LETS EAT GRANDMA – ” Deep Six Textbook “

Posted: January 3, 2017 in ALBUMS, MUSIC
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Two lookalike freaky kids who made one of the most lush, organic songs of the year in 2015, the mesmerising track Deep Six Textbook. Their music is as icy as PJ Harvey and as random as Bjork or Dean Blunt, arriving complete with coordinated handclaps, sax solos, wilfully obscure lyrics and jaw-dropping harmonies. There’s something a bit creepy about Let’s Eat Grandma. Their name, for starters. But their eerie childlike vocals matched with a quirky psych tinged, folk sound but with hints of electronica, shouldn’t really work. Yet it does. And the result of I, Gemini is one of the most catchy new records of the year. The teenage Norwich duo are instantly likeable and the ideas involved in their debut record hint at a very bright future.

That Let’s Eat Grandma’s debut album I, Gemini should feature on our favourites of the year list should come as no surprise to regular readers. We’ve been fans and supporters since way back when and their appearance on Jools Holland was one of our personal music highlights of 2016.

Their music isn’t for everyone but the best thing is, we really don’t think they care. In fact, we’d wager that all the critics, bloggers and armchair opinioners take it all a lot more seriously than Rosa and Jenny do. Their sound is inventive, imaginative and entirely different to pretty much anything else out there right now. They make music for themselves, please themselves and to entertain themselves. It’s not really commercial – it’s not pop by numbers, it’s not landfill indie, it’s not even punk (though some will say it is) – it is simply the imagination and musicality of two incredibly talented teenagers left to run wild, and the results are magnificent.

Many of the tunes are pretty much the same as they were a couple of years ago, before the industry was aware of them and before their debut Latitude appearance (on the tiny Inbetweeners stage) became a thing of legend. A tip of the hat to Transgressive then for letting the pair be themselves and not trying to add significant amounts of polish or control to a sound that is at its best when it is left to just be whatever the girls want it to be.

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