Posts Tagged ‘Thurston Moore’

One of the best moments for any music fan is the discovery of a band or artist with a long, rich body of work. In addition to obviously offering tons of music, massive discographies are often stylistically compelling and offer the fodder of debate among friends and fellow music nerds.

However, which record should a new fan start with? Does an artist’s often uncorrupted debut offer the purest example of their sound? Are oft-cited classics the best first step, or do they offer a difficult path for newcomers to tread?

This influential noise rock band is on hold due to the marital separation of frontman Thurston Moore and bassist Kim Gordon. Other than being alt-rock icons, this extremely talented four piece released several fantastic albums of beautiful guitar clanging clamor over their 30-plus career together. Sonic Youth constantly toed the line between accessibility and ambition, which is why starting with 1987’s pre-fame Sister is perhaps the best for newcomers. Sister, released on iconic punk label SST Records, captured the band’s developing knack for melting pop melodies between slabs of abrasive noise rock. Further, Moore’s fascination with hardcore resulted in a full speed ahead energy on several cuts, like punk ravers “I Got A Catholic Block” and “Stereo Sanctity.” Elsewhere, the slow burning punk power ballad “Kotton Krown” remains one of Sonic Youth’s finest recorded moment.

One of the best moments for any music fan is the discovery of a band or artist with a long, rich body of work. In addition to obviously offering tons of music, massive discographies are often stylistically compelling and offer the fodder of debate among friends and fellow music nerds.

However, which record should a new fan start with? Does an artist’s often uncorrupted debut offer the purest example of their sound? Are oft-cited classics the best first step, or do they offer a difficult path for newcomers to tread?

With these questions in mind, we’ve selected one album from eights artists who boast towering, intimidating discographies of at least 13 albums or more. These eight acts are not only enormously prolific, but also fairly consistent, with no single album serving as “the” career definer (sorry Ryan Adams fans). Check out these entry point albums below.

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Sonic Youth  so long ago reached that rare point in an artist’s career when they can do exactly whatever they want, whenever they want. a day after they released two incredible tracks on the glowingly-reviewed vinyl-only retrospective box set by the North Carolina imprint Three Lobed Recordings, the band dropped into the radically revamped Williamsburg Waterfront and played a set of older and rarely-played cuts.  Albums that have gone almost-untouched on recent tours saw the light of day: “Brave Men Run,” “Ghost Bitch” and (the more-commonly played) “Death Valley ’69” from “Bad Moon Rising” were on the menu. “Dirty” – regarded, rightly or wrongly as the band’s most “commercial” record – wore its age well on an extended “Sugar Kane” and the infectious “Drunken Butterfly,” with Kim spinning round the stage like a madwoman twenty to thirty years her junior.  “Starfield Road,” from the relatively unappreciated “Experimental Jet Set, Trash and No Star”, made the cut, alongside classics like “Kill Yr Idols” and “Cotton Crown” (from Sister).  Late-period material similarly seemed at home; “What We Know” sounded just as vital among these gems as it has at recent shows where the band played almost exclusively new material.  And, for good measure, the band’s second encore (of three) was the title track to Thurston’s mid-90s solo effort, “Psychic Hearts”.  Other than their deep-as-shit discography, Sonic Youth don’t feel like a “classic” band, with energy, enthusiasm and intensity that could put most crews of 22-year-olds to shame.  They can carry a show and rule the night anywhere in this city.

The show wrapped with the feral noise squall of “Inhuman,” as Moore howled at the soulless towers of steel and glass and the band’s immense blasts of feedback threatened to shake the junk to its foundations.  A lot in this world feels built on a shaky foundations these days.  Some artists have the power to remind you that some things still are real, and good, and right.  Fifty years from now, those architectural monstrosities will probably be rubble.  Sonic Youth will be a monument to their era. Thanks to the New York Taper.

Tracks

01 Brave Men Run,  02 Death Valley ’69,  03 Cotton Crown,  04 Kill Yr Idols,  05 Eric’s Trip,  06 Sacred Trickster,  07 [banter] 08 Calming the Snake,  09 [banter],  10 Starfield Road,  11 I Love Her All the Time,  12 Ghost Bitch,  13 Tom Violence,  14 [banter] 15 What We Know,  16 [banter],  17 Drunken Butterfly,  18 [encore break 1],  19 Flower,  20 Sugar Kane,  21 [encore break 2] 22 Psychic Hearts,  23 [encore break 3],  24 Inhuman.

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The Thurston Moore Band — aka Thurston, his former Sonic Youth bandmate Steve Shelley on drums, My Bloody Valentine’s Deb Googe on bass, and guitarist James Sedwards — put out their SY-esque The Best Day earlier this year and recently toured it, hitting NYC twice..

 

 

https://www.youtube.com/watch?v=09b4z7TpU9s#t=1368

Thurston Moore and his band played an amazing set at the Bodega in Nottingham last Wednesday evening here is a longer set he performed in New York, No pompous arrogance, as you guys know Sonic Youth influenced shoegaze before the term was even coined, and here is the Thurston Moore band, doing his entire latest release “The Best Day”, with Debbie Googe on bass. I don’t have any definitive conclusions as of yet, but anybody into Sonic Youth, shoegaze, etc. its a great listen.   Thurston Moore Band live at the record release show for “The Best Day” at Saint Vitus on October 21, 2014 in New York City.

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Setlist: 01 Forevermore 02 Speak to the Wild 03 Germs Burn 04 Detonation 05 The Best Day            06 Grace Lake 07 Psychic Hearts 08 Pretty Bad

Thurston Moore and a session for the French magazine/Blogsite La Blogotheque, He performs acoustic  ‘Benediction’ and ‘Blood never lies’ in his home in New York City, for the Session. “He looks back on how he first tried to find the venue CBGB’s and how it all started, whose siren song he answered to arrive in the city, whose kept him there… Joey Ramone, a teenage Beck Hansen, Jim Jarmusch and Jean-Michel Basquiat at the Todd’s Copy Shop, Patti Smith in Creem magazine and the birth of hardcore.” songs are Blood Never Dies and Benediction, He is Tall.

 

 

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from the new album “The Best Day” first solo album in 4 years from the Sonic Youth mainman also includes drummer Steve Shelley. awesome guitars on this track,

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Thurston Moore and the title track from his new album out on October 20th on Matador Records, after a busy few years with the dissolution of his long term band Sonic Youth and his seperation from Kim Gordon with the band members all going their seperate ways, after the previous albums the more folky woods “Trees Outside The Academy” and the noise punk “Chelsea Light Moving” with this new album Moore stands ready for the future, Thurston Moore will be performing at the Bodega in Nottingham.