Posts Tagged ‘The Best of Luck Club’

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Melbourne-based indie rocker Alex Lahey wasted no time on small-talk pleasantries with the release of her promising 2017 debut, I Love You Like A Brother. The Australian singer-songwriter’s  follow-up, “The Best of Luck Club”, and it’s accompanied music video for lead single “Don’t Be So Hard On Yourself” to usher in the good news.

The Best of Luck Club, was released May 17th on Dead Oceans Records, picks up where Brother left off, returning all of the sardonic lyricism Lahey charmed listeners with before, but this time, with a more refined finish—think of it like a backhanded compliment with a really good beat. (Okay, maybe not backhanded, but definitely charismatically sarcastic. )

Citing inspirations ranging from Paramore to Bruce Springsteen, Lahey’s sound is something that hinges on the sunshine-y rhythms of surf rock with a ‘90s riot grrrl-inspired edge, producing anthemic pop-punk not meant for sitting still to. Whether she’s singing about self-doubt and breakups, mental health and moving in with a girlfriend, or vibrators and generational ennui, Lahey’s attention to detail zeroes in and locks a moment in place with self-assured precision.

Lahey notes that the dive bar scene in Nashville was her inspiration for the album’s catchy title. “Whether you’ve had the best day of your life or the worst day of your life, you can just sit up at the bar and turn to the person next to you —who has no idea who you are— and have a chat,” she says. “And the response that you generally get at the end of the conversation is ‘best of luck,’ so The Best of Luck Club is that place.”

Lahey released a music video for its peppy and optimistic title track, “Don’t Be So Hard On Yourself,” which features a return to her saxophone roots. If album #2 delivers anything like her latest single … consider us already dancing in anticipation.

Alex Lahey – Don’t Be So Hard On Yourself taken from ’The Best Of Luck Club’, the new album ,

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Australian singer/songwriter Alex Lahey is releasing a new album, The Best of Luck Club, on May 17th via Dead Oceans. This week she shared another song from the album, the ballad “Unspoken History,” which is the third  single release from the album.

Lahey had this to say about the song in a press release: “When I was in Nashville, I spent some time in a tiny writing room creating songs for this record. Towards the end of that time, I felt as though I was starting to exhaust my output and was starting to become complacent about what I had left to give. On one of my last days there, I was lent a guitar that was set up in a variation on open D tuning, which is something I never play in. In the process of nutting out chords and voicing in this tuning, the melody to the verses just came out. When I started putting words to it, it started off as being about one thing, but then morphed into something else, creating its own path very organically.”

Previously Lahey shared a video for The Best of Luck Club’s first single, “Don’t Be so Hard on Yourself” which features a prominent saxophone solo from Lahey Then she shared another song from the album, “Am I Doing It Right,” The album is the follow-up to her 2017-released debut album, I Love You Like a Brother , Lahey began writing The Best of Luck Clubin Nashville, sometimes locking herself in a room for 12-hour days. Then the album was recorded over the course of a month in her hometown of Melbourne at Sing Sing South. Lahey co-produced the album alongside Grammy-winning producer Catherine Marks (Local Natives, St. Vincent, Manchester Orchestra). Lahey plays nearly every instrument on the album, with the appearance of the saxophone a reference to her past studying jazz saxophone at university.

Lahey had this to say about the album in a previous press release: “In Nashville I was really inspired by the dive bar scene there and the idea that at these dive bars there’s no pretentious energy. Whether you’ve had the best day of your life or the worst day of your life, you can just sit up at the bar and turn to the person next to you – who has no idea who you are – and have a chat. And the response that you generally get at the end of the conversation is, ‘Best of luck,’ so The Best of Luck Club is that place.”

’The Best Of Luck Club’, the new album from Alex Lahey, out May 17th on Dead Oceans

 

Alex Lahey is a songwriter based in Melbourne. She enjoys cats, Coopers Sparkling, her blue 1999 Corolla, Allen’s Party Mix, fuzz pedals and soft poached eggs.

