Posts Tagged ‘Winnipeg’

No photo description available.

Ariel Posen’s music occupies the space between genres. It’s a rootsy sound that nods to his influences — heartland rock & roll, electrified Americana, blue-eyed soul, R&B, Beatles-inspired pop — while still moving forward, pushing Posen into territory that’s uniquely his own. He turns a new corner with “Headway”, a solo album that finds the songwriter taking stock of his personal and musical progress.

Posen began recording Headway in December 2019, one week after wrapping up international touring in support of his acclaimed debut, How Long. He’d been on the road for a year and a half, playing shows across the U.K., Europe, America, and his native Canada. Along the way, Posen had received standing ovations not only from his audiences, but also from outlets like Rolling Stone, who dubbed him “a modern-day guitar hero,”.

Coming back home to Winnipeg, he began sifting through the new songs he’d written between tour dates. Many of them had already been tested on the road, their arrangements whittled into shape by a group of road warriors at the top of their game. Practically all of them were about the process of evolution — of making progress in life, love, and all points in between. Those themes were reflected in the music itself, which presented a crisper, clearer picture of Posen as a songwriter.

Famed for his exquisite slide technique and soulful vocals, Ariel Posen is now one of the most revered guitar players in the industry. However, his guitar choice is a little leftfield. Singer/songwriter. Internationally-renowned guitarist. Producer. Solo artist. A lifelong musician, there are few roles Ariel Posen hasn’t played. Utilising instruments that echo familiar models and vintage classics, he’s usually found playing a custom model by Josh Williams, a Collings 360 LTM and most notably, his signature StratoMule from Mule Resophonic Guitars, which he affectionately calls the ‘Posencaster’.

If How Long had been his introduction to the roots-music world, then Headway was something different: a sharply-defined snapshot of a musician who has truly crystallized his sound.
Like its title suggests, Headway is all about growth. Already celebrated as a frontman, multi-instrumentalist, and producer, Ariel Posen hits a new high-water mark with his second album — an album that prioritizes song writing above all else, showcasing the progress of a lifelong musician who’s still in the middle of an upward trajectory.

I’ll never forget where I was when I first discovered The Cranberries’ “Dreams”: as they put the song on repeat all afternoon. I may someday forget where I was when I first heard Living Hour’s kinda dreamy cover version, While it’s far from the heat-stroke shoegaze that first drew me to Sam Sarty’s project, this cover shares its unique deep-exhalation appeal. Oh, and careful—when you google “living hour dreams” it autocorrects to “living your dreams,” which is apparently a song from Beverly Hills Chihuahua 3. This is not that song.

Living Hour’s expansive, gentle and slow indie rock is distinguished by lovelorn melodies, transient polyrhythms, and a dreamy instrument palette that includes heavenly interlocking guitars, casiotone keyboards, and brass. Floating over these warm sparkles of sound are Sam Sarty’s emotive lead vocals, which are intoxicatingly smokey and vulnerable.

Living Hour recorded their early songs with friend and producer Riley Hill in the west end of their hometown, Winnipeg, Canada. Their self-titled debut album was released on cassette in early 2016 on Bloomington’s Tree Machine Records, introducing the band’s cinematic sound and propelling years of DIY touring in Canada, USA, and Europe.

Living Hour’s Softer Faces was released by Brooklyn’s Kanine Records in February 2019 with production by Kurt Feldman (The Pains of Being Pure at Heart, DIIV, Depreciation Guild) and Jarvis Taveniere (Woods, Purple Mountains, Parquet Courts).

 The album received acclaim from NPR, Stereogum, Paste, Vice, Bandcamp, AllMusic, The Grey Estates, Gold Flake Paint and more.

