out what the goals of the Neil Young Archive are, and they seem eerily similar to that of the social media platform.
“NYA strives to be a place where music lovers can get all of my music at its highest quality, while keeping up on news and views from around the world that we wish to share.”

See the email from Neil Young Archives, obtained in part by Variety, as well as the original post announcing the reason for the split from Google and Facebook.

Alongside his official music video for “Lookin’ For A Leader 2020,” Neil Young has announced a new EP dubbed, The Times.

“I invite the President to play this song at his next rally,” Young wrote. “A song about the feelings many of us have about America today, it’s part of the The Times, and EP coming soon from Reprise Records – my home since 1968.” The original version of “Lookin’ For A Leader” appeared on Young’s 2006 album Living With War. According to a press release, “this timely 2020 update targets the problems we currently face.”

Young also recently announced that he has begun the process of removing social media log-ins from his Neil Young Archives website, now only allowing fans access with an email address.

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Hazel English has shared a new video for her single “Five and Dime” taken from her debut album “Wake UP!” , which you can pick up now from the Polyvinyl Store. Before I dive in, grab the nearest hairbrush, broom, swiffer – whatever your mic of choice is. Because Hazel English’s “Five and Dime” is a you’ve-absolutely-gotta sing along kinda track. And now it’s got an incredibly fun new video to boot! The visual has Hazel traversing every color to dazzling effect. Dive in now.

And don’t you dare miss out on Hazel’s wonderful World Cafe session! From science fiction to an intimate home recording, it’s truly such a treat.

‘”Five and Dime” is a woozy, idyllic view into Hazel’s world, which is built on timeless-sounding melodies, retro-tinged soundscapes and a knack for resonant lyrics. The mid-tempo number is reminiscent of the playful love songs of ’60s pop, as Hazel frustratedly muses on a love interest who is consuming her thoughts and detracting from her focus, “Gotta get away cause you’re taking up all of my time / You know I need my space so I’m heading to the Five and Dime.”

Speaking about the new video, Hazel says: “Five and Dime” is about longing for escape and freedom so I thought it would be fun to create an idyllic beach vacation, constructed from a set with cardboard cut out waves and fake palm trees. The idea behind it is that while I’m fantasizing about escaping to a tropical place, it’s clear I’m just kind of stuck in this pretend version of it. I wanted to evoke the nostalgia of Hollywood musicals from the ’50s and ’60s, complete with dance choreography and bright colourful costumes.”

Five and Dime is taken from my debut album “Wake Up!”

Father John Misty’s “To S.” b/w “To R.” is the singer’s double A-side contribution to Sub Pop Singles Club Vol. 5, and his first new, original, studio material since his acclaimed 4th album, 2018’s “God’s Favorite Customer”. These gorgeous, meticulously rendered tunes were recorded at Fivestar Studios and Funky Monkey Soundhaus NoHo in Los Angeles, produced by Dave Cerminara and The Haxan Cloak, mixed by Cerminara, and mastered by Adan Ayan at Gateway Mastering.

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“To S.” and “To R.” follows Father John Misty’s “Off-Key In Hamburg”, his first live album, released in March of 2020, and Anthem +3, a collection of covers of songs by Leonard Cohen, Yusuf/Cat Stevens, and Link Wray was released July 2020. Combined, Off-Key In Hamburg and Anthem +3 raised over $100,000 for multiple causes including The Recording Academy’s MusiCares COVID-19 Relief Fund, CARE Action and Ground Game LA. Father John Misty is also selling his infamous “Poem Zone” t-shirt via his official webstore, with August proceeds from the store benefitting his touring crew.

Released August 17th, 2020

2020 Sub Pop Records

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Remember live music? “First Flight” documents about 40 minutes of jams recorded during the third week of my September residency at Nublu last year, and, for me, this show was just about the most enjoyable hour of music I played all year.

The ideal of the residency was to mix things up with special guests, different band line-ups, and varied set lists, keeping things fresh and new week-to-week, and this show was the wild card of the bunch. That’s because although Ryan and I have played together for years, and Dave and Spencer have played together for years, neither half of the band had ever met each other. I was tangentially aware of Dave and his music and was intrigued by what I’d heard, so I thought it was a cool idea when Chris Tart, the residency promoter, suggested a collaboration.

So, about 30 minutes after we’d all heard each others voices for the first time, we got up and played for a little over an hour, uninterrupted. The only thing discussed beforehand was that we shouldn’t discuss anything beforehand – not a key or a riff to start with, nothing – so as to preserve maximum spontaneity.

I think this music demonstrates a real connection on stage. In other words, each player was completely present and actively listening on the bandstand. Listening back, there are moments I can hear Ryan saying – musically – “Hey, let’s go over here! Check this out!,” or Spencer being like “Wouldn’t it be cool to go down this path?” And we followed. And it was cool.

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In my mind, that listening thing is the number one most important factor in any collaboration or cooperative effort, but especially in improvised music.

And I think it’s fair to say that a little more listening, a little more presence, would do the whole world some good right about now, don’t you think?

Chris Forsyth
releases August 28, 2020

Chris Forsyth – guitar
Dave Harrington – guitar, electronics
Ryan Jewell – drums, percussion
Spencer Zahn – bass

Partner is the “mature” effort of two best friends named Josée Caron and Lucy Niles. Together, with Rock as their trusty guide, they explore a variety of themes in an attempt to understand the meaning of life. Partner is the “mature” effort of Killer Haze (Yellowteeth, The Mouthbreathers) alumni Lucy Niles and Josée Caron. Partner is genre-defying and terrifying: part musical act, part teenage diary, and 100% queer, Partner is unflinching in its exploration of intimacy, friendship, sexuality, drugs, and the existential predicament of being a lesbian barista in the year 2017(and 2018, and…..).
Double single from the upcoming album “Never Give Up” (November 20, 2020).

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Released August 14th, 2020
Vocals / Lead Guitar by Josée Caron
Vocals / Bass by Lucy Niles
Drums by Simone TB
Music and lyrics written by Partner.

Kikagaku Moyo

This EP was originally released in a limited run of 100 cassettes in early 2014 and on vinyl also in 2014 on Captcha and Cardinal Fuzz. Each song builds on a direct, yet otherworldly folk/psych vibe, evolving into a joyous, haunting, far-out and totally colourful tribal sound.

Kikagaku Moyo state that with improvisation they can freely explore beyond consciousness as they make ‘free music’ and you can well imagine this as they take you on a journey through inner space with Mammatus Clouds. Here we are treated to meditative waves of ritualistic music as sitar player Ryu is to the fore on these recordings as the band stretch out to infinity, falling somewhere between the collected works of Bo Anders Perrson, George Harrison’s sitar exploits and The Taj Mahal Travellers”

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Releases August 28th, 2020