On her sophomore LP, The Best of Luck Club, 26-year-old Alex Lahey navigates the pangs of generational ennui with the pint half-full and a spot cleared on the bar stool next to her. Self-doubt, burn out, break-ups, mental health, moving in with her girlfriend, vibrators: The Best of Luck Club showcases the universal language of Lahey’s sharp songwriting, her propensity for taking the minute details of the personal and flipping it public through anthemic pop-punk.

Lahey’s 2017 debut I Love You Like a Brother encases Lahey’s knack for writing a killer hook and her acute sense of humor delivered via a slacker-rock package – and, in a way, The Best of Luck Club picks up where that record left off, but sprinting forward. Lahey dives headfirst into a broader spectrum of both emotion and sound through polished, arena pop-punk in the vein of Paramore with the introspective sheen of Alvvays or Tegan & Sara. Here, Lahey documents “the highest highs and the lowest lows” of her life to date.

The first inklings of The Best of Luck Club came together on a shitty guitar while Lahey spent the bulk of her time on the road. The break-out success of I Love You Like a Brother took her beyond the adoration of Australia to her first taste of global touring; festival slots at the likes of Lollapalooza, Bonnaroo, and Osheaga; and her American TV debut on Late Night with Seth Meyers. Amidst the frenzy, Lahey found the time to tinker with her thoughts, eventually landing in Nashville for intensive songwriting sessions. Lahey would lock herself in a room for 12-hour days, and ended up churning out more than half the songs for the record. Most importantly, Lahey found The Best of Luck Club thesis while she was there – which explains the familiarity and relatabity through Lahey’s new LP.

“When I was writing all the stuff in Nashville I was really inspired by the dive bar scene there and the idea that at these dive bars there’s no pretentious energy,” she explains. “Whether you’ve had the best day of your life or the worst day of your life, you can just sit up at the bar and turn to the person next to you – who has no idea who you are – and have a chat. And the response that you generally get at the end of the conversation is, ‘Best of luck,’ so The Best Of Luck Club is that place.”

For recording, Lahey returned home to Melbourne, Australia and set up shop for a month at Sing Sing South. Lahey co-produced the album alongside acclaimed engineer and producer Catherine Marks (Local Natives, Wolf Alice, Manchester Orchestra), and plays nearly everything on the record save for drums. The blare of saxophone across several tracks marks Lahey’s first return to the instrument in years, which she said began as a tongue-in cheek decision but more than anything pays homage to her past. Lahey credits Marks for improving her attention to detail, self-confidence, and guiding the process through with a sense of humor.

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Barnstorming album opener “I Don’t Get Invited to Parties Anymore” recounts Lahey struggling with the often isolating pressures of adulthood, explaining,  “It’s funny to think that there are people out there who are sort of putting their social life on ice in order to get their professional selves together, and as a result they’re not getting invited to parties anymore, and it sucks.”

The relatable “Don’t Be So Hard on Yourself” grapples with the overwhelming feeling of burn-out as Lahey reassures it’s okay to have bad days, while the electrified “Misery Guts” hammers at the other end of the emotional spectrum, marking the first time Lahey has written a song in the midst of anger. “I Need to Move On,” which Lahey says began as a musical ode to The Cure in its demo form, is guided back to pop sheen by Marks’ deft hand, chronicling the struggle of getting over a break-up before you’re ready.

“When we were making the record, Catherine and I would refer to different songs as playing dress-ups,” Lahey recalls, explaining all the different roles she deftly inhabits on The Best of Luck Club. “I really think that if you saw a montage of a person writing and making this record – and the places where it all happened – it kind of does look like playing dress-ups, in a way.”

“These songs are almost written for each patron of a dive bar,” Lahey says, “because they’re so varied in the experiences that are being presented and it’s almost as if each one of the songs is someone’s day. I feel writing these songs is me going into The Best Of Luck Club and reflecting, and coming out with each individual song.”

Releases May 17th, 2019