 “Some of the most heartsick synth-pop since Cocteau Twins.” – Noisey

Winnipeg rockers Living Hour dream big with grandiose, all-encompassing shoegaze that stretches to the ends of the earth.” -Stereogum

Image may contain: 1 person, standing

When a young artist can make your knees buckle like Julien Baker and Stella Donnely or get you rollicking with an old-school alt-country tune à la Kathleen Edwards, her future is undoubtedly limitless. Winnipeg-based singer-songwriter Taylor Janzen made us weep and excited with songs like “Stations”“Waiting Room”, and “New Mercies”. Her excellent debut EP, Interpersonal, caused us to imagine her gracing the stages of not just the acclaimed Winnipeg Folk Festival. We can see her leaving the audiences at Newport Folk Festival and Pickathon completely silent and in awe of her brittle folk-rock.

http://

Boniface

Named after the neighbourhood in Winnipeg where he grew up as a bored teen learning as many instruments as he could get his hands on, Micah Visser released his brilliantly titled debut single I Will Not Return As A Tourist last year on Transgressive Records imprint ParadYse. Mixing Death Cab-esque poetic despair across an unstoppable backdrop of searing harmonic power, his songs are wonderfully bleak and heartbreaking.

If ever a lyric summed up an entire album then these  words, taken from the title-track from John K Samson’s new solo album, is it. First there’s the brooding, philosophising of time and place and our role within it:

“And no one knows we’re anywhere we’re not supposed to be, so stay awhile and watch the wind throw patterns on a field. ”

such a staple of Samson’s work with The Weakerthans – then there’s the nod to his surrounding environment, and the wheat crop that so inspired this new album; one that hides throughout the winter only to thrive again when the warmer weather arrives.

Also diverting from these two somewhat vague arms to take in tales of drug treatment centres, technologies advancement on our daily lives, psychotic episodes at local quiz nights, and even the return of his feline character, Virtute, who dropped in and out of The Weakerthans back-catalogue, ‘Winter Wheat’ is a poignant, beautiful, and wonderfully compelling album, resonant and warm magnification of what’s often overlooked, so rich in detail it feels like entering the world of some great novel; vivid, detailed, and one that stays with you for far longer than the running time.

http://

All lyrics and songs C 2016 by John K. Samson,
except 17th Street Treatment Centre and VPW 13 Blues,
C 2016 by Christine Fellows and John K. Samson

Irresistible foot-tapping indie rock, Futurekids hail from the centre of Canada and deliver upbeat yet melancholy rockers infused with blips of pop culture references. The band’s debut EP, 2014’s Say Goodnight to the Machines, reached a reasonable place on the Canadian national charts and was mastered by Juno-winner Jamie Sitar (Destroyer, You Say Party).

http://

Ruth Moody,Ruth Moody is a two-time Juno Award winning singer-songwriter from Winnipeg, Manitoba. Founding member of the internationally renowned trio The Wailin’ Jennys, and former lead singer of the Canadian roots band Scruj MacDuhk, she has performed in sold-out venues around the world, made numerous critically-acclaimed albums,
Although best known for her work with The Wailin’ Jennys, Ruth is an artist of exceptional depth and grace in her own right. Critics have lauded her ethereal vocals, impressive multi-instrumentalism, and her talent as a songwriter. Written with a maturity and wisdom that belies her age, her songs are timeless, universal, and carefully crafted, all sung with an intimacy and honesty that is unmistakably her own.
These Wilder Things, the highly anticipated follow-up album to the Garden, is slated for release late 2013. Once again produced by Travers-Smith, it features guest appearances by Mark Knopfler, Jerry Douglas, Aoife O’Donovan, Mike McGoldrick, John McCusker, and The Wailin’ Jennys.
Ruth recently showcased at SXSW in Austin, Texas, toured as the featured guest with ‘A Christmas Celtic Sojourn’ in New England in 2011, and toured through the UK and Ireland with the prestigious ‘Transatlantic Sessions’ in February 2012 (as part of ‘Celtic Connections’ in Glasgow, Scotland). This May and June she and her band have opened for Mark Knopfler in England, France, and the Netherlands.