Posts Tagged ‘Wish Goes On’

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“Teach Old Dogs New Tricks” is the name of the fourth track of Milly’s new EP, but it could easily double as a musical statement of purpose from this band, which has taken some well-worn sounds of mid-’90s indie rock and made them sound thrillingly, unexpectedly alive again. Borrowing from the thick, heavily distorted vibe of grungy American shoegaze like Catherine, and wedding it to slowcore rhythms of the time (think Rex, Codeine, or the more dreamy of the Chicago post-rock acts), the group fuses these styles with a distinctively modern ennui, thanks to the lovely, searching lyrics from singer Brendan Dyer, whose understated drawl makes for a perfect accompaniment to the catch-and-release musical tension. “You eyes, like your smile / It’s fucking with my life,” he sings on “Denial,” a great blend of rolling, Buffalo Tom-like jangle and spare, strummy intensity. Each of the songs fits like a puzzle piece with the others, creating a coherent whole that nonetheless erupts into singular moments of expansive, blissful beauty.

Official video for “Star Thistle Blossom,” from Milly’s new EP ‘Wish Goes On’ coming April 9, 2021.

“Wish Goes On” soundtracks the (re)birth of a band called Milly. It is something new emerging from something old; something old from something older, made new again. In 2019, Milly hit the road with labelmates and fellow fans of fuzz, Swervedriver. At the time, their line up was rotating consistently as Brendan Dyer, Milly’s principle songwriter, searched for permanence in the form of a live band. It was on this tour that something clicked for Dyer, who recalls the feeling as nothing short of cosmic. He remembers thinking one day, simply, “This is the band,” and so it was. Spencer Light on guitar, Yarden Erez on bass, and Zach CapittiFenton on drums, with Dyer playing guitar and singing the songs.

The dynamic that burst into existence on this tour only deepened in the following months. “So much of it for me are those in-between moments,” Dyer says about the band’s blossoming friendships, “driving in the car listening to music, or being on break from rehearsal getting something to eat from Lassens.” Dyer would bring sketches of songs to the group, most of which he’d already been developing for years. “This release marks the transition from Milly as a solo project to Milly as something more unified,” Dyer explains. CapittiFenton, Erez, and Light were invited to dissect and rework his demos  a process that continued right up until the time they found themselves in rural Colorado actively recording Wish Goes On with Gleemer’s Corey Coffman. Coffman, who engineered and produced, also became involved in the song writing process at this point, offering ideas the band would take home and play with before returning to the studio the next day.

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The result is five songs which complement one another artfully. By the time Dyer sings, “But it’s different now, feels like the same old town but I know it’s not” on the EP’s second track, “Denial,” it is not only a hometown that has disappeared in change, but also the sordid illusion of US supremacy as it is incessantly propagandized, especially to children — a notion which opener “Star Spangled Banner” openly unsettles. Dyer wrote “Denial” and the three songs that follow at around the same time in his life, with “Star Spangled Banner” coming significantly later, sometime after Milly’s formative tour in 2019. There is something to be said about these conversations across time, the album receding in a sense into the past even as one advances through it. Maybe it has something to do with the idea that longing, wishful thinking, and hope are always reaching both backwards and forwards. Maybe when Dyer sings that he “can’t get past denial,” he’s referring in a sense to the denial of anything but the present moment. Maybe, in the way of Alan Watts, Wish Goes On furthers the idea that “The only way to make sense out of change is to plug into it, move with it, and join the dance.” Dyer describes something to this effect when he says he’s been “trying to keep my head down and follow my path, knowing things will work out.” In the same conversation, he openly acknowledges that “even if that’s not true, it still feels helpful,” which is to say, of course, “Wish Goes On.”
 

Released April 9th, 2021

Written and performed by Milly